THE FANTASTIC FOUR: FIRST STEPS Clip: Someone Wants Pedro Pascal's Child (Again)
The Fantastic Four's world is not safe in this new clip from Marvel Studios. In it, the group holds a press conference to announce it has not defeated Galactus. They went to space to negotiate with the enormous enemy, but 'he asked too high a price.' That price was Mister Fantastic and the Invisible Woman's newborn son.
It was a price they were unwilling to pay. It's not known if they understand why he made that request, but we have an idea why Galactus wants their powerful kid. He is potentially going to be very important to the future of the MCU. But people of the world the Fantastic Four protects have a different question they want answered in this scene. They want to know, 'Are we safe?' Not even pop culture's famous dad is sure about that.
This clip clarifies why Franklin Richards has been such an important presence in the promotional material for the movie. Multiple trailers have made clear that, despite being a baby, he's going to play a significant role in the film. A previously released clip also showed Johnny and Ben learning Sue was pregnant, which now feels even more important than it seemed.
People are always coming after Pedro Pascal's kids in film and television. Again and again! But the good news for Franklin Richards is that his onscreen dad has plenty of experience keeping his fictional kids safe. Just….just don't ask about what happened to the Sand Snakes.
No child should have to learn about how Game of Thrones ended.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
an hour ago
- Yahoo
Sacha Baron Cohen ‘only joking' over using Ozempic to transform body for Marvel role
Sacha Baron Cohen insists he was 'only joking' when he claimed to have used Ozempic to help achieve his new muscular physique for a Marvel role. The 53-year-old actor appeared on the cover of Men's Fitness UK this week, debuting his dramatic body transformation ahead of playing the villain Mephisto in Marvel's Ironheart miniseries. Alongside images from the shoot, Sacha posted on Instagram: 'Some celebs use Ozempic, some use private chefs, some use personal trainers. I did all three.' He added: 'This is not AI. I really am egotistical enough to do this. Debuting my new character. Middle aged man who replaced beer with protein shakes.' Sacha also thanked his trainer Alfonso Moretti, writing: 'Thanks @theangrytrainer for doing the unthinkable – putting up with me for 25 minutes a day.' However, after the post prompted widespread speculation and some backlash, representatives for Sacha have told MailOnline he 'was only joking' about using Ozempic. They added that the transformation was entirely the result of 'hard work'. Speaking to Men's Fitness UK, Sacha said he had only three weeks to get into superhero shape and credited Alfonso, also known as 'The Angry Trainer', with designing a focused programme of short daily workouts and strict nutrition. Sacha said: '25-minute workouts that were sustainable. Even while filming, the workouts happened. 'In the past, I would've thought you needed hour-long sessions.' He said the plan included 100 push-ups a day and a diet high in fibre and protein, with minimal sugar. At the start of training, Alfonso reportedly told Sacha he had 'the core strength of an arthritic jellyfish' but praised his consistency. Within two weeks, Marvel's costume department reportedly spent $5,000 (£3,600) making adjustments to his wardrobe due to changes in his physique. Sacha revealed he reached out to actor Matthew McConaughey for a trainer recommendation, which led him to Alfonso. Their first meeting was via FaceTime, during which the trainer asked Sacha to strip to his underwear so he could assess his body. Marvel Studios president Kevin Feige recently confirmed Sacha will portray Mephisto – a demonic entity who appears in the Ironheart series, and who has long been rumoured to be joining the Marvel Cinematic Universe. Sacha rose to prominence in the late 1990s with his Ali G character, followed by major roles in Borat, Brüno, and The Dictator.

