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Review – Sex Pistols featuring Frank Carter live ⭐⭐️⭐️⭐️⭐️

Review – Sex Pistols featuring Frank Carter live ⭐⭐️⭐️⭐️⭐️

A rare occurrence happened at an outdoor event for the Sex Pistols return to Scotland – it didn't rain.
And so Holidays In The Sun was the perfect opener for their front-man Frank Carter to grab his performance by the throat. Heavily tattooed in a black vest, flowing white shirt and Levi denims, he grabbed the mike stand and offered an immediately punchy vocal and stage performance.
The 41-year-old got close to hardcore fans down the front and chewed up the occasional negative comment from punk purists. No disrespect to John Lydon, who remains one of the greatest front-men of all time but this potential last run out for the Pistols is potent, especially during these cash-strapped times laced with a sense of injustice and danger from foreign governments.
Paul Cook hammered the kit while delivering his melodic drum style that suited the Pistols so well. To hear Steve Jones play the iconic riffs and licks from Never Mind The Bollocks nearly fifty years later is an absolute joy. Sid Vicious might have become the most iconic member of the band but it was Matlock who made an essential musical contribution to tracks such as Pretty Vacant. The backing vocals provided Jones, Cook and Matlock are vital to the sound and they are readily backed up by the crowd while Carter bounded up and down every inch of the Glasgow stage.
The mosh pit swirled in full flow during Bodies as fans were dragged over the barrier. God Save The Queen was amplified by the late Jamie Reed's iconic imagery that featured on the 1977 single and an explosion of colour on the big screens. The 'No Future' sing-along ending is sublime. Cook, while drumming, looks out at the reaction with a massive smile on his face while savouring the moment. During No Fun, Steve Jones successfully recreates the unmistakable sound of his hero Mick Ronson nodding to Ziggy Stardust's last concert at the Hammersmith Odeon in 1973.
The set closer is what else but Anarchy In The U.K, the song has lost none of its rousing energy. Most fans in the park were youngsters in 1976 but despite arriving for this all day event in the afternoon they were energised and going for it right to the end.
It's phantasmagoria of colour and exhilaration between the flashing big screens, the skies starting to bruise and fans going for it one last time. Steve Jones thanked the enthusiastic audience telling them they were 'the best' while looking very much in awe at the reaction of the fans, who continued singing as they headed home in their hundreds on a balmy summer night.
Sex Pistols featuring Frank Carter, Punk All-Dayer, Bellahouston Park
Frank Carter ALL PHOTOS Richard Purden
Bellahouston Park
Glen Matlock
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Kneecap at Glastonbury review – sunkissed good vibes are banished by rap trio's feral, furious flows
Kneecap at Glastonbury review – sunkissed good vibes are banished by rap trio's feral, furious flows

The Guardian

time13 hours ago

  • The Guardian

Kneecap at Glastonbury review – sunkissed good vibes are banished by rap trio's feral, furious flows

