
Hollywood A-lister's nepo baby son, 16, makes his red carpet debut at fashion show... can you guess who?
The nepo baby of a Hollywood A-lister made a stylish splash in Paris on Friday, stepping into the spotlight at the Dior runway show.
The dashing 16-year-old, whose dad won an Oscar for Dallas Buyers Club, looked completely at ease in front of the flashbulbs as he modeled a luxe light blue Dior pullover paired with crisp white cargo shorts.
With his hands casually tucked in his pockets, fashion-forward boots on his feet, and modeling clearly in his DNA—thanks to his Brazilian supermodel mom—the teen exuded effortless cool
Striking red carpet poses like a seasoned pro, his signature mop of curly hair added the perfect dose of youthful charm.
He's the oldest of three siblings, often seen alongside his younger sister Vida, 15, and brother Livingston, 12—though on Friday, he was flying solo and owning the moment.
So, can you guess the rising fashion star and his celebrity lineage?
The dashing 16-year-old, whose dad won an Oscar for Dallas Buyers Club , looked completely at ease in front of the flashbulbs as he modeled a luxe light blue Dior pullover paired with crisp white cargo shorts
Striking red carpet poses like a seasoned pro, his signature mop of curly hair added the perfect dose of youthful charm
If you guessed Levi McConaughey, eldest son of Matthew McConaughey and Camila Alves, you nailed it!
And if the runway ever loses its appeal—or Hollywood doesn't come calling—he can always step into the family's booming side hustle: Pantalones Tequila, the buzzy liquor brand launched by his famous parents.
Levi's modeling debut comes after the entire family embarked on a fun day at a Los Angeles theme park last week.
Matthew, 55, was joined by his wife, Camila, 42, and their three kids on a trip to Universal Studios on Thursday, posing for pictures in front of the gate.
The outing comes after McConaughey said he believes parenthood has made him a better actor.
'Having children, I know, has made me a better artist and a better actor. Kids see things for the first time all the time,' he explained to People.
'Their questions are innocent. I've become a better storyteller because I have kids.'
The actor voiced Buster Moon the koala in Sing and its sequel to give his children the chance to enjoy his work for once.
It was an especially meaningful moment for him when they realized his role in the films.
He said: 'Yeah, it was fun.... And as they got older, there's nothing I made that they could see.
'As you become a parent, you end up watching mostly what your kids are watching. And so I was like, 'Man, I've never been a part of an animated film and I like doing voice work' and so I went and did that.'
Alves, originally from Itambacuri, Brazil, moved to New York City at 19 to pursue modeling, eventually landing on top fashion magazines.
She met Matthew in 2006, and they tied the knot in a private Catholic ceremony in Austin, Texas, in 2012.
McConaughey, a Texas native, gained fame in Dazed and Confused (1993) and rose to leading-man status with hits like A Time to Kill (1996) and his Oscar-winning turn in Dallas Buyers Club (2013).
