Phil Collins' reason for hospitalization is revealed after viral rumors say he was in hospice
The 74-year-old retired Genesis drummer and singer is in the hospital for knee surgery, a rep for the musician told TMZ.
The outlet wrote, further citing the rep, that Collins is 'nowhere near death'.
Concerned fans took to social media earlier this week to express fear over the worst case scenario.
The former entertainer put away stopped playing drums in 2022 due to physical limitations, and in February said he no longer wants to make music.
'I keep thinking I should go downstairs to the studio and see what happens,' the Grammy winner told MOJO magazine, adding, 'But I'm not hungry for it anymore. The thing is, I've been sick, I mean very sick...'
The Rock and Roll Hall of Famer, suffers from type 2 diabetes and complications from a spine injury he incurred nearly 20 years ago.
'My vertebrae have been crushing my spinal cord because of the position I drum in. It comes from years of playing,' he told Daily Mail in 2009.
'I can't even hold the sticks properly without it being painful. I even used to tape the sticks to my hands to get through,' he said at the time, adding cheekily, 'Don't worry, I can still sing.'
The MOJO interview was part of a larger story that served as a retrospective for all the eras of Genesis.
The actor, who is the father of Emily in Paris star Lily Collins, got his start in show business as the Artful Dodger in Oliver on London's West End in 1964.
During that time, the young actor, who had been drumming since the age of five, got to know the orchestra leader and the drummer, which inspired him to become a professional percussionist, according to Drumeo.
Collins auditioned for Genesis and joined the group in 1970 at age 19, replacing John Mayhew on drums.
He became the frontman for the group when Peter Gabriel left to pursue a solo career in August 1975.
The group released eight albums together, collecting numerous awards before Collins exited to pursue a solo career in 1996.
During that time he won eight Grammy awards, six Brit Awards, four Billboard Music Awards, three American Music Awards, two Golden Globes and an Oscar.
Phil's health update comes days after he paid tribute to Ozzy Osbourne following his death on Tuesday at age 76.
He shared a throwback photo of the two music artists embracing with smiles on their faces.
The caption simply read, 'In happier times, love always PC x.'
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Daily Mail
16 minutes ago
- Daily Mail
Sydney Sweeney's American Eagle jeans campaign hilariously spoofed by comedian amid 'woke' controversy
Sydney Sweeney 's American Eagle ad campaign has debuted to strong reactions from fans and financial markets, leading one comedian to spoof it to plaudits from his audience. Los Angeles-based comedian Michael Pavano owned the moment and parodied the promotion centered around the A-list actress, 27, in a new clip posted to his Instagram and TikTok pages, which have more than 1.1 million combined followers. Pavano, who has past donned drag ensembles for online comedy bits on his social media platforms, racked up more than 13,000 likes in two hours on Monday for his spoof of the Sweeney advertisement. Pavano, who appeared on the TV series Big Top earlier this year, captioned the clip 'gripping all the right places' adding emojis of jeans and a heart; and hashtags for phrases such as satire, parody and impressions. Pavano, a veteran of The Groundlings comedy troupe, donned a purple denim ensemble, a dark brown wig and of strategically placed a pair of balloons for comedic purposes. Pavano, who appeared in the 2023 short film Shatter, added a voiceover in which he made a series of pretentious nonsensical statements about genetics. Sydney Sweeney's American Eagle ad campaign has debuted to strong reactions from fans and financial markets leading comedian Michael Pavano to spoof it to plaudits from his audience In the voiceover, Pavano mocked the overt double meaning of the phrases jeans/genes in a parody of the American Eagle ad campaign. 'Jeans are passed down from parents to us, often determining traits like your hair color ... and even eye color,' Pavano said. 'My jeans are blue - so they're like, better than yours. They say people with blonde hair and blue eyes, their nature is favorite. I don't say it, but they do - but I buy it. The vapid and hypersexual monologue was a clear lampooning of the ad campaign centered around the A-list actress that had been garnering controversy in recent days over a potential double meaning of the phrase jeans. He continued: 'I mean, who wouldn't want my jeans? I know you do, you dirty boy. Let's be so real. Tight blue jeans from American Eagle is the only denim I'll put on my body - and it's not just the denim that's tight.' Pavano said in the skit, 'This pair of blue denim is clinging to me for dear life ... I like it when they stretch super wide and slide right in - I mean on. 'They hug all the right places - and some very wrong ones.' The viral clip was mocking American Eagle's autumn advertising rollout, which has the tagline, 'Sydney Sweeney Has Great Jeans.' In a series of images, the Spokane, Washington-born beauty - who is set to play boxer Christy Martin in an upcoming biopic already garnering Oscar buzz - is seen modeling a variety of denim-based ensembles. In an accompanying video, Sydney is seen buttoning up her jeans as she muses: 'Genes are passed down from parents to offspring, often determining traits like hair colour, personality and even eye colour... my genes are blue'. A second advert sees the camera pan down Sydney's chest as she models a plunging denim jumpsuit. She muses: 'My body's composition is determined by my genes...' before exclaiming: 'Hey, eyes up here' as the camera cuts back to her face. The advert has divided fans, however, with one critic calling the clip 'one of the loudest and most obvious racialized dog whistles we've seen and heard in a while.' The phrase 'great genes' is 'historically used to celebrate whiteness, thinness and attractiveness,' which it said made 'this campaign seem to be a tone-deaf marketing move,' a Salon report on the backlash read. Taking to social media, many expressed their shock at messaging - which they aligned to Nazi propaganda. Outraged fans penned: 'So Sydney (& American Eagle) somehow expect audiences to not interpret this visual as a euphemism for eugenics and white supremacy?' 