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Jeremy Clarkson's bitter split from ex-wife after 'affair' claims and 'perfect upgrade'

Jeremy Clarkson's bitter split from ex-wife after 'affair' claims and 'perfect upgrade'

Wales Online19-06-2025
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Jeremy Clarkson, the host of Who Wants to Be a Millionaire?, has had quite the eventful love life. At 64, he's been with actress and model Lisa Hogan, 51, for seven years.
His past includes two marriages and fatherhood to three grown-up children. Currently, Jeremy shares his life with Lisa, who features on his programme Clarkson's Farm, filmed at the well-known Diddly Squat Farm. But his path in matters of the heart has seen its fair share of bumps.
The ex-Top Gear presenter first married Alex Hall in 1989, but she left him for one of his mates after just a couple of years, reports the Express.
Years later, in 2011, Alex admitted to The Telegraph that parting ways with Jeremy was a grave mistake: "I can't go into that because I have to think of my children and other people, but leaving Jeremy was the biggest mistake of my life.
"I still love him, I always have, but I believed that if you make your bed, you've got to lie in it."
(Image: Getty)
Jeremy then married his manager, Frances Cain, in May 1993, with whom he has three children, Emily, Finlo, and Katya. In 1999, Alex claimed she and the host had an affair that lasted ten years, according to the Mirror.
The TV personality strongly denied these claims and attempted to hit Alex with a High Court injunction.
In a surprising development, he later requested the repeal of the order, acknowledging his remorse and criticising: "Injunctions are complete nonsense."
(Image: Getty)
Reflecting on his decision at that time, he said: "I overturned my own injunction because injunctions don't work. If you take out an injunction there is the automatic assumption that you must be hiding something. Bear in mind my wife and I took out this injunction it wasn't just me.
"Yet we came to realise, with Twitter and Facebook in play, you're not really shielded anymore. The shift hasn't been so much in the law but in its interpretation you cannot simply obtain an injunction and then drop the matter; the court insists on pushing you to trial, which comes with an exorbitant price tag.
Jeremy further stated: "Should I win, it's blasted across Twitter and Facebook anyway and I'm powerless to stop it. If I lose, the bill for her legal fees lands on my doorstep. Injunctions are complete nonsense. I look back in regret to the day I was counselled to get one."
(Image: Getty)
Jeremy and Frances parted ways in 2014 amid speculations that he had grown close to his PA, Phillipa Sage, whom he encountered on the Top Gear set. Their romance lasted until 2017, when Clarkson was spotted with Lisa Hogan.
"He'd actually told me, 'I was born for you', and asked me to stay the night a few days before he was out with Lisa," she disclosed to Mail Online.
"Then, one of my friends pointed out the photograph of him with another woman. I thought, 'Oh yes, she's definitely his type.
(Image: Getty)
"She's tall and blonde. He's gone for the perfect upgrade: taller, skinnier, younger. So I was like, 'F**k off, what are you doing when we are supposed to be working things out?'
"He told me to calm down. He told me she was just a friend, then a couple of weeks later he told me he wanted to be with her."
Jeremy has never confirmed nor refuted these claims.
Lisa Hogan, his current partner, has made it clear she is not looking to be his third wife. In a discussion with Fabulous magazine, she expressed: "Mrs Clarkson? No, thank you, I prefer being Lisa Hogan."
Clarkson's Farm is currently available to stream on Amazon Prime.
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The day-long showcase for top-class Scottish prog rock
The day-long showcase for top-class Scottish prog rock

