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Brad Pitt makes shock confession about his own on set behavior that shut down filming
Brad Pitt makes shock confession about his own on set behavior that shut down filming

Daily Mail​

time03-07-2025

  • Entertainment
  • Daily Mail​

Brad Pitt makes shock confession about his own on set behavior that shut down filming

Brad Pitt has confessed that he once caused production on one of his movies to shut down because he couldn't stop farting. The Hollywood actor, 61, revealed he had been filming in a small café with 60 people on the set when 'nature took its course' and the crew swiftly evacuated. For the scene, Pitt had to quickly eat a huge plate of beans and bacon because his character hadn't eaten for several days. And being the A-list star that he is, Pitt opted to go 'method' and ate the food that was laid out in front of him. Speaking to brothers Jason Kelce and Travis Kelce on their New Heights podcast, he recalled: 'I just powered down this plate of beans. 'Take two, do the same thing. Take three, I do the same thing. Take four, I do the same thing. Something hit me. 'There was nothing I could do. I was stuck in this chair, nature took its course.' At first, Pitt believed he might have evaded any notice, but seconds later the entire crew 'fled the cafe.' 'And then, suddenly, the entire crew, the most diabolical something-something descended on the crew in the whole room, and they fled the café,' he continued. 'Fled. 'Ever since then, I pace myself.' While Pitt didn't name the movie that he let his foul stench wreak havoc on, he did eat baked beans in Tom DiCillo's 1991 film Johnny Suede. On the same podcast, Pitt revealed that only two women have ever left him stars truck. 'When I first met Geena Davis and Susan Sarandon, I was. Yeah,' the two-time Oscar winner admitted of feeling initially stars truck around his former Thelma & Louise costars. He continued: 'I got over it quickly, though.' Pitt's role in the 1991 film, Thelma & Louise, propelled him to stardom as the charming and charismatic hitchhiker, J.D., who sleeps with Thelma (Davis), before stealing her money and vanishing. Previously, the father-of-six praised Davis for being 'so sweet and kind and delicate' during their sex scene during an interview with W Magazine in 2023. 'That love scene, I think, went on for two days of shooting. She took care of me,' he told the publication. Despite still establishing his name in Hollywood, at the time, Sarandon said the then-rising star 'really impressed' her with 'his sense of humor' in addition to 'his good looks and great body.' 'I thought, "Ah, this guy's interesting, you know, he's not just a really gorgeous face,"' she told Extra in 2021. The Dead Man Walking went on to note that Pitt has 'continued to push the envelope' throughout his career. During his interview with the Kelce brothers, Pitt shared his love for Travis' team, the Kansas City Chiefs. This prompted Taylor Swift's boyfriend, Travis, 35, to apologize for their Super Bowl loss. 'We got you this year. I let you down,' the tight end told the actor. Pitt replied that hardships were 'what makes sports movies so special.' 'That's what I mean about life. Life throws struggles your way. Sometimes everything goes quiet, it's perfection, it's sublime. Other periods, life throws these struggles at you and it's how you deal with those and how you come back from those,' Pitt explained.

Rome's 'Hollywood on the Tiber' plans comeback despite Trump tariff threat
Rome's 'Hollywood on the Tiber' plans comeback despite Trump tariff threat

