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Cardi B fans are convinced her revenge romance with NFL star Stefon Diggs is already over after spotting major clue

Cardi B fans are convinced her revenge romance with NFL star Stefon Diggs is already over after spotting major clue

Daily Mail​11 hours ago
Cardi B 's fans are convinced her new romance with NFL star Stefon Diggs is already over.
The Bodak Yellow hitmaker, 32, went Instagram official with the New England Patriots wide receiver, 31, on June 1, but has since deleted photos of them together from her Instagram, causing speculation that they've split up.
Diggs has also shared a photo featuring Cardi in a carousel on June 16, but that snap has now been removed, however another photo of him and the singer from a post in May is still visible on his profile.
Cardi also shared a clip captioned 'sooo tired' to her Stories on Sunday. In it, she wore just a bathrobe while getting her hair done, as she lamented about her lack of sleep, though she did not address why she decided to delete Stefon's photos.
Despite the social media cleanup, Cardi and Stefon still follow each other on Instagram.
The hip hop star previously shared a steamy photo dump that included a snap of her and the athlete getting cozy on a yacht, as well as a video of her twerking on him in a hot tub, amid her ugly divorce from Migos rapper Offset, 33.
The two also enjoyed a romantic trip to France just a week ago, with Cardi gushing that Stefon rented castle Château de Farcheville for her.
She shared several videos on her Instagram Stories on June 24, telling her fans: 'Why this man got us staying in a castle? I'm talking about a real castle.'
However, after fans spotted that the duo have removed photos of each other from social media, they quickly started speculating that their brief romance had already ended.
'That ended as quickly as his time in Houston,' one fan wrote.
'Left her husband for a weekend relationship,' another chimed in, referencing her ex Offset.
'Bro didn't renew the 30 day trial.'
'Where digs at ?' another questioned.
'Damn but they was just at the castle,' someone else wrote.
Fans also took to Stefon's Instagram, with one asking: 'Where is the picture w Cardi ?! What's going on?'
However, amid the speculation some fans believe Cardi may have simply archived her photos with Stefon in order to focus on the promotion of her upcoming album titled 'Am I the Drama?', which is slated for release on September 19.
Cardi and Stefon were first rumored to be dating earlier this year when they were spotted together on Valentine's Day in Miami.
After fans spotted that the duo have removed photos of each other from social media, they quickly started speculating that their brief romance had already ended
Fans also took to Stefon's Instagram, with one asking: 'Where is the picture w/ Cardi ?! What's going on?'
The lovebirds have also made several public outings since then, confirming their romance as they sat courtside at a New York Knicks game and attended a Met Gala afterparty together in May.
Diggs is an NFL wide receiver for the New England Patriots and previously played for the Buffalo Bills.
Diggs has made headlines in recent months for multiple wild partying videos, which DailyMail.com revealed had left Cardi furious.
In one of the videos Diggs was seen flirting with other women.
The clip was filmed during Diggs and Cardi's getaway during Memorial Day weekend, while they were at the same boat party.
Cardi B was previously in a longterm, on-and-off relationship with Offset for nearly seven years.
They secretly got married in 2017 and have since welcomed three children together but called it quits for good in 2024.
Three years into their marriage, she first filed for divorce following infidelity rumors, but the pair ended up reconciling.
In July 2024, she filed for divorce for a second time and went on to start dating Diggs.
Cardi and Offset have been entangled in a bitter divorce battle amid their ugly split.
Cardi and her ex Offset have been entangled in a bitter divorce battle amid their ugly split. The former couple are parents to daughter Kulture, six, and son Wave, three, as well as daughter Blossom, born in September 2024, months after their split; pictured February 2019
The former couple are parents to daughter Kulture, six, and son Wave, three, and their youngest daughter whose name has now been revealed to be Blossom after Cardi B gave birth to her in September 2024, months after their split.
The hip-hop mainstay delved into her family's over-the-top finances and made a dig at her estranged husband Offset in a furious social media stream a few weeks ago.
In it, she said that the rapper has not pitched in a penny for the kids since their split.
The I Like It performer also was critical of Offset for seeking spousal support in the split, again itemizing expenses she's paid for without his assistance.
'Kiari, have I asked you for anything?' the vocalist said. 'You want spousal support so bad.'
Cardi also said that Offset has 'seen Blossom only like five times' since her birth last fall.
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Hailey Bieber flashes her toned midriff in a red tank top and low-rise jeans as she steps out after Justin's four-word message
Hailey Bieber flashes her toned midriff in a red tank top and low-rise jeans as she steps out after Justin's four-word message

