
Movie review: 'Naked Gun' lives up to legendary comedy heritage
July 29 (UPI) -- The Naked Gun, in theaters Friday, joins Cobra Kai, Beetlejuice Beetlejuice and Top Gun: Maverick as a fulfilling and satisfying legacy sequel. The new film faithfully captures the style of Naked Gun comedy with fresh new jokes for the modern world.
A sequel to and reboot of the film franchise starring the late Leslie Nielsen, The Naked Gun opens with a Dark Knight-style bank robbery, immediately undercut when the loot is blatantly revealed to be the Maguffin that it is. Frank Drebin Jr. (Liam Neeson), the son of Nielsen's Frank Drebin, foils the robbery, but the leader gets away with the item.
Drebin Jr. is also assigned to the automobile death of Simon Davenport, whose sister Beth (Pamela Anderson) suspects foul play. The plot has the complicated machinations of a modern-day action movie, but it is merely there to hang jokes upon, like the original film trilogy.
The original series was created by Jerry and David Zucker and Jim Abrahams in their distinct slapstick style, like Airplane! before. 2025 director Akiva Schaffer, of the Lonely Island trio, demonstrates an impeccable understanding of the rhythms and tone without simply aping Zucker/Abrahams/Zucker.
Dialogue comes at a rapid pace with deadpan jokes. Characters take questions literally and answer them as such. Meanwhile, additional jokes play in the background, and even the title screen is a new joke.
Along with wordplay, there is relentless physical comedy. Frank will cause one character to take a pratfall, then deliver another bit of slapstick himself. There is a literal cold case office in Police Squad headquarters that has more to do with temperature than running out of leads.
The new film invents a hilarious running gag where Frank and Ed Hocken Jr. (Paul Walter Hauser) are handed a fresh coffee cup every time they enter a scene. This leads to additional jokes about where they dispose of the old ones and the empties piling up.
The best part about this running gag is that just when the audience may have forgotten about it, Frank grabs yet another cup of coffee. Schaffer also follows the comedy rule of threes, ensuring that the third instance of a joke is its most ridiculous.
The original films had some topical jokes about then-current political figures and scandals, but they weren't so topical that modern audiences can't still laugh at Gorbachev and George H.W. Bush jokes today.
Likewise, writers Schaffer, Dan Gregor and Doug Mand use these comedy tools to attack modern police issues and the true crime phenomenon. The overwhelming percentage of Black victims of police violence makes the rare White victim a poignant punchline that will unfortunately remain relevant for quite some time.
Villain Richard Cane (Danny Huston) uses the "R-word" as a comment on how offensive that word is now. It's not just that villains use it, but that Cane empowers others to use it.
Neeson is the right kind of modern star to place in this kind of comedy. Nielsen had already done Airplane! before playing Drebin Sr., but what made his deadpan so funny was that he had a body of work as a dramatic actor.
Naked Gun plays off of Neeson's intense action persona, only now his very particular set of skills include absurd fight gags. Trailers show him stabbing bad guys with the end of a lollipop, but the rest of his Naked Gun repertoire makes even less sense.
Neeson also delivers both voiceover and in-scene dialogue with dramatic intensity that makes it take a second to realize he's told a poop joke. That delay makes the poop joke exponentially funnier.
In addition, Schaffer's visual style builds up to jokes. Scenes begin in a close-up that appears to be a normal scene, then cut to a wide shot to reveal the absurdity.
Cinematographer Brandon Trost captures more of an action movie look than the police drama style David Zucker gave the original films. Composer Lorne Balfe gives the musical score the gravitas of his Mission: Impossible music.
This film uses more special effects for jokes than the original films would have. That is Schaffer's generation of comedian applying the Zucker/Abrahams/Zucker style to new technology. Each use of effects is silly, and everything else looks better than the girl scout morphing into Neeson shown in the trailers.
Schaffer saves the most direct callbacks to the original Naked Gun for the end credits so the new jokes have a chance to land free of nostalgia. There are cameos throughout the film, and a stuffed beaver is visible but nobody calls it out.
The Naked Gun is easily the funniest movie of the year, but it doesn't even necessitate those qualifiers. It's as funny as the original Naked Gun trilogy, too.
Fred Topel, who attended film school at Ithaca College, is a UPI entertainment writer based in Los Angeles. He has been a professional film critic since 1999, a Rotten Tomatoes critic since 2001, and a member of the Television Critics Association since 2012 and the Critics Choice Association since 2023. Read more of his work in Entertainment.
