
Netflix TV drama ‘Secrets We Keep' exposes the dangers of domestic migrant work
Secrets We Keep (Reservatet), a Danish suspense series on Netflix created by Ingeborg Topsøe, delves into the disappearance of a Filipina au pair from an elite suburb of Copenhagen — and delivers a sharp social commentary on racial and class entitlements.
Moving fluidly between English, Danish and Tagalog, the six-part drama is a nuanced indictment of the lack of moral accountability among the rich. On display are the prejudices and complicity of white women in enabling a culture of toxic masculinity that treats Filipina migrant women as sexualized and disposable commodities.
The story starts with a tearful Ruby Tan — a Filipina au pair who works for the affluent Rasmus (Lars Ranthe) and Katarina (Danica Curcic) — asking for some help with her employers from her neighbour, Cecilie (played by Marie Bach Hansen).
Cecilie is a successful non-profit manager and mother of two married to a high-profile lawyer. She employs Angel (Excel Busano), a Filipina au pair. Cecilie tells Ruby she cannot get involved.
The next day, Ruby vanishes without a trace.
The series is propelled by Cecilie's guilt in refusing to help Ruby. She is shocked at her neighbours' apparent lack of concern for Ruby's disappearance.
Cecilie begins to sleuth for clues regarding Ruby's disappearance and she eventually decides to assist Aicha, a racialized policewoman assigned to find the missing au pair. Cecilie discovers a pregnancy kit by a trash bin where she had last seen Ruby. And she soon suspects Ruby's employer, Rasmus, of raping her.
While the series lacks true suspense due to its predictable story arc peppered with clues about Ruby's disappearance, it is amply compensated by a sharp critique on the moral decay of modern society, systemic racism and the complicity of women in upholding white masculine privilege.
Warped racist view of the world
Secrets We Keep lays bare the warped world view of rich, white privilege, racism and the sexual fetishism of Asian women.
At a dinner party one night, Rasmus and Katarina do not seem concerned about their missing au pair. Katarina labels Filipina au pairs as whores working in brothels. When discussing Ruby, Katarina says, 'she probably ran off to do porn.'
In one uncomfortable scene, Rasmus taunts Cecilia's husband, Mike (Simon Sears), about his sexual preferences. Mike responds by saying: 'I don't have 'yellow fever.'' Cecilia sits silently beside Mike.
Katarina also calls Aicha (Sara Fanta Traore), the policewoman, 'the little brown one.'
At a formal dinner, Rasmus tells Cecilia: 'We stick together. We are from the same world, and we are loyal to each other.'
High rates of violence against women
The reduction of Ruby into a sexual object in the show reflects the high rates of sexual violence against Filipina au pairs in Scandinavia.
It led the Philippines to ban the participation of Scandinavian countries in its 'informal labour' arrangement in 1998. Though the ban was lifted in 2010, Au Pair Network, an advocacy group, reveals that the program is still riddled with abuse.
The Nordic Paradox is a term used to describe how Scandinavian countries, including Denmark, rank the highest in the Gender Equality Index yet suffer from very high rates of violence against women and intimate partner violence in Europe.
At a recent gender studies conference in Stockholm, Ardis Ingvars, a sociologist at the University of Iceland who worked as an au pair for a year in the United States just after she turned 18, recalls her anxiety and apprehension as she moved to Boston.
She said: 'Au pairs hope to be lucky with the family turning out OK. What is difficult to take is the attitude of 'ownership' that the children and families display over the au pairs as an unquestioned entitlement.'
Ingvars said asymmetrical power relations embedded within the au pair system reinforce racial and class hierarchies.
This is reflected in Secrets We Keep. Midway during Aicha's investigation, as she hits roadblock after roadblock, she cries out in frustration: 'She's a fucking nobody in their world.'
Feminized labour exploitation
Economic globalization, neoliberal policies and an increased dependence on the remittance economy fuses with the care gap in the Global North to fuel the feminized care migration from the Global South, many of them Filipino women.
Au pairs are placed with host families who provide free board and meals in return for up to 30 hours a week of housework and child care as they learn the host language and customs. The au pairs are paid 'pocket money' of Danish Kroner 5,000 per month (approx $1,000 Canadian) out of which they also pay local taxes.
