
The Tradition of Beekeeping in Oman
Long before honey filled shelves in shops, Omanis tended to bees using practices handed down through generations. Two native species — the small but hardy Apis florea, known locally as Abu Tuwaiq (Father of the Little Collar), and the larger Apis mellifera jemenitica — have been part of Oman's ecosystem and livelihoods for centuries.
While the Little Bee is known for foraging in high temperatures and building its single wax comb in trees — and absconding when disturbed — the Big Bee prefers the security of a hive and forages for nectar and pollen in the cooler early mornings and late afternoons. The Big Bee is naturally found in Dhofar and, since the 1600s, has been kept in log hives within the shelter of deep wadis (Sahtan; Bani 'Awf; Bani Kharus) that drain the northern mountains near Rustaq. They were probably introduced, from Yemen, by Imam Saif bin Sultan.
Behind these bees are the people who have quietly nurtured them — Omani beekeepers whose skills have produced not only honey but also preserved a profound relationship between land and life.
One of the earliest foreign researchers to recognise this was Robert Whitcombe, a young British ecologist who arrived in Oman in 1977. Initially part of a rural development project involving Durham University in the UK, Petroleum Development Oman, and the Ministry of Agriculture, Robert became captivated by the bees — and the people who kept them.
C:fakepathIMG_4018
'Oman was little-known back then,' he recalls, 'but I was made welcome and worked closely with farmers. They shared their intimate knowledge of bees and the Omani flora — the source of several delicious honeys despite a harsh climate.'
Robert and his colleagues introduced modern hives in the 1970s and 80s, but while his connection to Omani beekeeping persisted, his ecological research expanded into environmental and national planning roles.
'Omani beekeepers are guardians of nature,' he states. 'I've witnessed the close relationship between people and the landscape that sustains them. While Oman has made enormous strides in urban development, the importance of planning that cherishes rural areas should not be overlooked. These areas conserve vital elements of Oman's cultural and natural heritage and offer opportunities for sustainable livelihoods linked to tourism.'
One such guardian was the late Nasr Ahmed Al Ghaythi, a dedicated beekeeper from Zahib near Al Mudhaybi, who managed over 30 colonies of Little Bees — probably more than anyone else in the world.
His eldest son, Ahmad, reflects: 'My father didn't just keep bees. He trekked into the mountains to find wild colonies, carefully relocated them to our farm, and nurtured them like children. Beekeeping wasn't just a craft for him; honey was not merely food but how he supported our family.'
Today, tradition and innovation live on in Misfat Al Abriyeen, where beekeeper Ahmed Mohammed Saif Al Abri has turned a hobby into a thriving business. Starting with just four hives in 1997, Ahmed now tends over 200, exports honey, and offers guided tours.
'We explain our methods to visitors and let them taste Sidr and Samr honey. It's become a way to support the village and share our culture,' he says.
These efforts are part of a broader movement to promote eco-tourism and rural livelihoods, supported by local community figures like Abdulrahman Al Abri, founder of Canyon Adventures and Tours. His work connects communities to responsible mountain tourism and environmental education in Al Hamra, Misfah, and further afield in Wukan and Suwgrah.
In May, the British Omani Society celebrated the publication of Honeybees in Oman, a book that tells the story of the Little and Big Bees and their guardians. Through a charitable initiative, the Society showcased illustrations by artist Jenny Ryrie. Proceeds from the sale of the original artwork will support conservation efforts led by the Environmental Society of Oman (ESO). Paintings are still available for those wishing to support this cause.
As Oman modernises, conservationists emphasise that rural heritage must not be left behind. 'Honeybees are a barometer of environmental health,' says Robert. 'When we protect them, we protect much more — landscape, biodiversity, cultural identity, and sustainable livelihoods.'
In a world under increasing environmental pressure, Oman's bees — and their quiet guardians — offer more than just honey. They remind us that some of the most vital treasures are also the smallest, humming softly amidst wildflowers and palms.