Daily Mail​

time13 minutes ago

  • Daily Mail​

Hailey Bieber flashes her toned midriff in a red tank top and low-rise jeans as she steps out after Justin's four-word message

showed off her toned figure in a plunging red tank top and low-rise jeans as she stepped out in Los Angeles on Sunday. The model, 28, looked incredible in the casual ensemble which she teamed with flat black ballet pumps and accessorised with a simple gold watch. Hailey's outing comes hours after her husband Justin attempted to clear up lingering marital strife rumors by sharing a loved-up post entirely dedicated to his beleaguered wife. In the four-picture Instagram slideshow, the pop star, 31, embraced the Rhode founder while relaxing poolside on a balcony overlooking a body of water during sunset. Justin, who boasts 607.6M social media followers, captioned his PDA post: 'My forever n always.' The model, 28, looked incredible in the casual ensemble which she teamed with flat black ballet pumps and accessorised with a simple gold watch In one snap, Hailey's face could partially be seen smiling as she embraced Justin but, for the most part, her identity was concealed. Instagram user @lasarahsmith got the most likes with her comment: '*Zooms in to make sure it's Hailey.*' The married couple of six years originally met backstage at the TODAY Show in 2009, they began dating in 2015, and they rekindled their on/off romance in 2018 three months after his split from Selena Gomez. Justin and Hailey also put on a strong united front a week ago while attending night three of DJ Martin Garrix's first headlining LA gig at the city's State Historic Park. Eyebrows raised over Bieber's disrespectful public posts about Mother's Day and Hailey's first solo American Vogue cover. The power dynamic changed between the two-time Grammy winner and the model in May when Hailey sold her skincare/cosmetics company for $1B to e.l.f Cosmetics. She will remain with the company as chief creative officer and head of innovation. Last month, Us Weekly reported that 'things aren't great right now' due to Justin's erratic behavior causing 'a lot of stress' for Hailey. 'Family issues have clouded her success,' a source told the mag. In the four-picture Instagram slideshow with Hailey, the pop star embraced her while relaxing poolside on a balcony overlooking a body of water during sunset 'Justin's going through a difficult time, and Hailey is giving him room to get himself back on track. He's doing his best, but it's tough.' On Sunday, Bieber also posted a short video of himself touching and smiling at their 10-month-old son Jack Blues Bieber on his lap, which he captioned with eight heart-eye emojis. Worryingly, the star also shared a slideshow of sweaty selfies captioned: 'Detoxxxxxxxxxxx.' Justin - who previously got sober in 2014 - frequently shares snaps of himself smoking as his ever-present musician buddies grinded marijuana and rolled joints in the background. Bieber's athleisure clothing company SKYLRK is rumored to launch on July 17. The former YouTube sensation enlisted business partner Neima Khaila and 3D design consultant Finn Rush-Taylor to help him create the replacement to his prior label, Drew House. Justin has recently fired his manager Scooter Braun, 'swagger coach' Ryan Good, business manager Lou Taylor, bodyguards Keith Gibbs and Eric Johnson, as well as security guard Kenny Hamilton. Bieber was already suffering from depression before revealing he had come down with Ramsay Hunt syndrome in 2022, which made him focus more on his health than his career. Instagram user @lasarahsmith got the most likes with her comment: '*Zooms in to make sure it's Hailey*' On Sunday, the two-time Grammy winner also posted a short video of himself with their 10-month-old son Jack Blues Bieber on his lap, which he captioned with eight heart-eye emojis Justin's most recent single - Moments - was featured on his former mentor Sean 'Diddy' Combs' fifth studio album The Love Album: Off the Grid in 2023. The disgraced rap mogul, 55, is still incarcerated at MDC Brooklyn's Special Housing Unit ahead of his October 3 sentencing for two counts of transportation for the purposes of prostitution. However, the jury of eight men and four women found Diddy not guilty of racketeering conspiracy and sex trafficking charges on Wednesday.