2 hours ago
'The Fantastic Four: First Steps': What to expect and why the end credits scene matters
It's clobberin' time for " The Fantastic Four: First Steps." The highly anticipated film is director Matt Shakman's take on the group of four superheroes: Reed Richards/Mr. Fantastic, Sue Storm/Invisible Woman, Ben Grimm/The Thing and Johnny Storm/Human Torch. At the world premiere of the film in Los Angeles earlier this week, Shakman shared that he's most excited for fans to see the film's focus on family. "This is Marvel's first family," he said. "One of the reasons why they've been so popular for 60+ years is because they're a real family. They have the messiness, the love, the heart that we recognize that makes them very relatable. We all know what it's like to be a part of a family so that's what I think is most special about them as characters and what I'm excited for audiences to see." As the film hits theaters today, we've broken down everything you need to know and are sharing what filmmakers and cast members have said. What is 'The Fantastic Four: First Steps' about? According to a synopsis for the film, "The Fantastic Four: First Steps" follows the iconic group of superheroes "as they face their most daunting challenge yet." "Forced to balance their roles as superheroes with the strength of their family bond, they must defend Earth from a ravenous space god called Galactus and his enigmatic Herald, Silver Surfer," the synopsis adds. Who stars in 'The Fantastic Four: First Steps'? The upcoming film stars Pedro Pascal as Reed Richards/Mr. Fantastic, Vanessa Kirby as Sue Storm/Invisible Woman, Ebon Moss-Bachrach as Ben Grimm/The Thing and Joseph Quinn as Johnny Storm/Human Torch. Executive producer Kevin Feige lauded the chemistry between Pascal, Kirby, Moss-Bachrach and Quinn and said that they weren't just a family on screen but off screen. "They are a family," he said. "Marvel is about families, about found families, and the first time the four of them sat together to start doing a read-through of the script, the camaraderie was amazing." Also starring in the film are Ralph Ineson as Galactus and Julia Garner as Shalla-Bal/Silver Surfer. The cast includes Natasha Lyonne, Paul Walter Hauser, Sarah Niles and Mark Gatiss. What has the cast said about the film? At the film's world premiere, Pascal said he wants fans to "experience all the love that was put into the movie." Kirby added that she's "excited" for fans to see the Fantastic Four family become a family of five. "I'm excited for fans to see how that happens because even though they're superheroes and even though they have this huge threat from out of space in the cosmos, ultimately, they're still a family, expecting a baby and I hope everybody can relate to the domesticity of that and the everydayness of who they are and I'm really hopeful about that." Where is the film set? In this "Fantastic Four" universe, the superheroes reside in a different universe called 828. "It's a retro-futuristic 1960s," Shakman said. "The only superheroes in our world are the Fantastic Four. So no interconnection, no other Marvel heroes appearing, no other Easter eggs. That's it, just the Fantastic Four." He added that their universe is a "complicated world," which includes robots, flying cars and more. "It was about building this incredibly intimate family that felt real but also setting them in this big world with lots of stakes and high drama," Shakman said. What do we know about the post-end credits scene? While filmmakers of the movie couldn't give too much away, Feige shared why fans should make it a point to stick around for the post end credits scene. "I used to really make it a point to try and convince people to stick around through the credits," Feige began. "I think most people do, they know it's a Marvel movie, they know they will be rewarded for staying in their seats after the film's over." When does 'The Fantastic Four: First Steps' hit theaters? The film is in theaters now. See the trailer below.