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Muscat Daily
5 days ago
- Muscat Daily
Extra Toppings: Heartbeat of cinema
From the deserts to F1 circuit – this 'extra topping' added a unique shine to the big screen. 'We're all co-actors. Each person, even the ones in the shadows, add their own sheen to the final masterpiece,' says Yousuf al Housni who played an 'extra' in the latest Hollywood blockbuster F1 Muscat – In anything grand we often forget the 'extras'… Extra cheese always adds more flavour to pizza, extra leg space adds comfort in a long flight and an extra rose in a bouquet adds an extra smile from one's beloved. Extras add life and base to grandeur. The same note goes to the extra actors in movies. They act as the foundation of every war, disaster or romance on the silver screen. Without extras, even the best frames or best methodical acts would fall apart. Such is the story of a 'junior' actor from Oman, Yousuf al Housni. Movies are a world of glamour and power. People feel proud to be part of it in some small way. Yet there are many like the extras who feel apprehensive to say that. Often people ridicule or pass sly smirks. Yet for Omani actor Yousuf al Housni, being an extra was an honour — vocal and bold in stating that every participation in a film, big or small, deserves recognition. 'It's not about the size of the role,' he says, 'it's about the sincerity of the effort. I enjoy the process more than the appearance.' Recently, Yousuf made his appearance in the latest Hollywood blockbuster F1 – the Brad Pitt-led Formula One film – currently screening in cinemas worldwide. This marks his second appearance in a major international production following his earlier role in the sci-fi epic Dune 2 in 2024. Perseverance, patience The few seconds of presence in these globally celebrated films have transformed Yousuf — not just as an actor, but as a human being. 'What I learned on those sets is beyond cinema — it's about patience, endurance, and self-respect,' he reflects. One of his toughest experiences was shooting Dune 2 in the scorching desert of Abu Dhabi, where the mercury touched 40 degrees Celsius. 'We were around 600 people, including 30 extras from Egypt, Afghanistan and Syria. I was one of the 30 selected extras portraying soldiers of Javier Bardem's character,' he disclosed. Every extra wore a three-layered costume weighing over 5kg, and many also carried props — guns and gear weighing up to 10kg. The walk across the dunes was exhausting, and the discipline was almost military. 'You can't even visit the restroom easily. To undress and redress was too daunting a task,' he recalls. The patience was just as demanding — 'we'd wait for hours just for a one-second shot.' Sometimes, the shoot demanded such effort that people fell ill. 'It was challenging but we continued with the processes,' Yousuf shared. When one extra fell seriously ill, the production crew needed a last-minute replacement. And Yousuf was chosen to step in and play an elderly man. 'I was rushed into makeup and given the part. When I finished the shot, the whole unit clapped for me,' he says. 'Actors like Timothy Chalamet, Javier Bardem and Zendaya — they hugged the crew at the end. But what impressed me most was director Denis Villeneuve. Calm, focused — like a painter lost in his Muse and canvas.' No role is small Yousuf's F1 shoot, in contrast, was more relaxed. Shot over five days, Yousuf appeared as a VIP guest from Oman — a moment of great personal pride. 'I studied about F1 races before the shoot. Even as an extra, I wanted to be prepared,' he smiles. 'No role is small.' Two more Hollywood films featuring Yousuf are expected to release by the end of the year. For Yousuf, acting is both craft and lifestyle. 'Fitness is crucial — physically, mentally and spiritually,' he says. 'If you're slow or inattentive, you get replaced; and I never want that.' He continues to hone his skills by attending workshops in Oman and Abu Dhabi and has registered with international casting agencies. He was also featured in an Abu Dhabi Police cybersecurity awareness film, portraying a hacker — a role far from his spiritual, disciplined real-life self. 'It was challenging to play someone so opposite to myself,' he laughs. Yousuf began his acting journey in 2013 as a student at the College of Applied Sciences in Salalah, pursuing Management Studies and Accounting. As a boy, Yousuf was fascinated by action, wrestling, and martial arts — drawn to the world of Van Damme, Arnold Schwarzenegger and Sylvester Stallone. In 2017, he co-founded a YouTube channel with friends and began producing, writing, and acting in short films. His creations, Blood and Silent , earned accolades among film festivals and his community. He was also active in theatre, but over time realised he needed to study acting more deeply. 