
Mötley Crüe recruit Dolly Parton for new version of Home Sweet Home
The rock legends have joined forces with none other than country music icon Dolly on a 40th anniversary version of the power ballad originally released on the 1985 album Theatre of Pain, and again in 1991 for the Decade of Decadence 81-91 compilation album.
Dolly Parton
(Image: Getty )
Mötley Crüe have released a new version of Home Sweet Home with Dolly Parton.
The rock legends have joined forces with none other than country music icon Dolly on a 40th anniversary version of the power ballad originally released on the 1985 album Theatre of Pain, and again in 1991 for the Decade of Decadence 81-91 compilation album.
Another country star, Carrie Underwood, released a cover of Home Sweet Home in 2009.
A portion of the proceeds from the single will benefit Covenant House, a non-profit providing safe shelter, meals, hope and more to help youth experiencing homelessness.
A new music video will also drop at 5pm BST.
The song is part of the From The Beginning singles collection set for release on September 12, 2025, the same day the Crüe will kick off their 10-show residency at Las Vegas' Dolby Live at Park MGM.
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Mötley Crüe - comprising Vince Neil, Tommy Lee, Nikki Sixx and John 5 - commented: "Home Sweet Home was first released in 1985 as a single from our Theatre Of Pain album. For an icon like Dolly Parton to sing on a song that has not only meant so much to us but to all the fans through the years, is a career high that means a lot to us. We couldn't be happier to celebrate the 40th anniversary of Home Sweet Home in this special way, and we're excited to share this version of the song with all the Dolly and Mötley fans around the world."
On the special cause, they added: "That we were able to unite with Dolly to raise awareness for homeless youth and the amazing work of Covenant House, which provides them safe housing and care, makes it even more special. We hope you'll enjoy Home Sweet Home featuring Dolly Parton as much as Dolly and we enjoyed creating it."
Dolly added: "It was an honour and a joy working in the studio on Mötley Crüe's 40th Anniversary re-release of 'Home Sweet Home'. I was so pleased that they would ask me to sing on such a classic."
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From The Beginning spans four decades of Crüe anthems, from the global single and MTV video Live Wire, all the way through to 2024's Top 5 Rock smash Dogs Of War. Plus, fan-favourites Kickstart My Heart, Dr. Feelgood, Girls, Girls, Girls, Shout at the Devil, Smokin' In The Boys Room, Wild Side and many more.
From The Beginning will be available for streaming in standard audio and Dolby Atmos audio.
Stream Home Sweet Home with Dolly Parton now on all major streaming platforms.
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The Independent
35 minutes ago
- The Independent
Ozzy Osbourne says farewell to live performance with a hometown show for 40,000 fans
Hard-rock royalty and some 40,000 fans gathered for an ear-splitting tribute to Ozzy Osbourne at what the heavy metal icon says was his last-ever live performance. The original lineup of Osbourne's band Black Sabbath performed at Villa Park soccer stadium in their home city of Birmingham, central England, on Saturday. The 76-year-old singer, who has been diagnosed with Parkinson's disease, sang from a black throne that rose up from under the stage. 'Let the madness begin!' he urged as he took the stage, and later paid tribute to fans. 'I don't know what to say, man, I've been laid up for like six years. You have no idea how I feel — thank you from the bottom of my heart,' Osbourne said. 'You're all … special. Let's go crazy, come on.' Osbourne performed several songs solo before being joined onstage, for the first time in 20 years, by Black Sabbath bandmates Tony Iommi, Terence 'Geezer' Butler and Bill Ward. The band ended a short set with 'Paranoid," one of its most famous songs. It capped a day-long metal festival that included performances from the likes of Anthrax, Metallica and Guns N'Roses. Artists who sent plaudits and well-wishes included Jack Black, Dolly Parton and Elton John. 'You are one of the most remarkable singers of our time,' John said. 'You are the king, you are the legend.' Osbourne formed Black Sabbath in 1968 in Birmingham, a city then known for its heavy industry that became the crucible of the British metal scene. Black Sabbath's devil imagery and thunderous sound made them one of the era's most influential — and parent-scaring — metal acts. Both the band and Osbourne as a solo artist have been inducted into the Rock & Roll Hall of Fame. Osbourne's fame expanded into the mainstream in the early 2000s, when he joined his wife Sharon Osbourne, and two of their children in the MTV reality TV show 'The Osbournes.' He has struggled with health issues since 2003 following a near-fatal quad bike crash. He revealed his Parkinson's diagnosis in 2020 and paused touring in 2023 after spinal surgery.


