Taylor Swift finally debuts on Travis Kelce's Instagram
Kelce posted 13 photos -- a number significant to Swift -- that spanned several events and seasons from the last few months. There are images of Kelce with friends fishing and hiking, pictures with his brother, Jason Kelce, a picture from his Tight End University event, a picture of each of his parents, several images with girlfriend Taylor and many more.
It was a lovely look into Kelce's life, highlighting friends and family since the season ended in February.
The images also adorably revealed that a photo of the couple is the lock screen on what seems to be both Kelce's and Swift's phones.
This isn't the first time that one half of the superstar couple has been featured on the others' social media, however. The Kansas City player was posted to Swift's TikTok account (@taylorswift) back in February of 2024 after the Chiefs won the Super Bowl.
NOW it's officially official.
This article originally appeared on For The Win: Taylor Swift finally debuts on Travis Kelce's Instagram

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USA Today
9 minutes ago
- USA Today
This legendary Panthers WR visited practice at Chiefs Training Camp on Sunday
The Kansas City Chiefs were visited by legendary Carolina Panthers wide receiver and current NFL Network analyst Steve Smith Sr. during a training camp practice session on Sunday, July 27. As the reigning AFC champions, Kansas City's players will face high expectations from fans and the media this season, a dynamic that was all too familiar for Smith during his outstanding 13-year tenure with the Panthers. Take a look at this picture of Smith walking to the field at Missouri Western State University with a member of the Chiefs' staff, which was posted to Twitter by Matt Foster of KSHB 41. A five-time Pro Bowler, Smith racked up 14,731 yards on 1031 catches for 81 receiving touchdowns through 16 regular-season campaigns. Though NFL Network hasn't yet featured videos of Smith's appearance at Chiefs Training Camp on its social media accounts, his insightful analysis of Kansas City's workouts should prove to be valuable for fans who haven't been able to see the team practice in St. Joseph firsthand.


Forbes
10 minutes ago
- Forbes
Beyoncé's Cowboy Carter Is Rewriting American Culture — And Boosting The Economy
PARIS, FRANCE - JUNE 24: Beyoncé Knowles / Beyonce wears a cowboy hat, a burgundy faux fur fluff ... More coat on one shoulder, a blue denim shirt, during the Louis Vuitton Menswear Spring/Summer 2026 show as part of Paris Fashion Week on June 24, 2025 in Paris, France. (Photo by) It was a humid night in Houston when Beyoncé Knowles-Carter moved financial markets—a role typically reserved for the Federal Reserve, the president, or Congress. In the 48 hours surrounding her Cowboy Carter Tour stop, the Bayou City raked in more than $50 million in local spending. Hotels and restaurants were booked to capacity. Surge pricing broke ride-share apps. And local boot stores had lines wrapped around the block. No bill was passed. No policy enacted. This boom came courtesy of a Black woman in a cowboy hat, singing and dancing on horseback. The Cowboy Carter Tour, spanning eight cities and 32 stadium shows, is now winding down in Las Vegas. But it has left more than just cowboy boots and hats behind. In every city it touched, the economic glow still lingers. In a time of seismic shifts in the marketplace and the political landscape, Knowles-Carter has become more than a cultural icon—she's an economic force. With Cowboy Carter, the Grammy-winning artist isn't just reclaiming country music's Black historic roots, she's staking a bold claim on American identity itself, all wrapped in the American flag. It's a masterclass in ownership, scarcity, and cultural disruption—with real implications for micro- and macro-economics nationwide. As cities see real economic impact from Beyoncé's presence, cultural economist Thomas Smith argues her tour is a lesson in modern market behavior, civic stimulus, and the future of 'event economics' in divided times. 'Beyonce coming to town gets everyone riled up, and for cities that means folks converge on areas around the stadium and spend bunches of money,' Smith said. 'This makes her concert more than just entertainment, she's an economic event.' LOS ANGELES, CALIFORNIA - FEBRUARY 02: Beyoncé accepts the Best Country Album award for "COWBOY ... More CARTER" onstage during the 67th Annual GRAMMY Awards at Arena on February 02, 2025 in Los Angeles, California. (Photo byfor The Recording Academy) While her work has drawn fierce criticism from the same forces intent on dragging America back to a time when artists were expected to sing, dance, and stay silent about politics, Knowles-Carter has transcended the noise. Thanks to a loyal fan base and her unapologetic embrace of every facet of her identity—mother, daughter, Black woman, global citizen, and soundtrack supplier for the resistance—she remains a cultural force. Knowles-Carter's voice became even more pronounced with the 2016 release of Lemonade, her sixth studio album, which featured the single 'Formation.' She shook the culture and electrified her fanbase during the Super Bowl 50 halftime show, where she appeared in a Black Panther–inspired bodysuit with a golden 'X' emblazoned across the top. Her dancers wore Black berets—a symbol of global Black resistance, from the Panthers in the U.S. to Caribbean revolutionaries like Che Guevara and Fidel Castro. Lemonade landed at a moment of national reckoning—after the murder of Trayvon Martin, amid the rise of #MeToo, and during a surge of high-profile police killings of unarmed Black men. That album became a cultural inflection point, giving voice to demands for both social and political change. It also marked a strategic shift: Beyoncé released the visual album exclusively on Tidal, the streaming platform owned by her husband, Jay-Z. Football: Super Bowl 50: Celebrity singer Beyonce performing during halftime show of Denver Broncos ... More vs Carolina Panthers game at Levi's Stadium. Santa Clara, CA 2/7/2016 CREDIT: Robert Beck (Photo by