The Herald Scotland

time41 minutes ago

  • The Herald Scotland

The day-long showcase for top-class Scottish prog rock

Headlining the Wha's Like Us one-day event will be Comedy of Errors, pictured, top a bill that also includes The Wizards of Progg, Long Earth and EBB. The Wizards of Progg released their debut album, Dooking for Apples, only last year despite being able to trace their roots back to the seventies. Long Earth's third album, An Ordinary Life, was released in 2024. EBB have twice received 'best new band' accolades, while [[Comedy]] of Errors, whose first gig was in 1984, are poised to release their seventh album. A fifth band, Machinary, has had to withdraw: their slot will be taken by Alan Reed, frontman of the celebrated prog group, Pallas. He will be accompanied on at least two songs by Machinary's singer Euan Lowson, Alan's predecessor in Pallas. Euan said: 'I believe the plan is that I will be singing 'Shock Treatment' and 'Arrive Alive', from my time with Pallas, with Alan. These were the two songs that Machinary had planned to include with Alan as a special guest before our unfortunate withdrawal'. Plans for the festival began to take shape late last year, after an story in the prog fans' Facebook community, BedsideYellowFoam, in which Long Earth discussed the difficulties of Scots prog bands in relation to London and the south. Béla Alabástrom, manager of Comedy of Errors, who also co-runs the Facebook page, suggested staging a Scots prog festival, and the Wizards of Progg's founder, Charlie Kilgour, began putting together the bill. Bela, the festival's co-organiser, said: 'Scottish bands suffer from what I refer to as the 'geographical penalty'. Prog's heartland is in the south of England and this is where most festivals are held. It is also where most resources are concentrated. In the past, bands had to travel to London to secure a record deal. Now they have to incur huge losses to travel down to play at festivals. "I recently applied to one festival down south on behalf of a band. The organisers explicitly asked in the questionnaire if the bands applying would be willing to waive their fee and whether they required expenses. Basically, if a band ticks the box that they require expenses, the implication is that this will count against them. It seems to be taken for granted that obtaining a slot at a festival is recompense enough. Another question was: what can you offer the festival by way of publicity? 'In a nutshell, the bands are expected to invest substantial time and effort in publicising a festival, in engaging and mobilising their fan base and putting it at the festival's disposal, while at the same time appearing for nothing and making a loss. This automatically puts Scottish bands at a disadvantage. 'Promoters need to be more aware of the disproportionate costs for Scottish bands compared to their English counterparts. Some seem to turn a blind eye to this and expect Scottish bands to jump through those extra hoops. The sacrifices are just that much greater. 'Having said that, Scottish promoters could do a lot more to recognise and provide opportunities for the wealth of talent at home. Wha's Like Us is being organised by a fan (me) and Charlie to compensate to the extent we can for the lack of opportunities available to Scottish prog bands. 'Since I published my Facebook post, which is where the idea of the festival originated, I have been going through a crash-course in festival organisation. It's been very challenging, but also very rewarding'. Do English promoters just need to be nudged? 'The picture is quite nuanced, as several English promoters are open to booking Scottish bands. Apart from the aforementioned cost factor, which may deter them from taking Scottish bands into consideration in the first place, they may not always be aware of the bands. 'Again, this is why providing an opportunity for them to travel to Glasgow to see the bands perform is so vital. In my personal experience, they have been very open to the idea of booking more established Scottish prog bands. All they needed was a gentle nudge to convince them it would be a risk that would pay off'. Jim Johnston, keyboard player with Comedy of Errors, gives an insight into prog music's diversity. He said: 'The musical genre of prog tends to be (though not exclusively) the province of the older music fan, having its roots in bands of the early seventies, such as Yes and Genesis. 