The Guardian
an hour ago
- The Guardian
‘We're told to be polite and small and dainty. But that's not me!': Megan Stalter on starring in Lena Dunham's new romcom, Too Much
When Lena Dunham messaged, Megan Stalter lost it. 'Like d'uhh,' Stalter is explaining – delighting, really. 'Who wouldn't? I was at home: this really bad apartment in Laurel Canyon [in the Hollywood Hills]. The area is haunted, and it was actually a really scary building, and nothing ever got fixed because apparently in the lease I signed they didn't have to repair anything! I don't actually live there now …' Stalter, 34, has a tendency to wander off on tangents. So Dunham? 'OK yes, so we were just about to start filming Hacks again.' The wildly popular, 48-times-Emmy-nominated HBO comedy in which Stalter plays nepo-baby Kayla, a chaotic and kind-hearted talent agent, her total-commitment-to-the-bit characterisation making her a breakout star. 'And there Lena was in my DMs.' Stalter opened the message, which said: 'I have a project I want to talk to you about.' 'That's when I lost my mind,' she adds. 'Panic set in.' 'I'm not,' Stalter clarifies, 'a celebrity person. I don't fangirl over people – but with Lena I do. She's a creative genius; I'm such a Girls nut, and always felt so connected to her.' In its six seasons, Dunham's HBO hit transformed television through its unflinching portrayal of millennial women. Eight years since the final episode broadcast, the Dunham buzz hasn't abated. Breathe, Stalter had to remind herself. 'OK, calm down, diva – 'project' is vague. It might be a commercial, an event, a task, maybe.' Not that Stalter was fussy. 'Anything she wanted me to do, I would obviously say yes.' Turns out, Dunham didn't need errands running. 'And thank God, honestly.' Dunham was in the early stages of developing Too Much, her semi-autobiographical Netflix 10-parter, which is released on 10 July. Following Jessica (Stalter), an American thirtysomething workaholic who relocates from New York to England in the deepest throes of heartbreak, the show plays out as an offbeat romcom, with Will Sharpe (The White Lotus, Flowers) playing the indie-musician love interest. Stalter's attempts at regional British accents, and a cocaine-fuelled dance break from Richard E Grant, are some of the show's unexpected highlights. Loosely, it's based on Dunham's own experiences: after splitting from music producer Jack Antonoff, she met her now husband, British musician Luis Felber, in London. They wrote Too Much together. 'Jessica is going through a really horrible breakup,' Stalter says, 'and this person she was with previously made her feel she's 'too much', and not in a good way. She falls for someone new pretty quickly who does accept who she is and, when she's surrounded by people who appreciate her, realises she's yes, a little bit much, in a great way.' In the show, Dunham plays Jessica's older sister. 'When Lena and I got on Zoom we just clicked. She said right away that if Girls was about sex and discovering who you are, Too Much is a story of love and discovering acceptance. For Lena, like Jessica, finding someone who accepted her the way she is encourages her to embrace herself.' Pre-Hacks, Dunham had been introduced to Stalter by Andrew Scott, who drops by for a cameo in this series. 'From the moment I conceived the character,' Dunham says, 'even before I began collaborating with Luis, it was always Meg. I had a feeling that she could be both intensely funny and do something darker and more vulnerable.' Pre-Hacks, Stalter built a cult social media following, regularly posting clips of kooky skits and characters (small-town butter shop during Pride month; Woman flirts at a bowling alley) that caught Dunham's eye. 'Meg is never looking down on the characters she plays,' she says, 'no matter how delusional or silly they may seem. She truly falls in love with, and goes to bat for, whoever she's playing – and it's contagious.' It's late March when I first meet Stalter, in the lobby of a central London hotel. Shooting on Too Much has wrapped, but it's early stages in the months-long slog of a press and promo schedule a Dunham x Netflix collab demands. She's late, 15 minutes maybe, although she's staying right upstairs. 'I'm sorry I'm sorry I'm sorry!' she gushes, all smiles, dropping her teddy bear phone case on the table. 