One scene shows one of Cecilie's work meetings. A junior staff member expresses surprise that Cecilie has an au pair, labelling it a relic of colonial era racial hierarchies.
Cecilie defends herself, and says the system survives because of the failure of men to keep up their domestic bargain and thus the need for women like her 'to outsource care.'
She argues the Filipina au pairs 'are dependable' and she is 'a much better mother' because of Angel. But Cecilie doesn't acknowledge her privilege — that to be with her children and have a career is predicated on the exploitative extraction of care from Global South women.
The female au pairs in Denmark must be between 18-29 years of age, childless, never married and at the end of two years, return home. Almost 50 to 75 per cent of au pairs in Denmark are Filipino women
Cecilie's shock at finding out that Angel has a son whom she left behind in the Philippines is part of her denial. In the end, Cecilie is unable to confront her own complicity and decides to release Angel from their au pair arrangement.
'You know nothing about my world…You are very lucky,' cries Angel in anguish as Cecilie hands her the return ticket and an extra three months' pay to demonstrate her magnanimity.
Secrets We Keep reveals the brutal reality for Global South au pairs as well as upper-class white women and their entitlements. It indicates that even though these white wealthy women may see mistreatment, they maintain their silence and participate in wilful gendered violence to hold onto that privilege, while maintaining a façade of compassion towards the disposable racial migrant other. - Reuters
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles

Kuwait Times
2 days ago
- Kuwait Times
Netflix TV drama ‘Secrets We Keep' exposes the dangers of domestic migrant work
Secrets We Keep (Reservatet), a Danish suspense series on Netflix created by Ingeborg Topsøe, delves into the disappearance of a Filipina au pair from an elite suburb of Copenhagen — and delivers a sharp social commentary on racial and class entitlements. Moving fluidly between English, Danish and Tagalog, the six-part drama is a nuanced indictment of the lack of moral accountability among the rich. On display are the prejudices and complicity of white women in enabling a culture of toxic masculinity that treats Filipina migrant women as sexualized and disposable commodities. The story starts with a tearful Ruby Tan — a Filipina au pair who works for the affluent Rasmus (Lars Ranthe) and Katarina (Danica Curcic) — asking for some help with her employers from her neighbour, Cecilie (played by Marie Bach Hansen). Cecilie is a successful non-profit manager and mother of two married to a high-profile lawyer. She employs Angel (Excel Busano), a Filipina au pair. Cecilie tells Ruby she cannot get involved. The next day, Ruby vanishes without a trace. The series is propelled by Cecilie's guilt in refusing to help Ruby. She is shocked at her neighbours' apparent lack of concern for Ruby's disappearance. Cecilie begins to sleuth for clues regarding Ruby's disappearance and she eventually decides to assist Aicha, a racialized policewoman assigned to find the missing au pair. Cecilie discovers a pregnancy kit by a trash bin where she had last seen Ruby. And she soon suspects Ruby's employer, Rasmus, of raping her. While the series lacks true suspense due to its predictable story arc peppered with clues about Ruby's disappearance, it is amply compensated by a sharp critique on the moral decay of modern society, systemic racism and the complicity of women in upholding white masculine privilege. Warped racist view of the world Secrets We Keep lays bare the warped world view of rich, white privilege, racism and the sexual fetishism of Asian women. At a dinner party one night, Rasmus and Katarina do not seem concerned about their missing au pair. Katarina labels Filipina au pairs as whores working in brothels. When discussing Ruby, Katarina says, 'she probably ran off to do porn.' In one uncomfortable scene, Rasmus taunts Cecilia's husband, Mike (Simon Sears), about his sexual preferences. Mike responds by saying: 'I don't have 'yellow fever.'' Cecilia sits silently beside Mike. Katarina also calls Aicha (Sara Fanta Traore), the policewoman, 'the little brown one.' At a formal dinner, Rasmus tells Cecilia: 'We stick together. We are from the same world, and we are loyal to each other.' High rates of violence against women The reduction of Ruby into a sexual object in the show reflects the high rates of sexual violence against Filipina au pairs in Scandinavia. It led the Philippines to ban the participation of Scandinavian countries in its 'informal labour' arrangement in 1998. Though the ban was lifted in 2010, Au Pair Network, an advocacy group, reveals that the program is still riddled with abuse. The Nordic Paradox is a term used to describe how Scandinavian countries, including Denmark, rank the highest in the Gender Equality Index yet suffer from very high rates of violence against women and intimate partner