'It has to be said that some current Scottish bands have taken that prog influence and developed it to varying degrees, e.g. classical, folk, heavy rock, psychedelic. 'This gives each band an individuality maybe not seen in other genres. If the fan numbers can't match current pop trends, the fans' individual passion for this music more than makes up for it. 'Regionally, the south has been more the last bastion of prog (a form of music that fiercely fell out of favour in the late seventies). On the other hand, Scottish prog bands have suffered because of their relatively remote home location and the difficulty of Southern promoters in paying Scottish bands to travel south, book hotels and perform in venues which are so often far more convenient for bands from the south'. He added, however, that there has been a recent revival in Scotland, especially among the more mature fans, with 'a willingness to seek out local prog bands, meet up with and make new like-minded friends at gigs, and to buy and enjoy self-produced CDs and vinyl at these gigs – and not just tribute bands, but original bands with their own take on the genre, producing original material. 'What has brought on this revival? It is likely that social media has brought fans together – 'I'm not alone after all!' – so that now they are more aware of local gigs and self-financed album releases. 'It can also be surprising how many make the trip from Europe to see these peculiarly Scottish prog gigs. A chance to meet up with members of this 'club' has given those who feel excluded from contemporary musical trends the chance to enjoy the music they are most passionate about. The Scottish bands who make this generally more complex, ambitious type of music need no longer apologise in their own country for the previously outlawed four-letter word of 'prog'. For his part, Alan Reed, of Pallas, said: 'It's really important to provide a regular platform for musicians. In these cost-conscious times there needs to be a regular gig north of the border. 'It costs so much to travel with a band these days that it amazes me that there isn't already a festival that supports this kind of music. There are a lot of venues in, for example, Glasgow that are relatively easy for tribute acts to get booked into'. He added: 'I think promoters need to be aware that there is still an appetite for good bands playing their own music too. Both Lazuli (ex France) and RPWL (Germany) did good numbers on recent gigs that I attended. And both of those bands are as Prog as they come. 'In England and Wales they have Winter's End/Summer's End in Chepstow, they have regular spots in Leamington, Leicestershire, London, Southampton and other places. Why, given the undoubted talent you have in Scotland. don't you have more than just the occasional support for the same few acts?' Alan said: 'I'd very much like Wha's Like Us to become a regular event. That way you'll see more bands coming through. And they won't have to travel so far to make a name for themselves'. He regretted that Euan's band Machinary have had to withdraw. 'I would have very much liked to see him and them perform. Not least because his keyboards player, Hew Montgomery, was part of Abel Ganz, the band that I left to join Pallas. It would be like I've come full circle'. Read more: Alan was diagnosed with Parkinson's at the end of March and will be embarking on an epic journey, walking the West Highland Way, beginning in mid-September, to raise funds for research into the disease. He will be doing the walk with his partner Anne, his long-time musical partner, Mark Spencer, and his partner Esther. Euan Lowson, who sang with Pallas between 1979 and 1986, and was part of the line-up that made such well-received albums as The Sentinel, observed that Scottish bands in general need to voyage South for gigs that get any worthwhile media attention and crowds. 'Whilst money is not the driver for gigging, these are financially unviable for most bands. I particularly feel for young up-and-coming musicians as these sojourns usually incur large financial losses. Not just for 'prog' bands – it has always been an issue for Scottish bands to get any traction in the music industry unless they have 'serious' contacts or are prepared to relocate. The music industry still is very London-centric. 'It does have to be said that prog fans are very loyal and determined', he added. 'There have been many tickets bought from our European fans who are travelling to, and spending time in, Scotland for this event'. * Tickets: £29 (advance), £32 on the door. Wha's Like Us can be found on Facebook.

