
One of NYC's best bars is coming to Hawksmoor Chicago for one night only
You don't get named number five on North America's 50 Best Bars list without taking some risks. Sip & Guzzle, a two-level cocktail haven in New York City's West Village expertly stirs buzzy NYC nightlife with Japanese cocktail culture. And, now, for one night, and one night only, that acclaimed drinks team have partnered up with Hawksmoor Chicago, a Windy City favorite well-known for its midwestern hospitality and steak-and-seafood spread.
What began in east London in 2006 has evolved into a culinary juggernaut with restaurants in New York and Chicago, earning Hawksmoor placement on the World's Best Steak Restaurant list as well as James Beard Foundation mentions and Tales of
the Cocktail accolades. So you can expect to be in very good hands with this pop-up match-up, which takes over the Chicago venue tonight, June 13 from 6 p.m. to 10 p.m. (final entry is at 9:30 p.m.
Attendees can expect two different bar vibes, all in one epic night: Guzzle will bring crushable cocktails and highballs, while Sip will deliver refined, Japanese-style creations. Plus, the Hawksmoor bar team will also be serving up select cocktails from their own menu. Those boozy tipples will be available for purchase a la carte, on Hawksmoor's second-floor bar while supplies last. While walk-in imbibers are welcome, reservations are recommended— RSVP via Evite is encouraged but does not guarantee a reservation.
The Sip & Guzzle Chicago takeover is a natural fit, given the Windy City cred of the team behind the NYC bar: owners Shingo Gokan's and Steve Schneider's combined resume includes not only NYC favorites like Angel's Share and Employees Only but also Chicago powerhouse Alinea, where chef Mike Bagale—who's in charge of the high-meets-low bar fare, including that $150 Wagyu sandwich—once served as the executive chef.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Metro
2 hours ago
- Metro
Square Enix should hire the Expedition 33 team for Final Fantasy 17
A reader imagines what would happen if Sandfall Interactive made the next mainline Final Fantasy game and created a more old school experience. It's always sad when you feel yourself losing touch with something you used to love. Whether it's a film series or a hobby, sometimes you grow out of the thing or sometimes it evolves in a way that no longer interests you. That's where I am with Final Fantasy at the moment, at least in terms of the mainline games. If I'm honest with myself, I haven't truly enjoyed any of them since Final Fantasy 12 and it's only the surprisingly good Final Fantasy 7 Remake trilogy that hasn't made me completely cynical about the whole series. The final straw, so to speak, for me was Final Fantasy 16, which was the first one I actively hated and never finished. I do not want my Final Fantasy games to be some weird attempt to copy Games Of Thrones. These are Japanese games, and I'd like them to reflect that. If I wanted to play The Witcher 3 I'd go ahead and do so, not put up with a bad copy. It's not even a question of whether 16 is a good game or not, it's just not a Final Fantasy game, in my opinion. And what's worse is that they've stripped so much out of what makes the series unique that I worry they're going to go even further with the next one, so that it's totally unrecognisable as being part of the franchise. That's why I'd like to see Sandfall Interactive, the people behind Clair Obscur: Expedition 33, make the next Final Fantasy. I realise they're not Japanese, but I feel we'd get a more authentic experience if we let them make Final Fantasy 17 then if we had Square Enix do it. You'd get a game that had a strong Western influence, probably lots of new and original ideas, but also a team that appreciate the older Final Fantasy games. One of the reasons I love Expedition 33 is that it has an old school overworld map and turn-based battles. Square Enix would never do that and yet Expedition 33 will probably end up outselling Final Fantasy 16 in the end. Sign up to the GameCentral newsletter for a unique take on the week in gaming, alongside the latest reviews and more. Delivered to your inbox every Saturday morning. That alone is crazy to me and all the reason Square Enix needs to talk to them. After all, if they don't they could end up becoming close competition. I think it's probably unlikely to happen though, because Sandfall (kind of a boring name, don't you think?) will want to make their own games now. I imagine they'll want to have a career like Larian Studios but remember that their biggest hit was Baldur's Gate 3, a licensed game, so maybe Sandfall would be interested in making a Final Fantasy at least once, just to get some money rolling in. Of course, Square Enix could just do it themselves, take Expedition 33 as proof that an older school approach can work and make it internally, but I'm just not sure they have the nerve. Final Fantasy 16 was their big experiment and as much as I'm enjoying the Final Fantasy 7 remakes they're not turn-based at all really. More Trending But I do think that the answer for most of these big franchises, that are getting too expensive to make nowadays, is to go back to what they used to be, just with modernised graphics and features. Not only would it give fans what they want but they'd be cheaper to make and more profitable. After the failure of Final Fantasy 16, what have they go to lose? By reader Lusk The reader's features do not necessarily represent the views of GameCentral or Metro. You can submit your own 500 to 600-word reader feature at any time, which if used will be published in the next appropriate weekend slot. Just contact us at gamecentral@ or use our Submit Stuff page and you won't need to send an email. MORE: I bought GTA 5 for the third time and it's still one of the best games ever - Reader's Feature MORE: We have to accept the Nintendo Switch 2 is not for hardcore gamers - Reader's Feature MORE: The 90s and 2000s were the best time for video game creativity – Reader's Feature


