Latest news with #TheVampireDiaries
India Today
a day ago
- Entertainment
- India Today
How KPop Demon Hunters exposes our fear of imperfection
Have you ever watched an animated film that tells you more than it originally intended to? Or hide the real message behind metaphors and cliches? If yes, then 'KPop Demon Hunters' is another movie on that list, as it disguises itself well with neon lights, razor-sharp choreography, and the blinding veneer of pop perfection on the surface. The film is about a K-pop girl band called Huntrix featuring Rumi, Mira, and Zoey. However, they are not just your everyday pop girl band - they are also supernatural hunters who hunt who are these demons? If you think they are some disgusting-looking creatures with four eyes, crooked teeth and patterns all over their bodies, then you're somewhat right, but there are also some very good-looking 'idol-type' demons too. Think about 'The Vampire Diaries'. Who would've thought Ian Somerhalder would look so handsome as a vampire? If that's your vibe, then you'd love the demon boy band The Saja Boys in the film. The film idolises K-pop culture, which is meticulously crafted to sell the film doesn't just idolise the spectacle - it dismantles it, peeling back the facade to reveal an uncomfortable, familiar undercurrent: in a world obsessed with flawlessness, authenticity is often the first casualty. At its core is Rumi, a pop idol, a monster hunter, and most damningly in her world, part demon. It's the ultimate enemies-to-lovers conflict, except the "enemy" is her own bloodline, her own nature, the thing society demands she erases. It's a subtle take, suggesting that our insecurities, flaws, and faults are what make us demons. And isn't that familiar? Being told to conquer the parts of yourself that don't fit the script - to hide your true self and meet the standards the world has set for you. Many moments in the film will make you pause and introspect. Moments where you will also hide with the characters, believe in the lies they tell themselves, and once again believe that we are not good AlertThe film's defining moment arrives in a show-stopping performance of the song 'Golden'. It unfolds, devastatingly, when Rumi's secret is exposed - her demon patterns, her supposed imperfections, paraded for all to see. Her bandmates falter. The world that once celebrated her falls silent. It makes you think - what would you do if your deepest, darkest secrets were exposed?CELINE'S FLAWED LOVE AND WHY IT MADE US ANGRYFor Rumi, she was crushed beneath the weight of rejection. She returns to Celine, her adoptive mother, the one person who should have seen her beyond the flaw, beyond the scandal. What follows is both layered and infuriating. Celine, trying to shield Rumi, covers her demon patterns with her shrug, a gesture drenched in maternal protection, but also suffocating compliance. She tells Rumi they'll 'fix' this - they'll spin a narrative, blame the demons, and convince the world this isn't "really" her. This is the most relatable scene in the film. How often are we told that we need to be "fixed" when we confide in someone? How often have our closest ones told us that we are not perfect?It's not like we don't know that they mean well, but that doesn't mean they are right. Right? Celine's instinct, just like our loved ones, mirrors society's deepest flaw, the desperate urge to hide imperfection rather than accept it - to polish over the cracks. Her reaction, likely born from fear and love, feels like betrayal. It's the familiar sting of being rejected by those who were never supposed to judge you, the ones meant to accept your unfiltered, unvarnished why Rumi's rage is so raw, so relatable. Her hopelessness, her resignation - feel real because we've all been there. Twisting ourselves into something more acceptable. Her outburst is not melodramatic; it's the sound of a human breaking under impossible standards. Her words slice through the