The couple teamed up in 2023 to launch their organic tequila brand, Pantalones.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Daily Mail
28 minutes ago
- Daily Mail
Bradley Cooper and girlfriend Gigi Hadid look happier than ever as they're greeted by fans after romantic date night in Paris
Gigi Hadid and Bradley Cooper were all smiles as they stopped for fans on their way home after a romantic night out in Paris on Saturday. The couple looked happier than ever as they headed home after the sun set in the picturesque French capital. Arrested Development star Gigi, 30, showed off her slim physique in a stunning light blue pinstriped sleeveless halter-style top that featured a plunging neckline. She paired the summery outfit with a pair of light blue denim jeans, while wearing her hair slicked back as her sunglasses rested on her head. The Hangover star Bradley, 50, was also dressed for the summer and wore a pair of grey loose-fitting trousers. Keeping in sync with his partner, he wore a light blue denim shirt with espadrilles shoes. While Gigi appeared to be reluctant to stop for the cameras at first, the Hollywood couple interacted with amused fans. They both flew into Paris for Fashion Week, with Brad papped attending Louis Vuitton Men's Spring 2026 event earlier in the week. Since beginning their romance in 2023, Bradley and Gigi have tried to keep their romance low-profile. Last month Gigi finally made their relationship Instagram official as she shared snaps from her star-studded April birthday bash. She uploaded a roundup of images, and nestled into the post was a snapshot of her passionately kissing her beau. The beauty affectionately held his face in her manicured hands as they lip-locked behind her multi-tier chocolate birthday cake. 'I feel so lucky to be 30! I feel so lucky for every high and low- for all the lessons and gifts both have brought me. To get to feel it all!' she said at the start of her caption. The Guest in Residence designer subtly gave a nod to her romance as she continued, 'I'm so lucky to be a mom, friend, partner, sister, daughter, colleague to some of the most unbelievable humans!! Their trip to Paris comes after Gigi finally debuted Bradley on her Instagram account just last month, after keeping their relationship low-profile for the last year and a half 'So lucky for the support and encouragement from all of YOU around the world, every day and on my birthday last week.' Recently the mom-of-one recently gave some insight into their bond. Speaking to Vogue in March, she said being with the actor has helped to give her a 'normal experience of dating.' 'Bradley has opened me up to going to the theater more, and that's something that's so nice to bring back into my life,' she shared. 'You want to give yourself a normal experience of dating and even for my friends who aren't public figures, that's hard. Where do you go? And, what? You just start talking to people?' Hadid mused. She reflected: 'I think just getting to the point where knowing what you want and deserve in a relationship is essential, and then to find someone that is in a place in their life where they know what they want and deserve… and you both do work separately to come together and be the best partner that you can be. 'I just feel really lucky. Yeah, lucky's the word.'


BBC News
an hour ago
- BBC News
Charli, Neil Young and Scissor Sisters give Glastonbury goosebumps
Saturday was a night of four headliners at Glastonbury, with fans facing the cruel choice between pop queen Charli XCX, rock legend Neil Young, disco scamps Scissor Sisters and Doechii - rap's hottest new voice. Charli XCX won the biggest audience, closing down The Other Stage and turning it into a sweat-drenched, laser lit club topping the bill on the Pyramid Stage, also delivered an all-time hits set, with gnarly, ragged versions of hits like Cinnamon Girl and Like A who only played for 45 minutes, still managed to mark herself out as a future headliner; while Scissor Sisters brought out actual Gandalf Sir Ian McKellen to perform Invisible Light. There was a lot to take in, then, thanks to one of the most crammed line-ups in the festival's start with Charli XCX. Using up the festival's entire smoke machine budget, she was alone on stage all night, but in constant motion - a mesmerising blur of hip-rolls, hair tosses, stomach crunches and opened her set with a mash-up of 360 and Von Dutch, two of the the standout track from last summer's culture-swallowing Brat album, as the record's logo burst into flames behind her - indicating that she's slowly coming to terms with leaving it rumours that she'd bring out a host of special guests, Lorde doesn't appear to duet on Girl, So Confusing, and Billie Eilish is missing from the number one smash, Guess. The only famous face we got was Gracie Abrams, who appeared on the big screens to perform the "Apple dance" that went viral on TikTok last year. Fans were momentarily disappointed, but nothing could detract from the insolent, messy glory of tracks like Club Classics or Sympathy Is A Knife. At