'We were working on the ponytail for the day and got carried away! Almond latte?' Both Stalter and Dunham found bringing Jessica to life an intimate undertaking. Long before shooting started, they spoke extensively about the material and Dunham's own experiences. Script by script, they'd dissect. 'Lena had a small writers' room where they'd bounce ideas together,' says Stalter, 'then after that, it would come to me, and I would have lots of questions: her previous bad relationship; her family; how she was feeling.' Dunham remembers these well. 'Meg is a very intuitive performer,' she tells me, 'not method, but she has her method. She asks specific questions that may seem random or left-of-centre and then it always finds its way into the work.' Stalter made lists of how she and Jessica were similar, then differed. 'So, like, in common: we are both very anxious people. Not in common: she's lost her dad, I haven't. Jessica is straight and I'm a mostly lesbian bisexual. But I have dated men. And Jessica might not date women, but sexuality is a spectrum … Me and Lena both agreed that if she'd explored a little, maaaaaybe she would have dated women.' On set, over four months in London, this proximity continued. 'If it felt like an emotional scene,' says Stalter, 'I'd want a moment just with her, so I felt more connected.' There's a post-coital scene where Jessica's sexual self-confidence falters. 'Lena and I talked a lot about how, after a breakup, no matter how hot or beautiful you feel and are, you can be so beaten down that insecurity hits.' The pair spoke extensively, too, about the show's title, with its heap of gendered connotations. Is 'you're too much' a phrase she's had lobbed in her direction? Stalter furrows her brow. 'Excuse me, sir, no; people see me as calm, cool and collected.' Three seconds of deadpan, before the laughter erupts. 'I am definitely seen as too much. Any loud woman will be told she's too much at some point. We are made to feel small or too big, sometimes both at the same time, unless we're neatly in a perfect box. A lot of women experience it: me and Lena were both told we were too much, but then decided we like that about ourselves. I think it's so sexy to be loud and funny, weird and strange, silly and goofy. It was at school that I realised those traits are often welcomed in boys, but not girls.' At the Stalter family home in Cleveland, Ohio, this just wasn't the case. 'I'm a loud woman from a loud family: 20 cousins, mostly women, a few males thrown in, I guess.' Dad's a tattoo artist, and mum a nurse. 'I have two sisters, a brother and lots of aunts. These are funny, opinionated, not-very-quiet women with big personalities – and that was totally normal. So it was, umm, interesting to then be in the real world where women are made to feel they can't be those things.' She scrunches her face, lugging her voice up an octave: 'We're told to be polite and small and dainty.' Pitch back down. 'But that's not me, girl.' Sign up to Inside Saturday The only way to get a look behind the scenes of the Saturday magazine. Sign up to get the inside story from our top writers as well as all the must-read articles and columns, delivered to your inbox every weekend. after newsletter promotion She found this first at school. 'I was a cheerleader, but like, a nerdy one. Not popular. Teachers made me feel small and not smart. I found myself shrinking into myself, getting quiet and nervous, except in drama and performance. I'd never get good parts; people thought I was bad, but I could be myself at least.' Through her late teens, Stalter tried all sorts at community college. Teaching wasn't a good fit. Neither was nursing. 'Listen, nurses are incredible,' she says, 'but I'm not supposed to be a nurse. I pass out at blood. Emotionally I was into it, but practically, it was not working.' Nothing was sticking. 'OK so I also love Jesus,' she continues, no change in pace. 'I'm a real God-girlie. If I wasn't going to do something I loved, I wanted to do something that helped God. I tried some mission work, and stuff with my church.' She attended a Pentecostal church from a young age, and aged 20 spent six months with a Christian youth organisation in South America. She gave Bible school a go, too. 