Latest news with #TheSilenceoftheLambs'
Hindustan Times
10-07-2025
- Entertainment
- Hindustan Times
Michael Douglas and Danny DeVito revisit ‘One Flew Over the Cuckoo's Nest' for its 50th anniversary
Jack Nicholson did not want to go to the Oscars. It was 1976 and he was nominated for best actor in 'One Flew Over the Cuckoo's Nest.' The Miloš Forman film, which is celebrating its 50th anniversary with a nationwide theatrical re-release on July 13 and July 16, had become a bit of a sensation — the second highest grossing picture of 1975, behind 'Jaws,' and had received nine Oscar nominations. Michael Douglas and Danny DeVito revisit 'One Flew Over the Cuckoo's Nest' for its 50th anniversary But Nicholson wasn't feeling optimistic. In five years, he'd already been nominated five times. He'd also lost five times. And he told his producer, Michael Douglas, that he couldn't go through it again. 'I remember how hard I had to persuade Jack to come to the ceremony. He was so reluctant, but we got him there,' Douglas said in a recent interview with The Associated Press. 'And then of course we lost the first four awards. Jack was sitting right in front of me and sort of leaned back and said 'Oh, Mikey D, Mikey D, I told you, man.' I just said, 'Hang in there.'' Douglas, of course, was right. 'One Flew Over the Cuckoo's Nest' would go on to sweep the 'big five' — screenplay, director, actor, actress and picture — the first film to do so in 41 years, which only 'The Silence of the Lambs' has done since. That night was one of many vindicating moments for a film that no one wanted to make or distribute that has quite literally stood the test of time. 'This is my first 50th anniversary,' Douglas said. 'It's the first movie I ever produced. To have a movie that's so lasting, that people get a lot out of, it's a wonderful feeling. It's bringing back a lot of great memories.' The film adaption of Ken Kesey's countercultural novel was a defining moment for Douglas, a son of Hollywood who was stuck in television and got a lifeline to film when his father, Kirk Douglas, gave him the rights to the book, and many of the then-unknown cast like Danny DeVito and Christopher Lloyd. DeVito was actually the first person officially cast. Douglas, who'd known him for nearly 10 years, brought Forman to see him play Martini on stage. 'Miloš said, 'Yes! Danny! Perfect! Cast!' Douglas said in his best Czech accent. 'It was a big moment for Danny. But I always knew how talented he was.' Though the film's themes are challenging, unlike many of its New Hollywood contemporaries it wasn't a tortured shoot by any stretch. They had their annoyances and more serious trials , but for the most part it was fun. 'We were very serious about the work, because Miloš was very serious. And we had the material, Kesey's work, and the reverence for that. We were not frivolous about it. But we did have a ball doing it,' DeVito said, laughing. Part of that is because they filmed on location at a real state hospital in Salem, Oregon. Everyone stayed in the same motel and would board the same bus in the morning to get to set. It would have been hard not to bond and even harder if they hadn't. 'There was full commitment,' Douglas said. 'That comes when you don't go home at night to your own lives. We stopped for lunch on the first day and I saw Jack kind of push his tray away and go outside to get some air. I said, 'Jack, you OK?' He said, 'Who are these guys? Nobody breaks character! It's lunch time and they're all acting the same way!'' Not disproving Nicholson's point, DeVito remembers he and the cast even asked if they could just sleep in the hospital. 'They wouldn't let us,' DeVito said. 'The floor above us had some seriously disturbed people who had committed murder.' The film will be in theaters again on July 13 and July 16 from Fathom Entertainment. It's a new 4K restoration from the Academy Film Archive and Teatro Della Pace Films with an introduction by Leonard Maltin. 'It's a gorgeous print and reminds me how good the sound was,' Douglas said. DeVito thinks it, 'holds up in a really big way, because Miloš really was paying attention to all great things in the screenplay and the story originally.' Besides the shock of 'holy Toledo, am I that old?' DeVito said that it was a treasure to be part of — and he continues to see his old friends, including Douglas, Lloyd and, of course, Nicholson, who played the protagonist, R.P. McMurphy. One person Douglas thinks hasn't gotten the proper attention for his contributions to 'Cuckoo's Nest' is producer Saul Zaentz, who died in 2014. His music company, Fantasy Records who had Creedence Clearwater Revival, funded the endeavor which started at a $1.6 million budget and ballooned to $4 million by the end. He was a gambler, Douglas said, and it paid off. And whatever sour grapes might have existed between Douglas and his father, who played R.P. McMurphy on Broadway and dreamt of doing so on film, were perhaps over-exaggerated. It was ultimately important for their relationship. 'McMurphy is as good a part as any actor is going to get, and I'm now far enough in my career to understand maybe you have four, maybe five good parts, really great parts. I'm sure for dad that was one of them,' Douglas said. 'To not be able to see it through was probably disappointing on one side. On the other, the fact that his son did it and the picture turned out so good? Thank God the picture turned out. It would have been a disaster if it hadn't." Douglas added: 'It was a fairy tale from beginning to end. I doubt anything else really came close to it. Even my Oscar for best actor years later didn't really surpass that moment very early in my career.' This article was generated from an automated news agency feed without modifications to text.
