
Masterwork in three movements, award-winning Triptych for sale
There is nothing quite like this 100-acre property in Koonya, a home that was boldly designed and expertly crafted to create a unique living experience.
Simple, clean, and does justice to the stunning Tasmanian environment — this was the brief for Triptych from Glue Society artist-director Jonathan Kneebone to his architects at Room 11.
Mr Kneebone said his properties at Koonya are a deliberate attempt to live up to the location in a way that adds to the experience of the site.
'We set out to create buildings which felt artistic in their own right — so they immediately engage you,' he said.
'But once inside each of the spaces, your experience of that landscape is transformed in some way.
'The main house, glass house and folly all provide a totally immersive and instantly inspirational feeling.
'And those feelings don't diminish with time. They get under your skin and live with you.
'They work like a favourite painting, or a cherished personal item.'
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Triptych is listed for sale with The Agency Hobart and Sydney Sotheby's International Realty.
The Agency property partner Georgie Rayner described visiting the property as an otherworldly, unforgettable experience.
She said it is one of those special homes where there was nothing quite like seeing it in person.
'The architecture is extraordinary and stunning. The feeling when standing in the space and what has been created is overwhelming, impressive and so very Tasmanian,' Mrs Rayner said.
'Nothing I've seen compares. Triptych has a sense of freedom and escapism, and as soon as you arrive the feeling is almost visceral, like a weight instantly lifts from your shoulders.'
Triptych is set on over 40ha across two titles on the Tasman Peninsula, just one hour from Hobart Airport.
This landmark estate comprises three architectural forms: The Blunt House, The Glass House, and The Folly, or, as it is sometimes called, The Pulmonum.
The Blunt House is low, sculptural and elemental, a three-bedroom, two-bathroom dwelling that invites you to be still.
Its horizontal form and minimal palette are grounded in the landscape, its interiors designed to frame moments: the first light over Norfolk Bay, the wild rush of weather, the quiet of dusk.
It is both a shelter and a stage for the natural theatre beyond its walls.
From the entry, descending downstairs and then opening into a long hall that beckons you forward, there is a pull towards the gigantic view of the landscape.
There is a lightheartedness to the design too, a sense of whimsical fun, such as the sheepskin cupboards; a bath that is at floor level, with mirrors under the benches that are unnoticeable until you are in the tub; and one of the bedrooms features a horizontal window where the view is only revealed when you lie down.
The Glass House is an exercise in radical transparency, and from afar looks to be two parallel lines set against the landscape.
Suspended lightly above the earth, it dissolves the barrier between interior and exterior.
Here, inspiration is drawn from the slow rhythm of the tides, the dance of light, and the raw elegance of Tasmania's bushland.
It is part modernist homage, part shack. If your shack features four glass walls that can, when desired, be opened to the outdoors.
Only the bathroom is enclosed.
There is, however, also an easy solution for night-time privacy at bedtime.
The Folly is a playful sculptural intervention in the landscape. A place for pause, play or for quiet reflection.
Mrs Rayner said privacy is ensured, and not only by the vast land. It also comes from the way and the place in which these dwellings were designed and built in harmony with the landscape.
'It is not unlike a Mona experience. It is bold and mind-blowing. Your first time visiting Triptych will leave you breathless, like you are floating,' she said.
'It is art as much as architecture. While minimalist, Triptych is also warm, comfortable and inviting. It is a magical, tactile, textural experience.'
Listed for sale by The Agency Hobart and Sydney Sotheby's International Realty, No.67 & 75 Grooms Hill Rd, Koonya will be sold at auction on July 14 at 5pm.