Times
2 hours ago
- Times
Novak Djokovic: I'd like to steal David Beckham's wardrobe
Classic, clean and traditional. I love a polo shirt or something with a collar. I also like my clothes to be well fitted — I don't like things that are too baggy. It was probably something awful! I had no fashion sense whatsoever when I was a kid. I'd always be wearing flip-flops with baggy jeans paired with a print shirt that combined about ten different colours. And I thought that I was quite stylish! I always wear my cross necklace. But I also have sentimental things that I keep in my tennis bag like photos of my family, and the Orthodox Christian saints of my religion. I sometimes take quartz crystals with me on tour too, as I'm big into the belief that they can offer protection and positive energy. Probably David Beckham's. I mean, he's quite a fashion role model for a lot of men, isn't he? I got married. It was a grey Dolce & Gabbana tux. Oof … I should get bonus points from my wife for that being my answer. To be yourself, and to wear something that allows you to express parts of your personality. In sport you often have to follow a dress code — and that works for me because I don't like extremes. It means you can respect the rules but still play around with the details to showcase your personality and uniqueness. • Read more fashion advice and style inspiration from our experts It would have to be something I'm comfortable in and can move freely in. I love playing sports — tennis, obviously, but also skiing or just being active outdoors and in nature. But I'd want it to be elegant and sporty. Something I could wear to play, and then head straight to dinner. I personally like to camouflage my clothes by wearing colours that resemble the court surface. It makes me feel more agile. But I also enjoy it when somebody's bold on court and brings that fashion element into the game. Some of the women in tennis — Venus and Serena Williams, Naomi Osaka, Maria Sharapova — they've worn some incredible outfits and they always look phenomenal. Class. I like clothes that are rooted in history and have a connection to the place where they originated. For example, I love the history of fashion in tennis. You see these retro photos from the late 19th century: everyone playing with wooden rackets, the ladies in long, beautiful white dresses, the men in white blazers. Nowadays I like to wear colour when I can, but I really respect the all-white tradition Wimbledon has preserved. Especially now, when everything feels so disposable, I value things that feel eternal and Aman Essentials Tennis Club collection is available to shop now at


Scotsman
8 hours ago
- Scotsman
Dylan Adler brings unhinged musical vomedy to the Fringe
Dylan Adler brings his unique blend of musical comedy and personal storytelling to the Edinburgh Festival Fringe this August with Haus of Dy-lan, performing at the Pleasance Courtyard's Beside space from 30 July to 24 August (not 11th) at 7.30pm. Sign up to our daily newsletter Sign up Thank you for signing up! Did you know with a Digital Subscription to Edinburgh News, you can get unlimited access to the website including our premium content, as well as benefiting from fewer ads, loyalty rewards and much more. Learn More Sorry, there seem to be some issues. Please try again later. Submitting... Making his Edinburgh debut, Adler offers an hour of high-energy stand-up, original songs and unfiltered anecdotes drawn from his life as a gay, Japanese-Jewish performer growing up in San Francisco. His show is a whirlwind of piano, punchlines, and personal revelations – with the occasional bout of acrobatics thrown in for good measure. Adler, a classically trained pianist turned 'unhinged gay musical comic,' dives headfirst into his own life for comic material. Expect songs, sweat, and sincerity as he unpacks growing up as an identical gay twin, navigating racial identity ('double JAP,' as he puts it), and the very real chaos of therapy. Advertisement Hide Ad Advertisement Hide Ad 'Think theatre kid meets trauma dump – with jazz hands,' Adler jokes. Dylan Adler The show touches on everything from playground bullying (in two languages, no less) to his grandfather's stint training as a kamikaze pilot during WWII – a figure he says he feels connected to 'whenever I feel mentally ill or spiteful of the USA.' Adler's comedy doesn't shy away from the dark stuff – he confronts past sexual trauma, failed relationships and the bizarre mundanity of adult life ('stealing your therapist's toilet paper') with disarming honesty and blistering wit. Whether riffing on heteronormative habits in a gay relationship or screaming at his therapist in song, Adler masterfully blends sharp punchlines with theatrical flair. Already a familiar face stateside, Adler has written and performed for The Late Late Show with James Corden and appeared twice on After Midnight alongside comedy heavyweights Margaret Cho and Atsuko Okatsuka. He also starred in Chelsea Peretti's First Time Female Director and lent his voice to a supervillain role on Disney's Hamster and Gretel. Advertisement Hide Ad Advertisement Hide Ad No stranger to the stage, Adler has opened for Atsuko Okatsuka on her US and European tours, including stops at London's Eventim Apollo and Glasgow's O2 Academy. His previous shows have earned critical acclaim – his 2022 collaboration Rape Victims Are Horny Too with Kelly Bachman was ranked #2 in Paste Magazine's Best Comedy Albums of the Year, and last year's Haus of Dy-lan wowed audiences at Netflix Is A Joke Festival. Also a gifted composer, Adler co-wrote Good Morning New York, which played Off-Broadway, and received the Alan Menken Scholarship for emerging musical theatre talent. With an hour packed with camp, catharsis and chaos, Haus of Dy-lan promises to be one of the more distinctive and daring debuts at this year's Fringe.