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Indian Express
26-06-2025
- Business
- Indian Express
WTC Faridabad promoter Ashish Bhalla proposes refund plan for investors before court
By Abhimanyu Sengupta At least 2,224 people, who had invested in the now-stalled Faridabad World Trade Centre (WTC) project, have been chosen for a refund with a court agreeing to a 'refund and settlement plan' proposed by WTC Group promoter Ashish Bhalla, who was arrested by the Enforcement Directorate (ED) in March on charges of cheating and money laundering. On May 22, a Faridabad court – presided over by Judicial Magistrate First Class Anil Kumar – allowed Bhalla to open an escrow account to facilitate settlements to the investors. The court was hearing FIRs lodged on the basis of complaints filed by investors, who have alleged they have not been handed over developed residential plots as promised. According to the FIR, WTC Faridabad Infrastructure Development Private Limited – of which Bhalla was a promoter – lured buyers into investing in a project at Sector 111-114 in Faridabad, promising residential plot allotments. However, the promoters allegedly orchestrated a criminal conspiracy, failing to complete the project and withholding plot deliveries for over a decade. On March 6, the ED attached assets worth Rs 2,300 crore, including land in Faridabad, and arrested Bhalla. It alleged that he, among other things, had diverted investor funds. On April 7, the court permitted Bhalla to submit a 'resolution plan', which he did on April 15. Based on the plan, a six-member committee, chaired by Justice (retd) Rajiv Narain Raina of the Punjab and Haryana High Court, was set up to oversee the refund process. On May 8, investors endorsed Bhalla's plan in the Faridabad court. The committee met on May 11, 14, and 18, collecting around 200 consent forms from investors. Claims are still being consolidated and submitted to the court. Since the filing of the FIR last November, of these 2,224 investors, 1,045 have already received the settlement, Bhalla's counsel has informed the court. Investors who consented to the refund and settlement process, however, maintain skepticism. 'Until we get our money back and the committee directly engages with us, we cannot say whether the step is good,' said A K Verma (50), a government employee. 'On an individual basis, we gave our consent for the process. Till it happens, what can we say? We are waiting to get back our hard-earned money,' said SK Gupta, another investor.
Spectator
18-06-2025
- Entertainment
- Spectator
The politics of horror
Everyone forgets the actual opening scene of 28 Days Later, even though it's deeply relatable, in that it features a helpless chimp strapped to a table and forced to watch doomreels of ultraviolence until it loses its little monkey mind and eats David Schneider. But it's eclipsed by the famous sequence that follows where Cillian Murphy wakes in a hospital bed to find that he has slept through a deadly pandemic and the ensuing collapse of civilisation. As Murphy drags his not-yet-world-famous cheekbones through an eerily abandoned metropolis, we see Piccadilly plastered with the names and faces of the missing and the dead. Audiences in 2002 were reminded of the recent World Trade Centre attacks, which happened in the middle of filming. Unfortunately, it was about to get a lot more prescient. This week, as the long-awaited last instalment of Alex Garland's zombie trilogy hits cinemas (reviewed in this issue), it's worth looking back on the first two films – the second, 28 Weeks Later, premièred in 2007 – which feel like a 'coming up next' montage for two decades of economic collapse, climate breakdown, civil unrest, carnage and chaos. There's the theatre of quarantine, the masked soldiers swabbing holding pens of survivors. There's Naomie Harris, the original exposition ninja: 'It started as rioting and right from the beginning you knew this was different. Because it was happening in small villages, market towns, and then it wasn't on the TV any more, it was on the street outside… By the time they tried to evacuate the cities it was already too late. The infection was everywhere.' Decent horror does a lot more than scare the audience. It asks us to think about what frightens us, and why. The big three monsters of mass culture are vampires, werewolves and zombies, in descending order of sexiness. I apologise to everyone whose doctoral theses I'm about to comic sansify but, in brief, the big three are essentially ego, id and superego: vampires are about power, exploitation and the nasty suspicion that, given the chance, you, too, might be prepared to hurt other people if it meant getting to flounce about for ever in a mansion. Werewolves are about the monster inside you, about the fear that one day you'll lose control, tear up your life and wake up in the woods with a weird headache and wearing the wrong trousers. But zombies are the most obviously political. Zombies are all about our fear of