logo
Outlander bosses lift the lid on Jamie Fraser detail you may have missed

Outlander bosses lift the lid on Jamie Fraser detail you may have missed

The creative forces behind the beloved historical fantasy series Outlander have divulged some unknown facts about the character Jamie Fraser, portrayed by Sam Heughan, reports the
Express
.
Executive producer Ronald D. Moore and costume designer Terry Dresbach previously delved into discussions about the significance of Jamie's kilt and the occasions on which it's worn throughout the Starz series.
Dresbach remarked, "A lot of people are asking me about the kilt and its significance when he wears it."
She continued, indicating that there isn't any profound secret to its use: "Really, there's no deep, hidden meaning in where we put it."
On the Official Outlander Podcast, she expanded, "We always knew we wanted Sam to go in and out of his kilt, it's just questioning what scene is the most appropriate."
Jamie Fraser flew the flag with Scotland in Outlander season 2
(Image: STARZ)
She mentioned how, during season two, the Frasers were in France advocating for Scotland, not England, and this was represented in Jamie's outfits, particularly through a coat embellished with a special motif.
Discussing the design on the coat, Dresbach explained, "I thought how wonderful it would be to do a stag hunt, something very, very Jamie and very Scottish."
She emphasized, "It was important to us at this event, Jamie could really feel like Jamie.
"And Sam really loved the idea when I showed him this coat. I showed him this coat and just really lost it. It's a gorgeous piece."
Claire and Jamie Fraser were representing Scotland in Outlander season 2
(Image: STARZ)
Conversing with Moore about why Jamie donned a kilt during his appearance in Versailles, Dresbach clarified, "Because, again this was a place where we felt it was appropriate for him to be really very Scottish. Again, like the coat.
"We wanted to have him really represent his country here, the way an ambassador from another country would.
"They're going there not as the English, they're going there as the Scottish."
The contentious scene featured Jamie confronting his adversary Captain 'Black Jack' Randall (Tobias Menzies) for a duel amidst Versailles' lush gardens.
Amidst warfare between England and France, Louis XV (Lionel Lingelser) blatantly belittled and embarrassed the captain with a backdrop of polite hostility.
Jamie Fraser opted for a kilt in Outlander during his visit to Versailles
(Image: STARZ)
Jamie and Claire earned acceptance at court largely due to their Scottish identity, unlike Black Jack who overtly symbolized his nation donning Redcoat attire.
Throughout Outlander, Jamie's kilt has been emblematic, especially after Culloden when wearing tartan was outlawed by the English, with severe penalties for defying this rule.
Hence, post-Culloden, the significance of the kilt on Outlander grew since possessing it became risky.
As Outlander shifts to the New World, the kilt's prominence dwindles but nevertheless remains a poignant symbol for Jamie, who is eternally bound to his heritage.
Outlander season 7 is available to buy now on Digital and is streaming on MGM+ via Prime Video now
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Movie review: Danny Boyle's ‘28 Years Later' redefines the zombie genre anew
Movie review: Danny Boyle's ‘28 Years Later' redefines the zombie genre anew