the end of her set, she reclaimed I Love It - the bubblegum pop anthem she donated to Icona Pop in 2012, before reassuring fans that she wasn't really ready to let go of her breakthrough album, after all."I think you have all proven to me that Brat is forever," flashed a message on the video screens as the music disintegrated into glitched siren sounds and pyrotechnics exploded. "And honestly, I don't know who I am if it's over."So that's settled: Charli can come back and headline again after Glastonbury's fallow year in 2026. Neil Young's set was a very different, but equally gnarly, proposition. The rocker walked on stage alone, hunched over with his face obscured by a corduroy cap, to play a hushed acoustic version of the classic Sugar that was a cunning misdirect. His new band, The Chrome Hearts, joined him immediately afterwards, launching into a furious flurry of guitar anthems - Be The Rain, Cinnamon Girl and Hey Hey, My My - full of jagged chords and intense crowd swooned when they switched back to acoustic mode for The Needle and The Damage Done and Harvest Moon; and cheered when Young announced he was playing Hank Williams' old guitar (a battered and worn acoustic) on the Crosby, Stills, Nash & Young song Looking star might be 79 years old, but his voice is still unusually supple and youthful; buoyed up by The Chrome Hearts' close-knit they were at their best on the heavier material - in particular Like A Hurricane, whose time-bending guitar solo felt like a revelation. Young always seems to get great pleasure from playing that particular song, and it was mesmerising to ended the set with Tear Your Hatred Down, a savage takedown of politicians and the war machine, that contrasts the idealism of the 1960s with the cruelties of the modern world. Both as a protest song and a lament for human nature, it was a powerful way to end a peerless set. Doechii drew a huge crowd to the West Holts Stage - including pop star Harry Styles, who danced away to her brief set in the middle of the field, unbothered by Florida-born rapper, known to fans as the Swamp Princess, sang, rapped, danced and changed outfits multiple times, in a show that was themed as a lesson in the history of flow was flawless on breakout tracks like Persuasive, Anxiety, Denial Is A River and Alter Ego - and she even made fun of herself, recreating a popular social media clip from this year's Met Gala, where she was overhead demanding "more umbrellas" to cover her body as she changed was aided by her eight dancers, who climbed over props, twerked and even vogued while descending a rise over the past year has been nothing short of phenomenal and, while fans await her debut album, this slick, bespoke Glastonbury performance felt like a new feather in her Sisters, meanwhile, continued their reunion by packing out the Woodsies tent for a set that reminded everyone how many classics they'd written - from I Don't Feel Like Dancing and Laura to the ever so sleazy Filthy/ Ware joined them on stage for a celebratory strut through I Don't Feel Like Dancin', while Ian McKellen recreated his monologue from the 2010 single Invisible he stood in the wings, fans started chanting "Oh, Ian McKellen" to the tune of The White Stripes Seven Nation Army, at which the actor clasped his hands to his face in shock. What happened earlier? Although the clash between acts was tough, none of them suffered the ignominy of a small crowd. Charli definitively had the biggest audience and while Young's set started with a thinner-than-usual crowd at the Pyramid Stage, people drifted in during the first 15 minutes - and most of those who did stuck with him. Earlier in the day, Kaiser Chiefs opened up the main stage, striding out to the strains of the Was (Not Was) classic, Walk The it a self-deprecating reference to their advancing age? Who knows. But after 20 years, songs like Every Day I Love You Less And Less and I Predict A Riot sounded as fresh as country singer Brandi Carlile was also a revelation to much of the audience. A huge star at home, she'd never had a Top 40 album in this country until she released the Elton John collaboration Who Believes In Angels this her early afternoon slot, she won the crowd over with a gorgeous cover of Radiohead's Fake Plastic Trees, and prompted a few tears with the acoustic ballad You Without Me, which depicts her daughter's rocky teenage the end of the set, she was on the receiving end of a supportive chant of "olé, olé, olé"."It's official," Carlile beamed. "I have now played the greatest festival on earth… And it only took me to 44 years old to do it." Jade drew a huge crowd to the Woodsies stage, displaying her 17 years of pop experience with a slick, high concept set full of pop bangers; including a thrilling medley of songs from her old band, Little Raye got one of the day's biggest audiences at the Pyramid Stage. Backed by a miniature orchestra, she put a jazzy spin on hits like You Don't Know Me, Oscar Winning Tears and her award-winning psychodrama singer played the same stage just two years ago, near the