Bumper sum Man Utd great Sir Alex Ferguson paid for plush Glasgow pad months after selling £3.25m mansion revealed
Bumper sum Man Utd great Sir Alex Ferguson paid for plush Glasgow pad months after selling £3.25m mansion revealed

Scottish Sun

timean hour ago

  • Scottish Sun

Bumper sum Man Utd great Sir Alex Ferguson paid for plush Glasgow pad months after selling £3.25m mansion revealed

Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) SIR ALEX FERGUSON paid £500,000 for his luxury flat in home city Glasgow, records show. The football great, 83, snapped up the apartment in leafy Hyndland months after selling his mansion down south. Sign up for the Rangers newsletter Sign up 4 Sir Alex has snapped up a flat in Glasgow 4 The legend posed with staff at a plush Glasgow restaurant 4 Ferguson as at Ibrox to watch Rangers face Panathinaikos Credit: Reuters 4 Hyndland is an area in the West End of Glasgow The ex-Rangers player was spotted at the Ibrox club's training ground earlier this month and has been snapped at a plush restaurant in the city. And we can reveal he appears to have made moves to spend even more time in the home of his birth. Property records show he bought a flat in the city's leafy Hyndland area last September. The purchase came five months after he sold the luxury £3.25million home in Cheshire he shared with late wife Lady Cathy, who died aged 84 in October 2023. A source said: "It's good to see him back in a city he calls home. 'People in Glasgow have loved seeing him.' Earlier this week the footie icon paid a visit to Rangers' Auchenhowie training centre and caught up with some of the club's current staff and players. Rangers Women captain Nicola Docherty shared a picture of herself alongside the managerial great in the training centre as she beamed on social media: 'Met a legend today, Sir Alex!' Ferguson has also been spotted in Glasgow's West End as he headed to popular restaurant Ox and Finch in Sauchiehall Street. A description of the property hails its balcony and "wonderful, peaceful position" Eric Black on the Gothenburg Greats, Sir Alex Ferguson & remembering Neale Cooper Sir Alex was born in Govan and his father worked in the shipbuilding industry. He began his football career as an amateur with Queen's Park aged 16. He played for Rangers for two seasons from 1967 to 1969 and won the European Cup Winners Cup with Aberdeen as a manager in 1983. New Ibrox boss Russell Martin has said the support from the legend has been 'incredible'. Martin played under Sir Alex's son Darren Ferguson at Peterborough United. And the Rangers manager said Darren put him in touch with his dad. After the great's recent visit, Martin said: 'He's been great. He's been so supportive of me personally, which is incredible. It's the first time he's been here and it was just brilliant for everyone to see him,' Last month we told how his family firm boosted its value last year to almost £27million. ACF Sports Promotions, founded by the former Aberdeen and Manchester United boss had £28.1million in assets last June. Revenue is said to be derived from the Glasgow-born dad of three's 'appearances, image rights and royalties'. But Sir Alex, 83, stepped down as a director of the company last year and gave control to his oldest son Mark, 56. He called Lady Cathy his 'bedrock'.

Ex-Rangers and Celtic rivals who used to kick lumps out of each other launch new careers together
Ex-Rangers and Celtic rivals who used to kick lumps out of each other launch new careers together

Scottish Sun

timean hour ago

  • Scottish Sun

Ex-Rangers and Celtic rivals who used to kick lumps out of each other launch new careers together