Robert Beck /Sports Illustrated via Getty Images) (Set Number: SI-123 TK1 ) The album was released with no press, no leaks, and flawless execution, a bold pivot that cemented Knowles-Carter not just as a performer, but as a CEO and cultural entrepreneur. It marked a strategic shift from traditional promotion to surprise drops, using scarcity and precision to meet and shape market demand. More than a response to a cultural moment, Lemonade embodied Knowles-Carter's 'joy-as-resistance' ethos, offering a vibrant counter to a nation that had just elected Donald Trump as its 45th president. While Trump sold grievance and nostalgia for a mythologized 1950s, Knowles-Carter offered a future-facing vision. Still capitalist, yes, but one rooted in diversity, pride, and cultural ownership. Her music, visuals, and merchandise became part of a larger narrative: that joy, style, and identity are not just aesthetic choices, but political acts. Singing about generational wealth, freedom from historical bondage, and the alchemy of turning lemons into lemonade, Knowles-Carter claimed her space as an artist unafraid to challenge, evolve, and expand her audience's worldview. Back on the Cowboy Carter Tour, while promoting music from her second studio album since Lemonade, Knowles-Carter's role in the so-called 'quiet resistance' has been anything but quiet. Leaning into her southern roots and the crucial role of Black Southerners in shaping American culture, the album serves as a reclamation of global Blackness as foundational to country music. According to Francesca T. Royster, author of Black Country Music: Listening For Revolutions, country music originates from a creole musical tradition deeply rooted in African-American styles. 'The banjo, often associated in pop culture as an instrument for white people who live in rural areas, was an African instrument brought here by enslaved people,' Royster says in her book. In 2022, while speaking with Leo Weekly, Royster delved deeply into the history and politics of country music. 'This genre was founded on a kind of logic of segregation,' Royster told Leo Weekly. 'In the 1920s when the genre was kind of invented more or less by talent scouts and record label labels, they were distinguishing hillbilly music as kind of a white music that was meant for white audiences, and 'race' music, you know, blues, rhythm and blues, and jazz for Black audiences.' Reimagining rural America and redefining 'Americanism' beyond the white-centered lens it's so often framed in, the Cowboy Carter tour and album offer audiences a striking new association with the American flag—one draped across the body of a Black woman. The Cowboy Carter Tour's DC stop happened over 4th of July weekend in Landover, MD. While the album isn't explicitly partisan, its iconography subtly reshapes national identity. It points to an America—and a broader Western Hemisphere—built on the backs of Black labor, inspired by Black innovation, and powered by Black ingenuity. When Beyoncé rolled into Houston's NRG Stadium on June 28 and 29, her hometown got more than it bargained and budgeted for. According to Axios, hotels near the stadium hit 79 percent occupancy -- a sharp increase from 61 percent the prior year, OpenTable reported a 43 percent increase in Houston-area reservations over that three-day period compared to the same stretch last year. Beyoncé's economic impact extended well beyond Texas. During her stop in the nation's capital over Fourth of July weekend, restaurants surrounding Northwest Stadium (formerly Fedex Field) in Landover, Maryland saw nightly profit spikes of $15,000 to $20,000. All gains that Tom Smith described as beneficial for local economics. 'You gotta have the boots, you gotta have the shirt, you gotta have the hat,' said Smith, an economist at Emory University. 'You gotta have all the things. It's not even worth—it's not even worth going if you don't have all the things making the concert an economic driver for local business in the region.' Beyond uplifting local business, Smith, a bass guitar player himself, also emphasized the broader importance of the tour economy as a catalyst for the industries that power live entertainment. That includes stagecrafters, electrical engineers, lighting designers, dancers, musicians, publicists, costume designers, and the full teams that support them. 'A lot of those jobs were decimated during the COVID-19 pandemic, when no one was going on tour,' Smith said. 'And now, these big, mammoth tours, these big stadium tours are spending millions of dollars every night on the people that make sure that the sound and the lights and the ancillary element are working.' SYDNEY COLEMAN (L) and JESSICA HANNAH (R) traveled from Houston, TX. Fans of Beyonce queue to enter ... More SoFi Stadium in Los Angeles on April 28, 2025 to watch her first concert of her newTour named "Cowboy Carter." (Photo by Bexx Francois/For The Washington Post via Getty Images) Cowboy Carter is Beyoncé's second U.S. tour since the pandemic. And while it's most definitely different in tone, the financial punch for America's big cities remains the same. It couldn't come at a more convenient time, either, as cities across the country are seeing a decrease in crime and are searching for new sources of revenue amid a cavalcade of budget cuts from Washington, D.C. As Beyoncé's golden horse, floating horseshoe, and many of her now-iconic Cowboy Carter costumes make their way to the storage units, it's likely her economic impact — not just her spectacle — that cities and states will remember. Beyoncé's name was never on the ballot. She never passed a bill or rage-tweeted on X. And yet, her version of disruption has managed to move both culture and the economy. In her song 'American Requiem,' Knowles-Carter asks listeners to confront the complex and often painful history of race and culture in America. It's a counter narrative to today's political moment, one that treats historical truth as a liability. Through it all, Beyoncé may be proving something radically different: that reckoning with the past isn't just necessary, it might also be profitable.