Tatler Asia

time7 days ago

  • Tatler Asia

Movie review: Danny Boyle's ‘28 Years Later' redefines the zombie genre anew

Above We're introduced to Jamie (Aaron Taylor-Johnson) and his son Spike (Alfie Williams) Here, civilisation has adapted in curious ways. Education has shifted from algebra and history to archery, surveillance duty at the watch tower and foraging. We're introduced to Jamie (Aaron Taylor-Johnson) and his son Spike (Alfie Williams) on what the father dubs the boy's 'big day': his first time outside the camp. Spike is only 12—two years shy of the island's mandated age for venturing beyond the barricades—but Jamie, with defiant parental pride, defies the rules. He even gifts his son a rare strip of bacon, a delicacy in this world. Jodie Comer delivers a sharp, brittle performance as Isla, Spike's mother, who is suffering from a mysterious sickness that's left her increasingly disoriented. She opposes the mission with ferocity, at one point branding her husband a 'child murderer' for dragging their son into danger. Yet the boy, deeply devoted to his ailing mother, lies and says he is just going to school. He also tucks away the prized bacon to give to her later. Outside the safety of their community, Spike begins to grasp the brutal reality beyond their island: betrayal, cruelty and unspeakable violence, often perpetrated by the living rather than the undead. The infected themselves have changed, too. Boyle offers up a grotesque variety—some feral and unclothed, others bloated, some crawling on all fours, feeding on worms. It's not just a new generation of zombies; it's an evolution. Spike's first venture beyond their fortress mirrors the audience's own experience, as we too are seeing for the first time what has become of Boyle's world years after the last outbreak. Related: Can Disney's 'Snow White' heal your inner child? Above Spike's first venture beyond their fortress mirrors the audience's own experience Enter the 'Alpha': a towering figure who decapitates his prey. This new leader of the infected is not only powerful but calculating, a stark departure from the mindless mobs of previous instalments. His behaviour suggests strategic awareness, including the ability to navigate the tides and pursue prey back to the island. Amongst these discoveries, Spike glimpses a distant campfire and inquires after its owner. Jamie tells him it belongs to a doctor, a figure who may hold the key to his mother's recovery. The revelation plants a seed in the boy's mind. Above Unlike its predecessors, '28 Years Later' is not content to be merely a horror film. Back on the island, their return is marked by a celebratory feast. But tension simmers when Spike catches his father with another woman. The next morning, they clash, with the latter accusing his father of withholding the doctor's whereabouts to preserve his newfound relationship. Fuelled by heartbreak and resolve, Spike takes drastic action. He distracts the guards, evades the watchtower and leads his confused mother off the island, determined to seek the estranged doctor himself. Their escape leads them to a gasoline station shrouded in toxic fumes, where they're rescued by Erik (Edvin Ryding), a Navy officer stationed in the region. From here, the narrative takes a slight tonal detour, drifting into light-hearted exchanges between Erik—who casually references WiFi access and flashes a working smartphone—and Spike, who is utterly bewildered by such foreign concepts. See also: On feminist approach: A review of Yorgos Lanthimo's 'Poor Things' Above Erik (Edvin Ryding), a Navy officer The humour gives the film some breathing room, offering the occasional laugh, but at times feels like it's cutting through the tension rather than complementing it. For a while, it's genuinely fun, but the tone starts to wobble, and things begin to feel a little disjointed. One moment, in particular, stands out for all the wrong reasons. Erik shows Spike a photo of his girlfriend, only for the script to mock her appearance, hinting at cosmetic surgery with a not-so-subtle jab. It's meant to be a joke, but instead comes off as oddly mean-spirited, especially when directed at a woman. Later on, Erik joins Spike and Isla on their journey, travelling through an abandoned train carriage. It's here that things take a darker turn. Isla spots a female infected who appears to be in labour. Tensions flare when Erik demands the baby be abandoned, convinced it's also carrying the virus. The shouting attracts the Alpha, who bursts in and, in a shockingly swift moment, decapitates Erik. What follows is a frantic chase, with Isla, Spike and the newborn fleeing through the wreckage. Just when all hope seems lost, the mysterious doctor finally makes his appearance. He's covered in iodine—apparently the virus can't stand the stuff—and manages to tranquilise the Alpha just in time. 'Memento Mori' Above Dr Ian Kelson honours the dead in '28 Years Later' Above Dr Ian Kelson (Ralph Fiennes) in '28 Years Later' Dr Ian Kelson (Ralph Fiennes) offers a warm and comforting presence amid the film. Upon examining the newborn—uninfected despite being born of the infected—he theorises that the infected mother's placenta may have acted as a barrier, shielding the infant from the virus. It offers a flicker of hope for a potential cure in the future instalments. Much like The Last of Us , where Ellie's immunity is traced back to the circumstances of her birth, this subtle nod to scientific possibility adds a layer of intrigue. Back at his camp, Dr Kelson performs a solemn ritual. He cremates Erik's body, but not before salvaging the skull. The fires that have long burned in the distance are not fuelled by destruction, but by reverence. The doctor collects skulls—infected or not—as a way of honouring those lost. Here, he speaks to Spike about the philosophy of memento mori —'remember that you must die,' a reminder that mortality, far from diminishing life's value, gives it weight and urgency. It's a moment of unexpected stillness, deepened by the revelation that Isla is terminally ill, her mind failing due to a cancerous brain tumour. Above Dr Ian Kelson, Isla with the baby and Spike Above Jodie Comer delivers a sharp, brittle performance as Isla, Spike's mother, who is suffering from a mysterious sickness that's left her increasingly disoriented. Overwhelmed by grief and helplessness, Spike lashes out, unable to accept that nothing more can be done. Kelson sedates him, gently guiding the boy into a dreamlike flashback of better times: he and his mother, together and embracing. The doctor whispers a quiet counterpoint— memento vivere —'remember to live.' It's a moment that lands with emotional heft, a tender reminder that love and memory endure, even as life fades. Kelson later euthanises Isla and adds her skull to his growing shrine. He invites Spike to choose her resting place. The boy places it atop the skeletal tree, where it faces the morning light. In the film's closing moments, Spike returns to the settlement alone, carrying the newborn child. In a handwritten note, he reveals the infant's origin. He asks that she be named 'Isla,' in tribute to the mother he lost, and the hope that may yet survive her. Read also : Does Disney's 'Lilo & Stitch' live-action remake do justice to the original? The Final Bite Above Tension builds in Danny Boyle's '28 Years later' It's almost impossible not to hold this third instalment up against its lauded forerunners. Unlike its predecessors, 28 Years Later is not content to be merely a horror film. There are philosophical undercurrents, moments of lyrical tenderness and yes, awkward attempts at humour. Boyle's return to the franchise offers a bold but bumpy comeback…depending on your appetite for 'genre-bending'. The infected have evolved, no longer the mindless aggressors we once knew. These creatures display social organisation and even hygiene. They bathe, breed and have begun constructing a primitive society. What made the zombie genre so darkly entertaining in the first place was its moral simplicity—you killed the infected without a second thought. Those guilt-free, head-smashing thrills are gone. Instead, the film quietly challenges our appetite for violent spectacle. Related : 'Hello, Love, Again' shows us the struggles of being an OFW under the backdrop of a love story Above The zombies are seemingly sentient in '28 Years Later' The cinematography is starkly beautiful, the performances are firmly grounded and the soundtrack fits each scene perfectly. Yet, there's a nagging feeling that something crucial has slipped through the cracks. The raw terror, the primal adrenaline rush, the straightforward satisfaction of a well-timed zombie kill. The film could have also done more with its setting, which too often drifts into sprawling forests that take up nearly 60 per cent of the screen time, rather than embracing the gritty post-apocalyptic feel fans might expect. The introduction of an 'Alpha' who is eerily intelligent and disturbingly human forces viewers into an unexpected moral dilemma, yet it holds the promise of reshaping the zombie genre for another 20 years. The question is, is it still entertainment when the undead become sentient? NOW READ 'A Minecraft Movie': when a video game adaptation gets it right 'Mission: Impossible - The Final Reckoning' is one last blaze of glory How to build an apocalypse-ready home: 5 essential design strategies for disaster resilience Credits Images: Columbia Pictures

