‘The Studio' acting Emmy submissions revealed — including guest stars Martin Scorsese, Sarah Polley, and Bryan Cranston
As expected, the show's only lead acting submission is star Seth Rogen, who plays the newly hired head of the fictional Continental Studios in the Hollywood satire.
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The show's other main cast members will run in the supporting categories: Ike Barinholtz and Dewayne Perkins in Best Comedy Supporting Actor, and Kathryn Hahn, Keyla Monterroso Mejia, Catherine O'Hara, and Chase Sui Wonders in Best Comedy Supporting Actress.
Cocreated by Rogen and Evan Goldberg, as well as Peter Huyck and Alex Gregory (Veep) and Frida Perez, The Studio's first season tracks Matt's ups and downs on the job, including having to tell Martin Scorsese (as himself) that his planned movie about Jonestown was being scrapped. Significant Hollywood filmmakers play themselves in the series, including Scorsese, Sarah Polley, Ron Howard, Nicholas Stoller, Zoë Kravitz, and Olivia Wilde. All those directors will be submitted on the Emmys ballot for guest consideration for The Studio alongside actors Anthony Mackie, Zac Efron, Dave Franco, and Greta Lee, who also play themselves.
Other guest submissions for The Studio include real actors playing fictional characters: Bryan Cranston (who plays Griffin Mill, the CEO of Continental Studios), David Krumholtz (who plays a foul-mouthed agent), and Rebecca Hall (who plays a successful doctor who embarks on a failed relationship with Matt). The final guest-acting submission for Apple is journalist Matt Belloni. The Puck cofounder and The Town podcast host appears in multiple episodes of The Studio, both as a voice performer (through a fictional episode of his podcast) and live-action actor (on the casino floor during CinemaCon).
These are just the names Apple is submitting on the Emmy ballot; anyone else, perhaps guest stars Parker Finn or Adam Scott, can submit on their own.
Apple TV+ recently renewed The Studio for Season 2. The show's first season ends later this month.
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Geek Tyrant
an hour ago
- Geek Tyrant
THE BOYS Final Season Comic-Con Footage Reveals Homelander's 'Safer, God-Fearing Nation' — GeekTyrant
The Boys made sure to leave its mark at San Diego Comic-Con, capping off the Gen V panel with the very first teaser for its fifth and final season. Shown to fans in Ballroom 20, the teaser didn't waste a second serving up bloody chaos, shocking moments, and some big surprises that the fans loved. The footage was a rapid-fire glimpse into the carnage we've come to expect. Among the standout moments: a mysterious new supe vomiting what looked like a bloody hairball onto someone else, and a gruesome scene involving a violent explosion inside a bathroom stall. So, it's still very much The Boys we know and love, unapologetically brutal and darkly hilarious. One of the more crazier moments came from Antony Starr's Homelander. In the teaser's most chilling line, he declares, 'This is a safer, more god-fearing nation,' his voice echoing like a sermon to an unseen crowd. After the events of Season 4, Homelander's grip on America has only tightened. He's essentially the power behind the White House now, the country is under martial law, and those who refuse to 'make America super again' are being hunted, including Butcher and his crew. Fans also got a few unexpected cameos. Seth Rogen, an executive producer on the series, pops up once again. Then Supernatural 's Jared Padalecki and Misha Collins also both make appearances in quick shots. This marks yet another reunion for showrunner Eric Kripke, who previously brought Jensen Ackles ( Soldier Boy ) and Jeffrey Dean Morgan (Joe Kessler) into the fold. Longtime Supernatural fans have been begging for more of their favorites to join The Boys, and Kripke delivered. At least one familiar face from Gen V makes the leap, with London Thor's Jordan Li spotted in the footage. That crossover shouldn't surprise anyone, given that Gen V characters Maddie Phillips and Asa Germann showed up in Season 4's finale as Homelander loyalists. The synergy between the two shows continues this fall when The Boys stars Erin Moriarty and Chace Crawford appear in Gen V Season 2. Returning cast members for this final chapter include Jack Quaid, Karl Urban, Jessie T. Usher, Tomer Capone, Karen Fukuhara, Laz Alonso, Nathan Mitchell, Colby Minifie, Cameron Crovetti, Susan Heyward, and Valorie Curry. New faces joining the chaos are Daveed Diggs and Paul Reiser. As for Seth Rogen's role? That remains to be seen, but given his track record of stealing scenes, fans are ready for whatever he brings. The endgame for The Boys is coming, but it's not arriving tomorrow. The fifth and final season will premiere sometime in 2026 on Prime Video.


