Latest news with #TheCabinintheWoods
Daily Mirror
6 days ago
- Entertainment
- Daily Mirror
Inside the career of The Summer I Turned Pretty star Kristen Connolly
The Summer I Turned Pretty (Season 3): Official trailer The Summer I Turned Pretty pressed on this week with Belly Conklin (portrayed by Lola Tung) and Jeremiah Fisher (Gavin Casalegno) revealing their engagement announcement as well as a hidden Easter egg, reports the Express. Belly appeared to have overlooked Jeremiah's wrongdoings as she shared news of their intentions with her mother Laurel Park (Jackie Chung), who was appalled by the entire situation. The programme will explore how Belly and Jeremiah proceed to handle their romance despite their parents' objections. Numerous fans were left incensed about the betrayal and questioned why Belly would pick Jeremiah over Conrad Fisher (Christopher Briney) following the double-episode series opener that launched last week. Speaking about Jeremiah's unfaithfulness, leading actress Tung revealed to Elle: "Young love is intense" and described it as "pure shock" for Belly. Belly and Jeremiah's engagement was met with shock (Image: PRIME VIDEO) READ MORE: The Summer I Turned Pretty Season 3 soundtrack in full - and every Taylor Swift song explained READ MORE: The Summer I Turned Pretty star axed from 90s slasher revival despite filming first scenes She continued to confess: "This is someone who's been her rock for so many years and who she's known her entire life. It can be heartbreaking when you feel like you don't know everything [about someone]." Notably, the star revealed she didn't regard Belly and Jeremiah to have been taking a break when he slept with another girl twice. Tung suggested that some of the blame rested with Belly for not making contact and that she was "more of a mess in her own head". The instalment also showcased once more the mother of Taylor Jewel (Rain Spencer), here's everything you need to know about the actress who plays her. Kristen Connolly plays Lucinda Jewel in The Summer I Turned Pretty (Image: PRIME VIDEO) Get Prime Video free for 30 days TV lovers can get 30 days' free access to tantalising TV like The Boys, Reacher and Clarkson's Farm by signing up to Amazon Prime. Just remember to cancel at the end and you won't be charged. Kristen Connolly, the 45 year old American actress known for her roles in The Cabin in the Woods, Netflix's House of Cards and CBS show Zoo, is now portraying Lucinda Jewel in the YA series. Originally from Montclair, New Jersey, Connolly began her acting career with minor roles in films such as Mona Lisa Smile, The Happening and Meet Dave. She also had recurring roles in popular daytime soaps Guiding Light and As the World Turns. However, it was her lead role as Dana in Joss Whedon and Drew Goddard's 2012 film The Cabin in the Woods that catapulted her into the limelight. The sci-fi comedy horror film also starred Chris Hemsworth, Anna Hutchison, Fran Kranz, Jesse Williams, Richard Jenkins, and Bradley Whitford. Belly and Jeremiah's romance was back on track (Image: PRIME VIDEO) In 2013, she starred in the horror film The Bay, directed by Oscar-winning director Barry Levinson. Connolly gained further recognition for her role as Christina Gallagher in House of Cards and for her performance in A+E's Houdini series opposite Adrien Brody. From 2015 to 2017, she played Jamie Campbell in the TV series Zoo. She also appeared in the HBO movie about disgraced financier Bernie Madoff, The Wizard of Lies, alongside Robert De Niro and Michelle Pfeiffer. In recent years, Connolly has taken on roles in Outer Range, FBI: International and Prodigal Son. Connolly is among the fresh faces to join The Summer I Turned Pretty for its concluding series, alongside other stars such as Isabella Briggs, Sofia Bryant, Lily Donoghue, Zoe de Grand Maison, Emma Ishta and Tanner Zagarino. The Summer I Turned Pretty series is broadcast on Prime Video every Wednesday
Daily Record
14-06-2025
- Entertainment
- Daily Record
Avengers star unrecognisable in genre-bending horror film now on Amazon Prime
The Cabin in the Woods, starring an almost unrecognisable Chris Hemsworth, is now available to watch for free on Amazon Prime Video for anyone who has an Amazon subscription For those who fancy a night in, huddled on the settee with a cushion at the ready to hide behind, there's a top-notch horror film now available to stream for free on Amazon Prime. Horror films might not be everyone's cup of tea, but when they're done well, they can take you on an emotional rollercoaster ride filled with suspense, relief after a scare, and adrenaline pumping through your veins. They often have a more profound impact on your emotions than your typical action-adventure flick. If you're in the mood for a fright, then look no further than 2012's critically acclaimed horror The Cabin in the Woods. The film features a barely recognisable Chris Hemsworth and follows a group of university students as they head off to a secluded cabin for what they hope will be a pleasant getaway. However, their trip quickly turns into a nightmare as they find themselves battling for survival against a relentless onslaught of terrifying creatures in a classic horror setting. Minor spoilers ahead - but what sets this plot apart is that unbeknownst to the group, their time in the cabin has been meticulously planned out, as they unwittingly become part of a ritualistic sacrifice designed to appease ancient beings threatening to destroy the earth, all overseen by a facility full of bureaucrats dedicated to ensuring their sacrifice, reports the Mirror US. The film is revolutionary in its approach, cleverly utilising traditional horror tropes but giving them a fresh twist and deeper meaning. The movie boasts an impressive cast, including Thor's Chris Hemsworth, Grey's Anatomy's Jesse Williams, House of Cards' Kristen Connolly, and The Shape of Water's Richard Jenkins, who play the five students at the centre of the story. This film breaks new ground by cleverly reworking traditional horror tropes to reveal the underlying themes, earning widespread acclaim from both audiences and critics. With a 92% 'certified fresh' rating on Rotten Tomatoes, it's a must-watch. One Google reviewer gave it a 5-star rating, saying: "One of the greatest films ever and not just because it cleverly borrows from HP Lovecraft and others to tell of the horror behind the horror we're so used to." They added: "Well-written, produced, acted, scored and filmed, TCITW is a winner on so many levels, the less you know about it before screening it, the better. It fully transcends the genre of "horror" plus offers a cute peek into the myths of other cultures. But ultimately, it is NOT what you expect it to be about at all." Another reviewer praised the film, saying: "I love this movie, I thought it was smart and interesting with twists thrown in that I never saw coming." The film is now available to stream for free on Amazon Prime Video for subscribers.
