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Anupam Kher recalls shutting down Aamir Khan on Dil He Ke Manta Nahin sets ‘with an English phrase': ‘He complained to Mahesh Bhatt'

Anupam Kher recalls shutting down Aamir Khan on Dil He Ke Manta Nahin sets ‘with an English phrase': ‘He complained to Mahesh Bhatt'

Indian Express21 hours ago
Anupam Kher and Aamir Khan have most famously worked in three films — Indra Kumar's Dil (1990), Yash Chopra's Parampara (1993), and Dil Hai Ke Manta Nahin (1991). At the time of filming the Mahesh Bhatt directorial, Aamir was on the cusp of becoming a superstar, having already delivered hits like Mansoor Khan's Qayamat Se Qayamat Tak (1988) and Dil.
Kher feels that's probably why Aamir had a disagreement with him on the sets of Dil Hai Ke Manta Nahin, while filming the climax. 'In the climax of Dil Hai Ke Manta Nahin, the father tells his daughter to run away from the wedding. The moment was very exaggerated,' recalled Kher, who played Seth Dharamchand, father to the bride, played by Pooja Bhatt.
'I was fully ready to portray it, but Aamir Khan complained to Mahesh Bhatt saab about my interpretation. He found it wrong and different. Bhatt saab added fuel to the matter and told me about Aamir's comment. I used an English phrase for Aamir Khan to shut him down,' added Kher, who wanted to remind Aamir he's a gold medallist from the National School of Drama, unlike Aamir who isn't a trained actor.
'Aamir was upset with me throughout the film. He was at that stage of becoming Aamir Khan, which he wanted to become. All my love for him,' said Kher. Aamir gained more popularity right after Dil Hai Ke Manta Nahin with Mansoor's 1994 cult college caper Jo Jeeta Wohi Sikandar the following year.
Dil Hai Ke Manta Nahin marked the first time Aamir worked with Mahesh Bhatt. They followed it up with the 1993 romantic comedy Hum Hain Rahi Pyar Ke. Meanwhile, Bhatt gave Kher his big break in Bollywood with his 1984 relationship drama Saaransh. Post that, they collaborated for Janam (1985), Kaash (1987), Thikana (1987), Kabzaa (1988), Daddy (1989), Awaargi (1990), Gumrah (1993), Tadipaar (1993), Papa Kahte Hain (1996), and Chaahat (1996).
In a new, exclusive interview with SCREEN, Kher claimed that seasoned actors like him and Neena Gupta can perform even on their feet because of their education at NSD and experience in theatre. 'Without realizing, we've worked like theatre in this film (Metro… In Dino). Even in the case of Shiv Shastri Balboa, we did that. That film can be adapted into a very good play. So that's the advantage of being experienced, educated actors. We can incorporate our experiences into these films which we probably can't in others,' said Kher.
Also Read — Tanvi The Great trailer: Anupam Kher champions neurodivergent granddaughter's dream of serving in the Indian Army
He'll be next seen paired with Neena in Anurag Basu's romantic anthology Metro… In Dino, the spiritual successor of his 2007 hit film Life.. in a Metro. Kher is also returning to direction 23 years after Om Jai Jagdish with Tanvi the Great, a coming-of-age film about an autistic girl's dream to join the Indian Army. Kher also plays a supporting role in the movie.
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Konkona Sen Sharma on going from Life in a Metro to Metro In Dino: ‘I knew Irrfan isn't going to be there, that broke my heart'
Konkona Sen Sharma on going from Life in a Metro to Metro In Dino: ‘I knew Irrfan isn't going to be there, that broke my heart'

Indian Express

time21 minutes ago

  • Indian Express

Konkona Sen Sharma on going from Life in a Metro to Metro In Dino: ‘I knew Irrfan isn't going to be there, that broke my heart'