Indianapolis Star
8 hours ago
- Indianapolis Star
Jon Stewart warned comedians get 'sent away first.' Now it's happening.
'Go f--- yourself.' That was just one of the many 'witticisms' Stephen Colbert had for President Donald Trump and his "Late Show" audience on July 21, his first since breaking the news the show was coming to an end. Not in a year. Not after a farewell tour. Next May. No replacement. No streaming continuation. Yes, CBS made what it called an "agonizing" business decision to cancel the most-watched show at 11:30 p.m. ET/PT, just days after Colbert mocked the network's parent company for a $16 million payout to Trump. Colbert thanked CBS but also criticized its anonymous leak to the New York Post that the show loses between $40 million and $50 million a year amid falling ratings and advertising for late-night TV shows. On the one hand, you have those arguing this is simply a case of corporate cost cutting and media evolving. While others are raising the alarm this is a political decision disguised as a financial one. Both can be – and are – true at the same time. Before Colbert called his bosses' bosses' settlement with Trump a 'big fat bribe," his "Late Show" monologues have taken direct aim – nightly – at authoritarianism, misinformation, corporate cowardice and Trump for nearly a decade. One could even argue that he owes his success to Trump, because during his initial months at 'Late Show,' Colbert faltered in the ratings. In 2017, however, he began to see a surge of success as he got to mock Trump 1.0 in his monologues. Soon his show was No. 1 in late night, a ranking it held for nine straight TV seasons while simultaneously racking up 33 consecutive Emmy nominations. Colbert became a go-to voice for Trump-resistant Americans who enjoyed their political despair with a side of satire. In many ways, he took up the mantle left by his old boss, Jon Stewart, offering comedic catharsis in chaotic times. Despite this context, CBS claimed the decision to cancel was purely financial and 'not related in any way to the show's performance, content or other matters happening at Paramount.' According to the company, the show had become too expensive to produce amid shrinking ad revenues and changing viewer habits. Opinion: Critics said Trump would ruin America. Six months in, he's proving them wrong. CBS is not wrong: Late-night advertising has by some estimates dropped by half since 2018. Anecdotally, I watch a lot of late-night viral clips on my phone, but I can't tell you the last time I watched any late-night television live on my television. But not everyone's buying the "it's just business" line. Sen. Elizabeth Warren, D-Massachusetts, called for scrutiny while Sen. Adam Schiff, D-California, who taped the July 17 show when Colbert broke the news, echoed the concern. The Writers Guild of America issued a statement suggesting the move raises 'significant concerns' about political retribution. There are countless scathing opinion columns, letters to the editor and social media posts containing similar sentiments. Meanwhile, Trump gloated. He posted on Truth Social, "I absolutely love that Colbert' got fired. His talent was even less than his ratings. I hear Jimmy Kimmel is next." CBS is just one part of a massive merger between Paramount Global and Skydance. After Colbert's cancelation, the deal received approval from the Federal Communications Commission. The chairman of the FCC, Brendan Carr, was appointed by Trump. If you need a clue about whether his loyalties lie with the Constitution or the current occupant of the White House, Carr swapped out an American flag lapel pin for a gold medallion in the shape of Trump's profile just months ago. When corporations' incentives line up so conveniently with silencing dissent, we should be alarmed. Because both things can be true: The economics of late-night television, and the cultural influence of it, has been changing. And the timing of the settlement combined with the end of the "Late Show" is deeply concerning. Here is how it appears: The Trump administration made it clear that certain media deals wouldn't get approved unless certain broadcasting decisions were made. That would be the government using its power to punish dissent and influence private business decisions in order for political favor. In his 2022 Mark Twain Prize acceptance speech, Jon Stewart warned, 'When a society is under threat, comedians are the ones who get sent away first. It's just a reminder to people that democracy is under threat. Authoritarians are the threat to comedy, to art, to music, to thought, to poetry, to progress, to all those things.' That's the part that should concern us. The question isn't what happens to Colbert (he will be fine). It's what happens to us: the audience, the public, the people who depend on sharp, fearless voices to cut through the fog. Opinion: Public media funding cuts create fair competition for local news in Indiana The federal government defunded NPR and PBS. Now one of the most popular comedians on television is being nudged off the air. At what point do we stop calling this "just a business decision" and start calling it slow, strategic silencing? Because when cost cutting trims away the voices willing to laugh at power in real time, what's really being cut is dissent. And if that's not political, then what is?


