
Artist Profile: Tyler, The Creator
Birthplace: Vans store
Birth Name: Tyler, The Friendly Ghost
Genre: Guy-who-has-a-pet-tarantula rap
Vocal Range: Subwoofer
Vocal Signature: Can make the sound a cat makes before throwing up
HTML Coding Level: Intermediate
Biggest Rap Beef: Internalized homophobia
Thing You Accomplished In The Nine Months That He Released Two Albums: Bought one new pair of pants that don't even fit that well

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Forbes
a few seconds ago
- Forbes
Tyler, The Creator Hits No. 1 For The First Time With His Surprise New Album
Tyler, The Creator's new album Don't Tap the Glass debuts at No. 1 on multiple charts in the United ... More Kingdom, bringing the hip-hop superstar to the top spot for the first time. HOLLYWOOD, CALIFORNIA - FEBRUARY 01: Tyler, the Creator attends the U.S. Premiere of "Jackass Forever" at TCL Chinese Theatre on February 01, 2022 in Hollywood, California. (Photo by Axelle/Bauer-Griffin/FilmMagic) Tyler, The Creator shocked fans recently with the surprise release of his brand new album Don't Tap the Glass. The set arrived in the middle of a tracking week, which meant it had only a few days to accumulate sales and streams before reaching charts everywhere. That compressed timeline didn't seem to hinder its success, as the collection manages to open in lofty positions on rankings around the globe, and it accomplishes an impressive showing in the United Kingdom. Tyler, The Creator Scores Multiple No. 1s Don't Tap the Glass starts at No. 1 on multiple tallies in the U.K. As the full-length debuts, it earns Tyler his first leader on three of those rosters. The set opens atop the Official Albums Sales, Official Physical Albums, and Official Vinyl Albums charts. While the Grammy winner has previously reached the top 10 with several releases on each of those rosters, this week marks the first time one of his efforts has conquered the trio of lists. Don't Tap the Glass Rules the Hip-Hop and R&B Chart Tyler's latest studio effort dominates the Official Hip-Hop and R&B Albums chart as it arrives. This week isn't the first time he has led that genre-specific ranking, though. Igor earned him his first No. 1 back in 2019. He doubled that total in late 2024 with A Chromakopia. Several other Tyler releases like Goblin, Wolf, Cherry Bomb, and Call Me If You Get Lost narrowly missed the throne by just one space each, while Flower Boy peaked at No. 3. Tyler Comes Close to No. 1 on the U.K. Albums Chart On the main Official Albums chart, which tracks the biggest full-lengths and EPs in the U.K. using a general consumption methodology, Don't Tap the Glass opens at No. 2. It starts at No. 8 on the Official Albums Streaming tally, and misses the top 10 entirely on the Official Albums Downloads roster, where it debuts at No. 24. Physical format sales appear to be the driving force behind the album's rapid success, as digital purchases played a less significant role in its arrival.