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The Advertiser
19 hours ago
- The Advertiser
What it's really like to visit the 50,000-year-old rock art in WA
The road to the main viewing area for Murujuga's 50,000-year-old art is past Woodside's giant gas mining and export hub. Subscribe now for unlimited access. or signup to continue reading All articles from our website The digital version of Today's Paper All other in your area By Saffron Howden As you listen to the ancient stories of lore and culture carved into rocks before you, the tangle of cranes, tanks, buildings and towers typical of huge industrial facilities sit at your back. Ngarluma woman and Murujuga Aboriginal Corporation senior ranger Sarah Hicks explaining rock art to visitors at the Murujuga Cultural Landscape outside Karratha in Western Australia's north west. Inset, the nearby industrial facilities, including Woodside's gas operations. Pictures by Saffron Howden The carvings - at least one million of them - are spread over a series rock outcrops on the Burrup peninsula and surrounding islands just outside Karratha in north-west Western Australia. "This is like a massive database," our guide, Ngarluma woman Sarah Hicks, says. History and knowledge are recorded in each image. A dissected kangaroo is an instructional image showing how to carve up the animal and use its parts for food, blankets, pants and combs. A rock engraving of what is thought to be a dissected kangaroo - the face is on the top right of the stone - in the Murujuga Cultural Landscape outside Karratha in Western Australia's north west. Picture by Saffron Howden An emu, or jankurna, engraving reflects the emu-shaped spaces and dust lanes of the Milky Way in the night sky, a guide to the seasons and when to hunt. A Tasmanian tiger records the extinct marsupial's presence thousands of years ago on the Australian mainland. A prehistoric fat-tailed kangaroo, mangguru, is depicted standing on four legs in its massive megafauna state, long before it evolved to hopping. A rock engraving of what is thought to be a megafauna kangaroo depicted on four legs in the Murujuga Cultural Landscape outside Karratha in Western Australia's north west. Picture by Saffron Howden As we walk and talk, small rock wallabies navigate the hardy red stones on the outcrop peaks. Ms Hicks says the presence of living animals on our visit is a good sign. There are carvings everywhere, some more faded - and older - than others. There are whales and stingrays, mice and fish tails, dingoes, quolls, goannas, spears - and people. A rock engraving of what is thought to be a whale spouting water in the Murujuga Cultural Landscape outside Karratha in Western Australia's north west. Picture by Saffron Howden Though we are asked not to take photographs of depictions of people. The outback collection - the world's largest, densest and most diverse collection of rock art engravings - is still revealing its secrets. A women's business carving of a hand was newly discovered and catalogued only weeks ago, Ms Hicks said. The bloodwood sap boiled with water to treat illness, the sticky spinifex grass (baru) burnt to make strong glue for spears and axes, the flowers that reveal when to fish depending on their bloom, and the bush tomatoes that taste like a mixture of squash and capsicum. A rock engraving of two snakes in the Murujuga Cultural Landscape outside Karratha in Western Australia's north west. Picture by Saffron Howden She's assisted by young Ngarluma man Riley Sebastian, a ranger still learning. He confesses he's never tried a bush tomato or sap medicine, but Ms Hicks says local elders still consume both. As the talk ends, our small group of well-to-do east coasters and European tourists pass a team of air quality monitors checking emissions levels from the nearby gas and fertiliser plants and iron ore and salt export facilities. We turn back to the dystopian landscape dominated by the machinery of natural resource extraction. The large industrial operations, including Woodside's north west shelf gas hub, on the Burrup peninsula near Karratha in Western Australia as seen from the Murujuga rock art gallery area. Picture by Saffron Howden The contrast could not be more stark. Woodside says it's committed to "protecting and managing this precious and culturally significant place". "Woodside has taken and continues to take proactive steps - including through emissions reduction, data sharing and ongoing support for the Murujuga Rock Art Monitoring Program (MRAMP) - to ensure we manage our impacts responsibly," a spokesman said. He said recent research shows the landscape and its ancient art can live alongside the gas operations with responsible management. How will history record us? For at least 47,000 years the Ngarluma, Mardudhunera, Yaburara, Yindjibarndi, and Wong-Goo-Tt-Oo peoples have slowly, carefully managed their relationship with the Pilbara land, sea and their wildlife. That record of management exists in the Murujuga petroglyphs. If the elders were still carving records into the rocks today, I wonder how they would tell the story of the oil and gas operations on their doorstep. Words by Saffron Howden Saffron is a journalist, editor and author with more than 20 years experience covering news. Get in touch:


The Advertiser
a day ago
- The Advertiser
'Battery of the nation' undersea power cable at risk
