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Wet Leg singer says Bob Vylan and Kneecap Glastonbury reaction is ‘messed up'

Wet Leg singer says Bob Vylan and Kneecap Glastonbury reaction is ‘messed up'

Leader Live12 hours ago
The 32-year-old indie rocker's band played on Friday afternoon at the festival, where Bob Vylan and Kneecap's Saturday sets are being investigated by Avon and Somerset Police to decide whether any offences were committed.
Bobby Vylan, of Bob Vylan, whose real name is reportedly Pascal Robinson-Foster, 34, led crowds on the festival's West Holts Stage in chants of 'death, death to the IDF (Israel Defence Forces)', before a member of Irish rap trio Kneecap joked that fans should 'start a riot' outside his bandmate's upcoming court appearance, and led the crowd on chants of 'f*** Keir Starmer'.
Teasdale said she was concerned by the fallout from their sets, and added she feels it is 'powerful' for artists to speak up.
The singer told PA: 'It shouldn't have to be considered brave to call out a genocide — that should be the absolute bare minimum.
'But the fact that people are being punished, silenced, or villainised for doing so shows just how messed up things are. I don't think it's brave to speak out — I think it's necessary.
'What's scary is how dangerous or controversial that's being made to seem. The media has focused so much on bands like Bob Vylan and Kneecap, but they weren't the only ones speaking out. Every other artist showed support for Palestine across the weekend.
'So why are these two being singled out? It feels like a deliberate attempt to create scapegoats, to distract from the actual message – which is simply calling out a genocide.
'Coming out of the Glastonbury bubble and seeing how much of that pro-Palestine messaging was cut from the BBC footage was honestly chilling. It shows how reality can be edited, distorted.
'That level of control over public perception feels dystopian, and it's exactly why speaking out, even imperfectly, is so important right now.'
Bob Vylan's set at the festival, which was livestreamed at the time, is not available on iPlayer, and after the festival the BBC said it would no longer livestream acts it deems 'high risk'.
Other acts to show their support for Palestine across the weekend included Wolf Alice, CMAT, Gurriers, and Black Country, New Road.
The star, who grew up on the Isle Of Wight, says she herself wants to 'do better' at speaking up about important issues, having been inspired by Australian hard rockers Amyl And The Sniffers.
She told PA: 'I think what these artists are doing is powerful. I saw Amyl And The Sniffers that weekend, and I really admired how she (Amyl And The Sniffers lead singer Amy Taylor) used her set to speak about Palestine.
'At one point she said, 'I was going to say something more poetic, and it's not perfect, but I think it's better to say something than say nothing at all'. That really stuck with me.
'It was honest and human — not polished, but true, and it reminded me that saying something imperfect is still far more meaningful than staying silent.
'That really resonated with me because speaking about Palestine on stage isn't something I take lightly. It's not about me — and I never want to make it about me — but I do feel a huge responsibility to get it right.
'I don't want to dilute the message or speak over the people whose voices actually need to be heard. That tension can make it hard to know exactly what to say, but the alternative — saying nothing — isn't acceptable either.'
Made up of singer and guitarist Teasdale, guitarist Hester Chambers, drummer Henry Holmes, multi-instrumentalist Josh Mobaraki, and bass player Ellis Durand, Wet Leg rose to fame with their viral single Chaise Longue.
The band will release their second LP Moisturizer on July 11, having performed songs from it such as Davina McColl, Catch These Fists and CPR during their Glastonbury appearance.
Punk duo Bob Vylan issued a statement on Tuesday claiming they were being 'targeted for speaking up'.
The pair have also had their US visas revoked before their tour later this year, were pulled from their Saturday headline slot at Radar festival in Manchester, and from an upcoming performance at a German music venue.
Bob Vylan are expected to perform at the Boardmasters surfing and music festival in Newquay, Cornwall, in August.
It has also emerged that Bob Vylan were already under investigation by police for comments made at a performance one month before Glastonbury.
Video footage appears to show Bobby Vylan at Alexandra Palace telling crowds: 'Death to every single IDF soldier out there as an agent of terror for Israel. Death to the IDF.'
The BBC has been contacted for comment.
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OAP Professor Quatermass himself has retired to the country, and doesn't realise how catastrophically far things have fallen until he enters London at the start. The cities are torn apart by gang warfare – he is brutally mugged in the opening moments, which sets the tone for the whole thing. Television itself is represented by the Tituppy Bumpity Show, a pornographic entertainment for kids complete with furries, dildos and rainbow-bright cut-outs which looks exactly – and I do mean exactly – like an LGBTQ+ event in schools, or one of Channel 4's self-satisfied excursions into 'inclusivity'. And there's a generation gap – well, more of a canyon. We meet a youth cult-cum-protest movement called the Planet People, whose members look exactly – and I do mean exactly – like our own Just Stop Oil/Antifa/Queers for Palestine marchers, though slimmer and cleaner. (Amusingly, both Corrie's Brian Tilsley and Toyah Willcox can be seen among this throng.) The wilful ignorance and smugness of the Planet People – 'Stop trying to know things!' one of them shouts at our hero – are very reminiscent of the recent Glastonbury crowds chanting ' Death, death to the IDF '; though regrettably our real-life modern Planet People aren't scooped up in huge bursts of 'lovely lightning' to be gobbled up at a space buffet. For the drama unfolds to reveal that all the decay and dissolution is not accidental or pointless, as in real life, but the work of an alien intelligence that's harvesting delicious young human meat. The Planet People are following an implanted instinct – they literally are a herd – and the human race is so much pâté de foie gras, nom nom nom. Our civilised periods are just fattening-up exercises, human dignity merely our rations of fodder. The earth is a battery farm. Horror is about tapping into primal human fears, but Kneale was unique. Because he not only does that, but he tells you that's what he's doing, as he is doing it. Quatermass is obviously dated in other ways. We have an old man as the hero, and a white, middle-class old man at that. It's age, experience, Western science and culture – mixed with Jewish ingenuity – that are the only hope of saving the day. Imagine trying to get that past TV execs today – a show with a leading man aged 71 would be unthinkable. As in all Kneale's work, though, female characters are up front. Brenda Fricker, Barbara Kellerman and Margaret Tyzack all play competent, intelligent professionals. Unlike modern TV, this feels perfectly unforced – they're just there. Quatermass, like a lot of 1970s drama, (think of Upstairs Downstairs, I, Claudius, Rock Follies) has an outspokenness, and casually assumes its viewers are intelligent and paying close attention. 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