Tom's Guide
12 hours ago
- Tom's Guide
I tested the Toniebox and Yoto Player for 2 weeks, and they helped my kids cut down their TV time
The Toniebox offers a lighter, simpler media player, unlocking the door for its many cutesy and beautifully rendered figurines, which are a highlight of this device. The box itself is very durable, bright, and has a satisfying squidginess to it, and even though its audio isn't quite stellar, it's a big hit for younger folk. The Yoto Player delivers a solid audio performance coupled with an adorable lo-fi screen. Its cards keep things simple and pack in a fair bit of media, making them easy to travel with. Its app also offers plenty of control and packs in heaps of free content, representing excellent value. As a busy dad of two, I'm always looking for ways to reduce my children's screen time, which is why kids' audioplayers like the Toniebox and Yoto Player seem like a good proposition. Devoid of a typical display, both allow kids to listen to songs and stories without needing to focus on a screen. They also give them the independence to choose what to play, so parents don't have to worry about YouTube's algorithm going off reservation or their kids turning into TV zombies after long sessions in charge of the remote. While they work in similar ways, the Toniebox and Yoto Player have some key differences, which we'll outline further on. And not only will you read my thoughts on the two devices, you'll also discover what my 6-year-old thinks of them. Plus, do they actually reduce screen time? Toniebox Yoto Player (3rd Gen) Ages 3+ 3-12+ Dimensions 120mm x 120mm x 120mm 110mm x 110mm x 105mm Weight 600g 678g Battery life 7 hours 24+ hours A Toniebox Starter Set is available from the Tonies website for $99.99, with a choice of six colours. Some come bundled with a licensed figure, such as Moana or Spider-Man. Tonies also sell bigger discounted bundles, which is great if you're looking to build your collection quickly. The Tonies figures themselves typically range from $9.99 to $19.99. The third-gen Yoto Player can be yours for $99.99 from the Yoto website and comes with a Welcome Card for overwriting with your own recorded audio. It only comes in a dual white and gray color, though jackets in varying shades are available for an additional $20 when bought together. There's a bit more variance in how much Yoto cards cost, with the cheapest cards starting from around $4 and rising to around $14.99 for more popular compendiums. The Toniebox is the slightly bigger box, which features a tactile, squidgy cube design with a plastic, magnetized top to help secure figurines, LED status square, and asymmetric rubber ears serving as the volume buttons. It's clearly built for some rough and tumble, which I tested immediately when I accidentally dropped it, emerging completely unscathed. You wouldn't want to drop the Yoto Player — its chunkier, all-plastic design feels more fragile. It's got a clean, retro alarm clock look to it, with orange dials on the top corners for volume and track selection, and a card slot on the top. Its key feature is its display, which doesn't play video but pixelated stills — seeing fan favorites like Elmo and Paddington brought to life in vibrant mosaic style is genuinely charming. On the rear is a wedge design for tilting and an integrated nightlight. The Toniebox integrates a minimalist control setup, perfect for smaller kids. Simply place a figurine on the top, and it'll start playing. You're supposed to tap the sides to skip a track or repeat the previous, though it requires a fairly firm tap to acknowledge your input. I tried teaching the technique to my daughter, and while it took a few goes, we eventually got the hang of it. You can also tilt the box to fast forward and rewind. The Yoto Player offers a greater level of control but needs more nuanced inputs. During playback with a card, you can click the dials to track forward or back and twist the left dial to control volume. With a spin of the right dial, you can bring up a track selector, represented onscreen by the card's track number and relevant icon. The power button on the side also doubles as a pause button. The Toniebox does a moderate job in the sound quality department — its single speaker has a comparable volume to the Yoto, but there's a slight muffling in the audio that dampens its crispness. Putting Moana's You're Welcome on, I also noticed a lack of oomph in the rap elements, and audiobooks, while offering decent clarity, do carry some tinniness in the vocals. The Yoto Player's dual speaker setup is the winner here. With the volume cranked up, clarity is excellent for such a diminutive box, and there's even a surprisingly decent bass response — just don't expect it to compete with your Bose. I stuck on Moana: The Songs, and its mid-range notes filled the room with crisp lucidity. Both players work similarly, involving a concealed NFC chip in a figurine or card. Once placed or inserted, the player can determine if the media tied to the chip needs to be downloaded, played from local memory, or streamed via Wi-Fi. With the Toniebox, an attractive prospect for kids is collecting the figurines, particularly the licensed models. Queen Elsa and Moana came with my sample pack, and both models represent excellent detail and quality and near-perfect representations of their big screen counterparts. A word of warning though — keep these figures safe, as if they're lost in a toy box or go walkabout, you won't be able to play that media again. The Yoto gets around this issue with its cards — once downloaded, the media syncs with your phone's app, so you can quickly zap over your