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Junior movie X review: Kireeti Reddy starrer family drama earns praise as netizens applaud 'wonderful story'

Junior movie X review: Kireeti Reddy starrer family drama earns praise as netizens applaud 'wonderful story'

Pink Villa4 days ago
Junior, starring debutant Kireeti Reddy in the lead role, premiered on July 18, 2025. As the movie was released in theaters, netizens took to their social media handles to express their opinions. If you haven't watched the film yet, here's what the users have to say.
Talking about the film, one user said, 'Wonderful, fantastic story dance, voice, heroism. I like so much, #junior movie sir…' Another user said, 'Bro Casually dominated the Sree Leela,' talking about a song sequence.
A netizen complimented Kireeti's dance with DSP's music and said, 'For my man DSP. Dance lu iragadeesthunnadu.' While most people lauded the film, another netizen said, '#Junior is very boring. Can't even watch #Sreeleela is wasting time. She's a good dancer but not as a lead.'
With a huge praise for DSP's music, a user said, 'Anna music in junior movie, songs,bgms. Kireeti Kadupu nindipoindi nanna ana gane vacche bgm. Mee music tho kadupu nimpesavu kada Anna Uday Gari mixing Quality. Love you Anna.'
About Junior
Junior, starring Kireeti Reddy in the lead role, is a family drama movie that tells the story of Abhi, a young man who has a generation gap with his father, who cares for him deeply.
However, after falling in love with Spoorthi, he took an internship at an MNC under Vijay Soujanya, the soon-to-be CEO of the company. As they initially clash, their lives take a turn when a shocking truth is revealed, sending them back to their roots.
The bilingual Telugu and Kannada language movie features Sreeleela, Genelia Deshmukh, V. Ravichandran, Rao Ramesh, Harsha Chemudu, and many more in key roles.
For those who are unaware, the film's lead actor, Kireeti Reddy, is the son of politician and businessman Gali Janardhana Reddy, who has served as an MLA in the state of Karnataka.
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‘Junior' box office collections day 4: Genelia Deshmukh's film sees dip yet holds steady; mints Rs 6.25 cr nett
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Time of India

time37 minutes ago

  • Time of India

‘Junior' box office collections day 4: Genelia Deshmukh's film sees dip yet holds steady; mints Rs 6.25 cr nett

(Picture Courtesy: Facebook) Telugu film 'Junior', headlined by Genelia Deshmukh and introducing Kireeti Reddy , continued its theatrical journey on its first Monday with early estimates suggesting a collection of Rs 75 lakhs. As reported by the Sacnilk website, despite a drop from its Sunday peak, the film's overall tally now stands at Rs 6.25 crore net in India. Junior - Official Trailer A decent start with gradual growth over the weekend Released on Friday, Junior started with a modest Rs 1.5 crore net, which included Rs 1.3 crore from the Telugu version and Rs 20 lakhs from the Kannada version. The collections grew steadily over the weekend earning Rs 1.8 crore on Saturday (a 20% increase). It minted Rs 2.2 crore on Sunday (22.22% rise). Occupancy stats: mixed response across regions On its fourth day, 'Junior' recorded a 17.30% overall occupancy in Telugu regions, with Guntur and Warangal showing the strongest footfalls. Guntur led with an impressive 46.50% occupancy, followed by Warangal at 31.75% and Vizag at 24.75%. In contrast, cities like Hyderabad (17.25%), Vijayawada (12.5%), and Nizamabad (4.25%) saw more moderate responses. Kannada version finds modest audience T by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Gold Is Surging in 2025 — Smart Traders Are Already In IC Markets Learn More Undo he Kannada version of Junior posted a 13.30% occupancy on Monday. Among the shows, the evening and night slots performed slightly better, with evening shows seeing 15.18% and night shows 14.88%. Junior, produced by renowned industry names and backed by a strong cast including Sreeleela, Rao Ramesh, and Ravichandran Veeraswamy, appears to have found a small but steady audience. Whether it can hold through the weekdays and pick up again next weekend will determine its long-term box office run. Our verdict ETimes gave the film a rating of 3 stars and an excerpt from our review reads, "The film begins by focusing on college life and corporate culture, which may feel familiar and strong emotional arcs and touching dialogues, it delivers a story that resonates with audiences of all ages. With top technicians like Senthil Kumar behind the camera and Devi Sri Prasad composing the music, the film offers a visually rich and musically engaging experience. It's a high-budget family entertainer that takes you back a decade or two—wrapped in warmth, emotion, action, drama, and memorable songs."

Film on Kittel: Techie's cinematic tribute to author of first Kannada-English dictionary
Film on Kittel: Techie's cinematic tribute to author of first Kannada-English dictionary

Time of India

time4 hours ago

  • Time of India

Film on Kittel: Techie's cinematic tribute to author of first Kannada-English dictionary