USA Today
3 hours ago
- USA Today
The Fantastic Four: First Steps plays it too safe to get it just right
If the goal for The Fantastic Four: First Steps was for Marvel to finally get the comic world's first family right, then the mission has finally been accomplished. If the goal was more than that, the ship remains in orbit. The trouble with the latest Marvel attempt at bringing the Fantastic Four to the big screen is also what gets it across the finish line. It's a film perfectly concocted to avoid getting dinged for technicalities, a savvy brand investment that feels new enough but still clings to the formula that fuels the fore-heroes that come before it. Is there a post-credit scene in The Fantastic Four: First Steps? It's sleek, sturdy and sentimental, but it drives with a strict governor that prohibits it from ever being more than just satisfactory. Marvel Studios tries so hard to avoid another Fantastic 4-tastrophe that it forgets to stretch its legs and really settle into finding some tangible soul. A lack of cinematic flexibility is pretty ironic for a movie with a character with superhuman elasticity and wholly emblematic of a movie studio gone so far astray that didn't even try for a grand slam to ensure the double gets logged on the stat sheet. Making movies isn't about connecting the dots; the art is not a math equation where your eureka moment is a solved problem that crosses a new group of characters off your completion sheet. You've got to feel your way into the storm and find your spirit through the struggle. Good enough isn't good enough, or at least it shouldn't be, not with Disney's unlimited resources. As much as the Tomorrowland 1960s retrofuturism sets a bountiful stage for the action and Michael Giacchino's score punctuates the mood with operatic urgency, director Matt Shakman plays it safe whenever he can. The script from Josh Friedman, Eric Pearson, Jeff Kaplan and Ian Springer gives the big four just enough characterization to keep the predictable plot humming, but not enough to risk hitting a false note. Yes, cribbing off Brad Bird's Incredibles movies makes sense when you think about how this comic series influenced Bird with his Pixar masterclasses, but to what end if you can't add anything to the discussion? To borrow from another Bird movie, food critic Anton Ego from Ratatouille would probably send this dish back to the kitchen... not because it tastes bad, but because it lacks any sense of real perspective. Shakman's ability to set a stage was apparent with WandaVision, as he's really got a knack for atmosphere through production design. His projects with Marvel have all looked great, but the focus tends to be on allowing the aura to mask the lack of flavor. This is a film where the concept art book is probably a page-turner, but the script book might put you to sleep. The film occasionally scrapes a higher sky, but it pulls back within a moment's notice of even vaguely attempting to see what's possible beyond the stars. Pedro Pascal, Vanessa Kirby, Joseph Quinn and Ebon Moss-Bachrach all take dutiful approaches, but there's only so much for them to do. Any characterization has to be done through the performances, but it almost seems at times like most of the actors are just a bit bored by all the whizzing doo-dads and plot-moving chitter-chatter about how this connecting to that to save this day and that day if at all possible. Kirby gets occasional gravity through her character's journey into motherhood. Pascal also seems eager to chew on the film's only moral complexity, if he and his super team would be willing to sacrifice their newborn child in service to the world they have sworn to protect. In the film's best moment, a jittery reporter probes Pascal's Reed Richards about if his team is actually going to be able to save the world once Galactus enters the picture. Pascal nails the remorseful expression of doubt, and the world's favorite heroes quickly become a global pariah. However, the film doesn't wish to linger in this discomfort for longer than it has to, and the resolution to the only real dramatic meat on the bone is just far, far too tidy to register. The moment is the film's great weakness presented as a strength. It never lets itself sit in a decision that could challenge the audience; instead, it squarely aims at wriggling free from having to confront the messiness of the dilemmas its characters face. Also, it's a bit baffling that a film with such delirious cosmic oddities doesn't take more pride in its wilder nature. Part of why James Gunn's Superman worked so well is that Gunn never shied away from the inherently cartoonish nature of the material. His film is endearingly messy and thoroughly passionate; there's a willingness to breach the void and find out if something works or not. It owns its blemishes and soars at its heights. The latest Fantastic Four film sets a workable floor for itself because it refuses to install a ceiling. Like, this is a movie with a gigantic space robot man villain who wants to eat the Earth because he's hungry or transfer himself into the body of a baby. One of the main characters is a giant orange rock man who can grow a beard. You don't need to go full Taika Waititi to infuse your movie with even the slightest hint of irreverence. Even so, Marvel can chalk the film as a win because, for the first time in the company's history, it finally has a generally agreeable Fantastic Four it can use in other company properties. Audiences will probably enjoy the film because there's not much to hate. The golf claps abound. However, is that really the goal here now? Inoffensiveness with a historically problematic intellectual property is a sensible content strategy (mild vomit in throat), and The Fantastic Four: First Steps has no desire to do anything but Entertain the Fans (TM). It's a perfectly fine superhero movie, but it's not much more than that. Shakman and company get the job done, but nobody is going to accuse this movie of striving to be fantastic. These heroes are just happy to get home in one piece this time around.