Yahoo
20-06-2025
- Entertainment
- Yahoo
Netflix just added an intense psychological thriller movie with Sigourney Weaver — and it's already crashed the top 10
When you buy through links on our articles, Future and its syndication partners may earn a commission. Even though Netflix releases its lineup for each month, the streaming service occasionally adds movies not originally on the schedule, which can be easy to miss. In this case, 'Copycat' landed on Netflix U.S. on June 15, but thankfully, it didn't go unnoticed because it's already cracked the top 10 list by hopping into the tenth spot. I'm not surprised people jumped on 'Copycat' since it has all the ingredients subscribers often look for: big stars like Sigourney Weaver, Holly Hunter and Dermot Mulroney, and a chilling serial killer story that might just get under your skin. Originally released in 1995, 'Copycat' didn't make a huge splash at the box office, but over time it's become something of a hidden gem among thriller fans. Its psychological tension and strong performances has helped it build a quiet cult following over the years. This psychological thriller follows a criminal psychologist struggling with agoraphobia after a traumatic attack, who teams up with a detective to catch a serial killer replicating the methods of infamous murderers. While plot isn't the most original, the movie still makes for a gripping watch, and one that gets your adrenaline pumping if you choose to see it alone. If you've scrolled through Netflix today and noticed 'Copycat' suddenly appear in the top 10 list, here's everything you need to know before adding it to your watchlist. 'Copycat' follows Dr. Helen Hudson (Sigourney Weaver), a renowned criminal psychologist who becomes a recluse after surviving a traumatic attack by a deranged killer. Now agoraphobic and living in isolation, Helen is reluctantly pulled back into the world of crime-solving when a new serial killer begins targeting victims in San Francisco, each murder eerily mimicking the methods of infamous real-life murderers. Assigned to the case are Detective M.J. Monahan (Holly Hunter) and her partner Reuben Goetz (Dermot Mulroney), who turn to Helen for insight as the killings escalate. Despite her crippling fear of the outside world, Helen uses her expertise to identify the pattern behind the copycat killings. As the investigation intensifies, she and M.J. form an unlikely bond, working together to stay one step ahead of the killer, who seems to be watching Helen more closely than anyone realizes. 'The Silence of the Lambs' wasn't the very first Hollywood movie about serial killers, but its massive critical and box office success sparked a wave of similar movies that dominated the '90s before eventually fading out. One of these copycats is ... well, Jon Amiel's 1995 thriller 'Copycat.' While it might not surpass 'Silence of the Lambs' or even Brad Pitt's 'Seven,' it's still a pretty intense watch and makes for some chilling midnight viewing. It's refreshing to watch a thriller that centers on two smart, strong women, and even better that they're brought to life by Holly Hunter and Sigourney Weaver, two powerhouse actresses of their generation. There's real substance behind both characters, which helps 'Copycat' rise above just being another serial killer movie. 'Copycat' is very much a psychological study, taking time to explore the human side of its characters. Dr. Helen Hudson is dealing with some serious trauma and can't bring herself to leave the house, while Detective M.J. Monahan is driven by a strong commitment to solving the case and stopping the serial killer terrorizing the city. Without this character development, 'Copycat' would feel hollow in the landscape of serial killer thrillers. Director Amiel, known for the unique and highly praised 1986 BBC series 'The Singing Detective,' shows his expertise here by keeping the story tightly focused. The movie hardly ever wanders off track, always pushing the plot forward while keeping the tension just strong enough to stay gripping. Like classic studio movies that carefully balanced what the audience needed to know, this movie reveals just enough information to save you from feeling lost. While 'Copycat' definitely has its strengths, there are a few noticeable flaws. The whole idea of a killer copying famous murderers felt a little predictable at times, and you might find yourself guessing where the story was headed a bit too early. In some ways it shares too many similarities with 'Seven' for this reason. Outside of the two strong leads, most of the supporting cast doesn't get much time to be explored, which makes the world around them feel a little thin. I'm sure Netflix viewers will still enjoy 'Copycat' (and I think it's worthy of your time even with these flaws). Movies have long been drawn