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When the film released in the US, I saw my name in the credits as a supporting actor and second unit director. I was overwhelmed with joy', he said. Yousuf has also been active in the Scouts movement, and remains passionate about gym workouts, martial arts and fitness. His favourite actor is Christian Bale — 'not just for Batman, but for his ability to become any character, physically and mentally.' He also admires Ben Affleck and Brad Pitt, with Fight Club being a long-time inspiration. In terms of directors, his favourites include Christopher Nolan and James Gunn. 'Their visuals make me believe the punches, blood and explosions are real. That's the dedication I aim for.' One-inch barriers of subtitles Yousuf still remembers watching a show The Cobsy Show in Grade 3. 'I didn't understand the language — I just read subtitles. But then I realised cinema transcends language. Emotions don't need translation.' 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Observer
17-07-2025
- Observer
The Tradition of Beekeeping in Oman
Across Oman's rugged landscapes, a skilled yet vital tradition continues to thrive — one that hums gently through oases, mountain terraces, and acacia-dotted wadis: beekeeping. As the worldmarked World Bee Day earlier this year, Oman's story was one of heritage and the close relationship between people and nature. Long before honey filled shelves in shops, Omanis tended to bees using practices handed down through generations. Two native species — the small but hardy Apis florea, known locally as Abu Tuwaiq (Father of the Little Collar), and the larger Apis mellifera jemenitica — have been part of Oman's ecosystem and livelihoods for centuries. While the Little Bee is known for foraging in high temperatures and building its single wax comb in trees — and absconding when disturbed — the Big Bee prefers the security of a hive and forages for nectar and pollen in the cooler early mornings and late afternoons. The Big Bee is naturally found in Dhofar and, since the 1600s, has been kept in log hives within the shelter of deep wadis (Sahtan; Bani 'Awf; Bani Kharus) that drain the northern mountains near Rustaq. They were probably introduced, from Yemen, by Imam Saif bin Sultan. Behind these bees are the people who have quietly nurtured them — Omani beekeepers whose skills have produced not only honey but also preserved a profound relationship between land and life. One of the earliest foreign researchers to recognise this was Robert Whitcombe, a young British ecologist who arrived in Oman in 1977. Initially part of a rural development project involving Durham University in the UK, Petroleum Development Oman, and the Ministry of Agriculture, Robert became captivated by the bees — and the people who kept them. C:fakepathIMG_4018 'Oman was little-known back then,' he recalls, 'but I was made welcome and worked closely with farmers. They shared their intimate knowledge of bees and the Omani flora — the source of several delicious honeys despite a harsh climate.' Robert and his colleagues introduced modern hives in the 1970s and 80s, but while his connection to Omani beekeeping persisted, his ecological research expanded into environmental and national planning roles. 'Omani beekeepers are guardians of nature,' he states. 'I've witnessed the close relationship between people and the landscape that sustains them. While Oman has made enormous strides in urban development, the importance of planning that cherishes rural areas should not be overlooked. These areas conserve vital elements of Oman's cultural and natural heritage and offer opportunities for sustainable livelihoods linked to tourism.' One such guardian was the late Nasr Ahmed Al Ghaythi, a dedicated beekeeper from Zahib near Al Mudhaybi, who managed over 30 colonies of Little Bees — probably more than anyone else in the world. His eldest son, Ahmad, reflects: 'My father didn't just keep bees. He trekked into the mountains to find wild colonies, carefully relocated them to our farm, and nurtured them like children. Beekeeping wasn't just a craft for him; honey was not merely food but how he supported our family.' Today, tradition and innovation live on in Misfat Al Abriyeen, where beekeeper Ahmed Mohammed Saif Al Abri has turned a hobby into a thriving business. Starting with just four hives in 1997, Ahmed now tends over 200, exports honey, and offers guided tours. 