Kelly Ripa says 'life becomes nudity' during empty nesting on 'Live with Kelly & Mark'
The mom of three offered some advice about kids leaving home to "Your Friends & Neighbors" star Amanda Peet on the May 26 episode of "Live with Kelly and Mark" alongside husband and co-host Mark Consuelos.
"Let me just say this," Ripa said. "The first one is like a bit of a shock. Each one, the second one, is like, no big deal. Third one, for 24 to 48 hours, you're going to be like, 'Oh my gosh, what have we done now? Now it's just us.'
"And then your entire life becomes nudity in the household wherever you want. Total freak show all the time," the daytime star added as Consuelos smiled wide and the audience laughed.
"Wow, good to know!" Peet said jokingly, telling the married "Live" co-hosts that she didn't "want to cry" about her eldest daughter moving "very far away" to the "opposite coast."
Ripa and Consuelos, who have been married since 1996, share Michael, 27, Lola, 23, and Joaquin, 22. The couple's youngest son graduated from the University of Michigan earlier this month.
'The White Lotus' star Aimee Lou Wood revealed she's 'very anti-Botox.' She's not alone.
Peet shares daughter Frances Benioff, 18, with her "Games of Thrones" creator husband David Benioff, and the pair have two younger children: Molly, 15, and Henry, 10.
Peet said that she sends Frances Benioff advice over text but told Ripa and Consuelos that "I get one reply for every 10 texts I send her." Ripa related with the sentiment, saying that she "sent my kids when they graduated, all of these articles on like 'The best things people look for when hiring,'" and she said, "Nobody reads anything."
Consuelos and Ripa said their kids have told them that "you were right" about "everything." During her own childhood, Peet said "it was a secret thing" that she "thought" her parents were cringeworthy.
This article originally appeared on USA TODAY: Kelly Ripa talks 'nudity' during empty nesting on 'Live'
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Chicago Tribune
an hour ago
- Chicago Tribune
Review: City Lit offers a challenging and poignant production of ‘Jesus Hopped the ‘A' Train'
Early on in 'Jesus Hopped the 'A' Train,' a sadistic corrections officer in Rikers Island prison compares himself to a cowboy in charge of cattle earmarked for the slaughterhouse. His grim comment sums up the central metaphor of this 2000 drama by Pulitzer Prize winner Stephen Adly Guirgis, which examines the dehumanization inherent in our criminal justice system, particularly for Latino and Black men. As directed by Esteban Andres Cruz at City Lit Theater, the play's livestock imagery runs deep, from the piteous to the disgusting to the macabre. But there are more layers to Guirgis' play than this effective, if sometimes on-the-nose, symbolism. The script also probes the meaning of justice, the limits of the law in morally gray situations and the role of religious faith in an institution not conducive to redemption. With City Lit's production drawing clear parallels to today's headlines, especially through projections designed by Andres Fiz, this 25-year-old play feels disturbingly relevant. Recent University of Michigan graduate and Chicago native Lenin Izquierdo stars as Angel Cruz, a 30-year-old Puerto Rican man charged with the murder of Reverend Kim, the wealthy leader of a cult-like religious movement who claims to be the son of God. Desperate after his unsuccessful attempts to extricate his best friend from the church's influence, Angel resorts to shooting Kim in what he claims was intended as a non-lethal attack. When Kim later dies in a follow-up surgery, Angel's charges are escalated, and he faces a potential life sentence. Mary Jane Hanrahan (Maria Stephens), a plucky Irish Italian New Yorker, is Angel's public defender, motivated by a genuine belief in her client's cause and a competitive drive to win a difficult case. In a role reminiscent of Alfieri, the lawyer in Arthur Miller's 'A View from the Bridge,' Mary Jane narrates most of the play's legal procedures, as well as several traumatic events that occur during Angel's incarceration. Filtering key offstage developments through a secondhand narrator has mixed results; this dramatic choice adds some distance between audience and protagonist, but it also avoids the pitfalls of staging overt violence and keeps Angel's scenes focused on a more internal character arc. When Angel isn't consulting with Mary Jane, he spends his daily hour-long breaks from solitary confinement in conversation with Lucius Jenkins (Bradford Stevens), a Black man on death row for murdering eight people. Under the menacing surveillance of Officer Valdez (Manny Tamayo), the upbeat and chatty Lucius, who has converted to Christianity in prison, tries to comfort the shattered younger man and persistently proselytizes about his faith. In their interactions, the show really hits its stride in terms of dialogue and pacing, with sharp banter punctuating serious discussions of existential questions. Without attempting to exonerate Lucius, who shares some gruesome details about his crimes, the play encourages audience members to look beyond the orange jumpsuit and consider the complicated man and the circumstances that led to his