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The Mill and the gloss that transformed this €2.25m Nohoval home and barn
The Mill and the gloss that transformed this €2.25m Nohoval home and barn

Irish Examiner

time10-07-2025

  • Business
  • Irish Examiner

The Mill and the gloss that transformed this €2.25m Nohoval home and barn

SECOND time around, better again and with a second house added is the still-unique, rare gift property offer — this 19th-century former flour mill, in a wooded glade, with access to a private cove, all steeped in Irish and maritime lore. Round One: The old flour mill at Rennies, Nohoval, was brought back from utter, roofless dereliction about 30 years ago by a then-young couple, Jim and Jackie McClay, who performed a heroic rescue mission, adventurously making it their home for two decades. Round Two: It featured in these pages a decade ago when it went for sale as a fully renovated family home over three floors, and the Price Register shows it selling for €690,000 by 2017, bought as an Irish/holiday home base by a smitten couple with five children, Dave and Katie McGoff, based in the UK but with deep Irish roots on both sides, in Cork and in Mayo. Given their background, in construction, law, and interior design, it's possibly little surprise to hear the McGoffs made changes at The Mill… quite a lot. Dave is second generation in construction in the north of England, around Manchester. His parents Jim and Ethna hail from Bohola, Mayo, a tiny community reputed to have fostered more millionaire sons and daughters than any other small Irish community, and he's one of four second generation siblings now running the €150m McGoff Group/Construction, with a niche in developing care homes. Katie's own roots are Cork city (Douglas on her mum's side) and Kinsale, and years of family holidays in Castlepark, Kinsale, tempted her and Dave to go seek out a place to call their own within easy reach of Cork city, airport, and Kinsale. The Mill, at Rennies, Nohoval, along the indented and craggy coastline between Cork Harbour and Kinsale fitted their bill. Katie says that it was the 'lyrical' online editorial from the Irish Examiner Property pages at the time - linking it to its local area mill and seafaring heritage - that swayed them to come see it for themselves, to dip a literal toe in the water and nearby Man o' War cove, or Smugglers' Cove, to which it has private right of way access. 'We weren't actively looking, just discussing and dreaming when we came across the mill,' says Katie of the decision that felt like fate to make the leap of faith for it. In the years since, it has had much use as a family bolthole, has been loaned to family and friends, hosted her mum's 80th birthday and a couple of 21sts for their own older children. Then, feeling the need to do more with it, the McGoffs went on a two-pronged programme of works, buoyed by their own professional skills and expertise. They added a second house, The Barn, a c 1,200sq ft black zinc and aluminium-clad three-bed detached house in place of an outdoor storehouse which had been built by previous owners, the McClays, to a design Dave worked up with the help of Cork-based architect James Murphy O'Connor, of the long established Boyd Barrett Murphy O'Connor (BBMOC) firm. The Barn 'I loved the sound of the stream by the store and thought 'wouldn't it be lovely to hear that all the time', so we got permission to built the barn there,' says Katie of the super-bright, utterly cool black box with decking expanse at its rear, currently crowded in by gunneras, those water-loving coarse-leaved 'giant rhubarb' plants, one of the verdant mix in this most magical of glade-like setting. Deck at the barn So. The barn added three more rooms for family and friends, and the mix later morphed into a high-end holiday rental business also, available across a number of platforms as 'the mill and barn'. The sleek barn was built in cosy timber frame over a mere four-month period in the covid times of 2021 by near neighbour in this hideaway Nohoval woodland, builder Simon Foley, who previously ran a company Sustainable Homes Ireland. Barn interior Simon and a local crew built the barn on-site while Dave McGoff was largely on board via video link due to covid travel restrictions (then in force): 'Yes, he found it frustrating, especially the costs in Ireland and the difficulty getting labour!' admits Katie. Kitchen at the Barn The family clearly had great trust in Simon Foley and his tight-knit crew including Steve Ward and Richie Doorman. They also followed up on Simon's suggestion (first hinted by a guest, Simon says) to turn the house's lower two levels 'upside down', so that the main kitchen/dining/living room is now on the centre floor, with two lower ground level en suite bedrooms down a stone curving staircase, and three more on the top floor. The move made sense as the mid-level had garden access thanks to a slope in the tiered gardens — after all, it was the fall of ground here which would originally have provided enough water flow to turn a mill wheel to grind corn for flour. This transformation, which included some internal wall work, took five months and made for a complete transformation of the flow and the way people interact between the house and grounds, with a large outdoor terrace on the upper level with expansive ovens and BBQ grills, seating and entertaining spaces on tiled platforms. The two properties now sleep up to 19 people when rented for group and family get-togethers; the extra long spalted beech table indoors seats 12 (done by handyman Simon, who now also is groundsman and handles bookings and rentals for the McGoffs as that business took off). KATIE installed black Crittall windows (so on-brand right now!) in the barn and on the middle floor of the mill. It's not just a tenuous visual link between both properties separated by 170 years in time on this plot, but on the mid-level they also now serve to safe containment for fire regs for safe egress from upstairs windows to the upper grounds, says Katie, wearing one of her many hats as former lawyer who now specialises in interior design and fit-out for the McGoffs developments and care home projects. She and colleague Tricia Cunningham worked with the mid 19th-century building's classical architecture, high ceilings, and stone walls, exposed in many rooms with a rough lime render finish, with furniture and fittings a mix of old-world charm from Granny's Bottom Drawer in Kinsale and contemporary touches from the likes of Sohoa Home, with Gucci wallpapers and tiles. Katie calls the layered look 'modern country with coastal influences'. Art work on display recalls the local: monochrome photography by Giles Norman (including his iconic shot of Nohoval Cove) and ceramic pieces by local neighbour Sara Roberts are well displayed, appropriate perhaps as the Roberts family has owned much of the surrounding land here for generations and, in fact, sold the mill to the previous ownersback three decades ago. With work all done to a uniformly high standard and a thriving rental business, the McGoffs are looking to sell, as adjacent paired private properties, or a rental business or mix of both home and income stream, by a woodland stream. Leafy-set, the Mill and Barn go for sale this month with Eileen Neville of Lisney Sotheby's International Realty guiding €2.25m for the pair on 1.5 acres, in mint order and with a high-end internal aesthetic contrasting easily with a rustic setting, and Ms Neville comments: 'Though independent in design and purpose, these two residences share a sense of history, craftsmanship, and modern luxury that sets them apart as a rare sanctuary on Ireland's south-west coast.' Apart from the tranquillity of the setting, and relative proximity to Kinsale -but a remove from its bustle via a network of tiny coastal backroads - the close proximity to Man o' War cove and its old turreted lime kiln and boathouse to which it has right of way access is a stand-out feature. There's little to compare the mix with, bar perhaps the standout 2024 sale near Clonakilty of two tiny stone dwellings, Fisherman's Cottage at Simon's Cove and with expansive sea views, which went to market with a €1.5m AMV to local amazement at the sum sought, only to find a buyer in jig-time from the US who paid €1.8m for the duo. VERDICT: Once derelict, the Mill has had two exciting rebirths, joined now by a new generation 'barn-raiser' second dwelling. Special, indeed.