Yahoo
14 hours ago
- Yahoo
Dad Speaks Out After TODAY Show Hosts Joke About His Speedo
Tyler Moore, a dad of three, found himself in the crosshairs of the TODAY Show's Jenna Bush Hager. Hager was talking about a viral photo of the New York City school teacher wearing a Speedo and holding his daughter in the air. "A man thigh" Hager questioned. 39-year-old Moore says he was stunned. He says that it is a double standard to make fun of men but not women. He showed Inside Edition his selection of Speedos. Solve the daily Crossword
Yahoo
19 hours ago
- Yahoo
Tyler, the Creator Gives the People What They Want But Can't Figure Out What He Needs
Don't Tap the Glass is Tyler, the Creator's second album in less than a year and, at only 28 minutes, notably less robust than its predecessor, Chromakopia. But all the elements of his work are here: the swaggy boasts, the effortless shifts from deep-voiced rapping to winsome, slightly off-key singing that makes a listener wonder if a second person has entered the booth; and beats that shape-shift like a kid rifling through a toy box. It's the latest manifestation of a boundless creative impulse that has helped him leap from grumpy provocateur circa 2009's Bastard to arena status, an annual music festival in Camp Flog Gnaw, and Billboard chart-topping albums. His musical template of youthful braggadocio and disarming sensitivity should be recognizable to anyone that has absorbed his work. But it's entertaining all the same. Thematically, Don't Tap the Glass is intended to create distance between Tyler's superstar heroics and the 34-year-old Californian underneath the image. But it's mere packaging for an artist that loves to conceptualize his work to make sense of his latest studio adventures. 'Big Poe' unfolds like an early Aughts bottles-and-models romp, complete with a cameo from Pharrell 'Sk8brd' Williams and a sample of Busta Rhymes and Williams' 2002 hit, 'Pass the Courvoisier Part II.' 'Sugar on My Tongue' echoes the oral-sex allusion of the Talking Heads number (as well the 2003 Trick Daddy and Cee-Lo Green cover) as Tyler sings over an Eighties funk vibe. He appropriates the run-on flow ever-present in current rap lyricism as he rhymes, 'So please keep that weirdo shit from me/I'm just stackin' up my cheese, tryna stay sucka free.' Then he claims on 'Stop Playing with Me,' 'When I get to snappin' like doo-wop/Really got the juice like 2Pac.' For the title track, he chirps, 'Nigga said I lost touch with the regular folks/I ain't never been regular, you niggas is jokes,' and copies Too Short's patented 'Biiitch!' for emphasis. More from Rolling Stone Tyler, the Creator Releases New Album 'Don't Tap the Glass' Tyler, the Creator Unveils New Album 'Don't Tap the Glass' Will Release on Monday Doechii and Tyler, the Creator Song 'Get Right' Debuts at Louis Vuitton Fashion Show Tyler's po-faced assertions of gettin' that paper and flying private with Maverick Carter and Lebron James are offset by moments when he sings anxiously, as if his chest-thumping masks a soft interior. While most melodic rap acts attempt to transform their macho desires into post-millennial pop-blues, Tyler deploys an emo voice that trembles with anxiety, as if he's struggling with vulnerability and gender expectations. Perhaps intentionally, there's nothing on Don't Touch the Glass that feels as explicit as when he rapped on 2017's Flower Boy, 'I've been kissing white boys since 2004.' Instead, he duets with underrated alt-soul performer Madison McFerrin on 'Don't You Worry Baby,' ad-libbing as she sings, 'We can carpool, cum at the same time.' In many ways, Tyler's brazen sexuality feels refreshingly Gen-Z. Yet his incongruent coyness also reflects a lineage of Black performers who curate their public lives, carefully hiding secrets from public view. These tensions appear in most if not all of Tyler's work. 'I can buy the galaxy/But can't afford to look for love,' he sings on 'Tell Me What It Is.' Don't Tap the Glass may not offer new twists, but it's still fun to hear Tyler conjure magic tricks like 'Don't Worry, Baby,' which spools together an R&Bass rhythm and is reminiscent of Ghost Town DJs' 'My Boo' and K.P. & Envyi's 'Swing My Way.' If this 10-track album has problems, it's not a relative lack of candor, but Tyler's refusal to break from a patented sound that draws from equal parts Kanye West, OutKast, and Neptunes; and has proved an enduring form of hip-hop in the past decade-and-a-half. He's tried shaking things up before with the clumsy Afropunk flurries of 2015's Cherry Bomb. (On 'I'll Take Care of You,' he revisits the rollicking rhythm of that album's title track, and pairs it with a sample of Crime Mob's 'Knuck If You Buck.') Now that he's matured into such an accomplished musician, one wonders if it isn't worth trying again. Perhaps that's part of the plan for Don't Tap the Glass, too: Give the people what they love, warn the superfans to keep their distance because he's 'Noid,' and figure out what to do next. Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked Solve the daily Crossword