Latest news with #collection
Vogue
6 hours ago
- Entertainment
- Vogue
Sacai Resort 2026 Collection
This was a deceptively simple Sacai collection. Not least because Chitose Abe stepped away from the runway this season, opting instead for a static presentation of the clothes in this lookbook at the Sacai HQ on the Left Bank. As the T-shirt she was wearing implied, despite how forward-looking or concept-driven her work can present when on the runway, Abe makes everyday clothes. 'All day everyday,' read the slogan printed across her tee. And that's what she made sure to underscore in conversation: That the cornerstone of Sacai is that it is meant to be a wardrobe. Elevated, sure, but there's no reason why these shouldn't be the clothes you wear, well, all the time. Abe explained through her interpreter that the season's starting point was a white cotton cashmere tuxedo, its versatility and simplicity becoming a stand-in for the broader Sacai endeavor. Abe's touch, particularly her signature garment hybridization, has become a source of inspiration for many and it's easy to clock off the runways. This may be why, in recent seasons, her runway collections seemed to have moved into becoming concept-driven and built around a singular theme as opposed to being more broad contributions to her body of work—see the rawness of her disheveled furs from her January men's show or the streamlined, gestural sensuality of the women's one from March. Still Sacai, but presented as more specific, singular statements. What was on display at Abe's showroom this time was, instead, a sharp and clear reminder of the core tenets of Sacai. Was the intention to clean the slate or reset? Not at all, she said, answering the question this time sans translator. It was, instead, just to show this side of the label. Ditto opting out of the runway this season—no broader point being made here other than switching things up. Fair enough. Much of fashion has started to once again opt for thinness, in castings for the runways and in the proportions of clothes, but not Abe. Instead, as exemplified by that very look, the dominant silhouette in this collection was dictated by a wide, ballooning trouser and a voluminous sleeve. In many ways this was a collection about sleeves, each more fascinating than the other. They appeared slashed and open down to the elbows or rounded out entirely; made with extra volumes optionally released by zippers or with double shoulder-caps and bell-like hems; simple and curvaceous or intricately cut and folded in ways too puzzling to describe with mere words. Such technical prowess is hard to see on a runway; it was a joy to be able to experience it up close. Even more fun: After starting the day at the Sacai HQ, the fashion crowd was summoned to end it there too, this time with the promise of Japanese food and karaoke. Some of your favorite fashion editors, publicists, and multi-hyphenates belted out everything from Elvis and George Michael to Japanese pop and even Shakira (this last one may or may not have been yours truly). As a treat, the artist D4vd, who was in attendance as a guest, decided to sing his viral hit 'Here With Me.' The true star of the show, however, was Abe herself. She ended the night with a rendition of 'Empire State of Mind' accompanied by a choir of guests. She was wearing a little Sacai frock, as were many others in the room. Undeniable proof that hers are clothes not just made to live in every day, but to seize every moment
Vogue
13 hours ago
- Entertainment
- Vogue
Lii Spring 2026 Menswear Collection
Zane Li is settling into the Paris of it all after trading the Big Apple for the City of Light earlier this year. This was his second menswear collection, having tried the category for size last season. So far, so good. It was once again Li's technical curiosity that guided his lineup, itself propelled by research the designer did within pockets of archetypal menswear, he explained at a preview. Namely, Li looked at officewear, swimwear, sporting looks, and other sartorial spaces that are regimented by pragmatism rather than play or aesthetics, as much of menswear often is. Yet Li has a knack for imbuing a sense of whimsy into these simple and familiar styles. He said his research was not era-specific, though the influence of the '70s, '80s, and early '90s was clear through most of his output. 'There's a bit of aggression that feels quite [fitting] for the world right now,' he said of some of these sportswear and rock 'n' roll references. What that is, really, is a sense of macho; an unrelenting masculinity that Li said he was keen to design against. 'I'm more interested in the positive side of men,' he continued, 'the soft, modest side.' This idea was most evident, and translated most effectively, in a series of shirting and suiting cut out of sheer nylon in sweet pastel colors. Li also layered tank tops and T-shirts, expanding on some of his ideas from last season, in primary colors that when seen together on the same rack transmitted a similar comforting feeling with the naïveté—and color story, even—of an old school Fisher Price toy or Lego set. A recurring idea here, Li said, was to 'make the shorts disappear.' These were microscopic, as they have been in most collections this season. He hid them under blazers and nylon windbreakers. The effect was somewhat retro—and sexy in the same way that those tiny, and very revealing, running shorts from the '80s are in hindsight, but it felt modern in the way the eroticism was softer and more subtle. This is what gives Li an edge—his potential as a designer hinges on the way his curiosity isn't nostalgic or overly referential. His ideas feel new.