St Ives empty town centre shop earmarked for new bar
St Ives empty town centre shop earmarked for new bar

BBC News

time30-06-2025

  • Business
  • BBC News

St Ives empty town centre shop earmarked for new bar

Developers hoping to turn an empty shop into a bar said it would bring "vitality and viability" to a town Barn St Ives, based in the Cambridgeshire town, said the bar would bring a "good level" of footfall in the area around Bridge Street. It has proposed converting an old shoe shop formerly occupied by His and Hers planning application said: "The proposed change of use will make a positive use of a commercial unit within the St Ives town centre." The new bar is proposed to open between 12:00 and 23:00 Mondays to Saturdays and between 12:00 and 18:00 on business behind the plans said these opening hours would "not encroach into the night time hours when people can expect reasonable levels of peace and quiet".It said the bar would also bring job opportunities to local residents.A separate licence will be needed for the bar to sell business is proposing to sell alcohol between 12:00 and 22:30 Mondays to Saturdays and between 12:00 and 17.30pm on plans said: "The hours we are proposing to licensing ensures that the site closes earlier than other drinking establishments in the local area, minimising any potential noise risk to nearby properties."The plans have not yet received any public comments and will be considered by Huntingdonshire District Council. Follow Cambridgeshire news on BBC Sounds, Facebook, Instagram and X.

Soul Cycle's The Barn: Where Design Creates Community
Soul Cycle's The Barn: Where Design Creates Community