'I tried for several years, but I really missed performing. I thought: 'If this is in me, maybe it's my service. Maybe God wants me to do what I really want to do, and share it with the world.'' Stalter joined a local improv class. 'I thought I was so good,' she says, 'but everyone there for some reason kept telling me I wasn't? Later on, a friend told me I was a bit like Michael Scott in The Office: walking on and messing things up. But I always felt deluded in my talent and how special I was, which really kept me going until I actually got good.' Aged 24, she moved to Chicago to pursue standup. 'And I performed for years there. It went OK, but not much was happening for me.' Everything changed when she started posting – an art for which Stalter has a knack – launching a spoof self-titled online talkshow. 'I was on Instagram live every night with a new theme. I'd set up weird things: 'Crazy trip to Paris night'; be a travel agent and pretend to book things. That is when it all took off.' In 2019, she moved to New York, and the gigs kept coming: Hacks, indie film Cora Bora, sell-out standup shows and now Too Much. In June, we speak again over Zoom, Stalter now back at home in Los Angeles in a thankfully ghost-free residence, with her girlfriend. 'Oh, and our two kitties, and a terrier who is really attached to me. Too attached, really. The separation anxiety is a problem.' It's intense, Los Angeles right now: anti-ICE protests and the general bad Trump vibes percolating. 'It's really upsetting,' Stalter says, 'devastating and scary.' She's been to some marches. 'People have to keep coming together to protest and support one another. We're fighting for each other.' Throwing herself into Too Much has been a much-welcomed escape. It's no affront to Stalter's range to see a through-line from her characters: from those early viral creations all the way to Jessica. Whether self-invented for standup and socials, or brought to life from scripts on screen, they tend to be big, bold, slightly berserk. 'What,' she's grinning, 'am I not as crazy as you expected? I like to play people who are nervous-confident: women who have a level of self-love but are falling apart and pretend they're not. I do a lot of standup with a persona I've built, too, where the character – me – pretends to be really talented but the show crumbles.' Stalter sees some of herself in these characters. 'I'm wild in that way,' she says, 'although I'm not horrible, I'm actually very nice. But I feel so confident on stage acting this crazy bitch. Something inside of me is over the top. When I'm at my most relaxed and comfortable, like on stage, it also comes out of me.' Playing characters who often move through the world unconcerned by judgment has made Stalter reflect. 'There's something really freeing about playing someone like that,' she believes. 'In real life, I'm such a people pleaser. I struggle with wanting everyone to be happy all the time, for them to be happy with me, scared of upsetting someone or having someone be mad at me. It's my greatest fear: like I'm going to die if someone is mad at me. It's something I'm working on in therapy.' Might that be a tricky trait in her industry? Dunham told New York magazine in 2024 she refrained from casting herself as the lead in part because she 'was just not up for having my body dissected again'. Too Much is Stalter's first leading TV role, and it's a big-hitter: there will be reviews, comparisons to Girls, so much more exposure. Stalter feigns a look of panic at the prospect. 'Wouldn't it be so funny if I passed out?' She smacks her hand on the table, leaving her latte wobbling. Another smile. She shrugs off the pressure. 'I'm a woman comedian who puts stuff on the internet, babe,' comes her reply, 'and I'm not skinny. So I've already had the meanest stuff said about me. Any woman posting – yes, skinny women, too – will get it. So I'm not worried when someone says something unkind, or doesn't like me in a show, honestly. I literally have a viral clip that's me reading out the worst, craziest abuse: 'Fat white comedian does crazy bomb set.'' She pauses for a moment. 'It's only in my personal life that I'm a massive people pleaser. If strangers say they hate Too Much, or me, whatever: I think I'm hot, I love how I look, and I love my comedy. I am who I am, and can't be anything but my loud self.' Too Much is on Netflix from 20 July.