Bengaluru: Long before modern digital tools and standardised linguistic references, a remarkable milestone in the history of the Kannada language was quietly achieved in the late 19th century. Perhaps no other Dravidian languages found a lexicographer then, but in Kannada, a comprehensive Kannada-English dictionary was published way back in 1894 by German missionary Ferdinand Kittel, paving the way for future studies in Kannada linguistics. While Kittel and his works have taken a backseat over the last 130 years, a Mysuru-based techie-turned-filmmaker, Prashant Pandit, has brought back the memories of Kittel in his latest non-fiction and period film, The Word and the Teacher (Das Wort und Der Lehrer), recollecting the life and works of Kittel both in Germany and Karnataka. The film will be screened at Bangalore International Centre (BIC), Domlur, from 11am to 1pm on July 27. Indian languages always fascinated Pandit, who worked at Hewlett-Packard (HP). His interest in the evolution of languages and scripts made him dive deep into the linguistic world, and that was when he came across Kittel's work. "From being an outsider to the language to publishing the first comprehensive dictionary comprising prominent dialects, Kittel did remarkable work in Kannada. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like No annual fees for life UnionBank Credit Card Apply Now Undo Now it is a lot easier to pick up any language. But in the 1870s, barring some level of conversational Kannada, it was humanly impossible for an outsider to master the language and bring out a dictionary of 70,000 words! I was curious to know how Kittel learnt Kannada so clearly and took up the project," Pandit recollected his journey, which started in 2020. You Can Also Check: Bengaluru AQI | Weather in Bengaluru | Bank Holidays in Bengaluru | Public Holidays in Bengaluru Planning to make a 15–20-minute film on Kittel initially, Pandit began scouting for details from Mangaluru, Madikeri, Dharwad, Ooty, and Germany. But his extensive research during the Covid-19 pandemic opened several unexpected details about Kittel's life, works, and contributions to Kannada language and literature. "Then I was convinced that a short film format would not do justice to the man who devoted his entire life to Kannada, and decided to produce a full feature-length film, tracing his journey from Resterhafe on the northwestern coast of Germany to Canara (Karnataka), along with a few of my friends who helped me with the film. " The 80-minute, tri-lingual period film, shot in various locations where Kittel lived and worked both in south India and Germany, has adopted the first-person narration technique. "Documentaries usually have anecdotal references, interviews, or soundbites along with visuals. But our film does not feature any of these, and Kittel himself narrates his life and works based on his own letters to his kids and superiors throughout the film. I wanted it to be realistic, authentic, and there should not be any room for fictional fantasies. We have included archival photographs from the 19th century, folk songs, and poems penned and translated by Kittel," Pandit explained. Being a developer, Pandit, during his research visits to Mangaluru and other places, discovered that Kittel used unique fonts in all the typefaces of Kannada. "All of these were designed and cast in Europe and brought to India. Aesthetically, they were eye-catching and pleasing for readers. Then it struck me, what if we develop the same into modern-day digital fonts as part of Indic computing. Subsequently, I brought out these unique digital fonts based on Kittel's typefaces and named it 'Karnataka F Kittel font' after him. This Unicode font is free of charge and available on the open-source platform," Pandit explained. "Barring a few write-ups and a few doctoral theses, there are not many details available about his work and life here. Out of his 71 years, Kittel spent about 40-45 years in Karnataka. After his missionary work, when Kittel was sent back, the Britishers recalled him. In fact, his dictionary was the first-ever crowd-funded project as it was funded by the Mysore kings, British officers, and other philanthropists. From the day he landed in Karnataka till the publication, he literally noted down every word in multiple dialects of south, north, and coastal Karnataka. Some of the words even have descriptions spanning 2-3 pages!" Pandit said.

In today's reel age, vertical content will surely click with Kannada audiences: Manvita
In today's reel age, vertical content will surely click with Kannada audiences: Manvita

Time of India

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  • Time of India

In today's reel age, vertical content will surely click with Kannada audiences: Manvita

With attention spans shrinking in the age of scrolling, the new generation of audiences are craving entertainment that that they can enjoy from the comfort of their homes, right on their phones, believes Manvita Kamath, adding that this was the reason behind her latest move: starring in a vertical format OTT Kannada series — a first for her and an exciting experiment for the industry. What makes this project even more groundbreaking for Kannada cinema is its subscription model. 'People have to subscribe to watch the series, which is essentially like buying a movie ticket for content that you can watch on your phone. This is a big experiment, and if it works and the response is good, it will be a major win for our industry,' she adds. In a chat with us, she talks about the Kannada film industry and the OTT space, the role of screenwriting in shaping a narrative and more: 'I BELIEVE VERTICAL VIEWING HAS ITS OWN AUDIENCE' While some might argue that long-form horizontal content on OTT still dominates, Manvita feels both formats can co-exist. 'Horizontal viewing is a different market altogether; it is still huge, especially for people who want to binge-watch. But vertical content has its own audience, especially among the younger crowd who live on their phones. That said, the real challenge today is cracking the internet's algorithm. You'll see a silly video go viral with millions of views, while something meaningful struggles.' 'KANNADA INDUSTRY MISSED OUT ON OPPORTUNITIES IN THE OTT SPACE' She notes that the Kannada film industry's relationship with streaming platforms has been a mixed bag. 'While some shows and films, like Ayana Mane and Murphy, gained traction once they hit digital platforms, the industry as a whole hasn't found its footing in the streaming world. When OTT platforms first started investing in regional content, I don't think we used that opportunity wisely. We didn't focus enough on quality. And if you don't deliver what a streaming platform expects, they won't come back. Quality isn't just about good visuals; it's crucially about the content itself,' she explains. 'AS AN INDUSTRY, WE NEED TO EXPLORE MORE ROOTED STORIES' Drawing parallels with Malayalam cinema and how it he leveraged the OTT space, Manvita says, 'Malayalam cinema is doing so well globally because their stories are culturally rooted. Karnataka, too, has such a rich and vast culture, beyond just Bengaluru, Mysuru, or coastal areas. There are so many rich, diverse stories waiting to be told — we just need to research and be open to experimenting.' 'SCREENPLAY PLAYS A HUGE ROLE IN SHAPING A NARRATIVE' Screenplay is paramount, believes Manvita. 'The same story can be told a hundred ways. How you present it — your perspective, your screenplay — that truly matters. My film Kendasampige, for instance, clicked because of its raw, realistic energy and execution, despite being a low-budget true story,' she explains.

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