illusion like a blade: 'If this is the world I was meant to protect, then I'm glad to see it get destroyed.'It's defiance, yes. But more than that, it reflects a buried, uncomfortable truth many of us carry - the quiet satisfaction of watching hypocritical systems crumble - the institutions that forced us to hide, that demanded conformity while pretending to champion individuality. The film becomes more than a fantasy flick. It becomes a manifesto - a rebellious whisper urging us to dismantle these fragile societal norms and rebuild something better. A world that doesn't flinch at flaws, that doesn't fear difference.'KPop Demon Hunters' dresses itself in sequins and spectacles, but beneath the surface, it's something raw. It's uncomfortable, it's imperfect, and that's precisely the point. It doesn't just tell us to fight monsters, it dares us to face the ones we've become by silencing our voice.- Ends
Yahoo
2 days ago
- Entertainment
- Yahoo
Nina Dobrev & Shaun White Have Red Hot Date Night At 'The Vampire Diaries' Costar's Wedding
Shaun White made us all swoon when he proposed to Nina Dobrev with white roses (and a fake dinner to throw Nina off the scent). And while this couple is head over heels in L-O-V-E, they're not in a hurry to get down the aisle. The star just spilled on why she's not trying to "rush" this phase of her life — and gave Brit + Co an exclusive peak into what their relaxing Sunday evenings look like. Stars really are just like us! Nina Dobrev told Brit + Co that her favorite way to unwind after a busy weekend is to use Sunday to relax. "I love Sundays because they're just so lazy. I try to do as little as possible," she said. "I try to not put real clothes on and just be in sweatpants/pajamas all day, and I love just being at the house with the dog and my fiancé and curl up and watch — it was White Lotus every Sunday, now it's The Last of Us, so it just depends on the season. I can't even talk about [ episode 2] I'm still heartbroken!" But while they love to unwind, they also love a night out! Nina Dobrev and Shaun White just showed up to Nina's The Vampire Diaries costar Michael Trevino's wedding to Bregje Heinen and it was basically a TVD cast reunion! Nina looked beautiful in a red gown beside Shaun's black tux. "sunlight, sangria, and a little bit of grain," Nina wrote on . In an interview with E! News, Nina Dobrev why she and Shaun White haven't planned too much of their wedding. 'I was in Australia shooting a movie and then Christmas and New Year's,' she says. 'We're just enjoying being engaged at this point and being in that sort of have a boyfriend for half of your life and then you have a husband for half of your life but the fiancé period is very short.' And while being married is so sweet, she's also having fun with their engagement. 'I really want to enjoy it and not rush that process," she adds. 'It's so fun to say fiancé." Nina says she "was never one of those girls who dreamt of what a dream wedding would be,' but it's very important for her to plan a wedding that's as sustainable as it is memorable. "I'd have to do a lot of research and find out the areas of improvement.' 'My number one goal is to find out how to make it as low-impact as possible," she adds. But even though we might have to wait to see what Shaun White and Nina Dobrev's wedding looks like, it's sure to be one for the ages! One source tells People the a "blowout party." 'They are the perfect fit together — fun and adventurous, but also very grounding for each other,' the source says. 'After the proposal, they were calling and texting friends saying, 'It can't get better than this' and were just glowing.' I have loved keeping up with all their snowboarding, travel, and red carpet adventures, and it's better than ever now that they're fiancés. Cheers to the happy couple! Loving all this celeb love? I know I am. Check out for even more celebrity engagement news on Brit + Co! This post has been updated.