‘Free of human logic': the modern artists inspired by surrealism's 100-year-old parlour game
‘Free of human logic': the modern artists inspired by surrealism's 100-year-old parlour game

The Guardian

time17 minutes ago

  • The Guardian

‘Free of human logic': the modern artists inspired by surrealism's 100-year-old parlour game

Some time in the winter of 1925-1926, the French author André Breton and his comrades Yves Tanguy, Jacques Prévert and Marcel Duchamp invented an old-fashioned parlour game. You write a word on a piece of paper, then fold it over so the next person can't see what you've written, and you end up with a strange sentence. The game is now known as Exquisite Corpse, after the result of their first go: Le cadavre exquis boira le vin nouveau (The exquisite corpse will drink the new wine). Exquisite Corpse gave Breton so much joy because it summed up the essence of the surrealist school of art he was trying to articulate at the time. In his first 1924 manifesto, he told budding surrealists to put themselves in 'as passive, or receptive, a state of mind' as they can and write quickly. Forget about talent, about subject, about perception or punctuation. Simply trust, he writes, 'in the inexhaustible nature of the murmur'. In the year of its centenary, the spirit of Breton's Exquisite Corpse is not just un-dead but frantically rattling the lid of its coffin from the inside. Several modern artists are continuing the surrealist tradition by composing with found materials (words, images, objects), drawn from the accidental debris of the everyday, to make the unexpected. For a recent show at Frith Street Gallery, the British artist Fiona Banner showed works made with discarded mannequin parts she'd found in an abandoned Topshop in north-west England. In a film, titled DISARM (Portrait), she has emblazoned words like 'disarm' on arms, 'obsolete' on soles, and 'delegation' on legs. At first she thought of it as a concrete poem or a Breton-esque poème objet. Then she realised, she says, that 'actually, it's more liquid than concrete'. For Banner, the power of Exquisite Corpse, 'its radical space', lies not in the finished sentence but on that fold. 'I think to not understand is a very important space,' she says. 'To be free of human logic.' Dimitri Rataud, a French actor turned artist, whose work is now on show at HIS Paris gallery, makes what he calls 'haikus marinières': surrealist-inspired concrete poems he finds by blacking out most of the words on a ripped-out page of a random book. The name itself is a word play: the pieces look like Breton tops AKA marinières because of the stripes. And the poems (et soudain … le bonheur – 'and suddenly … happiness') are as light as a feather on the breeze. The printed word, which he handles like a builder might a brick, is useful raw material. And each poem is but a moment. Rataud starts by tearing the cover off the book then opening it on the last page. He can never do the same thing twice. To his gallery's dismay, he refuses to make copies. Rataud is popular on Instagram, and you can of course see why: Breton tops, French romance, Japanese minimalism. And yet, these found poems are luminous, in the way they balance on that paper-thin edge between accident and intention. 'I've found extremely beautiful haikus in sordid books.' For the Paris surrealists of the 1920s – crawling out of the wreckage of the first world war – nonsense was a deadly serious matter. When the Centre Pompidou's exhibition, Surréalisme (a touring mega-show currently at the Hamburger Kunsthalle), opened in September 2024, co-curator Marie Sarré described the centennial movement as one of the most politically engaged of the avant gardes. 'Throughout its history, the political and the poetic ran in parallel,' she said. 'It wasn't an artistic movement or a formalism, but a collective adventure and a philosophy.' Contrary to other avant garde movements which embraced the notion of progress, it questioned everything. The surrealists were among the first anticolonialists, the staunchest anti-fascists, proponents of social revolution and proto-eco warriors. 