violence in Europe. At a recent gender studies conference in Stockholm, Ardis Ingvars, a sociologist at the University of Iceland who worked as an au pair for a year in the United States just after she turned 18, recalls her anxiety and apprehension as she moved to Boston. She said: 'Au pairs hope to be lucky with the family turning out OK. What is difficult to take is the attitude of 'ownership' that the children and families display over the au pairs as an unquestioned entitlement.' Ingvars said asymmetrical power relations embedded within the au pair system reinforce racial and class hierarchies. This is reflected in Secrets We Keep. Midway during Aicha's investigation, as she hits roadblock after roadblock, she cries out in frustration: 'She's a fucking nobody in their world.' Feminized labour exploitation Economic globalization, neoliberal policies and an increased dependence on the remittance economy fuses with the care gap in the Global North to fuel the feminized care migration from the Global South, many of them Filipino women. Au pairs are placed with host families who provide free board and meals in return for up to 30 hours a week of housework and child care as they learn the host language and customs. The au pairs are paid 'pocket money' of Danish Kroner 5,000 per month (approx $1,000 Canadian) out of which they also pay local taxes. One scene shows one of Cecilie's work meetings. A junior staff member expresses surprise that Cecilie has an au pair, labelling it a relic of colonial era racial hierarchies. Cecilie defends herself, and says the system survives because of the failure of men to keep up their domestic bargain and thus the need for women like her 'to outsource care.' She argues the Filipina au pairs 'are dependable' and she is 'a much better mother' because of Angel. But Cecilie doesn't acknowledge her privilege — that to be with her children and have a career is predicated on the exploitative extraction of care from Global South women. The female au pairs in Denmark must be between 18-29 years of age, childless, never married and at the end of two years, return home. Almost 50 to 75 per cent of au pairs in Denmark are Filipino women Cecilie's shock at finding out that Angel has a son whom she left behind in the Philippines is part of her denial. In the end, Cecilie is unable to confront her own complicity and decides to release Angel from their au pair arrangement. 'You know nothing about my world…You are very lucky,' cries Angel in anguish as Cecilie hands her the return ticket and an extra three months' pay to demonstrate her magnanimity. Secrets We Keep reveals the brutal reality for Global South au pairs as well as upper-class white women and their entitlements. It indicates that even though these white wealthy women may see mistreatment, they maintain their silence and participate in wilful gendered violence to hold onto that privilege, while maintaining a façade of compassion towards the disposable racial migrant other. - Reuters


Arab Times
14-06-2025
- Arab Times
Dua Lipa confirms long-speculated engagement to actor Callum Turner
LONDON, June 14, (AP): Dua Lipa has confirmed her engagement to the English actor Callum Turner, months after speculation began. She went on the record about the engagement in a cover story for British Vogue's July issue, published Thursday, calling it "very exciting.' The 29-year-old said she was obsessed with the ring Turner had made for her. "It's so me. It's nice to know the person that you're going to spend the rest of your life with knows you very well,' she told the magazine. Fans had theorized the ring Lipa began sporting in photos at the end of December signaled an engagement, but the pair did not publicly confirm the rumor for months, even after appearing together at last month's Met Gala. Lipa says they haven't set wedding plans yet - she's still on tour and Turner is filming, "so we're just enjoying this period,' she told British Vogue, adding that they try not to spend more than 2 ½ weeks apart. Images of Lipa and Turner, 35, together began surfacing in January 2024. She told British Vogue that they had initially met at a London restaurant, before reconnecting during a dinner in L.A., where they learned they were both reading the same book: Hernan Diaz's "Trust,' a Pulitzer Prize winner. (Lipa runs the influential Service95 Book Club.) The London-born, British Albanian powerhouse is credited with revitalizing a kind of energetic disco-pop sound in the mainstream, beginning with the release of her 2017 self-titled album and carrying throughout 2020's "Future Nostalgia' and 2024's "Radical Optimism.' "Dance music has such a long history of creating such a safe space. And I just want to embody that,' she told The Associated Press last year. Across her career, Lipa has won three Grammys and boasts five top 10 hits on the Billboard Hot 100: 2017's "New Rules,' 2019's "Don't Start Now,' 2020's "Levitating,' 2021's "Cold Heart (PNAU Remix)' with Elton John, and 2023's "Dance the Night,' from the star-studded "Barbie' soundtrack.