Vogue
3 days ago
- Entertainment
- Vogue
Ganni Resort 2026 Collection
'We are still who we are, but something has also changed.' Ditte Reffstrup was commuting between Copenhagen and Paris as she discussed her Ganni resort collection. The creative director seems to find navigating the clash between Danish and French cultures invigorating. 'There are so many things where we are so different, and at the same time, I think we are driving each other in a good direction. We really learn from each other.' Something similar could be said of the brand's new lineup which accommodates both those with the desire to hibernate and others with the urge to party with looks cozy (a Gannified toggle coat à la Paddington Bear) and dressy (a knee-length sheath in mocha-colored sequins with a shoulder bow flourish). These two garments were paired in the opening look of a collection that feels sophisticated, yet retains a sense of fun. Longer skirt lengths added polish, while kitten-heeled shoes inspired by Danish house clogs introduced an element of cool. Among the elements carried over from the fall 2025 collection were Peter Pan collars, one of which appeared on an otherwise utilitarian jacket in chocolate brown; floral jacquard denim; and a three-tier silhouette, as in a closing look that included a blazer, short circle skirt, and pants. 'I love this layering,' Reffstrup noted. A different, younger, kind of tripling up could be seen in a too-cute look where a sweater with a banana motif was tied around the shoulders of a mini dress with a pleated skirt puffed out by a ruffled leopard-print skirt worn under it. Reffstrup's father was a fisherman and the yellow Icelandic-style pullover in the collection is both classic and nostalgic for her. A 'story sweater' featuring a bunny rabbit and the slogan 'Have a Nice Day Please Recycle,' a gray-striped blouse with 'angel' sleeves, and a denim dress and jacket smothered with bows and rick-rack trim, are all examples of dopamine dressing. 'There's so much stuff going on [in the world],' said Reffstrup, 'but I really want to put a smile on people's faces.'
Daily Mail
4 days ago
- Entertainment
- Daily Mail
Rita Ora slips into an array of skimpy bikinis while sultrily posing for a sizzling photoshoot as she models her new Primark summer collection
Rita Ora was sure to set pulses racing as she slipped into an array of skimpy bikinis while modelling her new Primark summer collection. The singer, 34, who became a global ambassador for the budget high street brand in 2023, looked incredible while pulling off a number of sultry poses to showcase her latest offering. Putting her incredibly toned figure on display, Rita was certainly in her element as she modelled a satin peach two-piece before donning a barely-there white number in the tropical location. The Anywhere hitmaker wowed as she then showed off a satin burgundy bikini while posing in front of an idyllic sunset by the sea. Inspired by 'long days under golden skies and unforgettable nights', Rita's new summer collection sees her donning backless dresses, floaty maxi skirts and relaxed crochet pieces, perfect for the season. Rita further wowed as she also displayed the selection of jewellery and accessories to go alongside her clothing collection. Speaking of her newest collaboration with Primark, which hits stores on Tuesday, Rita shared: 'Summer is one of my favourite times to express myself through fashion. It's carefree, bold, and full of personality. 'This collection with Primark is all about embracing those golden-hour moments, with pieces that feel effortless but still make a statement. I was inspired by vintage textures, beachside sunsets, and the kind of clothes you throw in your bag for last-minute adventures. 'It's been amazing to explore new styles, especially with our first swimwear drop, and I can't wait to see how people make these looks their own. It's fashion that feels like summer and I'm so proud of that.' Rita's sizzling snaps comes days after she looked incredible as she performed at a summer concert in Hamburg, Germany on Saturday. The star wore a black lace bra and tiny hot pants as she celebrated the season opening at Westfield Hamburg-íœberseequartier. She teamed her outfit with a semi-sheer snake print blouse and a pair of knee-high leather boots. The musician played a number of chart-topping hits such as Hot Right Now and Your Song. Rita was recently