The Advertiser
3 days ago
- Entertainment
- The Advertiser
You're not prepared for the wacky twist in We Were Liars
Continuing the trend of rich families who spend their summers on islands while harbouring secrets (looking at you The Perfect Couple and Sirens), We Were Liars arrives with a twist that will leave you reeling. Not to say it's an especially well-made or deep series, but the desire to get to the end and unravel the mystery is strong and will keep you engaged for the full eight episodes. Based on the buzzy 2014 novel of the same name by E. Lockhart, We Were Liars takes place on the wealthy Sinclair family island - Beechwood - over two summers. The first summer, labelled Summer 16 by our lead character Cadence (Emily Alyn Lind, Gossip Girl), is filled with drama and questions. Cadence remembers the first few weeks, and then it's all a blur until she wakes up alone half-naked and bleeding on the beach with no memory of how she got there. So the next year, Summer 17, she wants to piece together what happened to her and why no one in her family will talk about it. And the other big question - why hasn't she heard from her cousins (her best friends in the world) all year? What are they keeping from her? Watching We Were Liars is a completely different experience for those who know about the twist, and those who don't, and there's certain enjoyment to be gained from either experience. Young Aussie actor Joseph Zada (Invisible Boys) plays Cadence's cousin Johnny, and will soon be seen in the Hunger Games prequel Sunrise on the Reaping, while Ewan McGregor's daughter Esther McGregor (Babygirl) is a standout as another cousin, Mirren. The cast also includes David Morse (The Green Mile), Mamie Gummer (True Detective), Candice King (The Vampire Diaries), Rahul Kohli (The Haunting of Bly Manor) and Caitlin FitzGerald (Masters of Sex). We Were Liars was co-created by Julie Plec, responsible for TV shows of varying success including The Vampire Diaries and its spin-offs, Vampire Academy and The Girls on the Bus. This documentary feature from National Geographic takes a look at the life of the first American woman in space, Sally Ride. For a time, Ride was one of the most famous names on (and off) the planet, but even though her face was ubiquitous, her private life was strictly off limits. In an industry that was such a boys' club, in a time when women in anything but domestic roles was still something of a novelty, Ride wanted the focus to be purely on her capability and intellect. So you have to wonder how the astronaut would feel about this documentary, which shares her life outside of her work with the world. Ride was a lesbian, and had a loving but largely secret relationship with her partner Tam O'Shaughnessy for 27 years. Her sexuality wasn't something that she discussed with anyone, even her family, as her sister Bear says in the film. Her family and closest friends knew about their relationship, but Ride never wanted to spend time talking about it. Perhaps she thought her sexual identity was not one of the more interesting parts of her life, or perhaps she was worried about being outed in a time when that would mean her career would suffer. US tennis great Billie Jean King shares her own experience with being publicly outed and having to basically put her reputation back together from square one in this film, highlighting just how difficult it would have been for Ride to share her life with the world in that era. So much of Ride's story is marked by incredible achievement, perseverance and triumph, and Sally does detail the big milestones - being selected for the NASA program, becoming the first woman in space, sitting on a committee examining the Challenger disaster, starting her own science academy - but these are overshadowed by the amount of time spent dissecting her relationships. Anna and Elsa get the stage treatment in this filmed version of a London production of the Frozen Broadway musical. The musical takes all the beats you know and love from the 2013 Disney animation and brings them to life in on stage with spirited performances from the London cast. The staging is rich and detailed and the performances are largely overplayed (as one would expect). Olaf is an unexpected delight, losing none of his charm in the move from screen to stage. Noted West End performer Samantha Barks (who gave a devastating performance in the Les Miserables film) steps into Elsa's icy shoes and is predictably dazzling. If you're looking for late 1800s period drama, then AppleTV+ and Paramount+ have you covered, with The Buccaneers (season 2) and The Gilded Age (season 3) both making their returns. Over on Netflix you can dive into new North Carolina fishing drama The Waterfront, starring Holt McCallany, Maria Bello and Melissa Benoist from Dawson's Creek creator Kevin Williamson. The streamer also has a new animated kids film for fans of K-Pop: KPop Demon Hunters. If docos are more your style, Netflix has the truly devastating Grenfell Uncovered, which looks into the list of failures and oversights that led to the inferno which claimed 72 lives in London in 2017. The doco action continues with Sherri Papini: Caught in the Lie on Max, a four-part series with episodes dropping weekly. And on Stan you can catch the Aussie documentary