Arab Times
14-06-2025
- Arab Times
Men who stole $6 million golden toilet sentenced to prison terms
LONDON, June 14, (AP): Two burglars who plotted the heist of a $6.4 million golden toilet, a fully-functional 18-karat piece of contemporary art that was ripped from the plumbing of an English mansion, were sentenced Friday to more than two years in a British prison. The satirical commentary on consumer culture, titled "America,' by Italian conceptual artist Maurizio Cattelan, had only been on display for a couple of days when five burglars swiped it from Blenheim Palace - the country mansion where British wartime leader Winston Churchill was born - in September 2019. The purloined potty was never recovered and was believed to have been chopped up and sold. "This bold and brazen heist took no more than 5 1/2 minutes to complete,' Judge Ian Pringle said in Oxford Crown Court. "America has never been seen again.' James Sheen, 40, a roofer who pleaded guilty to burglary, conspiracy and transferring criminal property, was sentenced to four years in prison. Michael Jones, 39, who worked for Sheen and was convicted of burglary at trial, was sentenced to two years and three months. The toilet weighed just over 215 pounds (98 kilograms) and was worth more than its weight in gold. The value of the bullion at the time was 2.8 million pounds ($3.5 million), but it was insured for 4.7 million pounds (more than $6 million). The piece by Cattelan, whose work of a banana duct-taped to a wall was sold in 2024 for $6.2 million at auction in New York, poked fun at excessive wealth. It had previously been on display at The Guggenheim Museum in New York. When U.S. President Donald Trump asked the museum to loan him a Van Gogh painting during his first term in office, the Guggenheim cheekily offered the toilet instead. The White House did not accept the offer. The toilet had just gone on display when Jones visited the museum twice, booking a viewing the day before the theft to take photos, check out the lock, and have his own private session on the golden throne. He deemed the experience "splendid' during his testimony. The next morning before dawn the gang of thieves crashed through the wooden gates of the palace in two stolen vehicles and tore across well-tended lawns. They pulled up to the estate's courtyard and smashed a window that Jones had photographed the day before. The thieves used sledgehammers and a crowbar to wrench the toilet from its foundation, causing considerable damage to the 18th-century property, a UNESCO World Heritage site filled with valuable art and furniture that draws thousands of visitors each year. Surveillance footage showed one of the men, whose face was hidden in a black mask, walking from the palace with a golden toilet seat in his hand. Two other men appeared to lift something golden into the trunk of a waiting car, and the suspension sagged under the weight. Sheen's DNA was found on a sledgehammer left behind at the scene of the crime indicating he was among the burglars. Investigators also found hundreds of gold fragments on a pair of sweatpants at his home, which had come from cutting up the spoils of the caper. Sheen had sent a relative a photo of 520,000 pounds in cash, which a prosecutor said was for the sale of about a fifth of the gold. None of the gold or money has ever been recovered and no one else was charged with the theft. Detective Superintendent Bruce Riddell of the Thames Valley Police said the investigation is ongoing and could include recovering luxury goods that were purchased with proceeds from the crime. He said investigators are confident they know at least two of the other culprits but don't have the evidence yet to charge them. Another convict, Frederick Doe, 37, also known as Frederick Sines, who tried to help Sheen find a buyer for the gold was spared a jail term when Pringle sentenced him last month to a suspended sentence for conspiracy to transfer criminal property. Pringle said the thieves had taken advantage of him. Both Sheen and Jones had lengthy criminal records, prosecutor Julian Christopher said. At the time of the burglary, Sheen was on parole for a firearms conviction that involved a running gun battle with another car that injured passengers in a third vehicle. He was arrested for additional crimes while on release and has since been sentenced to serve more than 19 years in prison. Jones had a record dating back to the age of 13 that included burglary, several car thefts, and robbery. Almost six years ago, on the eve of the heist, Jones did his reconnaissance work testing out the toilet. It was a Friday the 13th, a day many consider unlucky. For several years it appeared that fortune had favored the burglars. They avoided charges for more than four years, and several thieves have not been brought to justice. But Sheen and Jones ultimately paid a price for their roles - on Friday the 13th.