Newsweek
40 minutes ago
- Newsweek
Christian MAGA Singer Vows To Continue Despite Canada Protests
Based on facts, either observed and verified firsthand by the reporter, or reported and verified from knowledgeable sources. Newsweek AI is in beta. Translations may contain inaccuracies—please refer to the original content. Sean Feucht, a prominent American Christian worship leader and vocal supporter of the MAGA movement, says he will press on with his tour of Canada, despite a wave of public protests, security concerns, and event cancellations in multiple cities. Newsweek contacted Feucht for comment via email on Sunday. Why It Matters Feucht's tour has become a flash point in Canada's ongoing debate over freedom of expression, public safety, and the role of religious and political ideologies in public spaces. As communities respond to his messaging—often framed around conservative Christian values and American right-wing politics—the backlash highlights tensions between freedom of speech and protecting marginalized groups from perceived harm. Despite the setbacks, Feucht remains determined to complete his tour. He is continuing to organize events at alternative venues and actively posting about it on social media. On Saturday, Feucht posted on his Facebook and Instagram accounts: "We've been canceled, banned, protested and smoke-bombed in Canada, but the MOVE OF GOD ONLY GROWS STRONGER! "The greater the resistance, the greater the breakthrough! See you today Ottawa and tomorrow Toronto!" Sean Feucht is seen at Wesley Bolin Memorial Plaza outside the Arizona State Capitol in Phoenix, Arizona, on October 19, 2024. Sean Feucht is seen at Wesley Bolin Memorial Plaza outside the Arizona State Capitol in Phoenix, Arizona, on October 19, 2024. Rebecca Noble/AFP/Getty Images What To Know As reported by Newsweek, Feucht is a pro-Trump American Christian singer-songwriter who unsuccessfully ran as a Republican candidate in California's 3rd congressional district in 2020. Feucht has previously been criticized over remarks he has made about the LGBTQ+ community and for his pro-life stance. He first rose to prominence with his "Let Us Worship" tour in the latter half of 2020, which protested COVID-19 lockdowns. In April of 2022, he helped to lead a protest against The Walt Disney Company for their opposition to anti-LGBTQ legislation. In early 2023, he announced a "Kingdom to the Capitol" tour co-sponsored by Turning Point USA, the nonprofit that advocates for conservative politics at high schools and university campuses. Several Canadian cities, including Halifax, Quebec City, Charlottetown, and Moncton, have canceled Feucht's scheduled events in recent days. Officials cited public safety concerns, protest activity and logistical complications. In Halifax, Parks Canada revoked a permit for a concert at the York Redoubt historic site after consulting with police and local residents. The event was moved to Shubenacadie, about an hour away, where hundreds of attendees gathered. Despite the relocations and cancellations, protests have continued to follow Feucht's appearances. In Montreal, demonstrators set off smoke bombs inside a venue, and at least one person was arrested. Critics of the tour, including advocacy groups and local officials, argue that Feucht's rhetoric is inflammatory and harmful to community cohesion. Some have also pointed to Feucht's political affiliations, which they believe are inconsistent with Canada's inclusive values. Feucht has accused Canadian authorities and media outlets of discriminating against his religious beliefs, claiming his events are being unfairly targeted for expressing traditional Christian values. He has maintained that his message is peaceful and spiritual in nature, not political. What People Are Saying Feucht posting on his X account on Saturday: "I've led worship and preached in Africa, the Middle East and all across the world in 2025. The most intense persecution was not in Iraq or Turkey - but CANADA! Didn't have that on my bingo card." The city of Vaughan, where Feucht was due to perform on Sunday, said in a statement, per CTV News: "The City of Vaughan has denied a Special Event Permit for a music event to be held at Dufferin District Park on July 27 on the basis of health and safety as well as community standards and well-being." What Happens Next City officials in other planned tour stops are assessing whether to grant permits, and national law enforcement agencies are monitoring developments closely. As protests persist, the debate over who gets access to public spaces—and under what terms—is likely to intensify in the days ahead.