film Joh: The Last King of Queensland, about politician Joh Bjelke-Petersen. Continuing the trend of rich families who spend their summers on islands while harbouring secrets (looking at you The Perfect Couple and Sirens), We Were Liars arrives with a twist that will leave you reeling. Not to say it's an especially well-made or deep series, but the desire to get to the end and unravel the mystery is strong and will keep you engaged for the full eight episodes. Based on the buzzy 2014 novel of the same name by E. Lockhart, We Were Liars takes place on the wealthy Sinclair family island - Beechwood - over two summers. The first summer, labelled Summer 16 by our lead character Cadence (Emily Alyn Lind, Gossip Girl), is filled with drama and questions. Cadence remembers the first few weeks, and then it's all a blur until she wakes up alone half-naked and bleeding on the beach with no memory of how she got there. So the next year, Summer 17, she wants to piece together what happened to her and why no one in her family will talk about it. And the other big question - why hasn't she heard from her cousins (her best friends in the world) all year? What are they keeping from her? Watching We Were Liars is a completely different experience for those who know about the twist, and those who don't, and there's certain enjoyment to be gained from either experience. Young Aussie actor Joseph Zada (Invisible Boys) plays Cadence's cousin Johnny, and will soon be seen in the Hunger Games prequel Sunrise on the Reaping, while Ewan McGregor's daughter Esther McGregor (Babygirl) is a standout as another cousin, Mirren. The cast also includes David Morse (The Green Mile), Mamie Gummer (True Detective), Candice King (The Vampire Diaries), Rahul Kohli (The Haunting of Bly Manor) and Caitlin FitzGerald (Masters of Sex). We Were Liars was co-created by Julie Plec, responsible for TV shows of varying success including The Vampire Diaries and its spin-offs, Vampire Academy and The Girls on the Bus. This documentary feature from National Geographic takes a look at the life of the first American woman in space, Sally Ride. For a time, Ride was one of the most famous names on (and off) the planet, but even though her face was ubiquitous, her private life was strictly off limits. In an industry that was such a boys' club, in a time when women in anything but domestic roles was still something of a novelty, Ride wanted the focus to be purely on her capability and intellect. So you have to wonder how the astronaut would feel about this documentary, which shares her life outside of her work with the world. Ride was a lesbian, and had a loving but largely secret relationship with her partner Tam O'Shaughnessy for 27 years. Her sexuality wasn't something that she discussed with anyone, even her family, as her sister Bear says in the film. Her family and closest friends knew about their relationship, but Ride never wanted to spend time talking about it. Perhaps she thought her sexual identity was not one of the more interesting parts of her life, or perhaps she was worried about being outed in a time when that would mean her career would suffer. US tennis great Billie Jean King shares her own experience with being publicly outed and having to basically put her reputation back together from square one in this film, highlighting just how difficult it would have been for Ride to share her life with the world in that era. So much of Ride's story is marked by incredible achievement, perseverance and triumph, and Sally does detail the big milestones - being selected for the NASA program, becoming the first woman in space, sitting on a committee examining the Challenger disaster, starting her own science academy - but these are overshadowed by the amount of time spent dissecting her relationships. Anna and Elsa get the stage treatment in this filmed version of a London production of the Frozen Broadway musical. The musical takes all the beats you know and love from the 2013 Disney animation and brings them to life in on stage with spirited performances from the London cast. The staging is rich and detailed and the performances are largely overplayed (as one would expect). Olaf is an unexpected delight, losing none of his charm in the move from screen to stage. Noted West End performer Samantha Barks (who gave a devastating performance in the Les Miserables film) steps into Elsa's icy shoes and is predictably dazzling. If you're looking for late 1800s period drama, then AppleTV+ and Paramount+ have you covered, with The Buccaneers (season 2) and The Gilded Age (season 3) both making their returns. Over on Netflix you can dive into new North Carolina fishing drama The Waterfront, starring Holt McCallany, Maria Bello and Melissa Benoist from Dawson's Creek creator Kevin Williamson. The streamer also has a new animated kids film for fans of K-Pop: KPop Demon Hunters. If docos are more your style, Netflix has the truly devastating Grenfell Uncovered, which looks into the list of failures and oversights that led to the inferno which claimed 72 lives in London in 2017. The doco action continues with Sherri Papini: Caught in the Lie on Max, a four-part series with episodes dropping weekly. And on Stan you can catch the Aussie documentary film Joh: The Last King of Queensland, about