to exploring evil, and I think part of that comes from how our own fears tend to fuel our interest. You don't need to take my word for it either, since 'Copycat' has a solid rating of 76% on Rotten Tomatoes, with audiences rating it slightly lower at 64%. The site's critic consensus reads: 'Copycat's outstanding cast helps this often unpleasant thriller transcend the less palatable elements of its standard-issue story.' Minneapolis Star Tribune's Jeff Strickler said: 'Although the plotting of this mystery-thriller about a copycat killer is flawed, Hunter and Weaver drive the show with strong performances.' Meanwhile, Trace Thurman from Horror Queers Podcast shared the same thoughts, stating that 'Weaver and Hunter are at the top of their game, elevating what is essentially a 2-hour episode of a CBS crime procedural into high art.' So if you were going to take anything away from these reviews, it's that 'Copycat' is worth watching for the performances alone. If you haven't already added 'Copycat' to your Netflix watchlist, now's the time. The whole 'killer copying famous murderers' concept isn't exactly new, but this thriller handles it in a surprisingly smart and stylish way. And a big part of why it works so well is, of course, Sigourney Weaver. I already loved her (partly because she stars in my favorite franchise of all time, 'Alien') but she really shines here. I'd argue that 'Copycat' is one of her best roles and a big reason why it's well worth carving out two hours of your time. 'Copycat' is now streaming on Netflix. For more streaming recommendations, see what else is new on Netflix in June 2025. Netflix just got this fantasy action movie with Vin Diesel and Elijah Wood I didn't expect Netflix's new romantic sci-fi movie to be this charming This new on Netflix action-thriller with Gerard Butler soars to No. 1 spot
Tom's Guide
16-06-2025
- Entertainment
- Tom's Guide
Netflix just added a psychological thriller movie full of surprising twists — and it's one of Sigourney Weaver's best roles
Even though Netflix releases its lineup for each month, the streaming service occasionally adds movies not originally on the schedule, which can be easy to miss. In this case, 'Copycat' landed on Netflix U.S. on June 15, but thankfully, it didn't go unnoticed because it's already cracked the top 10 list. I'm not surprised people jumped on 'Copycat' since it has all the ingredients subscribers often look for: big stars like Sigourney Weaver, Holly Hunter and Dermot Mulroney, and a chilling serial killer story that might just get under your skin. This psychological thriller follows a criminal psychologist struggling with agoraphobia after a traumatic attack, who teams up with a detective to catch a serial killer replicating the methods of infamous murderers. While plot isn't the most original, the movie still makes for a gripping watch, and one that gets your adrenaline pumping. If you've scrolled through Netflix today and noticed 'Copycat' in the top 10, here's everything you need to know before adding it to your watchlist. 'Copycat' follows Dr. Helen Hudson (Sigourney Weaver), a renowned criminal psychologist who becomes a recluse after surviving a traumatic attack by a deranged killer. Now agoraphobic and living in isolation, Helen is reluctantly pulled back into the world of crime-solving when a new serial killer begins targeting victims in San Francisco, each murder eerily mimicking the methods of infamous real-life murderers. Assigned to the case are Detective M.J. Monahan (Holly Hunter) and her partner Reuben Goetz (Dermot Mulroney), who turn to Helen for insight as the killings escalate. Despite her crippling fear of the outside world, Helen uses her expertise to identify the pattern behind the copycat killings. Get instant access to breaking news, the hottest reviews, great deals and helpful tips. As the investigation intensifies, she and M.J. form an unlikely bond, working together to stay one step ahead of the killer, who seems to be watching Helen more closely than anyone realizes. 'The Silence of the Lambs' wasn't the very first Hollywood movie about serial killers, but its massive critical and box office success sparked a wave of similar movies that dominated the '90s before eventually fading out. One of these copycats is ... well, Jon Amiel's 1995 thriller 'Copycat.' While it might not surpass 'Silence of the Lambs' or even Brad Pitt's 'Seven,' it's still a pretty intense watch and makes for some chilling midnight viewing. It's refreshing to watch a thriller that centers on two smart, strong women, and even better that they're brought to life by Holly Hunter and Sigourney Weaver, two powerhouse actresses of their generation. There's real substance behind both characters, which helps 'Copycat' rise above just being another serial killer movie. 