
‘Little Bornean Birdie' clinches 2nd spot at world dance final
PETALING JAYA : Sarawak's 'Little Bornean Birdie', nine-year-old dancer Dion Das Louis, has clinched second place at the Dance World Cup finals held in Spain yesterday.
Dion, from Kuching, represented Malaysia in the mini solo national and folklore category, where he performed a dance inspired by the traditional Ngajat Iban and two of Sarawak's iconic birds, the burung ruai (great argus) and the kenyalang (hornbill).
He scored 93.8 points, just 0.3 points behind the gold medallist from Germany, coming ahead of 34 other contestants from around the world in the competition, which is billed as the world's largest all-genre dance competition for children and young adults.
Speaking to the Borneo Post, Dion said he was initially nervous as there were many good dancers from all over the world.
'But I am very happy and proud to have made it this far on the international stage and given the opportunity to compete against the 34 dancers,' he was quoted as saying.
His mother, Edina Lanying, said she and her husband, Louis Lansam, plan to enrol Dion in more international events next year, and hope to see him represent Malaysia at global cultural festivals.
In July last year, Dion won gold medals in the junior division ethnic dance and photo shoot model categories of the World Championships of Performing Arts in Long Beach, California. He also won a silver medal in the formal model and casual model categories.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Borneo Post
34 minutes ago
- Borneo Post
‘Echoes of Love': Kuching pianist returns home in stirring recital with husband
Wong performs under the glow of stained-glass windows at St Peter's Church, Kuching, during the 'Echoes of Love' recital on July 1. KUCHING (July 6): Kuching-born pianist Esme Wong made a memorable return to her hometown with a stirring classical recital alongside her husband, acclaimed American pianist Jacob Nydegger, in a performance titled 'Echoes of Love' on July 1. Held at St Peter's Church in Padungan here, the concert unfolded under the soft glow of warm lights, setting the stage for an evening that lingered in the hearts of those in attendance. For Wong, the performance was more than a concert – it was a homecoming. This night marked a full-circle moment. From growing up in Sarawak to performing on stages like Carnegie Hall, Dresden Kulturpalast, and the Winspear Opera House, Wong's musical journey has been nothing short of extraordinary. Wong and Nydegger in perfect synchrony at the piano, captivating the audience with their emotive and nuanced performance. Now based in Dresden, she serves as an opera coach at Landesbühnen Sachsen and is actively involved in musical outreach in countries such as Bosnia and Cambodia – a reflection of her belief in music's power to heal and unite. Her husband and musical partner, Nydegger, brought his own distinguished artistry to the recital. A winner of the Petroff Piano Competition, he has performed at renowned venues including the Royal Albert Hall and Frauenkirche. His playing in Kuching captivated with its breathtaking blend of power and elegance. The pianist duo take a bow to a standing ovation after their heartfelt performance. Their joint performance, marked by emotional intensity and technical mastery, moved the audience to silent awe, followed by a rousing standing ovation. But more than the music, it was the profound sense of unity that struck a lasting chord – two worlds, two hearts, and one shared language: music. 'For us, this was more than a concert. It was a reminder that our roots can reach far, and yet still return home – stronger, kinder, and full of love,' Wong said. Echoes of Love Esme Wong Jacob Nydegger Kuching pianist St Peter's Church

Malay Mail
2 hours ago
- Malay Mail
Ujang's next chapter: How Malaysia's cartoon pioneer reinvented himself after losing his creations
KUALA LUMPUR, July 6 — In the pre-social media landscape of 1980s and '90s Malaysia, entertainment often came from television cartoons, outdoor activities, and the simple joy of a good comic book. Amidst international titles, one local comic magazine truly resonated nationwide, its name still fondly remembered by those who grew up in that era: Ujang. This iconic magazine was brought to life by Malaysian cartoonist Ibrahim Anon, 59, known widely by his pen name, Ujang. A familiar name in the local cartoon scene, he was celebrated for his humour, storytelling, and art that distinctly highlighted Malaysian identity. The magazine famously introduced characters like Usop Sontorian, later adapted into a beloved animated series co-created by Ujang himself and the late Kamn Ismail. The popularity of Usop Sontorian, and later Keluang Man, is a testament to their cultural impact — as those who grew up in that period would likely attest. 'Even today, many decades later, when I attend book exhibitions or pameran kartun (cartoon exhibition) events, people still remember me as the creator of Usop Sontorian. It's not just the adults who grew up with it — even children from this generation know these characters,' Ujang said. The classic and popular 90s Ujang magazine on display, which was brought to life by Ujang himself. — Picture by Firdaus Latif Decades have passed since the series stopped airing and the Ujang magazine ceased publication. The journey has not been easy for the cartoonist, who has faced bankruptcy, lawsuits, and the loss of rights to his past creations, which are now registered under different ownership. 