'They asked the questions artists today are asking,' said Sarré. To wit, Malaysian-born artist Heman Chong, whose work is currently on show at the Singapore Art Museum. This survey exhibition is organised into nine categories: words, whispers, ghosts, journeys, futures, findings, infrastructures, surfaces and endings. One piece, 'This pavilion is strictly for community bonding activities only', reproduces a sign Chong found in a communal space within one of Singapore's Housing and Development Board block of flats. 'The sentence itself is nuts, right?' he says. 'That you would insist on community bonding activities, which means, literally, you cannot be there alone, right? Because you can't bond with anyone alone.' By contrast, he often makes installations with things people could secrete away – stacks of postcards; mountains of sentences from spy novels shredded on to the floor; a library of unread books. 'I would love it if people just take things out of their own accord,' says Chong. 'Coming from Singapore, which is an extremely paternalistic, authoritarian state, a lot of my work is not about telling people what they cannot do.' In November 2024, South Africa-based Nhlanhla Mahlangu, who is a long-term collaborator of William Kentridge, gave a performance lecture titled Chant for Disinheriting Apartheid. It collates several spoken word compositions and improvised works, which delve into the brutal flattening of colonial oppression: language stolen, names mangled, bodies which have learned to recognise different guns by the sounds they make. In one section, he performs, one by one, various unrelated sentences in the languages of isiZulu, Sesotho, Xitsonga, Venda, Xhosa. And then, 'the language of apartheid'. He stands stock still, in total silence, for two whole minutes. He recounts doing a workshop with children from Hillbrow, a part of inner Johannesburg beset by high crime and intense poverty. They were working on a performance of Aimé Césaire's 1939 masterwork, Return to My Native Land – a gut punch of a poem against colonialism, which Breton called 'the greatest lyrical monument of this time'. Mahlangu's students, who were witnessing crime and death and abandonment on the way to class, said: 'We experience surrealisms every day. We don't understand why people go to universities and study it. Our lives are surreal.' 'Surrealism offers ways to look awry at things,' says Patricia Allmer, an art historian at the Edinburgh College of Art. She recently co-curated The Traumatic Surreal at the Henry Moore Institute in Leeds. 'Because you can't encounter trauma head on, you have to find ways of seeing it, either as a distortion, through a distorting lens or from the side.' For Mahlangu, it is about 'bringing fluidity to what seems stable, and understanding that stability can be a weakness. It's constantly not answering the question, but questioning the answers, asking more questions.' In the 21st century, we may have grown wary of 'isms' in art. In a climate of constant technological and economic interruption, the promise of a transformative cultural revolution can feel suspicious; the most powerful movement in modern art, contended a recent article in the Art Newspaper, may be the art market itself. But it's worth remembering that when Breton first wrote about his ideas in 1924, he didn't think of it as a manifesto, just a preface to a book of poems he wanted to publish. And that's why Exquisite Corpse sums up surrealism's most lasting legacy to modern art today: a tool that taps you into something unexplored, a game for 'pure young people who refuse to knuckle down'.

Adwoa Aboah reveals she was secretly pregnant while filming sex scenes in Lena Dunham's new series Too Much - as she poses with co-star Emily Ratajkowski in sexy shoot
Adwoa Aboah reveals she was secretly pregnant while filming sex scenes in Lena Dunham's new series Too Much - as she poses with co-star Emily Ratajkowski in sexy shoot

Daily Mail​

time28 minutes ago

  • Daily Mail​

Adwoa Aboah reveals she was secretly pregnant while filming sex scenes in Lena Dunham's new series Too Much - as she poses with co-star Emily Ratajkowski in sexy shoot