Konkona Sen Sharma and Irrfan Khan screaming at the top of their lungs on top of a Mumbai high-rise is a gift that keeps giving. That scene from Anurag Basu's Life… in a Metro 18 years ago summed up succinctly the spirit of the 2007 romantic anthology — there was pain, there was Mumbai, there was companionship, and then there was catharsis. It helped that Konkona was there too. Ever since her Hindi film debut in 2005, the actor has represented the modern young Indian woman, who relocates to Mumbai in order to chase work, freedom, and identity. Whether it's Madhur Bhandarkar's Page 3 (2006), Life… in a Metro, Ayan Mukerji's Wake Up Sid (2009) or Zoya Akhtar's Luck By Chance (2009), Konkona was navigating Mumbai as cluelessly and adventurously as a lot of us. Her real life also reflected her reel life, as Konkona moved to Mumbai from her hometown Kolkata in mid-2000s to pursue a career in movies. 'I really feel Mumbai is my home now. I've lived here for 20 years. It's a city, which like many big cities, has opened its arms to so many migrants from all walks of life. There are so many people here from outside here,' she tells SCREEN in an exclusive interview. Konkona is still trying to fit into Mumbai and make space for herself in the city, but she's at peace with that process now. 'Being an outsider gives a very unique and interesting perspective. It allows you to have some objectivity. And I enjoy being an outsider a little bit. The struggle to belong is a part of the human condition. You feel like you want to belong, you struggle to fit in to belong, and sometimes you don't want to belong to certain things. It's a way of expressing and identifying yourself,' she explains. Konkona is the only actor who's made it to Metro… In Dino, Basu's spiritual sequel to Life.. in a Metro. She wasn't surprised because going by Basu's impromptu style of working, she wasn't too clued in with the rest of the cast both the times. 'I have to say, I didn't really know very much, the first time around and the second time around also. There's not that much interaction between the four stories,' she reasons. But Konkona was aware the one actor who would definitely not be in the follow-up was her co-star from the first one, Irrfan, who in fact gave Basu the idea to make a spiritual sequel. 'I just knew Anurag is making this, so that's fine, I don't need to know anything else. In that sense, I didn't know who else is there. I just knew Irrfan is not going to be there this time, and that broke my heart,' she confesses. Konkona admits she missed working with Basu, despite his eccentric style of filmmaking. 'You can be very organized, you can have a hard-bound script, you can have all systems working in place. But that doesn't ensure a good film. It's the creativity, the artistry, the craft, and all of that is there in spades, where Anurag is concerned,' she says. 'I've been shooting for 20 years plus. In today's day and age, when you're shooting, very often, you're working here and the video village is there. Often, even your DOP (Director of Photography) is not operating close to you. You feel alone. But in this case, the director and DOP are right behind the camera with you, so it's instant communication, and you feel supported,' points out Konkona. Basu began writing Metro… In Dino with Konkona and Pankaj Tripathi's track, out of the four tracks featuring Anupam Kher-Neena Gupta, Ali Fazal-Fatima Sana Shaikh, and Aditya Roy Kapur-Sara Ali Khan. So he always had Konkona in mind for the part, but admits it was different directing her this time, since she was now also an established filmmaker. 'I was directing a director. The first two days, I asked Koko, 'Frame, all okay?' And I love her work as a director. So when you have respect for someone as a director, then you're completely nervous because there's another director on set,' says Basu, only for Konkona to dismiss him promptly. 'Don't believe him at all! I didn't do anything, I didn't say anything. There's nothing like that,' she says. Konkona, who turned director with A Death in the Gunj in 2016, followed it up with another critically acclaimed directorial, The Mirror, a segment in the 2023 Netflix India anthology Lust Stories 2. But unlike Anurag, she's a meticulous director, who has everything from the script, shot breakdown to workshops and rehearsals in place before she goes to set. 'Anurag is such a creative person, whether it's singing, dancing, acting, writing, or directing. He responds to the stimuli around him. When I'm directing, that's very difficult to do. I'm very scared because I'm not that experienced. I keep everything ready because I have to be prepared. Anurag is a visionary so not only him, but also everyone around him have the confidence that he'd pull it off,' says Konkona. But Basu doesn't mind giving some dialogues to Konkona in advance. He explains, 'Koko gets upset if I don't give her dialogues in advance. She has a problem. She still gets stuck in Bengali Hindi, between 'ki' and 'ka.' So I know I have to help her there a bit,' says Basu, much to Konkona's embarrassment. 'I've tried to blackmail, scold, and beg Anurag to give me the lines in advance,' says Konkona, laughing. That was the most crucial for her in a scene she had to do with Neena Gupta, who plays her mother in Metro… In Dino. 'I can see her scared even in a long shot. Koko's face is so transparent, which also makes her such a good actor. Whenever she's feeling upset and trying to hide it, that never happens,' says Basu. Also Read — 'Anurag Basu wanted me to compose for Saaya too, but Mahesh Bhatt didn't want to bet on a rank newcomer': Pritam Konkona agrees and says, 'I also feel Anurag really understands his actors well. There are things which I'm feeling but I'm not aware of, and he'd say, 'Feeling like this, na?' He can read my face. I'm trying to be well-behaved, but he can tell what's happening inside my head also. Now, what to do?' Metro… In Dino releases in cinemas on July 4.