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"We are days away from a critical decision on one of Tasmania's largest infrastructure projects," Ms Finlay told reporters. "The business case has been sitting in the premier's office for two months, but Jeremy Rockliff won't let Tasmanians see it. "Not only have they just not briefed Tasmanian Labor, but the premier has stepped in and actively blocked that." Tasmanian Minerals, Manufacturing and Energy Council chief executive Ray Mostogl said the delay and uncertainty placed the entire project at risk. Marinus Link must "issue notice to proceed" by the end of August or lose a $1.07 billion contract with the Italy-based Prysmian Group to supply the 345km cable. Tasmania's Liberal government is in caretaker mode after the state election delivered another large crossbench, some of whom oppose the Marinus project. Ms Finlay accused the Rockliff government of hiding the Marinus Link business case for political gain because it included significant price impacts to pay for transmission infrastructure. The government has denied Mr Rockliff or his staff blocked a briefing, saying the opposition would be briefed in line with caretaker conventions. "We are carefully and methodically working through the details, with a decision expected soon," Mr Duigan said. The undersea electricity and data connector would link Tasmania's northwest with Victoria's Latrobe Valley and allow the smaller state to import surplus solar while exporting hydropower to the mainland grid, where it could help reduce the risk of brownouts. The project was scaled back in September 2023 after the cost of two cables blew out by $1.7 billion to an estimated $5.5 billion. Under the plan, Victoria has a 33.3 per cent share and Tasmania 17.7 per cent, with an option to sell its stake to the Commonwealth on completion. Marinus Link has been touted as a critical component in making Tasmania the "battery" of the nation by increasing the island's capacity to export green power and allow excess energy generated on the mainland to be stored in Tasmania's hydro storage. The first stage is not slated to be finished until 2028/29. One of the nation's largest energy projects could be in doubt amid a government stoush and a cost blowout. The multi-billion-dollar Marinus Link undersea power cable project to connect Tasmania to the mainland has been touted as critical to making the island state the "battery of the nation" by increasing its capacity to export green power. The $5.5 billion project is set to be funded by the federal, Tasmanian and Victorian governments. The Tasmanian government's decision on its 17.7 per cent share of the link's Stage 1 cable, initially promised by July 31, has been delayed. Tasmania's Shadow Energy Minister Janie Finlay on Saturday accused Premier Jeremy Rockliff of blocking a briefing from Energy Minister Nick Duigan on the Marinus business case. It had been hoped the briefing would create bipartisan support to secure the project as Tasmania's Liberal government scrambles for survival following the July 19 election. "We are days away from a critical decision on one of Tasmania's largest infrastructure projects," Ms Finlay told reporters. "The business case has been sitting in the premier's office for two months, but Jeremy Rockliff won't let Tasmanians see it. "Not only have they just not briefed Tasmanian Labor, but the premier has stepped in and actively blocked that." Tasmanian Minerals, Manufacturing and Energy Council chief executive Ray Mostogl said the delay and uncertainty placed the entire project at risk. Marinus Link must "issue notice to proceed" by the end of August or lose a $1.07 billion contract with the Italy-based Prysmian Group to supply the 345km cable. Tasmania's Liberal government is in caretaker mode after the state election delivered another large crossbench, some of whom oppose the Marinus project. Ms Finlay accused the Rockliff government of hiding the Marinus Link business case for political gain because it included significant price impacts to pay for transmission infrastructure. The government has denied Mr Rockliff or his staff blocked a briefing, saying the opposition would be briefed in line with caretaker conventions. "We are carefully and methodically working through the details, with a decision expected soon," Mr Duigan said. The undersea electricity and data connector would link Tasmania's northwest with Victoria's Latrobe Valley and allow the smaller state to import surplus solar while exporting hydropower to the mainland grid, where it could help reduce the risk of brownouts. The project was scaled back in September 2023 after the cost of two cables blew out by $1.7 billion to an estimated $5.5 billion. Under the plan, Victoria has a 33.3 per cent share and Tasmania 17.7 per cent, with an option to sell its stake to the Commonwealth on completion. Marinus Link has been touted as a critical component in making Tasmania the "battery" of the nation by increasing the island's capacity to export green power and allow excess energy generated on the mainland to be stored in Tasmania's hydro storage. The first stage is not slated to be finished until 2028/29. One of the nation's largest energy projects could be in doubt amid a government stoush and a cost blowout. The multi-billion-dollar Marinus Link undersea power cable project to connect Tasmania to the mainland has been touted as critical to making the island state the "battery of the nation" by increasing its capacity to export green power. The $5.5 billion project is set to be funded by the federal, Tasmanian and Victorian governments. The Tasmanian government's decision on its 17.7 per cent share of the link's