Yahoo

time31-05-2025

  • Business
  • Yahoo

Rome's 'Hollywood on the Tiber' plans comeback despite Trump tariff threat

By Enrico Sciacovelli ROME (Reuters) -Europe's largest film studio Cinecitta is aiming to re-launch Italy as a movie powerhouse, even as U.S. President Donald Trump's proposed tariffs on foreign productions cast a shadow over the film industry globally. Cinecitta, the homonymous company that manages Rome's historic film studio, approved a five-year plan this week backed by the EU's post-COVID Recovery Fund, which includes building new high-tech sound stages and boosting production capacity by 60% by 2026. "We want to lead the game," said CEO Manuela Cacciamani. "Cinecitta must be a factory that works at full capacity... with excellence as a minimum standard." Founded in 1937 under Benito Mussolini's fascist rule, Cinecitta became known as the "Hollywood on the Tiber". It has hosted over 3,000 films, attracting world-renowned directors such as Martin Scorsese, Federico Fellini and Francis Ford Coppola. The company is targeting revenue of 51.9 million euros ($58.8 million) in 2029, almost double the 2024 figure, and aims to turn a 4.3-million-euro net profit after a loss of 11.6 million euros last year. Trump has said he will impose a 100% tariff on movies produced outside the United States to save Hollywood from "a very fast death", but has issued few details on how the levy would work. The tariff plan threatens to disrupt the current industry set-up, in which big U.S. productions rely on the services of studios around the world that can provide expertise, cheaper costs and striking location scenery. Trump's sweeping tariffs were temporarily reinstated by a federal appeals court on Thursday, a day after a U.S. trade court blocked them, ruling Trump had exceeded his authority. Cacciamani told Reuters Cinecitta was monitoring "with the utmost care" developments regarding the tariff threat. "The hope is that two historic powers of cinema worldwide, (Italy and the U.S.) which owe so much to each other, will continue to cooperate," she said. Italy's tax credit of up to 40% for film production is "among the most competitive worldwide", Cinecitta said, helping attract some of last year's international successes such as "Emilia Perez" and the papal thriller "Conclave". Among projects slotted for filming in Cinecitta this year is Mel Gibson's "The Resurrection of The Christ", a sequel to his 2004 "The Passion of The Christ". Gibson is one of Trump's "Special Ambassadors" in Hollywood, tasked with rescuing the U.S. film industry alongside actors Jon Voight and Sylvester Stallone. His next film, being shot in Italy, would be exposed to the tariff. ($1 = 0.8828 euros) Error while retrieving data Sign in to access your portfolio Error while retrieving data Error while retrieving data Error while retrieving data Error while retrieving data

Rome's 'Hollywood on the Tiber' plans comeback despite Trump tariff threat
Rome's 'Hollywood on the Tiber' plans comeback despite Trump tariff threat

Reuters

time31-05-2025

  • Business
  • Reuters

Rome's 'Hollywood on the Tiber' plans comeback despite Trump tariff threat

ROME, May 31 (Reuters) - Europe's largest film studio Cinecitta is aiming to re-launch Italy as a movie powerhouse, even as U.S. President Donald Trump's proposed tariffs on foreign productions cast a shadow over the film industry globally. Cinecitta, the homonymous company that manages Rome's historic film studio, approved a five-year plan this week backed by the EU's post-COVID Recovery Fund, which includes building new high-tech sound stages and boosting production capacity by 60% by 2026. "We want to lead the game," said CEO Manuela Cacciamani. "Cinecitta must be a factory that works at full capacity... with excellence as a minimum standard." Founded in 1937 under Benito Mussolini's fascist rule, Cinecitta became known as the "Hollywood on the Tiber". It has hosted over 3,000 films, attracting world-renowned directors such as Martin Scorsese, Federico Fellini and Francis Ford Coppola. The company is targeting revenue of 51.9 million euros ($58.8 million) in 2029, almost double the 2024 figure, and aims to turn a 4.3-million-euro net profit after a loss of 11.6 million euros last year. Trump has said he will impose a 100% tariff on movies produced outside the United States to save Hollywood from "a very fast death", but has issued few details on how the levy would work. The tariff plan threatens to disrupt the current industry set-up, in which big U.S. productions rely on the services of studios around the world that can provide expertise, cheaper costs and striking location scenery. Trump's sweeping tariffs were temporarily reinstated by a federal appeals court on Thursday, a day after a U.S. trade court blocked them, ruling Trump had exceeded his authority. Cacciamani told Reuters Cinecitta was monitoring "with the utmost care" developments regarding the tariff threat. "The hope is that two historic powers of cinema worldwide, (Italy and the U.S.) which owe so much to each other, will continue to cooperate," she said. Italy's tax credit of up to 40% for film production is "among the most competitive worldwide", Cinecitta said, helping attract some of last year's international successes such as "Emilia Perez" and the papal thriller "Conclave". Among projects slotted for filming in Cinecitta this year is Mel Gibson's "The Resurrection of The Christ", a sequel to his 2004 "The Passion of The Christ". Gibson is one of Trump's "Special Ambassadors" in Hollywood, tasked with rescuing the U.S. film industry alongside actors Jon Voight and Sylvester Stallone. His next film, being shot in Italy, would be exposed to the tariff. ($1 = 0.8828 euros)

