Kojima Productions and Anicorn Bring the Ring Terminal From ‘Death Stranding 2' to Life
To celebrate the launch ofDeath Stranding 2: On the Beach,Kojima Productionsreunites withAnicornfor a striking new collaboration. This time, the duo brings a key in-game item into the real world: the Ring Terminal. A 1:1 replica of the device worn by characters like Sam Porter Bridges and Fragile, the Ring Terminal follows the success of its predecessor, the Cufflinks — an essential tool for Drawbridge operatives in the game's universe.
Crafted from a durable brass and steel alloy, the Ring Terminal utilizes both advanced electroforming and precise 5-axis CNC machining. The result is a complex piece comprising 30 meticulously micro-engineered components. Its adjustable design thoughtfully accommodates a wide range of finger sizes, while a custom electroplated finish mirrors the in-game coloration and is designed to evolve through natural oxidation — adding a unique, lived-in character.
The Ring Terminal also integrates NFC technology, allowing users to forge a symbolic connection with the immersive world ofDeath Stranding 2. While the display is non-functional and purely aesthetic, it enhances the object's narrative depth. Launching on June 26 at 10 p.m. EST, the Ring Terminal will be available exclusively through Anicorn's officialwebstorefor $240 USD.
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Death Stranding was the first full game I ever reviewed for Digital Trends. It was 2019 and I'd just started contributing to the site as a freelancer focused exclusively on Destiny 2 guides and DLC reviews. I was only a few months in when my editor asked if I'd be interested in critiquing Hideo Kojima's latest game come November. I enthusiastically accepted through the safety of a text chat, but I was a little terrified in real life. Recommended Videos Despite writing about games for well over a decade in some form, reviewing them for blogs when I was in high school even, it still felt like a daunting responsibility. I'd be one of the first people to write about what I knew would be an important entry into video game canon. My voice would represent Digital Trends. It was a routine assignment, but the stakes couldn't feel higher. It felt like all eyes were on me. 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I worried too much about whether my opinion would be right or wrong, wondering if a lukewarm take would out me as a fool who had no business assessing games for a large publication. I agonized over my opinion and would focus instead on how divisive I felt it would be. It felt like an immediate cop out, as if to remove my voice from the equation. It was Schrödinger's game: It could either be good or bad until you put the disc in. What I didn't do so much at the time was engage with what Kojima was actually trying to communicate to players. I made references to the fact that it was about connecting a divided America and noted that the social features stressed how much easier life is when we're on the same page, but so much time was spent treating the review like a book report. The acting is good. The visuals look great. The controls are interesting. There wasn't much substance to any of it; it was like I was assessing a laptop. 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I find myself more engaged with everything I play, always analyzing and interpreting rather than hyper focusing on immediate thrills. That has opened my mind up to games that I would have written off earlier in my life. I would have dropped something like The Banished Vault back in the day after failing to find the 'fun' in its oppressive survival systems, but now I'm more easily able to appreciate how its antagonistic nature creates a tone that mimics the merciless nature of its world (read Dia Lacina's phenomenal review). I've learned to embrace friction as a communication tool, something I wish I was more open to when initially reviewing Death Stranding in 2019. After all, the slapstick comedy routine that comes from trying to navigate uneven terrain makes the moments where the community bands together to build a road that much more meaningful. 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