Adwoa Aboah has revealed that she was secretly pregnant while filming racy sex scenes in Lena Dunham 's new series Too Much as she posed with her co-star Emily Ratajkowski in a sexy shoot on Monday. The pair both star in the upcoming 10-parter and this week spoke to NET-A-PORTER's digital title, PORTER for their latest cover story about making the project. Too Much follows Jessica (Megan Stalter), who moves from New York to London after a breakup and meets new love interest Felix (Will Sharpe). Model turned actress Adwoa, 33, plays Felix's other love interest Linnea in the series and has described filming some of her first scenes where she was wearing an S&M outfit. She told the publication: 'My first scene where you're introduced to me was this weird sex scene with Will, and Lena directing it. 'Doing that while pregnant was so mad, but it was also great that it was my secret that no one knew. When I tell my child, they're gonna be like, that is so crazy, you know?' She added: 'I just had the absolute best day, and [Lena] lets you play and improvise. Will is just so easy to act off.' She welcomed her first child Shy last year with her partner Daniel Wheatley. For the cover shoot Adwoa and model and actress Emily, 34, both posed together in matching black bodysuits. As Emily spoke in the interview she delved back into her modelling past as she admitted she now feels that fashion is quite 'performative'. She added that she thinks it's shocking that models don't have a union and that often young girls are 'being taken advantage of' in the industry. For her solo shots she showed off her incredible figure in a black bra and briefs set while in another she slipped into a white bodysuit. Emily is set to star in a new Netflix series titled Too Much, which has been created by Girls icon Lena. The series is scheduled to be released on Netflix on July 10th, with the model playing a character named Wendy in the series - the glamorous new girlfriend of main character Jessica's ex. The star was given creative control while filming the new series, which she explained was something she really 'valued.' She recently told ELLE: 'In my twenties, I didn't have a lot of it in my career. Now, I like making things and I like not being an addition to them. She said of the scene: 'Doing that while pregnant was so mad, but it was also great that it was my secret that no one knew. When I tell my child, they're gonna be like, that is so crazy, you know?' 'With Lena, I got to shape the character so much, which was really fun. It gave me a bigger role than just an actor for hire.' Elaborating on her experience on set, she said: 'Lena leans into some of the more 'feminine' ways of directing – over communication, consideration of everyone on set. 'Instead of being this domineering presence, her power lies in grace and in the ability to make everyone feel comfortable.' Last month Lena candidly reflected on her 'last affair' ahead of her semi-autobiographical Netflix series. In a story for British Vogue 's July issue, the writer and producer, 39, admitted to 'wrecking herself on male attention' before finding love with her husband Luis Felber. Lena and Luis, 38, met in January 2021 on a blind date - after being set up by friends - and tied the knot in September 2021. But before meeting her husband and finally getting her 'happy ending,' the actress recalled her 'boy craziness' that led her to 'stop trusting herself.' She explained: 'Even now, I can't be sure. It's not that I don't trust my husband or our life – I do, very much. Too Much follows Jessica (Megan Stalter), who moved from New York to London after a breakup and meets new love interest Felix (Will Sharpe) (both seen in recent trailer) 'It's that at some point along the way, wrecking myself again and again on the rocky shores of male attention, I stopped trusting myself.' Lena previously explained why she cast Megan Stalter instead of herself in her semi-autobiographical series Too Much. 'I was not willing to have another experience like what I'd experienced around [my HBO series Girls] at this point in my life,' the producer-star explained to the New Yorker. 'Physically, I was just not up for having my body dissected again. It was a hard choice, not to cast Meg — because I knew I wanted Meg — but to admit that to myself. I used to think that winning meant you just keep doing it and you don't care what anybody thinks. I forgot that winning is actually just protecting yourself and doing what you need to do to keep making work.' Lena continued: 'I remember looking at Meg and being, like, "You are my muse. You inspire me every single day to go home and tap out pages upon pages." I definitely don't want to be my own muse.'

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