It is perhaps worth recalling Kneecap's appearance at last year's Glastonbury, a lunchtime set in the Woodsies tent that saw the band widely acclaimed as bringers of boozy, edgy hilarity, complete with songs called Get Your Brits Out and Rhino Ket. Twelve months and some provocative onstage comments about Palestine and Conservative MPs later, they're both folk devil and cause celebre, whose appearance at the festival is the most hotly debated of 2025 – both the prime minister and the leader of the opposition have had strong opinions about it. It's a perfect example of how quickly stories can become overheated in the 21st century: vastly more people now have a opinion about Kneecap than have ever heard their music, which is, traditionally, a tricky and destructive position for a band to find themselves in. Invoking a name one probably shouldn't invoke under the circumstances, you might want to ask the surviving members of the Sex Pistols how that worked out for them. Still, the West Holts area is so packed, it has to be closed down to prevent a crush. The stage is barely visible for flags, most, but not all of them, Palestinian (there's still room for WE LIKE TO MOVE IT MOVE IT, SMITHY'S ON A BENDER and indeed I EAT ASS – THAT'S AMORE). Kneecap themselves seem happy to lean into the controversy: their appearance is preceded by a montage of voices condemning the band – Sharon Osbourne figures heavily – and much booing from the audience. Their ongoing travails are regularly referenced – 'everyone in that fucking tent agreed with me', protests Mo Chara (real name Liam Óg Ó hAnnaidh) about the Coachella appearance that intensified the whole business. Bandmate Móglaí Bap suggests that the audience should attend Ó hAnnaidh's forthcoming court hearing – he's been charged with what Bap calls a 'trumped up' terrorism-related offence for allegedly displaying a Hezbollah flag at a London gig, for which Mo Chara has been unconditionally bailed – and 'start a riot outside the courts … the Daily Mail will love that! Fuck the Daily Mail! Fuck Keir Starmer!' The latter is among a longer list of enemies that also includes Rod Stewart, who's made the impressively ballsy choice to preface his Glastonbury appearance with an expression of support for Nigel Farage. It's probably too late to say that it would be a shame if said controversy completely drowned out Kneecap's actual music, but the point stands. Behind the furore, the trio are really good at what they do. Chara and Bap are impressive rappers – raw-throated but dextrous, far funnier than you might expect if the only stuff you heard about Kneecap revolved around recent events. And live, their sound comes into its own, a fizzing stew with a bassy intensity that has a hint of the Prodigy about it: Fine Art's sudden lurches from dubstep to four-to-the-floor pounding; Get Your Brits Out's warped take on classic Chicago house. As the crowd break into circle pits and moshing, with a degree of encouragement from the band, it feels genuinely exciting, a feral moment in a festival that's thus far tended towards sunkissed good vibes. What happens next – whether Kneecap's ongoing notoriety turns out to be a brief flashpoint, something more lasting, or indeed ultimately the undoing of them – remains to be seen. For now, for this audience, they are triumphant.

Review – Sex Pistols featuring Frank Carter live ⭐⭐️⭐️⭐️⭐️
Review – Sex Pistols featuring Frank Carter live ⭐⭐️⭐️⭐️⭐️

Edinburgh Reporter

time5 days ago

  • Edinburgh Reporter

Review – Sex Pistols featuring Frank Carter live ⭐⭐️⭐️⭐️⭐️

A rare occurrence happened at an outdoor event for the Sex Pistols return to Scotland – it didn't rain. And so Holidays In The Sun was the perfect opener for their front-man Frank Carter to grab his performance by the throat. Heavily tattooed in a black vest, flowing white shirt and Levi denims, he grabbed the mike stand and offered an immediately punchy vocal and stage performance. The 41-year-old got close to hardcore fans down the front and chewed up the occasional negative comment from punk purists. No disrespect to John Lydon, who remains one of the greatest front-men of all time but this potential last run out for the Pistols is potent, especially during these cash-strapped times laced with a sense of injustice and danger from foreign governments. Paul Cook hammered the kit while delivering his melodic drum style that suited the Pistols so well. To hear Steve Jones play the iconic riffs and licks from Never Mind The Bollocks nearly fifty years later is an absolute joy. Sid Vicious might have become the most iconic member of the band but it was Matlock who made an essential musical contribution to tracks such as Pretty Vacant. The backing vocals provided Jones, Cook and Matlock are vital to the sound and they are readily backed up by the crowd while Carter bounded up and down every inch of the Glasgow stage. The mosh pit swirled in full flow during Bodies as fans were dragged over the barrier. God Save The Queen was amplified by the late Jamie Reed's iconic imagery that featured on the 1977 single and an explosion of colour on the big screens. The 'No Future' sing-along ending is sublime. Cook, while drumming, looks out at the reaction with a massive smile on his face while savouring the moment. During No Fun, Steve Jones successfully recreates the unmistakable sound of his hero Mick Ronson nodding to Ziggy Stardust's last concert at the Hammersmith Odeon in 1973. The set closer is what else but Anarchy In The U.K, the song has lost none of its rousing energy. Most fans in the park were youngsters in 1976 but despite arriving for this all day event in the afternoon they were energised and going for it right to the end. It's phantasmagoria of colour and exhilaration between the flashing big screens, the skies starting to bruise and fans going for it one last time. Steve Jones thanked the enthusiastic audience telling them they were 'the best' while looking very much in awe at the reaction of the fans, who continued singing as they headed home in their hundreds on a balmy summer night. Sex Pistols featuring Frank Carter, Punk All-Dayer, Bellahouston Park Frank Carter ALL PHOTOS Richard Purden Bellahouston Park Glen Matlock Like this: Like Related