politician Joh Bjelke-Petersen. Continuing the trend of rich families who spend their summers on islands while harbouring secrets (looking at you The Perfect Couple and Sirens), We Were Liars arrives with a twist that will leave you reeling. Not to say it's an especially well-made or deep series, but the desire to get to the end and unravel the mystery is strong and will keep you engaged for the full eight episodes. Based on the buzzy 2014 novel of the same name by E. Lockhart, We Were Liars takes place on the wealthy Sinclair family island - Beechwood - over two summers. The first summer, labelled Summer 16 by our lead character Cadence (Emily Alyn Lind, Gossip Girl), is filled with drama and questions. Cadence remembers the first few weeks, and then it's all a blur until she wakes up alone half-naked and bleeding on the beach with no memory of how she got there. So the next year, Summer 17, she wants to piece together what happened to her and why no one in her family will talk about it. And the other big question - why hasn't she heard from her cousins (her best friends in the world) all year? What are they keeping from her? Watching We Were Liars is a completely different experience for those who know about the twist, and those who don't, and there's certain enjoyment to be gained from either experience. Young Aussie actor Joseph Zada (Invisible Boys) plays Cadence's cousin Johnny, and will soon be seen in the Hunger Games prequel Sunrise on the Reaping, while Ewan McGregor's daughter Esther McGregor (Babygirl) is a standout as another cousin, Mirren. The cast also includes David Morse (The Green Mile), Mamie Gummer (True Detective), Candice King (The Vampire Diaries), Rahul Kohli (The Haunting of Bly Manor) and Caitlin FitzGerald (Masters of Sex). We Were Liars was co-created by Julie Plec, responsible for TV shows of varying success including The Vampire Diaries and its spin-offs, Vampire Academy and The Girls on the Bus. This documentary feature from National Geographic takes a look at the life of the first American woman in space, Sally Ride. For a time, Ride was one of the most famous names on (and off) the planet, but even though her face was ubiquitous, her private life was strictly off limits. In an industry that was such a boys' club, in a time when women in anything but domestic roles was still something of a novelty, Ride wanted the focus to be purely on her capability and intellect. So you have to wonder how the astronaut would feel about this documentary, which shares her life outside of her work with the world. Ride was a lesbian, and had a loving but largely secret relationship with her partner Tam O'Shaughnessy for 27 years. Her sexuality wasn't something that she discussed with anyone, even her family, as her sister Bear says in the film. Her family and closest friends knew about their relationship, but Ride never wanted to spend time talking about it. Perhaps she thought her sexual identity was not one of the more interesting parts of her life, or perhaps she was worried about being outed in a time when that would mean her career would suffer. US tennis great Billie Jean King shares her own experience with being publicly outed and having to basically put her reputation back together from square one in this film, highlighting just how difficult it would have been for Ride to share her life with the world in that era. So much of Ride's story is marked by incredible achievement, perseverance and triumph, and Sally does detail the big milestones - being selected for the NASA program, becoming the first woman in space, sitting on a committee examining the Challenger disaster, starting her own science academy - but these are overshadowed by the amount of time spent dissecting her relationships. Anna and Elsa get the stage treatment in this filmed version of a London production of the Frozen Broadway musical. The musical takes all the beats you know and love from the 2013 Disney animation and brings them to life in on stage with spirited performances from the London cast. The staging is rich and detailed and the performances are largely overplayed (as one would expect). Olaf is an unexpected delight, losing none of his charm in the move from screen to stage. Noted West End performer Samantha Barks (who gave a devastating performance in the Les Miserables film) steps into Elsa's icy shoes and is predictably dazzling. If you're looking for late 1800s period drama, then AppleTV+ and Paramount+ have you covered, with The Buccaneers (season 2) and The Gilded Age (season 3) both making their returns. Over on Netflix you can dive into new North Carolina fishing drama The Waterfront, starring Holt McCallany, Maria Bello and Melissa Benoist from Dawson's Creek creator Kevin Williamson. The streamer also has a new animated kids film for fans of K-Pop: KPop Demon Hunters. If docos are more your style, Netflix has the truly devastating Grenfell Uncovered, which looks into the list of failures and oversights that led to the inferno which claimed 72 lives in London in 2017. The doco action continues with Sherri Papini: Caught in the Lie on Max, a four-part series with episodes dropping weekly. And on Stan you can catch the Aussie documentary film Joh: The Last King of Queensland, about politician Joh Bjelke-Petersen.