'Copycat' is very much a psychological study, taking time to explore the human side of its characters. Dr. Helen Hudson is dealing with some serious trauma and can't bring herself to leave the house, while Detective M.J. Monahan is driven by a strong commitment to solving the case and stopping the serial killer terrorizing the city. Without this character development, 'Copycat' would feel hollow in the landscape of serial killer thrillers. Director Amiel, known for the unique and highly praised 1986 BBC series 'The Singing Detective,' shows his expertise here by keeping the story tightly focused. The movie hardly ever wanders off track, always pushing the plot forward while keeping the tension just strong enough to stay gripping. Like classic studio movies that carefully balanced what the audience needed to know, this movie reveals just enough information to save you from feeling lost. While 'Copycat' definitely has its strengths, there are a few noticeable flaws. The whole idea of a killer copying famous murderers felt a little predictable at times, and you might find yourself guessing where the story was headed a bit too early. In some ways it shares too many similarities with 'Seven' for this reason. Outside of the two strong leads, most of the supporting cast doesn't get much time to be explored, which makes the world around them feel a little thin. I'm sure Netflix viewers will still enjoy 'Copycat' (and I think it's worthy of your time even with these flaws). Movies have long been drawn to exploring evil, and I think part of that comes from how our own fears tend to fuel our interest. If you haven't already added 'Copycat' to your Netflix watchlist, now's the time. The whole 'killer copying famous murderers' concept isn't exactly new, but this thriller handles it in a surprisingly smart and stylish way. And a big part of why it works so well is, of course, Sigourney Weaver. I already loved her (partly because she stars in my favorite franchise of all time, 'Alien') but she really shines here. I'd argue that 'Copycat' is one of her best roles and a big reason why it's well worth carving out two hours of your time. You don't need to take my word for it either, since 'Copycat' has a solid rating of 76% on Rotten Tomatoes, with audiences rating it slightly lower at 64%. The site's critic consensus reads: 'Copycat's outstanding cast helps this often unpleasant thriller transcend the less palatable elements of its standard-issue story.' 'Copycat' is now streaming on Netflix. For more streaming recommendations, see what else is new on Netflix in June 2025.
New York Times
19-02-2025
- Entertainment
- New York Times
A New Documentary Uncovers One of Pop's Tragic Mysteries: Q Lazzarus
For years, it was one of pop music's most persistent mysteries: Whatever happened to Q Lazzarus? And furthermore: Who was she in the first place? Most listeners who had heard of the genre-bending artist — if they'd heard of her at all — encountered her song 'Goodbye Horses' in Jonathan Demme's 1991 blockbuster 'The Silence of the Lambs' as the backdrop to the scene where the serial killer Buffalo Bill applies makeup and poses strikingly nude. The creepy new wave track, with its minor-key, sci-fi synths and androgynous vocals, harmonized impeccably with the scene's ominous visuals. 'Goodbye Horses' was the only single Q Lazzarus officially released on a physical format while she was alive, but it came with an incredible story: Demme had encountered the musician at her day job — as a taxi driver — and fell in love with the music she played during the ride. But after her song's star turn in his film, Q Lazzarus's career stalled, and by the mid-90s, she had seemingly vanished entirely. Some fans and journalists made efforts to track down this enigmatic voice over the years, but the filmmaker who ended up telling her story in the new documentary 'Goodbye Horses: The Many Lives of Q Lazzarus' met the artist born Diane Luckey the same way Demme did: in her cab. 'Getting into her car was a completely coincidental or fated, as Q and I both felt, meeting,' Eva Aridjis Fuentes, the movie's director, said in an interview. The two sang along to Neil Young's 'Heart of Gold'; Aridjis Fuentes thought the woman behind the wheel looked familiar, and asked if she'd ever seen Q Lazzarus. They formed a friendship that resulted in Aridjis Fuentes's film, which opens in a handful of cities including London, Los Angeles and New York next month, with a streaming release expected to follow. On Friday, the Brooklyn record label Sacred Bones will release its soundtrack — effectively the first full-length Q Lazzarus release. 'We're doing this documentary to let you know what went wrong and what happened,' Luckey says in the film. 'The truth' about why she disappeared: 'Because I had to.' Want all of The Times? Subscribe.