Click to share on X/Twitter (Opens in new window) Click to share on Facebook (Opens in new window) OLD Firm legends Charlie Miller and Simon Donnelly have revealed how making their acting debuts was more nerve-racking than walking into the cauldron of Ibrox and Parkhead. The ex-pros have now joined the stage production of Billy and Tim to celebrate the play's 20th anniversary. Sign up for Scottish Sun newsletter Sign up 7 Charlie Miller and Simon Donnelly with broadcaster Rob Maclean who are appearing in the play Billy & Tim 7 Charlie Miller during his Rangers heyday Credit: Scottish News and Sport 7 Simon Donnelly starring for Celtic Credit: Scottish News and Sport 7 Charlie has some previous acting experience in the gritty flick The Angels Share Initially the pair came onboard just for an audience Q&A but now their parts have been extended to act as co-commentators for a fictional Old Firm game - and that means they have scripted lines to learn. Former Rangers midfielder Charlie, 49, says: 'I was nervous the first day we went on stage because we were out of our comfort zone. 'Obviously playing in front of 50,000 or whatever it is, was just normal for us when we played the game.' Ex-Celtic striker Simon Donnelly, 50, added: 'When I was told 'We've got a couple of lines for you to do tonight' the colour drained out my face. 'I started to think, 'What have we got ourselves involved in here?' It's funny because football was just our lives but ask us to say a few lines in front of 200 people and we fold.' Charlie continues 'The rest of the cast nicknamed us 'Biscuits' because they thought we'd go to pieces. But it was something new and we enjoyed it.' Simon and Charlie were both childhood pals growing up in Glasgow's Burnside district, both playing for bitter rivals Rangers and Celtic during the exact same era from 1993 until 1999. And they believe that their lifelong friendship perfectly sums up the message of the play which tackles the Old Firm divide with two fans - Billy and Tim - banged up together for non-payment of fines on the day of a Glasgow derby. Charlie says: 'I've known Simon a long time. We grew up together and played together in a graduate academy too - although we still used to kick the s**t out of each other when we were kids.' Simon adds: 'In recent times we've done the coaching and have done camps together, encouraging Celtic and Rangers kids to come together and enjoy themselves. Rangers fans unfurl giant tifo ahead of Russell Martin's first match 'We would have parents emailing us asking, 'Can our kids wear Rangers and Celtic strips to the camps?' We were both like 'Why not?' It's just a kid wearing the jersey of the team they support.' The old pals have been reunited by Outlander actor Scott Kyle - who played Ross the blacksmith in the fantasy series - who was raised in Rutherglen near the players, and co-owns the rights to play. He says: 'We wanted to do something special for the 20th anniversary to freshen it up. 'There's a scene in the play where the two fans are banged up and both have bets riding on the outcome on the game. 'The stakes are really high because whoever wins the match is going to get released because they'll pay their fine and get out. 'Both of them take shots watching the match through the hatch in the prison door. Before the actors had to pretend they were watching a match, but now the action switches to Simon and Charlie along with Rob Maclean and David Tanner doing the live commentary. 'It's gone down a treat with the audiences and they always get a huge applause.' Trainspotting 2 actor Simon Weir plays the turnkey Harry, who has a grandchild who is going through a major operation. Simon, 52, says: 'That's a key element of the story as they begin to see there are far more important things in life than the outcome of some football match.' Scott, 42, adds: 'Charlie and Simon hadn't seen the play until we had them along doing the Q&A. 7 Actor Scott Kyle with Charlie, Rob, Simon and fellow performer Simon Weir 7 Charlie Miller and Simon Donnelly are appearing in the play Billy & Tim 'But they both loved the really strong anti-sectarian message that comes through in the show through humour and pathos of the story.' However Charlie does have more acting experience than pal Simon after being involved in two major movies - playing a thug in the 2012 Ken Loach film The Angels Share and the 2000 Robert Duval film A Shot At Glory starring Ally McCoist. He says: 'I turned up for Angels Share but the director Ken Loach had fallen down a set of court steps the day before so filming got cancelled. 'So I was on set with a big catering van and the food was tremendous. I then had a fight scene in a corridor and the actor (John Henshaw) just ran down over the top of me. 'He was like a mad man and I was like, 'What the f**k?' I thought he was just going to be acting, so I really had to use my strength to stop him.' However Charlie reveals he missed out on screen time in the Duval flick because he couldn't be bothered 'hanging around all day'. He explains: 'One of my mates told me to come down to Hampden one Sunday afternoon as we were to get into strips and play for a scene. 'I arrived at 12 thinking we'd get this done then get to the pub, but then one of the guys says we won't be finished until 5 o'clock. I just said 'Here's your strip back, see you later'.' 7 However Rob Maclean, 66, did make the cut. The veteran broadcaster says: 'I had to co-commentate a game with Andy Gray and we recorded our scenes at Pinewood Studios, where I walked down the corridors with all these posters from famous movies on the walls. 'The hardest part for us though was trying to be serious as we commentated on Ally McCoist throwing a punch in the middle of that film and trying to make it sound credible.' But now the players can add another acting first to their resume when Billy and Tim - shortened from the original title Singin' I'm No A Billy He's A Tim - begins its run at The Edinburgh Festival at the end of this month. Simon says: 'We've never been to the Festival and now we're actually going to be on at it.' And after their Fringe run the cast will take the show to Glasgow's Pavilion Theatre in October, while there's even an offer on the table to take the play to Sydney's iconic Opera House in 2027. Scott says: 'The Old Firm are huge Down Under and have a fanbase worldwide. We want to travel with this play.' So will these one-time Old Firm rivals now be applying for their actor's Equity cards together now? Simon scoffs: 'No chance - we know our limits.' *Billy and Tim – Old Firm Legends is on at Lomond Theatre at Pleasance at EICC at 8pm from July 31 until August 24. It will also be on at Glasgow's Pavilion Theatre on October 24 & 25. Keep up to date with ALL the latest news and transfers at the Scottish Sun football page

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