horrific actions. This nuanced perspective is amplified by two scenes featuring another corrections officer, Charlie D'Amico (Michael Dailey), who grows close to Lucius during their time together in Rikers. The proverbial good cop to Valdez's bad cop, D'Amico narrates one of Lucius' most significant offstage moments, similarly to Mary Jane's monologues about Angel. In both cases, we hear about the pain of men of color through the voices of their white allies, a structural decision perhaps intended to protect actors and audience members from unnecessary trauma. Regardless of how the script reaches their characters' respective crises, Izquierdo and Stevens both give moving performances as Angel and Lucius try to connect over the physical bonds and the spiritual differences that separate them. Angel's tenderness and vulnerability also come through in his conversations with Mary Jane, especially when he tells the childhood story that inspires the play's name, and in his solitary moments, when he stumbles through fragments of the Lord's Prayer and the Hail Mary. 'Jesus Hopped the 'A' Train' occasionally loses steam in its extensive ethical debates, but when the play focuses on the humanity of its characters, City Lit's production is both challenging and poignant. Despite the distraction of a noisy fog machine, the livestock motif comes full circle in the end, when Tianxuan Chen's seemingly simple set, draped in a piecemeal collection of off-white canvases, gives way to a powerful final 'Jesus Hopped the 'A' Train' (3 stars) When: Through Sept. 7 Where: City Lit Theater, 1020 W. Bryn Mawr Ave. Running time: 2 hours, 15 minutes Tickets: $15-$38 at 773-293-3682 and


USA Today
2 hours ago
- USA Today
Inside Universal's year-round haunted house opening soon in Las Vegas
Universal Horror Unleashed is set to open in Las Vegas on August 14, followed by a second location in Chicago in 2027. Walking through Universal Horror Unleashed's scarecrow-themed haunted house should have been a piece of cake. After all, I was raised in Iowa – I'm no stranger to corn fields. But, while walking through the haunted house's dark maze, pushing past the stalks of corn blocking my path, I could just barely make out the shape of something lurking around the corner, ready to leap from the shadows. I debated turning around. Then, I heard a scream and decided rejoining the monsters lurking in the dark farmhouse behind me wasn't a better alternative. As soon as I took a step forward, a scarecrow lurched at me and made me jump, his clawed hand and ghastly mask illuminated by the flashing lights overhead. "Scarecrow: The Reaping' is just one of four haunted houses available at Universal Horror Unleashed, a new experience located at the Area15 entertainment district just off the Las Vegas Strip. While the space won't open to the public until August 14, USA TODAY was able to take a sneak peek at the event space in early August. Here's what horror fans can expect. One attraction, four haunted houses There are four haunted house options scattered across the attraction, which is made to resemble an abandoned production warehouse: Universal added special touches to fully immerse its guests in each scene. The restaurant inside the 'Texas Chainsaw Massacre' haunted house smells like barbecue, while the woods inside "Blumhouse's The Exorcist: Believer" smell like a real forest. In 'Scarecrow: The Reaping," guests push their way through a corn field and get blasted by wind from a dust storm, while ropes hanging from the Hunchback's bell tower block guests' path inside "Universal Monsters." There are even water effects in "The Texas Chainsaw Massacre" house, meant to mimic splattering blood during a particularly gruesome reenactment. 'We realize that we can't reach out and actually grab the guests,' said show director Nate Stevenson. 'But we need to reach out and touch the guests in every other sense that we possibly can.' More than just haunted houses The horror isn't over once you escape the haunted houses. Guests can also explore four immersive areas staged between the houses with their own themes, like '80s slasher flicks and classic Universal monsters. Here, original characters like a menacing set of twins and a bug monster are available to chat with guests or give them a fright. 'Our guests can approach these characters, and they'll actually tell you about their story and who they are and they'll interact with you,' Stevenson said, as a vampire queen and mad doctor lingered nearby, adding that it's 'very much immersive theater.' (I made the mistake of asking Stevenson a question about the characters in front of one and got called out for it. 'I'm right here!' said one of the spooky twins, looking like she was ready to tear my head off.) Jack's Alley Bar, another themed area in the warehouse, features a 15-minute show starring Jack the Clown and his sidekick, Chance. Two 'victims' are brought to a stage to perform in Jack's game show, 'Stay or Slay.' (Spoiler: the contestants' dancing and hula-hoop performances were impressive, but did little to win the killer clowns' sympathy.) And in the middle of it all sits The Boiler bar, an enormous machine where guests can take a break to drink craft cocktails. 