Forbes

time27-06-2025

  • Lifestyle
  • Forbes

Soul Cycle's The Barn: Where Design Creates Community

Soul Cycle's The Barn in Bridgehampton SoulCycle While New York City is one of the busiest places in the world, the Hamptons offer a completely different vibe, especially at SoulCycle's most stylish outpost, The Barn in Bridgehampton. This beautifully designed studio features both indoor and outdoor spaces, making it more than just a place to sweat. The outdoor gathering area SoulCycle Whether it's attending a community event, relaxing outside after class, or simply soaking in the serene scenery (and the scene), The Barn offers an experience unlike anything else. The studio SoulCycle At 6300 square feet, The Barn is much larger than the average SoulCycle studio, which is 3000 square feet. With a generous 78 bikes, it holds more than 20 more bikes than a typical location. With a cycling meets Nancy Meyers aesthetic, this studio feels fresh and new, yet it opened nearly two decades ago. 'This was the second studio that SoulCycle opened in New York, and at the time, we were looking for a space that allowed us to create something that felt like a retreat rather than a typical studio. We also wanted to be where our community is, and this felt like the perfect next spot for us,' Keri Saggio, VP, Field Operations at SoulCycle tells me. A weathered wood desk SoulCycle The airy indoor-outdoor space is anchored by a perfectly weathered wood barn. The chic Hamptons aesthetic and lush landscaping give it a vibe that's worlds away from a typical New York spin studio, even with riders coming and going throughout the day. With two sitting areas, minimalist contemporary furniture outside, and playful rattan swings, the experience is more like a retreat than simply going to a class. Spin and swing SoulCycle 'The design invites riders to pause, slow down, breathe, and take a moment for themselves. We wanted people to experience SoulCycle in a way that reflects the energy of the area, compared to the fast pace of the city,' says Saggio. Seasonal Studios Perfectly accessorized with pillows SoulCycle Still, while this location is truly special—design and atmosphere have played a crucial role in SoulCycle's overall success as a brand. 'It is incredibly important that we fit seamlessly into our riders' routines, whether they live in the community year-round or spend time there seasonally, and the studio design plays a key role in that,' explains the executive. 'At all SoulCycle locations, our goal is to create an experience where riders can walk in, unplug in our candlelit rooms, and give in to the rhythm and the energy of the room that's driven by our inspirational instructors. No matter where a studio is located, together, these elements create a sense of magic that keeps riders coming back, time and time again, and The Barn is no different.' A chic spot to sit after an intense sweat session. SoulCycle In addition to The Barn, SoulCycle also operates seasonal studios in Aspen, Palm Beach, and Martha's Vineyard. Wellness Weekend And Other Events But perhaps the biggest feature of the space is that it allows for events, such as brand partnerships and pop-ups, including Wellness Weekend . After its debut in 2024, it's happening again from June 27 to 29, 2025. This event will include facials, lymphatic massages, hair styling, snacks, and even functional mocktails for a post-class treat, all weekend long. Participating brands include MTE mocktails, medical aesthetic brand JECT , Uni body care, a bun bar by Allyoos clean hair care, Sourmilk yogurt and a recovery station by Hyperice . But the most important thing about Wellness Weekend is the opportunity to connect in the highly coveted eastern enclave of Long Island, says Saggio. 'Our community is incredibly important to us, so we've intentionally created a space that reflects and responds to their needs. Whether it's hosting early classes to fit into their routines, offering cozy areas to unwind and connect, or curating events and experiences that bring people together, everything about The Barn is designed to make our community feel at home.'

Masterwork in three movements, award-winning Triptych for sale
Masterwork in three movements, award-winning Triptych for sale

