Inside Thom Browne's Upper East Side Store Opening Party
Thom Browne's dachshund was rendered in a bright green topiary stationed on 72nd Street, drawing the curiosity of casual passersby. The troupe of people dressed in coordinating seersucker was another clear sign that something was afoot on the Upper East Side block on Wednesday: the opening of two new Thom Browne boutiques, including a store dedicated to accessories, on Madison Avenue.
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Hector himself had dropped by briefly earlier in the day (he's not big on crowds), but the late afternoon cocktail party had plenty of other VIPs in attendance. Guests included recent Emmy nominees Walton Goggins and Tramell Tillman, who both attended the Met Gala with Thom Browne in May, and Cristin Milioti; Christine Baranski and her 'The Gilded Age' costar Louisa Jacobson; 'Materialists' director Celine Song, and Jack Innanen.
'I love everyone's red accents,' said Ella Emhoff, a red handbag slung on her arm, as she took stock of the sartorial theme throughout the room. Everyone, naturally, was dressed in their Thom Browne best, including the man himself.
' It's nice to finally be in the neighborhood,' said Browne, holding court throughout the evening. 'It's an idea I've had for a long time. I live around here, so it's just nice to get this store together.'
Coups of Champagne and trays of ice cream — served in Thom Browne-branded cups — were eagerly accepted as guests made their way around the intimate boutique. Goggins, dressed in a blue and white seersucker suit, paused to browse a rack of clothing upon arrival. The 'The White Lotus' star had an icy glass of lemonade in hand.
' I'm not used to carrying a bag,' said Tillman, navigating the top handle accessory that accompanied his Thom Browne pleated skirt and cashmere mesh basketball jersey, layered over a white button-down, as he posed for photos. The actor is firmly Team Thom after attending his first Met Gala with the designer in May. ' It's very clean, very simple but also elegant — it has a statement, which I truly appreciate,' said Tillman of the designer's approach.
On Tuesday, the 'Severance' actor received his first Emmy nomination, for outstanding supporting actor in a drama series. ' It's a dream come true and 100 percent honor to be amongst all the nominees,' said Tillman. 'And 27 nominations for 'Severance' — it's absolutely incredible.'
' It's been very lovely 24 hours,' said Milioti, who also received her first Emmy nomination this week, for her lead role in 'The Penguin.' 'I'm blown away by the amount of nominations we got. And then also 'Black Mirror' got a bunch of nominations — it's been really great.' The rest of the summer holds 'a little bit of work, a little bit of play' for the actress, and then it's back to Los Angeles for the lead-up to the Emmy Awards in September.
The actress, dressed in a long tailored gray dress, had a front-row seat at Browne's runway show in New York earlier this year. ' It was like witnessing art — walking, breathing art,' she said. 'You feel so fabulous in his clothing. It's so structured and timeless and classic, while being its own creature.'
Launch Gallery: Christine Baranski, Walton Goggins, and More at the Thom Browne Madison Ave Opening Party
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India beckons Western fashion brands — but cultural missteps can be costly
When Prada sent several pairs of brown sandals with distinctive toe rings and intricate stitching down its menswear runway in Milan last month, observers were quick to point out their resemblance to a centuries-old piece of Indian heritage. The storied Italian fashion house may have presented the shoes as a new luxury creation, but many in India simply saw a pair of Kolhapuri chappals — traditional hand-crafted sandals with roots stretching back to the 12th or 13th century. Prada's initial failure to acknowledge the inspiration behind the shoes, which had earlier been described by the brand simply as 'leather flat sandals,' according to the Guardian, sparked fierce and ongoing debate over cultural appropriation. Critics accused the label of erasing the legacy of Indian artisans, with voices across social media calling out what they saw as blatant design theft. Within a week, Prada had acknowledged in a letter to an Indian trade group that the sandals in its men's Spring-Summer 2026 collection were indeed 'inspired by traditional Indian footwear.' In a statement to CNN, the brand said it has 'always celebrated craftsmanship, heritage and design.' Prada later added that it had met artisanal footwear manufacturers in India 'to discuss potential opportunities for future collaboration.' Prada's readiness to confront the controversy could be a reflection of the fashion industry's growing interest in India's luxury consumers — and a reluctance to anger them. But the episode also epitomizes how Western labels have often struggled to meaningfully engage with the country's crafts and culture. India's luxury market is on a dramatic ascent, estimated to expand from $7.73 billion in 2023 to $11.3 billion by 2028 — a rate that would likely outpace most of the world's major luxury markets, according to global consulting firm Kearney. 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She also noted that the pastel-colored blouse, skirt and scarf were strikingly similar to lehengas worn by Bollywood celebrities in the early 2000s. In a statement to The Washington Post, Reformation said the design in question was inspired by a 1990s-era John Galliano gown and scarf set owned by the model Devon Lee Carlson, with whom it collaborated on the collection. just my thoughts on these pieces from the ref x devon collab #greenscreen #reformation #browngirl #browngirltiktok #lehenga #dupatta #devonlee #fashion #springfashion #indianoutfits #southasian #southasianfashion #jhumkas #ibizaoutfits #scarves H&M, meanwhile, recently came under fire for a sleeveless sheer 'long camisole' top and trouser set that many social media users likened to the salwar kameez, a traditional Indian tunic and pant. 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'It's a powerful shift, almost like we're reclaiming our own narrative,' Gaurav Gupta told CNN. 'Designers from India are now presenting on the global stage not as 'ethnic' alternatives, but as innovators with our own language, our own shapes, our own ideologies. We're not adapting to fit in anymore; we're expressing to stand out.' For many Indians, the Kolhapuri chappals that Prada said it was 'inspired' by represent the ingenuity and artistry of Kolhapur, a historic city nestled in the country's western Maharashtra state. Typically crafted from locally sourced buffalo hide and tanned using traditional vegetable dyes, the sandals could effectively withstand the relentless heat and rugged terrain of the Deccan Plateau. The distinctive toe loop, which is attached to the T-strap, helped keep them close to the wearers' feet. Cutting across generational and social divides, the Kolhapuri chappal embodies both the enduring spirit of rural India and a bridge to contemporary fashion. The shoe is protected by a coveted 'geographical indication' tag — like the one ensuring Champagne is only produced in France's Champagne region — that, in theory, safeguards this symbol of Indian heritage from copycats. 'It's something truly Indian,' said Shubhika Sharma, the prominent Indian fashion designer and founder of the label Papa Don't Preach, in a video interview. Prada's initial failure to acknowledge the Indian artisans behind the design amounted to a 'missed opportunity for Indian craftsmanship,' Sharma added. About 10,000 artisan families in Kolhapur are engaged in the chappal trade, according to local media reports, though many of them struggle in poor conditions and earn low wages. In India, Kolhapuri chappals can retail for as little as $5 or as much as $100, depending on the quality of leather and level of craftsmanship. 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