kid's favourite story without having to rifle through your card library or control the device directly; handy while on car journeys, for example. Due to their size, neither system is particularly portable, and you'd argue that the Tonies figurines are trickier to haul around. Though the Yoto cards don't offer the aesthetic appeal of the Tonies, they're easier to lug around in a card wallet. There is an impressive array of over 200 Tonies available, including Disney's Encanto, Frozen, and Tangled as well as popular characters from Toy Story, Sesame Street, and Cocomelon. I can see kids wanting to build up a vast collection of them, so they can make for great stocking fillers or smaller gifts from relatives. One licensed figurine generally crams in between 30 and 60 minutes of audio. And while the Frozen figure features an abridged story, it would have been nice to pack in a few extra songs than the four included for $20. It's also worth pointing out that not all Tonies feature their film's original songs, instead sung by different vocalists. I was slightly disappointed this was the case, seeing as the company has gone to great lengths to ensure their figurines look authentic. Both the Moana and Frozen tracks feature alternate singers, though Encanto does carry the original vocals, so it's worth checking out product previews to hear what you're getting. That said, while it might cause some uncanny feelings in parents, having different vocals didn't perturb my daughter at all, and she was content playing through all of them. Yoto also carries popular favourites such as Frozen, Moana, and Peppa Pig. While their cards have fewer of the Disney brands, they have much more expansive audiobook selection, with Paddington, The Gruffalo, and the works of Julia Donaldson and Roald Dahl on their roster. The choice is staggering too, with over 1,200 storybooks, music albums, and compilations available. These cards might not be as exciting as the Tonies, but the range means they can suit younger and older kids. I also checked with Yoto HQ, and they confirmed that all their Disney range features the original vocalists on its licensed songs. Another difference is that while the Tonies generally feature a handful of songs plus a shortened story, the Yoto splits them up, selling one card with more songs and another packing in a longer story — both Encanto cards are $14.99. So really, it's a toss-up between the Tonies figurine with less content, and the Yoto card with more. As the Toniebox emphasizes user independence, there's no way to control playback via smartphone app, but you can check out Tonies for sale, review the Tonies you've registered, adjust volume limits and record your own audio. There's also a Free section that carries a decent selection of audiobook samples and free songs and books. The app is looks very clean and is very easily navigable. The Yoto app handily carries all of the media that's tied to your account, so you can operate it like a remote for your player. It also has a create studio feature and news section for product announcements. The standout feature is the Discover section, which has a host of sleep sounds, free podcasts, and exclusive radio stations, giving it a big boost to its value offering. The app itself can be a little trickier to navigate due to its many sections, but most won't have any issues. The Toniebox yields around 7 hours on a single charge. It relies on a bespoke charging base rather than USB-C, so you'll need to remember to pack that if you're on the road. The Yoto Player handily accepts USB-C charging and delivers over 24 hours of playback. Unsurprisingly, my six-year-old was immediately drawn to the Tonies. She loved the songs, figures, and design and squidgyness of the Toniebox. As stated before, when I questioned the use of alternate vocals, she didn't mind at all. And while it took a few goes to get the skipping tracks tap technique right, she enjoyed the tactile experience. She also liked the Yoto Player — albeit to a lesser extent — particularly its cute, pixelated display that she said was very colorful. At the age of six, however, she was more interested in the licensed content that she knew of, rather than giving new stuff a chance. We've been testing both for nearly two weeks, and she's only been too happy to slot in a card or figurine and have a big sing-off with Queen Elsa, Mirabel, and co. Importantly, getting her off the TV has felt less of a chore, and it's great that she's engaging so well with the licensed content. With all that said, in my daughter's view, the Toniebox emerges victorious. Both the Toniebox and Yoto Player have a lot to offer for kids, and their media libraries are extensive. Importantly, both represent a novel way for them to take charge of their media consumption and are much safer and appropriate than letting them loose on an iPad or YouTube. It can be all too easy for them to be hooked on screens these days, so having these devices around is beneficial to give their eyes a rest and get their imaginations flowing. Just be aware that investing in either device locks you into an ecosystem of having to buy more and more figurines and cards, and at around $10-20 a pop, costs can soon spiral. Younger kids will no doubt prefer the colorful Toniebox and its exciting range of gorgeous figurines. With that said, older kids, particularly preteens, will get a lot of enjoyment out of discovering newer books and free content with the Yoto Player. For its functions, superior audio performance, and longevity, the Yoto gets my vote, but there's no denying the Toniebox's vibrant appeal among smaller audiences, including my 6-year-old.