Metro
2 hours ago
- Metro
Good Charlotte frontman on being ‘a little bit naïve' as rockers drop new music
Good Charlotte legend Joel Madden has opened up about still feeling 'naïve' as the band finally come back with their new song, Rejects, after almost a decade away. The rockers, currently consisting of the frontman and his twin brother, Benji Madden, Paul Thomas, Billy Martin and Dean Butterworth, have blessed us with some bangers over the years, including The Anthem, Lifestyles of the Rich & Famous and, of course, Girls & Boys. However, it has been five years since they last dropped new music, with Last December in 2020, and even longer since they worked on an album – having released Generation Rx in 2018. Speaking to Metro, the 46-year-old shed light on exactly what took them so long, and what we can expect from our favorite Rejects. 'I knew we were going to make another record, I know Good Charlotte is going to make records but they've got to come when they come, they've got to be real,' he told us. 'I think we've been in this practice over the last 10 years of listening, waiting and feeling our way through it, because you can't just pump out records. Some bands can, I can't. So, I don't know when the right time to make a record is. 'I think it's when you mean it. We're at this less is more place where we go, 'No, let's just focus on the things that we f**king love, we don't need to go out and take over the world, we don't need to go out and do everything, we need to do what we feel.' 'We're honestly so happy. We're so happy to be here and we're so happy that we got to make this record, and we got to do it our own weird way. 'Rejects is a funny, cool little song that we think has everything that's unique about Good Charlotte in it, from the lyrics to the melodies to the music, it really is very good Charlotte. 'It still feels like it's new, and it's not some rehashed thing. It feels original, which is important.' Joel and Benji first formed the group with bassist Paul in the mid 90s, with Billy and Dean joining the fold shortly after – they released their self-titled debut album in 2000 but it was the 2002 follow-up, The Young and the Hopeless, that shot them to superstardom. They are set to release their eighth album, Motel Du Cap – a play on the Hotel du Cap-Eden-Roc venue where Joel's sister-in-law Sofia Richie got married to husband Elliot Grainge, and the group performed at their afterparty. For the eighth year, 150,000 festival goers will descend on Glasgow Green from 11-13 July to see the liked of 50 Cent, Gracie Abrams and Biffy Clyro, and you could be there! Metro has teamed up with Rockstar Energy presents TRNSMT Festival to offer four VIP tickets to one lucky winner. For a chance to win this massive music prize, simply enter your details here. You have until midnight on Sunday 6 July 2025 to enter using the form below. Entrants must be 18+. Good luck! T&Cs apply*. Click here if form is not loading. * Open to legal residents of Great Britain (excluding Northern Ireland) aged 18 or over. Promotion opens at 18:01 BST on 2 July 2025 and closes at 23:59 BST on 6 July 2025. The promotion is free to enter; however internet access is required. Entrant must visit and when prompted by the form, submit their name, email, telephone number, date of birth and postcode. Acceptance of the terms and conditions is necessary to enter the promotion. There will be one (1) winner. The winner will win four (4) VIP weekend tickets for TRNSMT Festival, running from 11th – 13th July 2025 at Glasgow Green, in Glasgow ('Prize'). Proof of age and photographic ID are required for entry for all guests (the guests of the winner must be at least 16 years old at the time of entry). The Prize, including entry and attendance at TRSNMT festival, is subject to and governed by the Promoter's full ticket terms and conditions. 1 prize available. 1 entry per person. Full T&Cs apply, see here. It was this moment, and the feral reaction from fans after videos hit social media, that sparked the idea for them to get back in the studio, blessing us with their first new music in seven years. Motel Du Cap has been a year in the making and will be released on August 8 – it comes exactly 25 years after the group released their debut album – but despite the years between projects, lead single Rejects proves that the scrappy Good Charlotte spirit is still there. 