The Sun
13-05-2025
- Entertainment
- The Sun
Fun horror ride
LET us get this out of the way: – Until Dawn is not a faithful adaptation of the acclaimed PlayStation game it is named after. Fans who walk in expecting an interactive-story-style slasher tribute with butterfly-effect decisions and direct ties to the game's iconic moments will quickly realise that this film takes a different path. Sure, Peter Stormare pops up again and there is a faint whisper of the game's mythos, but at its core, this is a standalone survival horror story with time loops, masked killers and grotesque monsters, none of which need the Until Dawn name to stand tall. If Sony Pictures had simply titled this 'Valley of the Dead' or 'Glore Valley Massacre', audiences might have come in with more accurate expectations. As it stands, the Until Dawn label feels like a marketing shortcut to lure gamers, a label slapped on top of what is, frankly, an entertaining, nasty, little horror gem in its own right. Twisted (and hilarious) horror Strip away the title confusion and what remains is a film that plays like a spiritual cousin to The Cabin in the Woods. A group of photogenic young adults heads into a remote, cursed location, thinking they are just on a search mission, only to find themselves part of something much bigger, stranger and bloodier. But here, the added twist is the time-loop mechanic, an element that Until Dawn (the movie) leans on to great effect in the first two acts. Director David F. Sandberg, best known for his knack for visual scares (Lights Out, Annabelle: Creation), keeps the tension tight and the pacing razor-sharp in the setup and middle portions. There is dark humour underlying the characters' repeated, brutal deaths and their escalating panic as they figure out the rules of their bloody predicament. It is the kind of movie where, even as characters get picked off, the audience is laughing nervously, not because it is a comedy, but because the whole thing is so gleefully unhinged. What truly elevates Until Dawn from being 'just another horror flick' is its commitment to old-school, practical gore effects. Forget the over-polished, weightless CGI kills that plague too many modern slashers, this movie delivers viscera with heft. Blood sprays, bodies rip apart, faces melt and creatures snarl, all in gloriously tangible fashion. It is impossible not to think of Evil Dead (2013) while watching some of the more stomach-churning moments. The film does not hold back and the craftsmanship behind the practical effects deserves applause. Horror fans craving something tactile, something they can almost feel through the screen, will walk away grinning (or retching, depending on their tolerance). Energetic first half, wobbly finish While the setup and escalation shine, the film's final act does not quite hit home. After building a compelling, chaotic mystery and offering satisfying jolts of tension and gore, Until Dawn tries to explain itself and in doing so, overreaches. The narrative starts layering in revelations and thematic weight that feel unnecessary, almost as if the script could not resist tying a big, philosophical bow on what was otherwise a delightfully pulpy experience. The fun, brisk momentum of the first two acts gives way to a slightly overcooked finale that tries too hard to say something profound. Still, even as the third act stumbles, the film never becomes a complete mess. It holds onto its core strengths: strong performances (especially from Ella Rubin and Michael Cimino), tight direction and sheer enthusiasm for the genre. As it stands, Until Dawn is a worthy entry into the 'meta-horror' space, a clever, gory movie that delivers solid entertainment for horror lovers, even if it disappoints hardcore fans of the original game. The film's decision to set itself within the Until Dawn universe but tell a separate story is a double-edged sword: on one hand, it frees the filmmakers to explore new ideas and on the other, it leaves viewers wondering when (or if) a true adaptation of the game's original narrative will hit the big screen. If this turns into a franchise and the ending certainly hints at that, here is hoping future instalments either go all-in on the game's characters and plot or simply spin off into their own beast entirely. Great horror movies can stand on their own without having to lean on a video game's popularity. Just enjoy the ride At the end of the day, Until Dawn is best approached with the mindset is to watch it like a standalone horror flick, not as a faithful game adaptation and the result is a gory, wild ride packed with thrills, chills and wickedly fun kills. For horror fans craving something that feels like Cabin in the Woods meets Evil Dead (2013), this is a satisfying, blood-drenched treat. Just temper expectations for the final act and accept the title for what it is: a marketing hook, not a plot promise. Hopefully, with this solid (if imperfect) foundation, the Until Dawn name will one day get the adaptation it truly deserves. But for now, this film stands as a gruesome, entertaining survival horror flick that is well worth watching, especially for those who appreciate their gore practical and their horror clever. DIRECTOR: David F. Sandberg CAST: Ella Rubin, Michael Cimino, Ji-young Yoo, Belmont Cameli, Peter Stormare E-VALUE: 7/10 PLOT: 7/10 ACTING: 8/10