'The Sydney Sweeney American Eagle ad campaign is just modern day Nazi propaganda. Like it's wild how blatant it is. Things are weird right now, man.'; 'the most nazi part of the Sydney sweeney add for me was the use of the word offspring'; ''Jeans (Genes) are past down from parent to offspring' 'My jeans (genes) are blue' 'Sydney Sweeney has great jeans (genes)' Nothing is ever a coincidence, this is eugenics'; TikTok named Angie under the handle @vital_media_marketing then reviewed the ad and pointed out what she felt were problematic elements with the underlying message. Angie said: As it's panning up her body and on her face and her features, she's literally talking about her family tree and the genetics that have been handed down to her, her blonde hair and her blue eyes, and how great they are.' Angie said that 'praising Sydney Sweeney for her great genes in the context of her white blonde hair, blue eye appearance' makes for 'one of the loudest and most obvious racialized dog whistles we've seen and heard in a while.' Many people panned the tone of the ad campaign on American Eagle's Instagram page, as one user quipped, It's giving "Subtle 1930's Germany."' Another user echoed, 'Close enough, welcome back 1930s Germany.' One person said the promotion 'is what happens when you have no [people] of color in a room ... particularly in a time like this. 'This ad campaign got so caught up in this 'clever' play on words and this stunt the ppl in the room missed what was so blatantly obvious to anyone not White. I'd expect this from Abercrombie… but not yall.' One user wrote of the promotion featuring the surging star, 'This is such a f****d up campaign' while another called it 'weird as hell.' Others vented about the message they felt the campaign inherently sent, as one said they were 'never shopping at AE again' while another asked the fashion house, 'What are you doing???' One Instagram user speculated, 'This has to be rage bait,' while another suggested the clothing retailer 'read the room…' in reference to the current campaign. Another user asked, 'Who on your marketing team said this was a good idea.' The advert has divided fans, however, with one critic calling the clip 'one of the loudest and most obvious racialized dog whistles we've seen and heard in a while.' Yet many were quick to defend Sydney, branding the backlash 'unhinged'. They shared on X/Twitter: 'I'm not sure how to say this nicely but if you think a jeans ad with a pun about Sydney Sweeney being pretty is a nazi dogwhistle you genuinely need to put the phone down for a while.'; 'everyone is seriously reading too much into this and y'all need to go take a hike or something because sydney sweeney is literally just promoting jeans, not 'nazi propaganda''; 'The claim that Sydney Sweeney's American Eagle ad is pro-eugenics because of a 'good genes/jeans' pun is genuinely unhinged. It's a denim campaign, not a manifesto. Not every blonde with blue eyes is a Nazi. Some of you need a history book — and a nap'; 'You guys don't have to like Sydney Sweeney or the ways she promotes herself but don't you think comparing those Jean commercials to nazi propaganda is a tad extreme?' Daily Mail has reached out to reps for Sweeney and American Eagle for further comment on the story. Sweeney said in a July 23 news release about the fall campaign: 'There is something so effortless about American Eagle.' She said of the clothier: 'It's the perfect balance of being put-together but still feeling like yourself.' Sweeney said in a July 23 news release about the fall campaign: 'There is something so effortless about American Eagle – it's the perfect balance of being put-together but still feeling like yourself' In terms of the charitable aspect of the ad campaign, American Eagle Outfitters is working with Crisis Text Line in an effort to provide grants for mental health support and crisis intervention The Euphoria star continued: 'Their commitment to creating pieces that make you feel confident and comfortable in your own skin is something that resonates with me. 'It's rare to find a brand that grows with you, the way American Eagle has for generations.' The Once Upon a Time... in Hollywood actress wrapped up in saying, 'They have literally been there with me through every version of myself.' American Eagle Outfitters president Jennifer Foyle opened up about the ad campaign, which is slated to raise money for domestic violence charities, in the news release. 'This fall season, American Eagle is celebrating what makes our brand iconic – trendsetting denim that leads, never follows,' Foyle said. 'Innovative fits and endless versatility reflect how our community wears their denim: mixed, matched, layered and lived in.' The fashion executive explained why Sweeney made for the perfect focal point of the promotion. 'With Sydney Sweeney front and center, she brings the allure, and we add the flawless wardrobe for the winning combo of ease, attitude and a little mischief,' Foyle said. In terms of the charitable aspect of the ad campaign, American Eagle Outfitters is working with Crisis Text Line in an effort to provide grants for mental health support and crisis intervention. Proceeds from a special edition of The Sydney Jean will be donated to the organization. Among the related grants include a $100,000 Signature Grant posted this past February 2025 in an effort to expand programs at Historically Black Colleges and Universities.