Trump film tariffs: ‘Worst thing' people can do is panic, says producer
Trump film tariffs: ‘Worst thing' people can do is panic, says producer

Irish Times

time06-05-2025

  • Entertainment
  • Irish Times

Trump film tariffs: ‘Worst thing' people can do is panic, says producer

The 'worst thing' anyone in the film industry can do is panic about US president Donald Trump 's warning about a 100 per cent tariff on non-US films, award-winning producer David Puttnam has said. 'I think the problem is we're giving an extraordinary amount of credibility to an entirely ignorant tweet,' he told RTÉ radio's Today with Claire Byrne show. Mr Puttnam said that in 'four out of five, five out of six of the big policy statements he's made, he's retreated from. 'The biggest issue was the uncertainty caused by president Trump's comments. Mr Puttnam said the president's threat as 'incredibly ignorant because it's a very, very, very complicated business. 'You've got to remember that, first of all, only 28 per cent of revenues are generated back in America. So it's 72 per cent of all the money that movies make is made outside the United States. READ MORE Mr Puttnam said there was a reason why some TV series were made outside the US because audiences wanted to see such locations.' [ Trump film tariffs could hit thousands of jobs in Ireland, industry figures warn Opens in new window ] 'This is a stupid move. It will undoubtedly, I think, blow up in his face, pretty well everything blows up in his face, but he's gonna cause far more chaos than he'll solve. He'll bring a few jobs back to the United States, but I promise you, every American involved in making and distributing movies today is very, very worried. They're not sitting there thinking, oh great, this is a bonanza for America. It ain't. 'We may start to have to go back to making films for relatively inexpensive sums of money but that's a creative challenge and it's also a creative opportunity. You'll be interviewing people two or three, four years from now who have made very good films as a direct result of Donald Trump's plundering. The co-chief executive of Element Films, Ed Guiney has also expressed concern and confusion Mr Trump's tariff comments. 'Honestly, we're all scratching our heads. I mean it was very disconcerting to wake up to that bombshell yesterday morning ... I suppose since then, as is often the case with Trump, things have moderated and changed. And now the White House are making more, I won't say positive, but they're kind of qualifying the statement, I suppose,' he told RTÉ radio's Morning Ireland. [ Trump orders 100% tariff on foreign-made movies to save 'dying' Hollywood Opens in new window ] 'But it's really hard to understand how a tariff would be imposed because so much of the activity that happens in the world is actually owned by American studios. These things are services, they're not products in the way that you know you traditionally imagine tariffs being imposed on a product. 'I think behind it, there is definitely an anxiety in the States in that there is a lot of what they call runaway production. In other words, American film and television production that shoots all around the world. And actually, we benefit from it hugely here in Ireland. 'As is well known, we have an amazing crew base here and we've very decent incentives and a very buoyant industry. And same with the UK and Canada. But I think there is a feeling that a lot of American stuff should be shooting in the US, but actually that's largely down to the cost base in the States, which is very high, and also the incentives. And there are incentives in some of the states of America. So I think the other thing that's emerging in this is a conversation around whether there should be a federal tax incentive in America to keep American production at home.'

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