logo
Rivals series two starts filming as cast share behind the scenes snap of Danny Dyer's return after BAFTA win

Rivals series two starts filming as cast share behind the scenes snap of Danny Dyer's return after BAFTA win

The Irish Sun22-05-2025

FILMING for Rivals series two has begun - as the cast shared a behind-the-scenes snap of Danny Dyer's return.
The likes of
,
and
a
lso appear in the romp-filled series.
Advertisement
3
Hit show Rivals has begun filming for series two
Credit: Instagram
3
Based on Jilly Cooper's novel, Rivals debuted on Disney+ last year
Credit: Instagram
3
Danny Dyer returns after his recent BAFTA win
Credit: Instagram
The smash-hit period drama, based on Jilly Cooper's 1988 novel, launched on Disney+ last year.
New snaps show cast members back on set to
film
the second series,
It comes as cast member Danny Dyer recently
The actor, 47, received the gong for his work in
Sky
Max
comedy
Mr Bigstuff - marking his first BAFTA win.
Advertisement
Read more on Rivals
Meanwhile, the star recently revealed he
The second outing will comprise 12 episodes altogether - marking an increase of four.
David Tennant, Aidan Turner, Katherine Parkinson, Alex Hassell and Nafessa Williams are all confirmed to be returning.
Also coming back are Emily Atack, Rufus Jones, Oliver Chris, Victoria Smurfit and
Advertisement
Most read in News TV
Following the original book, the first series of
It saw long-held grudges bubble to the surface as characters vied for business and each others' affections in the
Rivals fans convinced series two announcement video contains HUGE spoiler for next season after cliffhanger ending - did you spot it?
Viewers tuned into the show in droves as they raved about the
After the jaw-dropping cliffhanger ending,
Advertisement
The Sun
Rivals: The Cast
An ensemble of stars make up the huge cast of the hit Disney+ show Rivals.
Victoria Smurfit - Maud O'Hara (Declan's wretched wife and a former actress)
Danny Dyer - Freddie Jones (Self-made successful electronics businessman and resident in Rutshire)
Rufus Jones - Paul Stratton (British MP going through a mid-life crisis)
Author Dame Jilly Cooper said at the time: "Nearly 40 years after my novel Rivals was published, I've adored seeing the world fall in love with my beloved characters - Rutshire's Finest.
Prince
and Disney+ on the first season."
She added: "I'm orgasmic with excitement and cannot wait for the return of my superhero Rupert Campbell-Black and the rest of the characters in season two!"
Advertisement
Rivals is available to stream on Disney+.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Jessie J gives ‘honest' health update after her surgery for early-stage breast cancer
Jessie J gives ‘honest' health update after her surgery for early-stage breast cancer

Irish Independent

time14 minutes ago

  • Irish Independent

Jessie J gives ‘honest' health update after her surgery for early-stage breast cancer

The 37-year-old 'Do It Like a Dude' singer, real name Jessica Cornish, shared an update regarding her health on Instagram yesterday, writing: 'Pros: Cancer has all gone.' She explained that both her mastectomy and reconstruction surgery had gone well, as she added, 'My nipple is where it used to be'. Cornish revealed earlier this month that she had been diagnosed with early-stage breast cancer in April, telling followers she was facing surgery. Sharing a collection of videos and photos from her hospital stay, Cornish said: 'I've now been at the hospital for six-and-a-half hours, and I'm still waiting to go down to the theatre.' She also shared a video of herself lying in a hospital bed post-surgery as her partner, basketball player Chanan Colman, kissed her forehead. The next clip showed Cornish cry­ing, telling Colman she was 'so sore' while touching her right breast. She held up a beaker of blood in another video, explaining that it had been connected to her breast to drain the blood. She joked that its contents looked like a 'goji berry smoothie'. Cornish told followers she wanted to document 'the good and hard bits' of her journey. 'Grateful to my doctor / surgeon and all the nurses who cared for me, and all my family / friends who came to visit,' she said. 'This post is some of the honest lows and highs of the last 48 hours. ADVERTISEMENT Learn more 'I am home now, to rest and wait for my results. Still hugging everyone going through something tough right now. We all got this.' Cornish was met with well-wishes from her celebrity friends, with JLS star Marvin Humes writing of her son, Sky: 'I know Sky will be keeping you smiling and giving you strength... big an absolute warrior x.' Announcing her diagnosis earlier this month, Cornish said: 'Before No Secrets came out I was diagnosed with early breast cancer. 'I'm highlighting the word early. Cancer sucks in any form, but I'm holding on to the word early. 'I have been in and out of tests throughout this whole period. 'I'm not processing it because I'm working so hard. I also know how much sharing in the past has helped me with other people giving me their love and support and also their own stories.' She added that she would 'disappear for a bit... to have my surgery and I will come back with massive tits and more music'. 'It's a very dramatic way to get a boob job,' she joked. The singer, who rose to fame on the 2011 edition of The X Factor and had hits including Price Tag and Domino, welcomed a son called Sky with Colman in 2023. During her recent appearance at Capital's Summertime Ball in London, she vowed to beat breast cancer. 'Today, this show, is my last show before I go to beat breast cancer,' she said. 'It's so special to me, you have no idea. I feel so proud to be feeling OK – to be this honest person who can say what they feel.' (© The Independent)