X Factor's Lucy Spraggan breaks down in tears as she's forced to cancel run of shows
X Factor's Lucy Spraggan breaks down in tears as she's forced to cancel run of shows

The Sun

time6 days ago

  • The Sun

X Factor's Lucy Spraggan breaks down in tears as she's forced to cancel run of shows

X FACTOR star Lucy Spraggan has been forced to cancel a handful of live shows after being struck down with illness. The ITV reality series alum, 33, looked understandably downcast as she took to her Instagram grid for a video to relay the sad news. 6 6 6 Lucy donned a black top and matching baseball cap, scraping her hair into an up-do underneath. She looked pale as she addressed her fans with tears in her eyes and said: "This is absolutely the last message I wanted to be putting out. "I woke up yesterday not feeling well, and today woke up feeling even worse and we've had to make the decision to reschedule the outstore shows this week. "Because my throat feels like its got razor blades in it and my nose is completely blocked. "Not just that it doesn't feel right to be signing things and hugging you cause I don't want you to feel this way either." Sheffield-born Lucy then choked up at the prospect of "letting people down." She then vowed they would reschedule the shows and said: "I'm really sorry to anyone that was coming to London, Leeds, Liverpool and Glasgow - I really really hope I'll get to see you when I do these shows soon." In the video, she confirmed they would be rescheduled to August. Fans were quick to support the Bodies singer in her tough time, and one wrote: "Hope you feel better soon! Look after yourself." A second put: "We love you Lucy! You're not letting anyone down most important thing is you feel better! rest up and I'll see you soon." Lucy Spraggan sings love song about new wife Emilia Smith A third mused: "Oh Luce, so sorry to hear this. You are what's most important. Get well soon," as another posted: "Oh Lucy. You can see how much this is breaking your heart. Hope you feel better soon lovely." Lucy was due to play at the Jacaranda Baltic in Liverpool tomorrow to kick-start her run of shows. STRONG BOND Meanwhile, in happier news, Sober songstress Lucy recently exclusively opened up to The Sun about her friendship with Simon Cowell, who she hails as "like a dad." So close is their bond that Simon played a pivotal role at her wedding to wife Emilia Smith last year. 'He read a poem at our ceremony, which was cute,' Lucy says. 'And he said to me, 'I love seeing you this happy'.' Lucy and Simon's surprising friendship blossomed in 2021, under less than happy circumstances. She was writing her memoir Process: Finding My Way Through - which dealt with the traumatic sexual assault she experienced while competing on The X Factor in 2012. Lucy was one of the favourites to win her series before she mysteriously dropped out of the competition during the live finals. At the time it was reported the then 20-year-old had quit due to illness, and while she went on to have some success as an artist, the question over what had really thwarted her X Factor journey was never fully answered. Then, two years ago, she opened up for the first time that she'd been a victim of a shocking sexual assault - bravely waiving her right to anonymity in the process. She'd been out celebrating friend and fellow X Factor contestant Rylan Clark 's birthday at swanky Mayfair nightclub Mahiki, and passed out after hours of boozing. Lucy was taken back to her hotel by a member of the X Factor production team and a hotel porter - but later that night, after Rylan had gone to check on her, the porter returned and used a key card to break into her room. The next day Lucy woke up feeling a 'sense of sheer dread'. She knew she'd been raped, but couldn't piece the rest of the night together. In the aftermath the police were called and the hotel porter was arrested. He was later jailed for 10 years, but was released and deported after three-and-a-half years. 6 6 6

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