Gordon Ramsay's Bar & Grill brings the classic Wellington to new heights
Gordon Ramsay's Bar & Grill brings the classic Wellington to new heights

Tatler Asia

time26-06-2025

  • Tatler Asia

Gordon Ramsay's Bar & Grill brings the classic Wellington to new heights

Gordon Ramsay's first Malaysian outpost sets a new benchmark for refined British cuisine in the city A name familiar to everyone, Gordon Ramsay brings elevated British fare to Sunway Resort Hotel with his first Malaysian venture. The restaurant's space is a showcase of both British sophistication and contemporary luxury, dominated by rich red and forest green hues and a 24 karat gold leaf ceiling for a touch of opulence. The best of British culture is celebrated here, and loudly at that. Set foot into the restaurant and it will prove difficult to ignore monochrome portraits by photographers Terry O'Neill and Arthur Steel featuring the likes of Sean Connery, Mick Jagger, Twiggy, and more. In case you missed it: Inside the first Gordon Ramsay Bar & Grill in the Philippines Above Executive Chef, Giles Langford (Image: Gordon Ramsay Bar & Grill) At the helm of Gordon Ramsay Bar & Grill is executive chef Giles Langford who cut his chops in kitchens across the UK, Middle East, and Asia. With a background in agriculture and horticulture, his dishes exemplify a profound appreciation for premium ingredients, particularly evident in Gordon Ramsay Bar & Grill's lineup of dishes. Photo 1 of 3 Beef wellington (Image: Gordon Ramsay Bar & Grill) Photo 2 of 3 Beef wellington (Image: Gordon Ramsay Bar & Grill) Photo 3 of 3 Their famous apple tarte tartin (Image: Gordon Ramsay Bar & Grill) The menu here is much like its decor and places familiar British favourites in the spotlight. The menu's crown jewel is undoubtedly its signature beef wellington, a Gordon Ramsay classic. A perfectly seared beef fillet is brushed in English mustard and encased in mushroom duxelles and puff pastry before being served alongside pomme puree and Bordelaise jus. Its Hanwoo beef sirloin is also bound to impress, finished in the restaurant's Josper charcoal oven for added complexity and accompanied by braised Roscoff onions and black garlic puree. Dessert is not an afterthought either, with the restaurant playing host to an indulgent apple tarte tatin made with only Pink Lady apples. Photo 1 of 4 The opulent bar (Image: Gordon Ramsay Bar & Grill) Photo 2 of 4 The Chelsea room, up to 10 pax (Image: Gordon Ramsay Bar & Grill) Photo 3 of 4 Step into opulent dining with Gordon Ramsay's first venture in Malaysia, parked within Sunway Resort Hotel (Image: Gordon Ramsay Bar & Grill) Photo 4 of 4 The main dining hall (Image: Gordon Ramsay Bar & Grill) Beyond the main dining room, wine enthusiasts will feel right at home with the restaurant's impressive wine cellar and extensive wine list. Also on offer are expertly crafted cocktails that pay homage to both the classics and Malaysian flavours, making the restaurant ideal when looking for an exceptional dining experience.