other people. Terror of the unstoppable mob has been baked into the genre from the beginning. In the 1960s, George Romero's Living Dead franchise caught the mood of the mass protest and played into polite society's fear of the civil-rights movement. In the intervening decades we've been served every flavour of shambling undead, and all of them, even Resident Evil, offer us what looks like a reassuringly simple moral choice. The horde has ceased to be sentient and cannot be reasoned with; there is no way to have a productive debate with someone who actively is trying to chew out your pituitary gland. Which is upsettingly relevant to the recent experience of representative democracy. Garland's ravenous, man-eating mobs of 'infected' are not, technically, undead – they're just very, very cross. The virus spreading unstoppably across the nation is, simply, 'rage'. If you'd pitched that in 2020, it might have felt too on the nose, but Garland has already explicitly told us 28 Years Later is more about Brexit than it is about Covid. Zombie movies aren't just about fear of the mob – they're also about the horror of having to tolerate other people. They're about the price we pay for the notional protections of civilisation, and they're rarely subtle about it, which is fine, because nobody watches monster movies for delicate analogy, and personally I prefer my Hobbesian dilemmas served up with dishy actors dressed mainly in other people's blood panting, screaming and swinging baseball bats. 'Are we the baddies?' is hardly an original thought, but the question will remain relevant until western society comes up with an answer. In the final act of 28 Days Later, it turns out that there are more frightening things than the mindless mob: there is power wielded with ruthless efficiency. There's the cold logic of institutional violence, made flesh in Major Henry West, played with appalling composure by Christopher Eccleston, who shelters our heroes in the apparent safety of his military compound. But West has a problem: his men are despairing, because they have the means of survival, but nothing to hope for. Without women, he explains, there is no future. West's simple solution is to kidnap women and forcibly breed them in exchange for protection from the mob, and while going right to institutional gang-rape might have seemed like a wild escalation in 2002, these days he would be just one YouTube ethno-fascist among many. I suspect we'll be coming back to this theme in the final film, purely on the basis of the trailers, where a suspiciously monochromatic crowd of survivors seems to be doing some sketchy religion on Lindisfarne. Alex Garland is famously genre-queer – skipping provocatively from big-budget disaster movies to contemporary tech thrillers to murder mysteries in space – but he has certain predictable tropes. Something disgusting will always happen to a priest. Someone will be overwhelmed by the implications of technology and have an existential breakdown. There will be a scene full of bristling symbolism, where someone will run through a forest while a hypnotic soft-metal soundtrack plays. A bloviating, overpowered alpha-male type will play god; a brave lady with an edgy short haircut will try to stop him; and a sensitive young man will have to pick a side. Over and over again, in action and science fiction and folk horror, Garland grapples with how men are meant to make women love and serve them. It's the driving issue of Ex Machina and of Men, the 2022 low-budget surrealist horror where Jessie Buckley gets hunted through the woods by far too many Rory Kinnears. And over the course of the century the question has become far less academic. In this age of universal catastrophism, where we all at least get to choose our own apocalypse, some people are far less troubled by plague, famine or financial meltdown than they are by the collapse of certain social norms. Immigration. The active presence of gay and transgender people trampling all over our tidy traditions. And women who don't need men. I was 14 when I watched the final, controversial scenes of 28 Days Later, where the women in Murphy's party are stripped and prepped for their first session with the lads. For these soldiers, women's agency is a luxury that a post-collapse world cannot afford – along with cappuccinos and subtle analogy. A surprising number of new-right doomsayers are anticipating the fall of civilisation on that very basis. The logic of the manosphere teaches us that when the dung hits the Dyson, society will revert to a natural order where men are real men, women are grateful, and most problems can be solved by shooting at them. But the world only works like that in the movies. In fact, as we learned in the Covid years, an actual collective crisis doesn't call for tough guys who shoot first and ask questions never. The real heroes are doctors, nurses and first responders, and when things fall apart, people don't just start eating each other. They start feeding each other.