Mercury

time11-06-2025

  • Business
  • Mercury

Masterwork in three movements, award-winning Triptych for sale

An escape. A sanctuary. A place of artistic inspiration. There is nothing quite like this 100-acre property in Koonya, a home that was boldly designed and expertly crafted to create a unique living experience. Simple, clean, and does justice to the stunning Tasmanian environment — this was the brief for Triptych from Glue Society artist-director Jonathan Kneebone to his architects at Room 11. Mr Kneebone said his properties at Koonya are a deliberate attempt to live up to the location in a way that adds to the experience of the site. 'We set out to create buildings which felt artistic in their own right — so they immediately engage you,' he said. 'But once inside each of the spaces, your experience of that landscape is transformed in some way. 'The main house, glass house and folly all provide a totally immersive and instantly inspirational feeling. 'And those feelings don't diminish with time. They get under your skin and live with you. 'They work like a favourite painting, or a cherished personal item.' MORE: Shut out: Hobart homebuyers face $64k income hike Did you fall in love with The Barn? We all did Double the fun: Buy one or both of these superb West Hobart homes Triptych is listed for sale with The Agency Hobart and Sydney Sotheby's International Realty. The Agency property partner Georgie Rayner described visiting the property as an otherworldly, unforgettable experience. She said it is one of those special homes where there was nothing quite like seeing it in person. 'The architecture is extraordinary and stunning. The feeling when standing in the space and what has been created is overwhelming, impressive and so very Tasmanian,' Mrs Rayner said. 'Nothing I've seen compares. Triptych has a sense of freedom and escapism, and as soon as you arrive the feeling is almost visceral, like a weight instantly lifts from your shoulders.' Triptych is set on over 40ha across two titles on the Tasman Peninsula, just one hour from Hobart Airport. This landmark estate comprises three architectural forms: The Blunt House, The Glass House, and The Folly, or, as it is sometimes called, The Pulmonum. The Blunt House is low, sculptural and elemental, a three-bedroom, two-bathroom dwelling that invites you to be still. Its horizontal form and minimal palette are grounded in the landscape, its interiors designed to frame moments: the first light over Norfolk Bay, the wild rush of weather, the quiet of dusk. It is both a shelter and a stage for the natural theatre beyond its walls. From the entry, descending downstairs and then opening into a long hall that beckons you forward, there is a pull towards the gigantic view of the landscape. There is a lightheartedness to the design too, a sense of whimsical fun, such as the sheepskin cupboards; a bath that is at floor level, with mirrors under the benches that are unnoticeable until you are in the tub; and one of the bedrooms features a horizontal window where the view is only revealed when you lie down. The Glass House is an exercise in radical transparency, and from afar looks to be two parallel lines set against the landscape. Suspended lightly above the earth, it dissolves the barrier between interior and exterior. Here, inspiration is drawn from the slow rhythm of the tides, the dance of light, and the raw elegance of Tasmania's bushland. It is part modernist homage, part shack. If your shack features four glass walls that can, when desired, be opened to the outdoors. Only the bathroom is enclosed. There is, however, also an easy solution for night-time privacy at bedtime. The Folly is a playful sculptural intervention in the landscape. A place for pause, play or for quiet reflection. Mrs Rayner said privacy is ensured, and not only by the vast land. It also comes from the way and the place in which these dwellings were designed and built in harmony with the landscape. 'It is not unlike a Mona experience. It is bold and mind-blowing. Your first time visiting Triptych will leave you breathless, like you are floating,' she said. 'It is art as much as architecture. While minimalist, Triptych is also warm, comfortable and inviting. It is a magical, tactile, textural experience.' Listed for sale by The Agency Hobart and Sydney Sotheby's International Realty, No.67 & 75 Grooms Hill Rd, Koonya will be sold at auction on July 14 at 5pm.

Wondering what that massive stone truck is on McKnight Road? It's a heartwarming tribute
Wondering what that massive stone truck is on McKnight Road? It's a heartwarming tribute

CBS News

time04-06-2025

  • Entertainment
  • CBS News

Wondering what that massive stone truck is on McKnight Road? It's a heartwarming tribute

Sometimes you see something in your daily travels and your brain thinks, "What the heck is that?" That's exactly what a lot of drivers along McKnight Road are likely thinking when they pass a sculpture that now appears on the side of the road. Especially at night, when there is no way that you could miss it. "It's supposed to be full-size, a full-size truck," said David Colosimo. Colosimo is the owner of Barn Landscaping, and he said that the sculpture is made entirely of stone. "Everything on there is the stone that we sell," he said. It isn't just about promoting the business. The driver's door says that it's a tribute to his father, Bobby. "It seemed like the perfect thing to do for him, and so we made a full-size, one-to-one, scale truck in his honor, a nice memorial up there," said Joe Izzy. It's a memorial because Bobby got sick and died unexpectedly last October. Long-time friend and colleague Izzy said there is only one way to describe Bobb Colosimo. "He was larger than life," he said. Bobby Colosimo cherished his family and friends, but he was also a businessman. He once owned parking lots near Three Rivers Stadium, and his 40 Daroco truckers were everywhere, paving, plowing, and hauling. Then there is Barn Landscaping on the terraced hillside at Babcock and McKnight. "He always wanted to do something very special on McKnight Road for the community, something spectacular," Izzy recalled. Izzay said in the wave of mourning after Bobby's passing, the idea of the stone truck was born, and they pulled it off a rock that Peter built. "The deck on the trucks, 23-foot, like our block truck, the cab is the same height, the width, the tires, 44-inch tires on there," Izzy said. "That's what you see on a tractor-trailer." At night, its running lights illuminate the Ross Township corner and can be changed to match the season or the occasion. "He would probably stand on McKnight Road," Izzy said. "Didn't care about the traffic, and just look at it. I know he's somewhere looking at it right now, but you know, this would be the top for him." Over-the-top is a great description of Bobby Colosimo. He actually floated the idea of a full-size Flintstones car for the spot. While it's not quite finished, they have a sign for The Barn that will soon be mounted in the truck sculpture's bed. As for his family, they love it. They are all still very shaken by his passing, but his wife Robin loves the tribute. When my family moved to Pittsburgh, Robin and Bobby were our next-door neighbors, and this truck is a perfect reflection of Bobby.

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