
#SHOWBIZ: Lindsay Lohan on Dubai life: 'Very normal,' praises privacy and safety
In a recent appearance on the talk show Live With Kelly and Mark, the 39-year-old actress shared that living in Dubai since 2014 has allowed her to lead a peaceful, private life.
"It's just far away from Hollywood, and I live a very normal life," Lohan said.
She highlighted the sense of safety and discretion in Dubai, explaining, "There's no worry of, like, I can't go eat at this place because someone's going to take a picture of my son."
Lohan, who shares two-year-old son Luai with her husband Bader Shammas, appreciates that privacy laws in Dubai prevent unsolicited photography in public places.
"You can't take a picture of someone else if you're in a restaurant. You have to ask the person," she said.
Meanwhile, Lohan's Freaky Friday co-star Jamie Lee Curtis recently spoke about their long-standing bond.
The 66-year-old actress described feeling "tremendous maternal care" for Lohan when they first worked together in 2003.
Speaking to The Guardian, Curtis said: "She and I have remained friends. I feel less maternal towards her now because she's a mommy herself."
Though Curtis calls herself "bossy," she noted that Lohan no longer needs any guidance. "She's a fully functioning, smart woman, creative person," Curtis said.
The two actresses are now reuniting for Freakier Friday, the sequel to their original film. Reflecting on her journey,
Lohan told People: "I feel wiser now and very settled. I've become such a positive person."
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The Star
5 hours ago
- The Star
Beloved children's author Allan Ahlberg dies at 87
Ahlberg's books charmed generations of children with simple rhymes, keen observation and gentle humour, many created with his late wife, illustrator Janet Ahlberg. Photo: AP British writer Allan Ahlberg, author of more than 150 children's books including classics like Each Peach Pear Plum and The Jolly Postman, has died, his publisher said on Friday. He was 87. Penguin Random House said Ahlberg died on Tuesday. It did not give a cause of death. Ahlberg's books introduced generations of young children to reading through simple rhymes, sharp observation and gentle humour. Many were co-created with his illustrator wife Janet Ahlberg, who died in 1994. Peepo! (1981) gave a baby's-eye-view of the world and was interactive in a delightfully analogue way, with peep-holes in the pages to spy the next scenes. The Jolly Postman (1986) was even more inventive, incorporating postcards and letters in envelopes for children to engage with while they followed a letter-carrier delivering mail to fairy tale characters. Penguin Random House said it "pushed at the boundaries of what it is possible for a book to be.' Ahlberg also wrote books of jokes, including The Ha Ha Bonk Book, and poetry for primary school-age children, including Please Mrs Butler and Heard It In The Playground. Born in 1938 and raised by adoptive parents in a working-class home in OIdbury, central England, Ahlberg worked as a "postman, plumber's mate and grave digger,' according to his publisher, before becoming a teacher. He met Janet at teacher training college and the couple's first book, Here Are The Brick Street Boys, was published in 1975. Then came Burglar Bill in 1977, about a burglar who steals a baby, and Each Peach Pear Plum in 1978, with its pages of intricately drawn nursery-rhyme characters. It won Janet the Kate Greenaway Medal for illustration, one of the most prestigious awards in children's publishing. The Jolly Christmas Postman won the same prize in 1991. "Just because a book is tiny and its readers are little doesn't mean it can't be perfect,' Ahlberg told The Guardian in 2006. "On its own scale, it can be as good as Tolstoy or Jane Austen.' The couple's work brought huge commercial success. The Jolly Postman has sold more than six million copies. The Funnybones series about a playful skeleton household was adapted for television. After Janet died of cancer aged just 50, Ahlberg worked with illustrators including Raymond Briggs and his daughter, Jessica Ahlberg. For adults, he wrote a tribute to his wife, " Janet's Last Book,' and autobiographical volumes The Boyhood of Burglar Bill and The Bucket. In 2014, he turned down a lifetime achievement award from the BookTrust charity because it was sponsored by Amazon, which was facing criticism over its tax arrangements. Francesca Dow, head of children's literature at Penguin Random House, said Ahlberg's books have been described as "mini masterpieces.' "He knew that making it perfect for children matters, and above all that the very best stories for children last forever,' Dow said. "Allan's are some of the very best - true classics, which will be loved by children and families for years to come.' Ahlberg is survived by his second wife, Vanessa Clarke, his daughter and two stepdaughters. - AP


Malay Mail
2 days ago
- Malay Mail
Safeguarding Bajau cultural heritage for our shared future — Juanitha Annabelle Galawis