CTV News
31-05-2025
- Business
- CTV News
City Council approves splitting of LDE into two organizations to operate Agri-Food Hub and Trade Centre
Two new entities will be formed to operate the Agri-Food Hub and Trade Centre going forward—one focused on agriculture, the other on managing events.
News18
01-05-2025
- Politics
- News18
Key Differences Between Lashkar, Jaish, And Tracking Their Global Footprints
Last Updated: Recent intelligence inputs indicate meetings between Hamas leaders and JeM and LeT in Pakistan-occupied Kashmir (PoK) Terror groups Lashkar-e-Taiba and Jaish-e-Mohammed exploit Pakistan's territorial ambiguities but differ sharply in ideology, structure, and operational methods, an intelligence note accessed by CNN-News18 reveals. According to top intel sources, Jaish's ideology comprises Deobandi, Islamism, and Sunnism. It is aligned with al-Qaeda and the Taliban. LeT belongs to the Salafi Ahl-e-Hadith sect, believes in global jihad, and has ties with Hamas. Jaish is family-run as a mafia-style enterprise, with Maulana Masood Azhar and his brothers controlling the operations. Lashkar has a hierarchy, is less dependent on family, and cadres are selected on merit. Jaish operations are mainly 'high targets" and it focuses on suicide bombings like the 2019 Pulwama attack. Lashkar indulges in 'urban attacks" style, like Mumbai 2008 and Pahalgam 2025, where a large number of civilians were killed. Jaish has limited global footprints in Afghanistan, Pakistan, and Kashmir. Lashkar is global with the help of charity organisations like Jamaat ud Dawa and has footprints in Europe as well as West Asia. Jaish has direct connections with Pakistan's spy agency ISI, and sometimes it can operate against the state also, like when it wanted to kill Pervez Musharraf, said sources. Lashkar is close to the Pakistan deep state. LeT has trained operatives from al-Qaeda, like Ramzi Yousef, the 1993 World Trade Centre bomber. It has also hosted terrorists like 2001 shoe bomber Richard Reid and 2005 London subway attackers. According to sources, Lashkar recruits from Pakistani diaspora communities in the UK, the US, and Australia. It provided safe houses for al-Qaeda operatives, including those involved in the 1993 World Trade Center bombing. People like David Coleman Headley, involved in the 2008 Mumbai attacks, exemplify the group's transnational operations. Post-US withdrawal, LeT shifted its focus to Afghanistan, targeting Indian interests and collaborating with the Taliban. JeM fighters trained in Afghan camps during the Soviet-Afghan War and maintain alliances with the Taliban. Its cadres fought for al-Qaeda in Afghanistan, sharing resources and ideological goals. JeM receives funding from West Asian donors via charities like Al-Rehmat Trust, while its ideology matches with Deobandi networks in Saudi Arabia, said sources. Jaish operatives have plotted attacks in Denmark and the UK, leveraging connections with British-Pakistani radicals. Masood Azhar's early career involved coordinating with al-Qaeda in Somalia and Afghanistan. JeM's 2001 Indian Parliament attack was jointly executed with al-Qaeda-linked militants, sources said. Recent intelligence inputs indicate meetings between Hamas leaders and JeM and LeT in Pakistan-occupied Kashmir (PoK). Hamas's tactics in Israel have inspired Kashmir-focused attacks, said sources. Get breaking news, in-depth analysis, and expert perspectives on everything from geopolitics to diplomacy and global trends. Stay informed with the latest world news only on News18. Download the News18 App to stay updated! tags : Jaish Lashkar pakistan terror First Published: May 01, 2025, 19:47 IST