Liam Neeson, Pamela Anderson attend 'Naked Gun' premiere
Cast members Pamela Anderson (L) and Liam Neeson arrive on the red carpet for the premiere of "The Naked Gun" in New York City on July 28, 2025. Photo by John Angelillo/UPI | License Photo
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The director of the first two "Naked Gun" movies said he will not be seeing the 2025 reboot of his classic spoof series. In an interview with Fox News Digital, filmmaker David Zucker declared that he would not be watching "The Naked Gun" starring Liam Neeson, stating the entire concept of a "Naked Gun" reboot was unoriginal and played out. "I don't see any reason to see it," he said. "And so, it's like, well, Jim Abrahams said, if your daughter became a prostitute, would you go watch her work?" Zucker said elsewhere, quoting the late co-director of "Airplane!", another classic comedy Zucker co-directed. The director clarified that, despite his harsh view of 2025's "Naked Gun" reboot, he bears no ill will towards the film's cast and crew, like Neeson, or producer Seth MacFarlane – the creator of "Family Guy." "So, Seth MacFarlane came in. He's a big, successful producer, and he came in with a big star, Liam Neeson. I don't have anything against Liam Neeson. I think he's a wonderful actor. He is a fine actor, but generally for spoof, you don't really need that," he said. "Plus, the way I approach movies is not to do the same thing over again. I didn't even want to do 'Naked Gun 3.' And so, somebody else directed it. I produced it while I was writing another movie." Zucker stressed that he would have done "something new" with another "Naked Gun" rather than repackage his original idea. The director said that prior to Paramount Global greenlighting the Neeson "Naked Gun" he workshopped potential ideas for a "Naked Gun 4." They included a storyline involving the son of police detective Frank Drebin (played by actor Leslie Nielsen in the original) as a spy. "[What] Pat and Mike and I worked on for a year was to have Drebin's son, but really his young son, a 30-year-old, and not an LA cop scenario – but a 'Mission Impossible,' James Bond, 'Bourne Identity' international spoof, international spy thriller. So, I always have wanted to do something new," he said. Zucker also told Fox News Digital that he doesn't want to give people the impression he's calling for a boycott of the reboot, calling out media reports that have made it seem that way. "I read things where it says, 'David Zucker is leading a boycott.' I'm not leading a [boycott] – all I said was that I have no interest in seeing it." He made sure to note that the new film's director, Akiva Schaffer, is "a super nice guy" who, along with MacFarlane, asked Zucker in vain for advice on the film. "But there's nothing I can do to help them because it's not what I would have done," he declared. Elsewhere, he said, "I think the whole thing is wrong, because that's not how I would do movies. I don't want to copy someone else's work." Zucker told Fox News Digital that he believes that the entire film industry is suffering from this lack of originality. "Now it's all about – you know, the studio executives, for the most part, are frightened. And so that's why all you have now is, you know, big stars, superhero movies, big special effects, Tom Cruise movies," he said, though he clarified he loves Tom Cruise movies. He added that industry executives are "absolutely playing it safe and also they, you know, they tend to whore after big producers and big stars." "But mostly, nobody has any new ideas. They want to copy the old ideas, like 'Naked Gun 4' is really just a copy of an old idea. I mean, it's a 40-year-old idea to do an older actor as a police detective." Although he didn't helm the latest version of "The Naked Gun," Zucker has been hard at work on multiple projects, including a totally new original spoof film, "Star of Malta." The filmmaker described his upcoming film as "completely new." He said that it's "set in 1949. It's going to look like one of those film noir movies that were done from 1945 to 1955. And it's a really great story. And it is a believable story with a young actor cast. And you really believe that they're real people." Providing a hint of what audiences could expect from the film's comedy, he added, "It's really what I would say – it's spoof 2.0. And it's really the next thing." Zucker noted that it's going to be an indie release, because that's just how opposed big studios are to original projects these days. "If you want to do something original, you have to go with the indie route. And 'Star of Malta' is only a $10 million budget. So, we'll be able to do that." Zucker also mentioned his other new project, "Master Crash: A Crash Course In Spoof Comedy." The project is 15-episode instructional web series that teaches viewers the filmmaker's 15 rules of writing parody. The first episode of Master Crash debuted last month. The filmmaker told Fox News Digital he wanted to make the course because he wants budding comedy filmmakers and writers to know the "discipline" that has to go into writing classic spoof or parody films for them to work. "You know, it was all scenes, crazy and zany and weird, but there was a discipline to it," he explained. "And that discipline is – not only in the general story that we're telling – it has to be a believable story. And when I didn't tell a believable story with a believable character, with an arc, the movies weren't as successful." "And then also you need the knowledge that we've gained about how to write the jokes and then how to direct the jokes," he said, adding, "There's a lot of method to it."