'The Boiler bar definitely has a spirit of its own, so bear with us. Sometimes he gets a little upset,' said Kim Scott, general manager of Universal Horror Unleashed, as the machine let off steam with a roar in the background. Universal's Las Vegas horror experience: What to expect. Dining options at Universal Horror Unleashed Universal Horror Unleashed offers several dining options to guests who have worked up an appetite from any horror-induced adrenaline rush. Fast-casual stops like Rough Cuts offer themed dishes like Parts of Pieces, a spicy sausage sandwich. There's also a sit-down tapas bar, Premiere House, decorated with movie props and decor representing more recent horror films from Blumhouse. At the latter, guests can dine on small plates inspired by the surrounding houses – including a Texas Chainsaw Flatbread shaped like a saw blade and 'Scarecrow: The Reaping'-inspired dessert called The Haybale, a pecan kataifi roll served on a shovel. Drink options include the Green Dread – a bright green gin concoction served from a beaker – and the Bloodsucker, a rum and blackberry liqueur drink served with a dollop of dark red jello meant to look like a glob of blood. TJ Mannarino, vice president of entertainment, art and design, said attractions would have turned up their noses at the idea of adding grotesque themes to food in the not-too-distant past. But as guests increasingly look for more immersive offerings, he said that's no longer the case. 'Now, people love that,' he said. 'That's another step in this new world.' Horror is no longer just for fall The day I visited was a 100-plus-degree day in the middle of a Las Vegas summer. Not exactly the backdrop that comes to mind when you think of the typical fall spooky season. But that's the point: The team behind Universal Horror Unleashed says horror fans don't disappear once the clock strikes midnight on October 31. Mannarino said that's why Universal's Horror Nights pushed back its opening date from mid-October to late August, and why horror movies and horror-adjacent shows like 'Stranger Things' have success with spring or summer releases. 'Horror has a place year-round now,' Stevenson said. 'People love this group experience. ... There's a lot of real horror in the world, and this offers an escape. It's a way to laugh at horror.' Tickets start at $69 for one-time entry to each house and $99 for unlimited access to houses, with a discount offered to Nevada residents. A second location in Chicago is set to open in 2027.
Yahoo
7 hours ago
- Yahoo
NJ Lottery Pick-3, Pick-4, Cash 5, Cash4Life winning numbers for Monday, Aug. 4
The New Jersey Lottery offers multiple draw games for people looking to strike it rich. Here's a look at Aug. 4, 2025, results for each game: Pick-3 Midday: 6-5-0, Fireball: 0 Evening: 7-5-5, Fireball: 3 Check Pick-3 payouts and previous drawings here. Pick-4 Midday: 8-5-9-5, Fireball: 0 Evening: 5-0-8-8, Fireball: 3 Check Pick-4 payouts and previous drawings here. Jersey Cash 5 05-28-33-39-41, Xtra: 02 Check Jersey Cash 5 payouts and previous drawings here. Cash4Life 14-15-32-40-41, Cash Ball: 01 Check Cash4Life payouts and previous drawings here. Beware: No, a lottery jackpot winner isn't giving you money. How to spot a scammer Pick-6 01-20-26-39-41-42 Check Pick-6 payouts and previous drawings here. Quick Draw Drawings are held every four minutes. Check winning numbers here. Cash Pop Drawings are held every four minutes. Check winning numbers here. Feeling lucky? Explore the latest lottery news & results When are the New Jersey Lottery drawings held? Cash4Life: 9:00 p.m. daily. Pick-3: 12:59 p.m. and 10:57 p.m. daily. Pick-4: 12:59 p.m. and 10:57 p.m. daily. Jersey Cash 5: 10:57 p.m. daily. Pick-6: 10:57 p.m. Monday and Thursday. Winning lottery numbers are sponsored by Jackpocket, the official digital lottery courier of the USA TODAY Network. Where can you buy lottery tickets? Tickets can be purchased in person at gas stations, convenience stores and grocery stores. Some airport terminals may also sell lottery tickets. You can also order tickets online through Jackpocket, the official digital lottery courier of the USA TODAY Network, in these U.S. states and territories: Arizona, Arkansas, Colorado, Idaho, Maine, Massachusetts, Minnesota, Montana, Nebraska, New Hampshire, New Jersey, New York, Ohio, Oregon, Puerto Rico, Washington D.C., and West Virginia. The Jackpocket app allows you to pick your lottery game and numbers, place your order, see your ticket and collect your winnings all using your phone or home computer. Jackpocket is the official digital lottery courier of the USA TODAY Network. Gannett may earn revenue for audience referrals to Jackpocket services. GAMBLING PROBLEM? CALL 1-800-GAMBLER, Call 877-8-HOPENY/text HOPENY (467369) (NY). 18+ (19+ in NE, 21+ in AZ). Physically present where Jackpocket operates. Jackpocket is not affiliated with any State Lottery. Eligibility Restrictions apply. Void where prohibited. Terms: This results page was generated automatically using information from TinBu and a template written and reviewed by a New Jersey Sr Breaking News Editor. You can send feedback using this form. This article originally appeared on NJ Lottery Pick-3, Pick-4, Cash 5, Cash4Life winning numbers for Monday, Aug. 4 Solve the daily Crossword