'We explain our methods to visitors and let them taste Sidr and Samr honey. It's become a way to support the village and share our culture,' he says. These efforts are part of a broader movement to promote eco-tourism and rural livelihoods, supported by local community figures like Abdulrahman Al Abri, founder of Canyon Adventures and Tours. His work connects communities to responsible mountain tourism and environmental education in Al Hamra, Misfah, and further afield in Wukan and Suwgrah. In May, the British Omani Society celebrated the publication of Honeybees in Oman, a book that tells the story of the Little and Big Bees and their guardians. Through a charitable initiative, the Society showcased illustrations by artist Jenny Ryrie. Proceeds from the sale of the original artwork will support conservation efforts led by the Environmental Society of Oman (ESO). Paintings are still available for those wishing to support this cause. As Oman modernises, conservationists emphasise that rural heritage must not be left behind. 'Honeybees are a barometer of environmental health,' says Robert. 'When we protect them, we protect much more — landscape, biodiversity, cultural identity, and sustainable livelihoods.' In a world under increasing environmental pressure, Oman's bees — and their quiet guardians — offer more than just honey. They remind us that some of the most vital treasures are also the smallest, humming softly amidst wildflowers and palms.


Muscat Daily
16-07-2025
- Muscat Daily
Rock inscriptions in Oman reveal a forgotten world
Rustaq – Rock carvings, among the oldest forms of human expression, continue to present insights into ancient life, beliefs and environmental changes. In Oman, researchers say these carvings are a unique archive of history, reflecting the region's role as a meeting point of civilisations and trade routes. Harith bin Saif al Kharousi, a specialist in rock art and Omani history, said the country's strategic location made it a significant site for such engravings. 'Stone drawings documented human events in Oman and described their lives, battles and trade routes,' he told ONA. Kharousi explained that early humans carved depictions of themselves and the animals they hunted, often expressing their beliefs and personal attributes through these visuals. 'This art is an important human archive that cannot be ignored. It needs people to study and uncover its details.' He noted that rock art in Oman mirrors global trends, chronicling changing human activity across eras shaped by climate and social shifts. Carvings were scarce during the Ice Age but resurged in the Bronze Age as populations and prey increased. 'We can represent this cycle like night and day, winter and summer, hardship and ease,' he said. Inscriptions found across the country depict animals like elephants, crocodiles and lions, pointing to a time when Oman's climate and ecology were vastly different. They also show details of professions, tools, clothing, warcraft and modes of transport – including ships carved into rocks hundreds of kilometres from the sea. 'These inscriptions also reflect early beliefs tied to celestial bodies, which people saw as hidden forces behind the universe,' Kharousi added. He said rock art plays a role in shaping identity and cultural understanding. 'This heritage can strengthen national identity and promote dialogue among people. It is a shared human language.' Highlighting his fieldwork in South Batinah, Kharousi said the governorate's coastal location and link to Dakhliyah made it a historic corridor for caravans and travellers. Many inscriptions in the area use an early Arabic script known as Old Omani script, recently identified in ongoing explorations. In Al Hajir village in Wadi Bani Kharous, researchers found numerous inscriptions left by travellers during the early Islamic period, often including names and personal notes. Harith bin Saif al Kharousi Kharousi has documented his research in the book Between History, Archaeology and Geology, describing Oman's rock art as a 'stone memory' that captures the essence of civilisational exchange in the region. 'It reflects Oman's connection to other civilisations and reconstructs the reality of life as it was thousands of years ago,' he said.