Courteney Cox then and now: from ‘Friends' favourite to Hollywood scream queen
Courteney Cox then and now: from ‘Friends' favourite to Hollywood scream queen

Tatler Asia

time13-06-2025

  • Tatler Asia

Courteney Cox then and now: from ‘Friends' favourite to Hollywood scream queen

Jules Cobb in 'Cougar Town' (2009 to 2015) Above Her performance in 'Cougar Town' earned her a Golden Globe nomination for Best Actress in a Television Series – Comedy or Musical. Returning to television as a leading lady, Cox starred as Jules Cobb, a wine-loving single mother navigating the complexities of dating in her 40s. Unlike Monica's need for control, Jules embraced life's beautiful chaos with warmth and hilarious relatability. The sitcom provided Cox with a platform to showcase her comedic charm while exploring themes of friendship, family and self-discovery. Her performance earned her a Golden Globe nomination for Best Actress in a Television Series – Comedy or Musical, proving her ability to lead an ensemble cast with grace and impeccable timing. Lucy Spiller in 'Dirt' (2007 to 2008) Above This drama was a complete departure from her girl-next-door image, exploring the gritty underside of fame. (Photo: IMDB) In her darkest and most daring role, Courteney Cox transformed into Lucy Spiller, the manipulative and morally complex editor of a celebrity gossip magazine. This FX drama represented a complete departure from her girl-next-door image, exploring the gritty underside of fame and media manipulation. As both star and executive producer, Cox demonstrated her willingness to tackle adult-oriented material while showcasing her dramatic range. The role allowed her to delve into a character obsessed with power and scandal, proving her versatility in psychological storytelling. Pat Phelps in 'Shining Vale' (2022 to 2023) Above The Starz series required Cox to balance laugh-out-loud moments with genuine psychological terror. Cox's masterful return to horror-comedy came with Shining Vale, where she portrayed Patricia 'Pat' Phelps, a creatively unfulfilled author grappling with possible demonic possession. This Starz series required her to balance laugh-out-loud moments with genuine psychological terror, showcasing her maturity as an actress capable of carrying genre-bending material. Pat's journey from bestselling 'wild child' author to suburban mother questioning her sanity allowed Cox to explore themes of identity and mental health with depth and nuance, earning critical acclaim for her performance. Lauren Miller in 'Family Ties' (1987 to 1989) Above This role provided Cox with invaluable experience in sitcom rhythms and character development. Cox's breakthrough role came as Lauren Miller, the intelligent college girlfriend of Alex P Keaton (Michael J Fox) in the beloved 1980s sitcom. This recurring role established her presence in the TV landscape while demonstrating her burgeoning comedic timing and natural chemistry with established stars. Lauren's driven, academic personality left a lasting impression on viewers and provided Cox with invaluable experience in sitcom rhythms and character development. Meryl in 'Seinfeld' (1994) Above In this memorable role, Cox delivered classic Seinfeld-ian comedy with perfect timing. In a delightful deep cut for fans of 90s TV, Cox guest-starred as Meryl in the iconic Seinfeld episode 'The Wife'. Playing Jerry's girlfriend who enthusiastically embraces their fake marriage charade for dry-cleaning discounts, Courteney Cox delivered classic Seinfeldian comedy with perfect timing. This memorable one-episode appearance occurred just as Friends was taking off, creating an iconic crossover moment from the golden age of sitcoms. Her performance demonstrated her comedic versatility in a completely different TV universe. Credits This article was created with the assistance of AI tools

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store