Daily Mail
16 minutes ago
- Daily Mail
Joy Taylor breaks silence on claims she's quitting sports media after Fox Sports firing
Former Fox Sports analyst Joy Taylor has revealed whether she will continue working in sports media after being fired by the network. The host's nine-year stint at Fox came to an abrupt end after the network reportedly failed to renew her contract four months after she found herself embroiled in a bombshell sex lawsuit. The 38-year-old broke her silence on the matter last week and has now hinted at what the future will hold for her as she embarks on the next chapter of her career. In a snippet from an upcoming episode of the 'Let Her Shoot' podcast, Taylor said: 'I'll have a lot of announcements coming up. 'You know, as far as everything that happened, that's the business. Nothing is forever, as all these cliches, but that is what it is. You know, (I'm) grateful, I had nine years on a network and the next chapter will be equally as exciting. 'I'm not limiting myself. I've worked with a bunch of different people over the years, people I never thought that I would end up partnering up with. 'It might surprise people what the next move is... I'm not teasing anything, but we'll have announcements very soon.' Earlier this month, Fox Sports reportedly slashed its weekday lineup with a trio of shows axed, including 'Speak' which was hosted by Taylor. The former sports host had worked on a number of different shows in her nine-year stint with Fox, yet the company has decided not to renew her expiring contract this summer - just months after she found herself embroiled in a bombshell sex lawsuit . The network shortly announced a new deal with Barstool Sports and founder Dave Portnoy, while Kay Adams was rumored to be a leading contender to fill the void left at Fox. The decision from Fox came in the wake of lawsuit brought by former FS1 hairstylist Noushin Faraji, who listed Taylor as a defendant as well as top programming executive Charlie Dixon and Skip Bayless. Taylor was accused of using sexual relationships with colleagues, including Dixon and former co-host Emmanuel Acho, to further her career in the lawsuit filed by the ex-employee. The 38-year-old was also alleged to have told Faraji to 'get over it' when she confided in her about claims she was sexually assaulted by Dixon. Taylor has denied all allegations. The 38-year-old initially broke her silence on the matter last week, as she expressed gratitude for the opportunities she's had as a female panelist in sports media, but suggested that the events have left her feeling jaded towards the industry. 'Overall, like the saying 'it doesn't feel like work when you're doing something that you actually enjoy.' I think what happened to me this year took that away from me,' Taylor said on The Ringer's Higher Learning. 'I don't know if I'll get that back. I might — and maybe like when the callous forms over the wound and you get away from things you it doesn't feel, like the tremors go away, so we're not there yet — but right now, it doesn't feel that way. It doesn't feel exciting.