Stage 1 cable, initially promised by July 31, has been delayed. Tasmania's Shadow Energy Minister Janie Finlay on Saturday accused Premier Jeremy Rockliff of blocking a briefing from Energy Minister Nick Duigan on the Marinus business case. It had been hoped the briefing would create bipartisan support to secure the project as Tasmania's Liberal government scrambles for survival following the July 19 election. "We are days away from a critical decision on one of Tasmania's largest infrastructure projects," Ms Finlay told reporters. "The business case has been sitting in the premier's office for two months, but Jeremy Rockliff won't let Tasmanians see it. "Not only have they just not briefed Tasmanian Labor, but the premier has stepped in and actively blocked that." Tasmanian Minerals, Manufacturing and Energy Council chief executive Ray Mostogl said the delay and uncertainty placed the entire project at risk. Marinus Link must "issue notice to proceed" by the end of August or lose a $1.07 billion contract with the Italy-based Prysmian Group to supply the 345km cable. Tasmania's Liberal government is in caretaker mode after the state election delivered another large crossbench, some of whom oppose the Marinus project. Ms Finlay accused the Rockliff government of hiding the Marinus Link business case for political gain because it included significant price impacts to pay for transmission infrastructure. The government has denied Mr Rockliff or his staff blocked a briefing, saying the opposition would be briefed in line with caretaker conventions. "We are carefully and methodically working through the details, with a decision expected soon," Mr Duigan said. The undersea electricity and data connector would link Tasmania's northwest with Victoria's Latrobe Valley and allow the smaller state to import surplus solar while exporting hydropower to the mainland grid, where it could help reduce the risk of brownouts. The project was scaled back in September 2023 after the cost of two cables blew out by $1.7 billion to an estimated $5.5 billion. Under the plan, Victoria has a 33.3 per cent share and Tasmania 17.7 per cent, with an option to sell its stake to the Commonwealth on completion. Marinus Link has been touted as a critical component in making Tasmania the "battery" of the nation by increasing the island's capacity to export green power and allow excess energy generated on the mainland to be stored in Tasmania's hydro storage. The first stage is not slated to be finished until 2028/29. One of the nation's largest energy projects could be in doubt amid a government stoush and a cost blowout. The multi-billion-dollar Marinus Link undersea power cable project to connect Tasmania to the mainland has been touted as critical to making the island state the "battery of the nation" by increasing its capacity to export green power. The $5.5 billion project is set to be funded by the federal, Tasmanian and Victorian governments. The Tasmanian government's decision on its 17.7 per cent share of the link's Stage 1 cable, initially promised by July 31, has been delayed. Tasmania's Shadow Energy Minister Janie Finlay on Saturday accused Premier Jeremy Rockliff of blocking a briefing from Energy Minister Nick Duigan on the Marinus business case. It had been hoped the briefing would create bipartisan support to secure the project as Tasmania's Liberal government scrambles for survival following the July 19 election. "We are days away from a critical decision on one of Tasmania's largest infrastructure projects," Ms Finlay told reporters. "The business case has been sitting in the premier's office for two months, but Jeremy Rockliff won't let Tasmanians see it. "Not only have they just not briefed Tasmanian Labor, but the premier has stepped in and actively blocked that." Tasmanian Minerals, Manufacturing and Energy Council chief executive Ray Mostogl said the delay and uncertainty placed the entire project at risk. Marinus Link must "issue notice to proceed" by the end of August or lose a $1.07 billion contract with the Italy-based Prysmian Group to supply the 345km cable. Tasmania's Liberal government is in caretaker mode after the state election delivered another large crossbench, some of whom oppose the Marinus project. Ms Finlay accused the Rockliff government of hiding the Marinus Link business case for political gain because it included significant price impacts to pay for transmission infrastructure. The government has denied Mr Rockliff or his staff blocked a briefing, saying the opposition would be briefed in line with caretaker conventions. "We are carefully and methodically working through the details, with a decision expected soon," Mr Duigan said. The undersea electricity and data connector would link Tasmania's northwest with Victoria's Latrobe Valley and allow the smaller state to import surplus solar while exporting hydropower to the mainland grid, where it could help reduce the risk of brownouts. The project was scaled back in September 2023 after the cost of two cables blew out by $1.7 billion to an estimated $5.5 billion. Under the plan, Victoria has a 33.3 per cent share and Tasmania 17.7 per cent, with an option to sell its stake to the Commonwealth on completion. Marinus Link has been touted as a critical component in making Tasmania the "battery" of the nation by increasing the island's capacity to export green power and allow excess energy generated on the mainland to be stored in Tasmania's hydro storage. The first stage is not slated to be finished until 2028/29.