Aamir Khan's fierce, raw avatar in Rajinikanth's upcoming film 'Coolie' go viral. Fans predict: 'Rs 1,000 crore hit is in the cards'
Aamir Khan's fierce, raw avatar in Rajinikanth's upcoming film 'Coolie' go viral. Fans predict: 'Rs 1,000 crore hit is in the cards'

Time of India

time32 minutes ago

  • Time of India

Aamir Khan's fierce, raw avatar in Rajinikanth's upcoming film 'Coolie' go viral. Fans predict: 'Rs 1,000 crore hit is in the cards'

Bollywood's perfectionist Aamir Khan is ready to surprise audiences with a fiery new persona in the highly anticipated action saga Coolie. Headlined by South Indian cinema legend Rajinikanth and helmed by acclaimed filmmaker Lokesh Kanagaraj , the film is being touted as a high-octane spectacle. On Thursday, the creators lifted the curtain on Aamir's character look, and the internet exploded with enthusiasm. First Glimpse of 'Dahaa' Leaves Fans Hypnotised Sun Pictures, the production house behind Coolie, revealed Aamir's look through their official social media handle on X (formerly Twitter). Khan is introduced as 'Dahaa'—a brooding, power-packed personality dressed in a rugged dark vest. Calmly smoking a pipe, sporting a gold watch, his steely gaze and intense screen aura suggest a man of dangerous resolve. Though billed as a cameo appearance, Aamir's presence feels larger than life, and many believe he could deliver a twist that shifts the narrative entirely. — sunpictures (@sunpictures) Social Media Buzz: Fans in Frenzy Fans wasted no time in expressing their amazement and joy. Enthusiastic posts flooded platforms, with comments celebrating Aamir's association with director Lokesh Kanagaraj. Admirers described it as a dream team-up, with one fan highlighting the merger of North and South Indian cinematic powerhouses. The electrifying reactions have elevated expectations for Coolie, especially with the teaser showing Aamir in such a thunderous new light. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like Is your tinnitus getting worse? Do this immediately (Watch) Hearing Magazine Undo One predicted that the movie was a surefire blockbuster. "1000 crore written on the cards, congrats Kollywood! First Rajini, next Nagarjuna, now Aamir. Full trust in Loki to pull this off!" the comment read. — cinemacraze8 (@cinemacraze8) Another quipped, "If Lahore 1947 releases this year, we should declare this Bollywood year as Aamir's year." — adiyouresosmart (@adiyouresosmart) Another gushed, "#AamirKhan all set to reign his supremacy once again, fantabulous outstanding is an understatement. What a versatile actor." — Being_Spidey_ (@Being_Spidey_) A Star-Studded Line-Up Raises the Stakes Beyond Rajinikanth and Aamir Khan, Coolie features a stellar supporting cast. Prominent actors like Nagarjuna, Kannada star Upendra, and Shruthi Haasan bring additional weight to the ensemble. Director Lokesh Kanagaraj, already a fan favorite for gripping action dramas like Kaithi, Master, and Vikram, is expected to deliver yet another blockbuster. With a jaw-dropping production budget of ₹375 crore, the film ranks among the most ambitious projects ever attempted in Indian cinema. Multilingual Release and a Box Office Showdown Set to release theatrically on August 14, 2025—just in time for India's Independence Day—Coolie will be available in Tamil, Telugu, and Hindi. The trilingual launch aims to capture viewers across the country, uniting audiences from all corners. But the film won't have a solo run. It's poised to clash with YRF's War 2, starring Hrithik Roshan, Jr NTR, and Kiara Advani. The simultaneous release of these two mega-productions is expected to ignite one of the year's most heated box office battles. A Cultural Crossover Moment Coolie not only promises intense action and high production values but also symbolizes a bridging of regional divides in Indian cinema. The collaboration of North and South Indian stars under one dynamic director signals a broader trend of pan-Indian storytelling. As anticipation builds and more updates are awaited, Aamir Khan's entry as Dahaa has already ensured that Coolie remains firmly in the spotlight.