'Back in 1993, none of my works were registered under the Copyright Act 1987,' Ujang recalled. 'I was naive and unaware of how to protect my intellectual property, and there wasn't much awareness about it at the time.' Ujang 2.0: Life after the limelight Fast forward to 2025, Ujang has since explored diverse ventures. He partnered with MCT Official to organise Monsoon Casting, a fishing tournament held during Malaysia's monsoon season, typically in Terengganu. He has also ventured into the gold bar business, collaborating with KABGold to produce limited edition 0.5g and 1g gold bars featuring his artwork. Despite branching out, Ujang's cartoonist spirit remains undiminished. 'I still do the artwork for banners at the Monsoon Casting events,' he said. 'The same goes for my venture into gold bars; if it involves any artwork, I'll be the one drawing it.' He has also produced a five-episode anti-drug animated short titled Lebih Baik Cegah: Adiwira Penegak Keamanan. Today, he continues to draw and create animations, primarily using software like Autodesk, sharing his art on Facebook and TikTok — not as a business, but as a personal passion. Ujang's artwork when venturing into the gold bar business with KABGold. — Photo courtesy of Ujang Then vs Now: Ujang on the evolution of Malaysia's comic scene Ujang observes a growing wave of young Malaysians pursuing careers in cartooning. 'There were many aspiring cartoonists in the past, but now there are even more — because they have the facilities,' he noted. According to Ujang, digital platforms have opened new avenues for artists to build careers and publish their work independently. 'Back then, artists had the talent and the passion, but they often lacked the platform. The only way to get a comic published was through a traditional publisher, and only if it was accepted,' he explained. When asked for advice for today's local comic artists, Ujang humbly demurred. 'I believe young people today are so knowledgeable that it's no longer the older generation guiding the young, but often the other way around.' The Ghibli Effect: Why Ujang thinks anime still rules 2D for Malaysians Ujang personally feels that when it comes to 2D animation, Malaysians are often more drawn to Japanese anime, particularly the works of studios like Studio Ghibli. While 2D animation is still loved, he notes that many local animators have shifted their focus to creating 3D animation. Ujang sketches a character on the spot after an interview with Malay Mail. — Picture by Firdaus Latif 'It's not that the appreciation for 2D has vanished — rather, the success and opportunities in 3D animation have encouraged many to pursue it instead,' he explained. According to Ujang, very few local animators now specialize in 2D, with 3D having become the dominant medium, partly due to limited opportunities in traditional 2D. However, he remains optimistic, stating that today's Malaysian animation has the potential to reach Hollywood standards. Still in the picture In addition to his artistic pursuits, Ujang — no stranger to the film industry, having appeared in the 1996 film Yes Tuan — is set to play a small role in the upcoming live-action series Metaloka by Anithink Studios, scheduled for release later this year. When asked if he would ever return to being a full-time cartoonist, he replied, 'I'm tired and in a very happy place now, so I would only continue drawing for fun.' They say you should never forget those who opened doors — and Ujang was undeniably one of them. He helped pave the way for Malaysia's comic and animation scene, and he remains just as excited to see where it goes from here.


Free Malaysia Today
11 hours ago
- Free Malaysia Today
‘Little Bornean Birdie' clinches 2nd spot at world dance final
Nine-year-old Dion Das Louis outshone 34 other contestants with his performance of a dance inspired by the traditional Ngajat Iban and two of Sarawak's iconic birds. (Ukas pic) PETALING JAYA : Sarawak's 'Little Bornean Birdie', nine-year-old dancer Dion Das Louis, has clinched second place at the Dance World Cup finals held in Spain yesterday. Dion, from Kuching, represented Malaysia in the mini solo national and folklore category, where he performed a dance inspired by the traditional Ngajat Iban and two of Sarawak's iconic birds, the burung ruai (great argus) and the kenyalang (hornbill). He scored 93.8 points, just 0.3 points behind the gold medallist from Germany, coming ahead of 34 other contestants from around the world in the competition, which is billed as the world's largest all-genre dance competition for children and young adults. Speaking to the Borneo Post, Dion said he was initially nervous as there were many good dancers from all over the world. 'But I am very happy and proud to have made it this far on the international stage and given the opportunity to compete against the 34 dancers,' he was quoted as saying. His mother, Edina Lanying, said she and her husband, Louis Lansam, plan to enrol Dion in more international events next year, and hope to see him represent Malaysia at global cultural festivals. In July last year, Dion won gold medals in the junior division ethnic dance and photo shoot model categories of the World Championships of Performing Arts in Long Beach, California. He also won a silver medal in the formal model and casual model categories.