Labour of Love: Glucksman exhibition gathers art themed around the care economy
Labour of Love: Glucksman exhibition gathers art themed around the care economy

Irish Examiner

time42 minutes ago

  • Irish Examiner

Labour of Love: Glucksman exhibition gathers art themed around the care economy

Housework, farm work and compulsory work in institutions are just some of the subjects explored in the exhibition Labour of Love: Economies of Care in Contemporary Art at the Glucksman Gallery at University College Cork. 'The care economy is something we wanted to look at in the context of the university and contemporary art trends,' says Fiona Kearney, the director of the Glucksman, who curated the show with her colleague Katie O'Grady. 'It's the kind of work that is often unpaid, or pays badly, and relates primarily to female labour in the home. This is something that the UN is looking at, and something that our colleagues here in the university, as economists and social scientists, are looking at because it has a huge relevance to all of us in society.' As Kearney points out, it is often the case that artists who are mothers struggle to find the time and space to make work. 'This has emerged as quite a significant discussion within contemporary art practice. They have to balance their participation in residencies, for instance, with their responsibilities as parents. 'When we were preparing the show, however, we knew we didn't want to really focus on the subject through a feminist lens, we wanted to do a show that would be as inclusive as possible, while keeping the focus on unpaid or low paid work, and specifically on that idea of the carer. After all, both genders are bound by different stereotypes of work practices. A man might be doing low paid labour on a building site, for instance, when he might love to be at home caring for his children. There's certain things that society expects you to be.' Fiona Kearney, director of the Glucksman, with minister Patrick O'Donovan at Laura Fitzgerald's artwork at the gallery. Labour of Love is inclusive not just in terms of gender, but also in its international breadth. Of the twelve artists participating, four are Irish, four are European, two are British, one is Australian, and one is South American. 'We're an island nation,' says Kearney, 'and it's important to make international connections. Otherwise the wider world mightn't pay attention. Two of the artists, Jamie Martinez and Caroline Walker, are represented by galleries in New York, for instance, and those gallerists are now looking at our artists' work and sharing details of our exhibition and our website within their networks. You'd hope that might lead to more opportunities for the other artists in the show.' Labour of Love opens with the Danish artist Liesel Burisch's series of 15 one-minute videos, Minutes of Silence. 'Liesel is a relatively early career artist who wouldn't have shown in Ireland before,' says Kearney. 'It's not just in Ireland, but all over the world, that people are aware of taking a moment of silence, to pause and reflect. Liesel has filmed these fairly random groups, including animals. It's a gentle work, and quite comic, but also, I hope, it invites the visitor to take a moment to ask, can we enter into this exhibition with that sense of dignity that we feel should be afforded to the people that are represented in it?' Work in the home is explored by the Scottish artist Caroline Walker in a series of paintings and lithographs. 'This is Caroline's first time showing in Ireland. It's a real privilege for us; she's got a big show that's just opened at the Hepworth in Wakefield, and I suspect she's going to be a global superstar. A lot of her work that we specifically requested for this show was of her mother, who helps care for her child. One painting shows her mother checking a bottle of milk, while another shows her cleaning the toilet. It's a beautiful acknowledgement of the importance and value of that kind of labour.' The subject of forced labour is touched on in Amelia Stein's photograph, Laundry, which depicts a stack of freshly folded white linen. 'Amelia's work honours the women in the Magdalene Laundries,' says Kearney. 'We've shown the work along with a piece of 19th century Limerick lace on loan from Cork Public Museum. Lace making was women's work. It brought in an income and helped families survive when no other work might have been available. It's a history that isn't celebrated very much. We don't acknowledge the economic power that women were given in that moment because it was ripped away from them again by the time the Irish state was established.' Stock Check by Caroline Walker. The most prominent work in the exhibition, and certainly the one most popular with children, is Laura Fitzgerald's Rural Stress (Landini); a large tractor constructed of welded steel, accompanied by a selection of drawings of rural tasks and activities. 'I really must give kudos to my colleague Katie O'Grady here,' says Kearney. 'We had a long chat about how we could include the rural in the show. In Ireland, as you know, so much labour around the farm happens in a family context. Farm work is never ending. Everyone gets pulled into it, and it is often very thankless. 'Katie approached Laura and asked her to participate. Laura is fabulous. She's a super artist who's making really funny work. I mean, her drawings are so observational, and again, they're made with Sharpie pens on paper. And her tractor has turned out to be the sleeper hit of the show.' There will be another mix of Irish and international artists in Rinn, the next show at the Glucksman, which will be curated by the Japanese gallerist Wahei Aoyama and the West Cork designer Joseph Walsh. Rinn tours to the Glucksman at the end of July, having premiered in Tokyo in April as part of the Ireland Japan 2025 programme. 'We're the only Irish venue the exhibition will run in,' says Kearney. 'The project has grown organically out of the Making In symposium Joseph hosts every year in his studio in Riverstick. O'Donnell and Tuomey Architects, who designed the Glucksman, have partnered in those. They were out in Japan when Rinn opened there, and they'll be part of the exhibition here as well. We'll be celebrating 21 years since the Glucksman first opened in October, so it's a nice homecoming for them.' Labour of Love: Economies of Care in Contemporary Art runs at the Glucksman until July 6. Rinn opens on July 26. Women's Work, a documentary film on the artist Caroline Walker, screens at the Kane Building, UCC at 2pm July 5. Further information:

Star Wars health and safety boss with MBE for ‘cultural awareness' sues after sacking for calling colleague ‘white man'
Star Wars health and safety boss with MBE for ‘cultural awareness' sues after sacking for calling colleague ‘white man'

The Irish Sun

time2 hours ago

  • The Irish Sun

Star Wars health and safety boss with MBE for ‘cultural awareness' sues after sacking for calling colleague ‘white man'

A STAR Wars health and safety boss with an MBE for cultural awareness is suing after being sacked for calling a colleague "white man". Sadi Khan, who worked on The Acolyte, was the first woman of colour employed as a head of health and safety on a Walt Disney series. 2 Sadi Khan worked on The Acolyte Disney series Credit: Disney 2 Star Wars spinoff series The Acolyte Credit: Disney The single mum from Nottingham is suing the production company for unfair dismissal after being sacked for referring to a colleague as a 'white man'. She worked for Blue Stockings, which is owned by the Disney subsidiary Lucasfilm. She is suing Blue Stockings for unfair dismissal, sex and race discrimination, harassment and victimisation after she was dismissed for gross misconduct in November 2022. Ms Khan also worked as the health and safety co-ordinator on Disney's controversial remake of Snow White. The mum, who is of Pakistani heritage, claims she was sacked after blowing the whistle on unsafe working conditions. She was awarded an MBE in 2018 for cultural and religious awareness and training and services to the vulnerable. Ms Khan told an employment tribunal in Reading: 'If it was Tom Cruise saying they have to take health and safety seriously, they'd have listened to him, but they took no notice of me," She claimed there was a 'campaign' against her. Most read in The Sun The tribunal heard Ms Khan was sacked for referring to a bloke who was hired in a more senior role as a 'white man' and for 'making inappropriate comments' to her colleagues. But she insisted she said it in a "factual" way, and didn't mean for it to be derogatory. Blue Stockings denies the allegations, and the case continues.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store