bottom of the bill, before her career enjoyed a remarkable turnaround that culminated in a record haul of six Brit Awards."When I came out here I was so nervous," said the singer, who'd earlier admitted her voice was "a bit croaky"."Now I feel so up home at here and I don't want to leave." Raye inherited her audience from a "secret" set by Pulp, who'd been billed as Patchwork, fooling band were there to celebrate the 30th anniversary of their career-making headline performance in 1995, when they were booked at the last minute to replace The Stone Roses."We only had 10 days notice," said frontman Jarvis Cocker, "so consequently we were the most nervous we've ever been."But today I feel very relaxed."Patchwork were Pulp, after allHaim were the special guests on The Park stage, drawing a humungous crowd for their rhythmic take on classic rock. Highlights included set opener The Wire (a song they wrote in 2008!), the sleazy groove of Gasoline and the party-jam R&B of Relationships. The day had a share of controversy, courtesy of rap trio Kneecap and punk-rap band Bob Vylan, after their performances on the West Holts say they are assessing videos of comments made by both acts, who criticised the UK government and Israel's actions in Gaza during consecutive, politically-charged hit back at Kier Starmer in politically-charged setGovernment condemns Glastonbury chants aired live on BBC There was drama on The Other Stage - the festival's second-biggest arena - after Deftones had to pull out due to illness.A quick ring around the site fixed the gap in the schedule, with UK rap supremo Skepta putting on an impromptu performance. "No crew, no production but I am ready to shut Glastonbury down," he posted on social media, ahead of the show. "Victory lap time." He was preceded by Mercury Prize winners Ezra Collective, whose life-affirming jazz and Afrobeat grooves got a helping hand from special guests including Loyle Carner and Sasha by drummer Femi Koleoso, they brought a carnival atmosphere to the field, with the audience making space for each other to sway, shake and generally flail their limbs as the sun set over Worthy Farm."You practice your whole life for just one second that might feel like that," beamed Koleoso as he came off stage. "Sometimes we're in these really negative bubbles where it's like, we all hate each other, we're all divided. But sometimes you just need to go to Glastonbury and see that that's a myth."Love for one another and respect for each other and our neighbours, it does exist, and it's a special thing to be the soundtrack to that."The festival continues on Sunday with performances from Rod Stewart, Chic, Wolf Alice, Joy Crookes and Pyramid Stage headliner Olivia Rodrigo.


BBC News
an hour ago
- BBC News
Jacky Jhaj: How was a paedophile able to hire Disneyland?
When it emerged that last weekend a convicted paedophile had organised a fake wedding to a nine-year-old at Disneyland Paris, many people were would do such a thing? How was it even possible? The BBC understands it was the latest bizarre stunt by Jacky Jhaj – a British man I have been investigating for two first came to my attention after a tip off from a teenage girl came out of the blue in was horrified that she had come face to face with a paedophile who she had been hired to fawn was too terrified of him to go on the record - but I tracked down a number of aspiring actors who had also been directed to scream at Jhaj while he was parading down a red carpet, and reach out to try and touch him. In all, 200 children and young women had been recruited by reputable casting agencies to play Jhaj's fans at a fake film premiere in London's Leicester Square that year. Some were as young as the end of the event someone recognised Jhaj - who had previously been found guilty of sexual activity with two 15-year-olds in 2016 and sent to fake red carpet was one of a litany of stunts he has organised since his release which often involve casting girls as his fans. All have been organised at great expense, while he was on the Sex Offenders Register and subject to restrictions on his the mock-wedding at Disneyland Paris a nine-year-old Ukrainian girl was flown in to play his theme park can be privately rented outside of its opening hours and actors had been booked at great cost to be there – one received £10, BBC understands that Jacky Jhaj, 39, who is from west London, has now been charged by French authorities in connection with organising the the past two years I've set out to try and understand how he has been able to carry out these stunts and why there are not more stringent rules preventing have taken place at high profile British landmarks – including the British Museum, the Royal Exchange in London and the University of also typically involve young people being hired to act as his fans in elaborate productions. Videos of some of them were uploaded to a YouTube channel which was watched more than six million times and had 12 million remained on YouTube for years until last September, when the BBC alerted Google, which owns the