AUGUST 2 — Many indigenous traditions, be it locally or globally, are quietly fading into the background, as globalisation and digital media continue to shape our identities at lightning speed. Among those at risk are the rich musical and dance traditions of the Bajau community in Semporna, Sabah. Known for their seafaring lifestyle, colourful costumes, and graceful performances, the Bajau people have for generations used music and dance not only for celebration, but also to communicate values, history, and a shared sense of belonging. But today, their traditional art forms face serious challenges. Urban migration, lack of documentation, and the younger generation's shift towards mainstream pop culture have created a gap between elders and youth. While festivals like Regatta Lepa try to keep traditions alive, many fear these performances are becoming more staged than lived, more tourist attraction than cultural expression. This is where research plays a crucial role. Prof Dr Hanafi Hussin from the Faculty of Arts and Social Sciences UM, an expert in South-east Asian cultural studies, aims to document and systematise the music and dance repertoires of the Bajau community. The goal is not simply academic. It is a form of cultural preservation: recording rhythms, movements, meanings, and memories before they are lost to time. Through interviews, field recordings, and direct engagement with local practitioners, our study captures not just what the music and dance look or sound like, but how they are experienced in the everyday lives of the community. For example, the igal-igal dance, often performed at weddings and festivals, is more than entertainment; it's a symbol of elegance, pride, and continuity. Similarly, traditional percussion instruments like the gendang and kulintangan serve as cultural signposts that link the present to the past. The author says festivals like Regatta Lepa try to keep traditions alive, but many fear these performances are becoming more staged than lived, more tourist attraction than cultural expression. — Picture from Facebook/Pesta Regatta Semporna What makes this research especially important is the participatory approach. Rather than treating the Bajau as passive subjects, we work with them as active collaborators. Elders share their stories. Dancers demonstrate their techniques. Young people talk about their views on cultural identity in a modern world. By including these voices, the research becomes a dialogue, a bridge between generations and a way forward for cultural sustainability. This work also aligns with larger national and global concerns. Unesco has repeatedly highlighted the importance of safeguarding intangible cultural heritage, warning that languages, oral traditions, rituals, and performing arts are among the most vulnerable cultural elements. In Malaysia, where diversity is often celebrated in rhetoric, more concrete action is needed to support community-driven initiatives like this one. Policies should fund grassroots documentation, provide platforms for indigenous voices, and make space in national education for local traditions. To the readers, especially the youth—this is a call to look closer at the traditions around you. Heritage is not just something found in museums or festivals; it is lived, felt, and passed on through practice. When a traditional dance is no longer danced, or a song no longer sung, a piece of identity fades with it. But when we choose to learn, preserve, and celebrate these expressions, we are actively shaping a more inclusive and culturally rich future. In the end, preserving Bajau music and dance is not about resisting change or clinging to the past. It's about remembering who we are, where we come from, and recognising the beauty in diversity. Culture is not static, it evolves but we must make sure it evolves with memory, not amnesia. * Juanitha Annabelle Galawis is an undergraduate student of Universiti Malaya, taking an elective university course entitled 'Introduction to Journalism and Storytelling in Digital Age', and may be contacted via [email protected] ** This is the personal opinion of the writer or publication and does not necessarily represent the views of Malay Mail.


New Straits Times
2 days ago
- New Straits Times
#SHOWBIZ: Lindsay Lohan on Dubai life: 'Very normal,' praises privacy and safety
NEW YORK CITY: Lindsay Lohan is enjoying a life away from the Hollywood spotlight, opting for a quieter existence. In a recent appearance on the talk show Live With Kelly and Mark, the 39-year-old actress shared that living in Dubai since 2014 has allowed her to lead a peaceful, private life. "It's just far away from Hollywood, and I live a very normal life," Lohan said. She highlighted the sense of safety and discretion in Dubai, explaining, "There's no worry of, like, I can't go eat at this place because someone's going to take a picture of my son." Lohan, who shares two-year-old son Luai with her husband Bader Shammas, appreciates that privacy laws in Dubai prevent unsolicited photography in public places. "You can't take a picture of someone else if you're in a restaurant. You have to ask the person," she said. Meanwhile, Lohan's Freaky Friday co-star Jamie Lee Curtis recently spoke about their long-standing bond. The 66-year-old actress described feeling "tremendous maternal care" for Lohan when they first worked together in 2003. Speaking to The Guardian, Curtis said: "She and I have remained friends. I feel less maternal towards her now because she's a mommy herself." Though Curtis calls herself "bossy," she noted that Lohan no longer needs any guidance. "She's a fully functioning, smart woman, creative person," Curtis said. The two actresses are now reuniting for Freakier Friday, the sequel to their original film. Reflecting on her journey, Lohan told People: "I feel wiser now and very settled. I've become such a positive person."