'It does feel like the first record a little bit. I think it's the energy, the excitement…,' Joel explained. 'It's got so much Good Charlotte-ness to it. It's got so much personality, so many moments of that I think are unique to Good Charlotte. 'I love this band. I feel super proud to be in this band with these guys for almost 30 years. 'We all started in high school, we all come from nothing, and to see who these guys are in their everyday lives makes me extremely proud to be their friend, and to be in a band with them, because they're just good people.' The musician – who shares two children with wife Nicole Richie – also offered up some sage life advice, having fronted the group for the last 30 years. 'We have to be a little naïve in life. You have to be,' he insisted. 'You have to find those moments to be naïve, where it's okay to be naïve enough to believe that you can make a record that anyone will f**king listen to in 2025. And to be naïve enough to believe that Good Charlotte has a place in the world. 'You've got to go back to the pure idea of, I just want to make a record [that] I want to do well, I want to make a record that I love, I want to make a record that people will experience and go, 'That's a f**king good record.' 'It's kind of weird to say that's naïve, but there's something about it. It feels like young, naïve, 'I'm good enough to make a record' energy. 'This record is full of Good Charlotte, quirky personality, songs that only we could do … The music is actually some of the best music we've ever done, and the live show is better than it's ever been.' Speaking of those live shows, the group will be taking Motel Du Cap on the road around the world very soon while also putting their own GC spin on their different 'eras'. While Joel insisted that no song from their back catalog is off limits, as long as fans want to hear it, he conceded that some are harder 'work' than others. 'Some of our songs are a lot of work. Dance Floor Anthem is a lot of work, vocally. It's very high and it never stops, so you're out of breath the whole time,' he laughed. 'When I sing Dance Floor Anthem, the best part about singing that song is everyone singing in the crowd. 'It's the hardest song of the night, always, because the vocal range is so high and you never stop. You're just going, going, going. It's not that I don't enjoy singing it, but it's a physical event when you do that song, it's always f**king hard. 'There are songs that are just fun and they're easy to sing, and Rejects is really easy for me to sing. I really enjoyed playing it live, so I'm looking forward to playing that song. 'But there's a couple that, if you said, 'Would you play that song?' there's probably a couple that I would be like, 'eeeh'.' 'We sound better than we've ever sounded and the music is interesting,' he added. 'I really like it. I love this record. I think it's got a real place in the catalog. More Trending 'To be able to do that and experience that almost 30 years in… I can't explain how grateful I feel, because I think you're searching for that feeling when you make a record this late in the game. 'I don't think we're old, I think we have tons of energy, but I think sometimes you feel old when you've been in the band for 30 years, and you look around and some stuff has changed, some stuff hasn't. 'You [think], 'Well, where do I fit in in the world today?' I don't know, but I'm going to make this record that I love, and then everyone else can decide. I'm actually good with whatever everyone decides.' Good Charlotte's eighth album, Motel Du Cap, will be released on August 8. Got a story? If you've got a celebrity story, video or pictures get in touch with the entertainment team by emailing us celebtips@ calling 020 3615 2145 or by visiting our Submit Stuff page – we'd love to hear from you. MORE: Kelly Clarkson fans livid as she scraps opening Vegas residency show 90 minutes before start MORE: Caitlyn Jenner 'numb with shock' after death of best friend Sophia Hutchins at 29 MORE: Usher abruptly cancels 12 shows just weeks after announcing tour