‘Metro... In Dino' advance booking report: Anurag Basu's film sells 18,500 tickets for day 1, aims for Rs 3-3.50 crore opening
‘Metro... In Dino' advance booking report: Anurag Basu's film sells 18,500 tickets for day 1, aims for Rs 3-3.50 crore opening

Time of India

timean hour ago

  • Time of India

‘Metro... In Dino' advance booking report: Anurag Basu's film sells 18,500 tickets for day 1, aims for Rs 3-3.50 crore opening

Anurag Basu 's big ensemble film 'Metro... In Dino' has hit cinemas today on 4th July, 2025. Starring top talents like Aditya Roy Kapur, Sara Ali Khan , Pankaj Tripathi , Konkona Sen Sharma, Ali Fazal, Fatima Sana Shaikh, Anupam Kher, Nina Gupta and Saswata Chatterjee, the film has been in the news for quite some time. Now, its advance booking numbers give us a first real look at how it might fare. A strong cast, but tough competition 'Metro... In Dino' is seen as a spiritual sequel to Basu's much-loved film 'Life In A Metro'. The new film also explores urban stories and tangled relationships, something the first film was praised for. However, it isn't releasing alone. The film faces direct competition from the Hollywood giant 'Jurassic World: Rebirth'. It also runs alongside holdover hits like 'F1', 'Sitaare Zameen Par' and 'Maa', which still have their audience. Even so, 'Metro... In Dino' has got good screens thanks to the curiosity it built before release. Advance booking falls below hopes According to a report by Pinkvilla, 'Metro... In Dino' has sold around 18,500 tickets across top national chains for its opening day. While that might sound okay, it is actually much lower than what trade experts expected. by Taboola by Taboola Sponsored Links Sponsored Links Promoted Links Promoted Links You May Like "진작 할 걸… 임플란트 개당 30만원으로 웃음 되찾았습니다!" 튼튼한 임플란트_강남치과의원 지금 문의 Undo As the report points out, 'the movie should have had double the number of tickets sold for the opening day, if not more; since it is firstly the sequel of an acclaimed film like Life In A Metro, and secondly because it is a pricey film that really requires strong theatrical performance to breakeven. ' Eyeing a Rs 3-3.50 crore day 1 collection The report further mentions that, going by these bookings, the film is looking at a Rs 3 crore to Rs 3.50 crore net opening in India. The final numbers will depend on spot bookings and how viewers react once shows start. The film will now hope for strong word-of-mouth to boost collections over the weekend. Many of Basu's past films have slowly won over the audience after release, so there is still a chance this one might pick up in the days ahead. A costly film that needs a big worldwide run 'Metro... In Dino' has been an expensive affair. As per Pinkvilla, the film was first approved at a budget of Rs 65 crore, but reshoots pushed the cost of production up to Rs 85 crore. Add another Rs 15 crore spent on print and advertising, and the total cost has touched around Rs 100 crore. Luckily, the film has already recovered about Rs 70 crore from non-theatrical revenue. But that still leaves a good chunk to be made from theatres. Needs at least Rs 75 crore worldwide to break even The report also explains, the movie needs to gross at least Rs 75 crore worldwide to ensure that the movie doesn't lose anyone associated with the film, any money. This means it must earn well globally so that the makers get around Rs 30 crore share needed to cover the remaining costs. With its slow start in advance bookings, the film will be banking on audiences to come in through the weekend and beyond. Now, everything rests on how viewers take to 'Metro... In Dino'. Will they connect with its stories and characters like they did with 'Life In A Metro'? Or will the strong competition make it harder for the film to grow? With a rich cast and Anurag Basu's knack for telling human stories, the film still has plenty of promise. But it now needs solid word-of-mouth to make sure it sails smoothly at the box office.

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