Man of Many
a day ago
- Man of Many
Hellyers Road 22-Year-Old American Oak is the Label's Oldest Whisky Ever
By Nick Hall - News Published: 26 Jul 2025 Share Copy Link 0 Readtime: 3 min The Lowdown: Fiona Coutts, head distiller at Hellyers Road | Image: Hellyers Road Distillery Every product is carefully selected by our editors and experts. If you buy from a link, we may earn a commission. Learn more. For more information on how we test products, click here. Hellyers Road Distillery has unveiled its oldest expression to date, the American Oak 22 Year Old from Single Cask 2325.03 . . The aged expression matured for 22 years, 3 months and 25 days in one American oak, ex-bourbon cask formerly home to Jack Daniel's Tennessee Whiskey. in one American oak, ex-bourbon cask formerly home to Jack Daniel's Tennessee Whiskey. Only 80 bottles have been produced, each retailing for AUD$1,450. To some, 22 years might seem like a lifetime, but for award-winning distillery Hellyers Road, it couldn't have come soon enough. The Australian whisky icon has unveiled its oldest expression to date, the American Oak 22 Year Old from Single Cask 2325.03. Milled, mashed, fermented and distilled on-site, the latest release marks a decidedly home-grown endeavour, buoyed by a unique sense of terroir that is, unapologetically, Tasmanian. Sourced a single 200-litre cask, the aged expression was first laid down in November 2002, where it matured for an extraordinary 22 years, 3 months and 25 days in one American oak, ex-bourbon cask formerly home to Jack Daniel's Tennessee Whiskey. From that cask, just 80 bottles were produced, each exuding notes of soft vanilla, ginger and a rich honeyed finish. According to Fiona Coutts, head distiller at Hellyers Road, the long fruit-forward American Oak 22 Year Old Single Cask 2325.03 represents the pinnacle of the label's maturation approach. Subtle, soft and layered with intricate complexity, the whisky elevates Hellyers Road's house style to another tier of premium production. 'The Hellyers Road American Oak 22 Year Old Single Cask 2325.03 is a stunning example of how our whisky ages so well in large American oak barrels,' Coutts said. 'The influence of the Bass Strait, a stone's throw from our Bond Stores, paired with time in a 200-litre ex-bourbon cask, has resulted in a whisky of depth, complexity and concentration. Honey and vanilla notes are at the fore, complemented by a magic that only time, the right oak and contact with oxygen can create over two decades.' Fiona Coutts, head distiller at Hellyers Road | Image: Hellyers Road Distillery As Coutts explained, a premium whisky of this esteem demanded more than just a standard bottling. Each unit of 22-Year-Old American Oak release is housed in a unique presentation box hand-crafted by local master woodworker Rob van Tholen from prized Tasmanian timbers. The fusion of Huon Pine, Myrtle and Celery Top Pine, speaks not only to the ageing process of the liquid inside, but also to the label's connection to the local land. Hellyers Road has been a staple of the Tasmanian whisky industry since its inception in 1997, producing a stellar back catalogue of single malt expressions and aged whiskies; none more important than this. To mark this milestone moment, the label has also included a letter of authenticity with each bottle, personally signed by Fiona Coutts. Adding to its individuality and intrigue, each presentation box has a secret locking mechanism to safeguard and showcase this treasured release. An exceptional example of aged Australian whisky showing the results of patience and the influence of maturation by the sea, the Hellyers Road American Oak 22 Year Old Single Cask 2325.03 is available now and priced at AUD$1,450. Only 80 bottles have been produced, with the expression expected to sell out. Hellyers Road American Oak 22 Year Old Single Cask 2325.03 | Image: Hellyers Road Hellyers Road American Oak 22 Year Old Single Cask 2325.03 Brand : Hellyers Road : Hellyers Road Release : American Oak 22 Year Old Single Cask 2325.03 : American Oak 22 Year Old Single Cask 2325.03 ABV : 56.5% : 56.5% Cask Filled: 21 November 2002 21 November 2002 Drawn : 18 March 2025 : 18 March 2025 Litres drawn: 62 Litres 62 Litres Yield : 80 bottles : 80 bottles Total Maturation : 22 years, 3 months, 25 days : 22 years, 3 months, 25 days Size : 700ml : 700ml Price: AUD$1,450 Hellyers Road American Oak 22 Year Old Single Cask 2325.03 | Image: Hellyers Road