platform.A video on a separate channel showed him next to one of the victims he was convicted of sexual activity with – with her face anonymised. It had remained on YouTube for four years with more than a million told the BBC at the time that it takes users' safety seriously but offered no explanation as to how an account featuring a man with almost no profile or success had 12 million subscribers, or why the videos had not been previously on social media sites appear to cast Jhaj as a successful writer and singer and are often styled as music videos. Many are highly concerning - some feature him posing with young children and weapons. It is not clear if the guns are real or revel in his infamy. In one, he is greeted by fans apparently celebrating his release from Wormwood Scrubs prison.I wanted to know how he had organised the stunts – and if he had received help. What else do we know? Over the past two years, I have spoken to videographers, production assistants and technicians who were hired for some of the events before they discovered Jhaj's real man repeatedly appears in videos they shared with have been sent images and footage of him at three of the stunts by people who described him as assisting the choreographer hired for dance auditions, and apparently filming. At a different event last year, he was confronted by duped cast members who recognised Jhaj from our reports and showed him the online cast members filmed him acknowledging that Jhaj is a convicted sex offender but he says he is his "friend" and is now "free".At this event Jhaj was filmed posing naked in front of a mocked-up BBC News lorry in London which had been set on had initially appeared there disguised by prosthetics – before he removed them and was identified as the man from our findings from the French prosecutor also said that make-up artists had allegedly changed the organiser's facial features dramatically at the Disneyland event. How Jhaj funds his stunts - which involve extraordinary costs on venue hire, casts and props - is a production hired a tank, while in another a mock police car was set on booking of Disneyland Paris alone would have cost more than €130,000 (£110,000), according to the French broadcaster BFMTV.I was also told that hiring the red carpet space that is the home of movie premieres in Leicester Square would have required tens of thousands of was listed as a director of a business that was wound up in 2016 – but there is no other obvious source of money.I also wanted to know how he had been able to carry out these events while subject to a sexual harm prevention have seen a copy of it. It lists ten restrictions on his activities – but does not appear to explicitly prohibit the stunts he had order restricts Jhaj from contacting his previous victims, entering public places for the use of children and deliberately contacting any girl under the age of there is no blanket ban on hosting events with children under 16 if they are supervised – as was the case with the Leicester Square stunt, where some adults attended as chaperones. One police officer to 50 offenders I also wanted to know who, if anyone, was responsible for monitoring convicted my first report, a police officer who helped monitor Jhaj rang me, asking for information on his said he was responsible for managing the whereabouts of dozens of offenders - and it was challenging National Police Chiefs' Council advise that the minimum safe staffing levels at which paedophiles should be monitored is one officer to every 50 Metropolitan Police's average offender management ratio was one officer to 40 offenders – well within the benchmark.I asked other forces what their ratios were and some never replied. But 10 out of 26 forces failed to meet this benchmark, according to Freedom of Information requests received last one force, officers were responsible for monitoring 85 offenders each on forces defended their resourcing – arguing that these are advisory levels only and also dependent on risk assessments of successfully managing 50 sex offenders is "impossible" according to Jonathan Taylor, a safeguarding expert and former child abuse investigator."I feel so sorry for the officers", he says. "It's a poisoned chalice - one of the paedophiles will re-offend. This case also highlights concerns about a lack of safeguarding in entertainment and tech companies enabling these types of offenders."The BBC understands that Jhaj is currently detained in French custody. The local prosecutor there says the Ukrainian girl involved in Saturday's stunt had not been a victim of either physical or sexual violence and had not been forced to play the role of a statement also said Disneyland Paris had been "deceived" and that the organiser had used a fake Latvian ID to hire the BBC approached Disneyland Paris for comment - they did not Metropolitan Police said that a 39-year-old man is wanted by them for breaching restrictions placed on his activities, and is also separately being investigated for "any possible" fraud reporting by Alex Dackevych and Richard Irvine-Brown.