left cringing after a ukulele busker hopped in her car to give an impromptu performance of his original tune, Dolla Dolla. The Anywhere hitmaker wowed as she then showed off a satin burgundy bikini while posing in front of an idyllic sunset by the sea Inspired by 'long days under golden skies and unforgettable nights', Rita's new summer collection sees her donning backless dresses, floaty maxi skirts and relaxed crochet pieces Rita sultrily gazed at the camera while writing in the sand during her latest photoshoot with the high street fashion brand The musician known as 'Liam C', real name Liam Cowan, went viral last year for his 'cringe-worthy' serenade of Dua Lipa, 29, and has also bombarded fellow stars including Stormzy, 31, at Glastonbury Festival. Now, a new video shared by Liam on Instagram sees the musician enthusiastically playing his tune to an uncomfortable-looking Rita. At the beginning of the clip, Rita gets escorted to her car by security as she is mobbed by fans and photographers shouting out her name. Meanwhile, Liam could be seen pushing his way through people to get into Rita's car as well with his cameraman. Once inside the car, Liam introduced Rita to the camera and said: 'We just had an absolute madness.' Rita was recently left cringing after a ukulele busker hopped in her car to give an impromptu performance of his original tune, Dolla Dolla He continued: 'Very very lovely of her to just let me come in her car so I can play her a good tune. Is that alright? Rita simply replied: 'Always.' Liam then explained what his song is about, he said: 'This is called Dollar Dollar. So, like I'm living out my rucksack, running around doing the whole Ed Sheeran thing, doing everything I can to get noticed. So this is my song about that.' As he began to strum on his ukulele, Rita's unimpressed expression said it all, and she appeared lost for words. Following his quick performance, Liam asked Rita: 'Was it good?' and she politely replied: 'I loved it.'
Vogue
5 days ago
- Entertainment
- Vogue
Sanderlak Spring 2026 Ready-to-Wear Collection
Before shipping his debut Sanderlak collection to Paris, where press and buyers will see the new label for the first time later this week, Sander Lak did a test run in a gallery space in his Chrystie Street office building. Sanderlak is both a straightforward sportswear line and a concept brand, one whose everyday vibes will shift year-to-year based on a location of the peripatetic designer's choosing. First up in Los Angeles, a fitting starting point given that in the time since Sies Marjan, Lak's former brand, shuttered, he worked on a screenplay and came close to getting the movie made before returning to fashion. On the walls on Chrystie Street were portraits of Anglenos of all stripes: the well-known, famous progeny, and street-cast kids alike, and piled here and there amidst colorful pillows and lush houseplants were books by L.A. chroniclers including Eve Babitz, John Fante, and Rosecrans Baldwin. The paperback edition of the latter's Everything Now: Lessons From the City-State of Los Angeles is a particularly vivid shade of green. That seems fitting too, considering the fact that color is such a big part of the Sanderlak identity. The racks were indeed awash with color: sweat sets in the freshest lemon sorbet and the deepest bordeaux red, an '80ish snap-front jacket and cargos in sky blue, denim separates overdyed deep pink, a striped rugby, a midnight blue shearling with 'frosted' bronze tips, and another coat in a rainbow melange jacquard that conjured memories of a circa 2019 Sies Marjan dress aswirl with watercolor pastels. After oohing and ahhing over the juicy colors, editors and buyers will surely appreciate the care with which Lak chose his fabrics, be it the slubby cotton of the logo ringer tees, a world away from the 'plasticky' t-shirts surfers wore until they were holey back in the day; the just-right cotton rib of other tops, or the bounce of a fuzzy marl knit sweater with a scoop neck. Is it normcore? Not exactly. In Sanderlak, there's no 'blending in,' which is one of the founding principles of fashion's first 'core.' But it is arriving at a moment when even luxury designers are rejecting sartorial indulgence. At Prada yesterday, Miuccia Prada railed against 'useless complicated ideas: a lot for the sake of doing a lot.' Lak has managed a neat trick: he's doing a lot with a little.