The Guardian
23 minutes ago
- The Guardian
‘How can I find meaning from the ruins of my life?': the little magazine with a life-changing impact
One morning in February last year, I received an urgent call from the journalist Paul Burston, alerting me to alarming recent social media posts by a mutual friend, the poet and former model Max Wallis. It seemed he had left his London flat in deep distress and was headed to a bridge. Our best guess was the Millennium footbridge by St Paul's Cathedral. Then we heard that Max might have taken refuge inside the cathedral. While I scanned gaggles of tourists in the nave, he was intercepted and removed by ambulance. I was relieved to get a message later that evening that he was safe. We'd met more than a decade before at an event on the South Bank for the Polari prize, set up by Burston to showcase new LGBTQ+ writers. I and the other judges had shortlisted Wallis's collection Modern Love. Though the eventual winner was John McCullough, we stayed in touch, going on regular excursions: to Wilderness festival, to readings, to a rooftop art installation in Shoreditch. And always talking about poetry – writing it, reading it, thinking about it, critiquing it. Now, he tells me about the poetry magazine that emerged from the dark period of addiction that followed his early success. 'I lost 12 years of my life, maybe more,' he says over a video call. 'The magazine came about from me saying: 'I have to do something this year; my brain is on fire and it's running like a hamster wheel.' I wanted to corral the chaos: how can I find meaning from the ruins of my life?' After his breakdown, he retreated home to Lancashire. 'I had moved in with a friend because I messaged my parents before I went into hospital, saying never talk to me ever again. Instead they opened their arms. My parents were just phenomenal.' The first imperative was to become clean and sober. He was diagnosed with ADHD and complex PTSD, and gradually rebuilt his life: the first trip into town, getting on a train, taking a driving lesson. But during this period he also rediscovered his craft, channelling his trauma into a memoir and new poems. 'I was a poet all this time but I'd forgotten, essentially. I'm 35 but I almost feel like I'm 21. I have had to learn everything again. In order to be sober, and to get better from PTSD, you sit with the awful emotions that you feel, and you don't drink or take drugs; you get through the day and move on.' He started submitting to magazines, but since the new work was themed around breakdown and recovery, Wallis thought only a few poems would get published. With energy to spare (at least on the good days), he began to imagine what a space specifically for trauma poetry could look like. If poetry saved his life, perhaps it could help others. The idea of The Aftershock Review was born. A poet friend, Anna Percy, had experience of publishing poetry zines in the lively Manchester scene. 'No disrespect to those,' Wallis says. 'I love zines, but I was thinking bigger, nationwide, book-sized.' Rather than photocopying, he started researching printers. Percy and I joined the magazine as contributing editors and sounding boards, and Wallis put the word out for submissions. Work poured in: from poets who were disabled, disadvantaged, ill, excluded in various ways. The reference anthology was Al Alvarez's electrifying The New Poetry, which launched Robert Lowell, Sylvia Plath and Anne Sexton to an enthralled readership; Bloodaxe's Staying Alive series was also hugely admired. 'It's not a pity project,' Wallis insists, calling it 'literature forged from survival'. Established poets were eager to submit, alongside rising stars and unknown writers. Inua Ellams's 'Fuck' poems meld rage, wit and social commentary; Rhian Elizabeth's Amsterdam states baldly 'girl loses her father, girl loses her mind'; Golnoosh Nour's Burnt Divinities celebrates her heritage: 'the glorious / mixture of glitter and garbage'. The Faber poet and Spectator poetry editor Hugo Williams contributed a sardonic and atypical piece, The Art Scene, which mocks glib responses to trauma in contemporary art. 'Max called me up and we had this instant connection,' Williams says. 'He seemed different from the average literary type. This kind of writing seems to me to be improvised on the spot and kept like that. People of my generation work so hard to make it perfect, and you wish they wouldn't!' Aftershock, he observes, represents a jolt to the mainstream. Contributor Pascale Petit agrees, calling it 'a raft to all of us suffering trauma in troubling times. Poetry this open is necessary, and I don't think any other magazine has dared to address our personal ills so candidly.' Gwyneth Lewis, a former national poet of Wales, points out that for ages raw, confessional poetry was looked down on as 'feminine': 'I'm coming out of a long period of reckoning with lifelong maternal emotional abuse and then chronic illness. I find it deeply encouraging [to realise] that I was in the darkness with so many brilliant poets.' In the few months of its existence, Aftershock has made an impact – with sales over £3,000, and 360,000 views on Instagram. A giant billboard on Manchester's Deansgate is seen by thousands daily, and much more is planned for the Aftershock universe: further issues, poetry pamphlets, outreach, events. Perhaps what's so exciting is that it has tapped into the huge energy and enthusiasm for poetry felt by young writers and readers, who recognise it can be a comfort and release. 'Aftershock has given me everything,' Wallis says. 'It's proof that you can take an awful few years and make them into potentially the most astonishing year. Having not wanted to live at all … what it is to choose life over and over again. It's incredible.' The Aftershock Review issue one (£12.99) is available from In the UK and Ireland, Samaritans can be contacted on freephone 116 123, or email jo@ or jo@ In the US, you can call or text the National Suicide Prevention Lifeline on 988, chat on or text HOME to 741741 to connect with a crisis counsellor. In Australia, the crisis support service Lifeline is 13 11 14. Other international helplines can be found at