Yahoo
4 days ago
- Entertainment
- Yahoo
Vampire Diaries Boss Julie Plec Still Has Ideas for Another Spinoff: ‘All Anybody Has to Do Is Ask'
Following the 2022 series finale of The CW's Legacies, it's now been three years since fans have gotten to enjoy anything new set in the world of The Vampire Diaries — and that's three years too many, if you ask us. Naturally, we took our concerns to former Vampire Diaries showrunner Julie Plec, who's currently promoting her new Prime Video series We Were Liars. Here's what she told us: 'I have had ideas for more Vampire Diaries stories since we were doing the last Vampire Diaries story. All anybody has to do is ask, and I will be there.' More from TVLine The CW Books 6 Harlequin Romance Movies for Fall - Stars Include Flash, Arrow and Glee Vets We Were Liars EPs Talk Book-to-Show Changes, Including Which Sinclair Family Member Didn't Make the Cut Sherlock & Daughter Team Tease Their Plan for a Potential Season 2 of The CW's Most-Watched Drama We had previously asked Plec about continuing the franchise when Legacies ended in 2022, and her answer at the time wasn't entirely dissimilar to this latest response. 'There's absolutely hope for the future,' Plec told us three years ago. 'Brett [Matthews] and Kevin [Williamson] and I have an idea percolating in our brains that we just haven't had the time to put down on the page yet. But we definitely want to do another branch of the tree. It's just a matter of when, I guess.' Based on books by L. J. Smith, The Vampire Diaries aired for eight seasons (2009–2017) on The CW, telling the story of undead brothers Stefan (Paul Wesley) and Damon Salvatore (Ian Somerhalder), whose lives were ruled by their shared obsession with vampire Katherine and her human doppelgänger Elena (both played by Nina Dobrev). The franchise expanded in 2013 with The Originals, a New Orleans-set spinoff about the world's oldest family of vampires, led by Klaus Mikaelson (Joseph Morgan). When The Originals concluded its five-season run in 2018, the franchise returned to Mystic Falls for Legacies, which followed Klaus' daughter Hope (Danielle Rose Russell) as she enrolled in a supernatural boarding school. Unfortunately, Legacies became one of many casualties when Nexstar Media Group gained a majority stake in The CW in 2022, causing the series to end after just four seasons. All told, The Vampire Diaries, The Originals and Legacies aired a combined 331 episodes across 17 seasons from 2009 to 2022. Are you hoping for an eventual return to Mystic Falls, or wherever else in the world there are smoldering vampires with stories to tell? If so, which characters from the previous three shows would you like to see the most? Drop a comment with your thoughts below. Life After Legacies: See Where Everyone in the Vampire Diaries Universe Ended Up View List Best of TVLine Yellowjackets' Tawny Cypress Talks Episode 4's Tai/Van Reunion: 'We're All Worried About Taissa' Vampire Diaries Turns 10: How Real-Life Plot Twists Shaped Everything From the Love Triangle to the Final Death Vampire Diaries' Biggest Twists Revisited (and Explained)
Elle
5 days ago
- Entertainment
- Elle
Every Song On The 'We Were Liars' Soundtrack
If you've already binged all eight episodes of We Were Liars and haven't been able to dislodge it from your mind, then may we present you with the series' soundtrack which may fill something of a void in the wake of the show's finale. 'The Sinclairs are American royalty — known for their good looks, old money, and enviable bond — but after a mysterious accident changes Cadence's life forever, everyone, including her beloved Liars, seems to have something to hide,' per the official synopsis of the series. The score of the eight-episode series is the brainchild of Michael Suby, whose previous credits include The Vampire Diaries and Pretty Little Liars, which is no doubt the reason that we can't seem to get it out of our heads. This is every song from every episode of We Were Liars to add to your playlist (you're welcome). 'What's The Rumpus' - Jack White'Forever' – Haim'Young Blood' – The Naked & Famous'Coming In Hot' – Defunk'No' – Orion'Same Days' – J. Roddy Walston'Home' – Good Neighbours'Dive' – Holly Humberstone'Loving You' – Cannons'Good Time' – Born Runner-The Fancee'Rhythm (la de da)' – Lauren Light'Who We Are' – Hozier'Cinderella Snapped' – Jax 'Where's My Mind' – Lyn Lapid'We'll Be Young Forever' – Denmark + Winter'So We Won't Forget' – Khruangbin'Difficult' – Gracie Abrams'Once Upon A Time' – The Linda Lindas'My Fun' – Suki Waterhouse'Maps' – Paige Valentine'Down Swinging' – Holly Humberstone'Happy Together' – The Turtles'Happy Together' – Why Mona'It Never Ends' – Ingrid Michaelson'Tapestry' – Carole King'Terrible Love' – Birdy 'Days Move Slow' – Bully'Cannonball' – Michigander'Satanist' – Boygenius'Gold Angel' – Minke'Waves' – Daniel Seavey'More Than Meets The Eye' – Rebel Hearts Club'Rescue' – Woodes'On The Edge' – Madalen Duke 'Breath Right Now' – Moonwater x Amy Stroup'Learning' – Kamille'Dream' – Lyra Blue'Hand In My Pocket' – Alanis Morissette'Crash Course (Blue Solo Version)' – Blu DeTiger'All I Do' – Kate Peytavin'Linger' – Minke'Fast' – Pyro Child'American Girl' – Tom Petty & The Heartbreakers'Numb' – Marshmello & Khalid'Young Dumb' – Noisy'Every Little Thing I Say I Do' – Dayglow'Good Girl Era' – UPSAHL'R.O.C.K. In The USA' – John Mellencamp'BAD' – Dylan'Cannonball' – Biz Coletti x JK JOHNS'Land Of A Thousand Dances' – Sam & Dave'U & Me' – Alt-J'Emotional Meltdown' – Robin & The Rocks'Save Me Now' – Joy Williams 'Happy' – Something Corporate'Could Be Good' – Cat Cunning'Lost At Sea' – Lana Del Rey'Fire Rising' – sweetbaby x TRACE'Stardust' – Cary Brothers 'Feel It All' – Jordan Frye'Lets Go' – Weekend Giants'Whole Wide World' – The Brummies'Wild Heart' – Towa Bird'Say Thank You' – Leslie Powell + Milck + Koda Kids'Fuck The Bourgeoisie' – Feral'Draggin The Line' – Tommy Jones & The Shondells'Yellow' – Peta + Sara'Bad Dream' – Raye Zaragosa'Screaming Underwater' – Sanders Bohlke 'Through Me (The Flood)' – Hozier'Eat Your Young' – Hozier'Magic' – Leslie Powell'When Falling Stars Fly' – Denmark + Winter'Old Time Rock and Roll' – Bob Seger'Pteryla' – Novo Amore, Lowswimmer 'Doing It Again Baby' – Girl In Red'We Are Young' – Fun'Lock and Key' – Sorcha Richardson'Summer Love' – Kids In America'Burning' – Yeah Yeah Yeahs'Saturn' – Sleeping At Last'You Are A Memory' – Message To Bears'Stay Inside This Dream' – Leslie Powell'On My Own' – Brynn Elliott'Time Will Tell' – Audrey Ethel We Were Liars is available to stream now on Prime Video. ELLE Collective is a new community of fashion, beauty and culture lovers. For access to exclusive content, events, inspiring advice from our Editors and industry experts, as well the opportunity to meet designers, thought-leaders and stylists, become a member today HERE. Naomi May is a freelance writer and editor with an emphasis on popular culture, lifestyle and politics. After graduating with a First Class Honours from City University's prestigious Journalism course, Naomi joined the Evening Standard as its Fashion and Beauty Writer, working across both the newspaper and website. She is now the Acting News Editor at ELLE UK and has written features for the likes of The Guardian, Vogue, Vice and Refinery29, among many others.
