Lil Wayne's ‘Tha Carter VI' album and tour mark a major return for the Hip Hop icon
Trending
13 BET Awards tribute performances that still give viewers chills
21 of the sexiest women alive, from Hip Hop to Hollywood
7 athletes whose style screams rap star energy
Lil Wayne's new album, Tha Carter VI, blends multiple genres with features from Bono, Wyclef Jean and his own children.
The 2025 'Carter VI Tour' spans 34 North American cities, kicking off with Weezy's first solo headlining show at Madison Square Garden.
Despite skipping New Orleans, Wayne's team hints at a special Lil Weezyana Fest appearance to honor his hometown roots.
After a seven-year wait, Lil Wayne has officially released Tha Carter VI, a 19-track project that both extends and redefines his legendary Carter series. The album arrived on Friday (June 6), the same day Wayne will take the stage at Madison Square Garden for his first-ever solo headlining performance at the iconic venue.
Wayne's latest work blends old-school flair and forward-thinking experimentation. The album features an array of unexpected collaborators, including BigXthaPlug, Wyclef Jean, Andrea Bocelli, Kodak Black, 2 Chainz, MGK and two of Wayne's children. The project moves between trap, soul, rock, opera and gospel influences with confidence, reflecting a decades-long career marked by reinvention and range. 'This album is for the ones who've been riding with me through all Tha Carters. We takin' it further than ever before with this one,' Wayne said in a press release. 'C6 is here. I'm just bein' myself. Sorry for the wait.'
Throughout Tha Carter VI, Lil Wayne leans into his status as a rap elder without losing the hunger that's kept him relevant. Standouts like 'Written History,' which closes the album with a powerful Muhammad Ali sample, and 'Bein Myself,' a collaboration with Mannie Fresh, reaffirm his lyrical sharpness and unshakable identity. Elsewhere, he showcases a willingness to evolve, pairing with U2's Bono and Jelly Roll on 'The Days' and 'Sharks,' respectively, or crossing into (familiar) rock territory on 'If I Played Guitar.'
https://tidal.com/browse/album/440469641?u
Wayne even reflects on his traumas, particularly on 'Maria,' where he raps about childhood abuse and his infamous self-inflicted gunshot wound at age 12. These moments provide rare glimpses behind the tattoos and shades. And despite the wide range of features, C6 remains centered on Wayne's voice, creativity and vulnerability.
Much like the album, the 'Tha Carter VI Tour' looks to kick off with high energy (beginning with his aforementioned MSG show) and features over 30 dates across North America. Tyga, NoCap and Belly Gang Kushington will also provide support on select stops. Notably absent, however, is Wayne's hometown of New Orleans — something that's sparked social media speculation given his absence from the Super Bowl LIX Halftime Show.
Still, fans in the Crescent City may not be left out for long. Wayne's team has teased 'something special' for the next Lil Weezyana Fest, hinting that a more personal celebration is on the horizon. In the meantime, fans can get their fix through Wayne's online store, which features Tha Carter VI merch, vinyl bundles and more.
You Might Also Like
Every NBA Finals from 2015 to 2024 matched with the rap songs that defined them
SiR says Drake pulled the plug on his 2024 concert just for being TDE
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
2 days ago
- Yahoo
2025 Palm Springs International ShortFest Winners: ‘Retirement Plan,' ‘Shanti Rides Shotgun' and ‘Medusa' Win Top Prizes
The 2025 Palm Springs International Shortfest has revealed this year's festival juried winners. Honors and cash prizes worth $30,000, including five Academy Award qualifying awards, were presented during the Awards Brunch. The winning films were selected from 311 total submissions. Award categories include Best Animated Short, Best Documentary Short, Best Live-Action Short Over 15 Minutes, Best Live-Action Short 15 Minutes and Under. The 2025 Palm Springs International ShortFest took place June 24-30, 2025. More from Variety Palm Springs International ShortFest Lineup Includes Films From Francesca Scorsese, Bella Thorne Palm Springs International ShortFest Top Prizes Go to 'The Old Young Crew,' 'Way Better,' 'Will You Look At Me' Palm Springs International ShortFest Releases 2023 Film Lineup See the full list of winners below. Best of the Festival Award 'Retirement Plan,' directed by John Kelly Best Animated Short 'Budō' (Sweden), directed by Amanda Aagard and Alexander Toma Best Documentary Short 'Shanti Rides Shotgun' (USA), directed by Charles Frank Best Live-Action Short Over 15 Minutes 'Susana' (Mexico/USA), directed by Amandine Thomas and Gerardo Coello Escalante Best Live-Action Short 15 Minutes and Under 'Medusa' (USA), directed by Sarah Meyohas Best Student Animated Short 'Dragfox' (United Kingdom), directed by Lisa Ott Best Student International Short 'Cura Sana' (Spain), directed by Lucía G. Romero Best Student U.S. Short 'Nervous Energy' (USA), directed by Eve Liu 'Breastmilk' (USA/Nigeria), directed by Ifeyinwa Arinze Best Student Documentary Short 'You Can't See It from Here' (USA/Colombia), directed by Enrique Pedráza-Botero Vimeo Staff Pick Award 'You Know You Wanna Stay' (USA), directed by Alex Heller Best International Short 'Beyond Silence' (The Netherlands), directed by Marnie Blok 'Kuchar' (The Itch) (India), directed by Vaidaangi Sharma Best U.S. Short 'Szypliszki' (USA), directed by Jordan Axelrod 'Ragamuffin' (USA), directed by Kaitlyn Mikayla Best Comedy Short 'How Was Your Weekend' (USA), directed by Cam Banfield 'Your Own Flavor' (USA), directed by Alisha Ketry Best LGBTQ+ Short 'Chico' (France/Belgium), directed by Théo Abadie 'Hold Me Close' (USA), directed by Aurora Brachman and LaTajh Simmons-Weaver Best Midnight Short 'Mango' (United Kingdom/France), directed by Joan Iyiola Desert Views Local Jury Award 'Big Bass' (USA), directed by Drew Dickler Young Cineastes Award 'Énouement' (USA), directed by Angel Lu Kids' Choice Award 'Wednesdays with Gramps' (USA), directed by Chris Copeland and Justin Copeland Best of Variety New Movies Out Now in Theaters: What to See This Week 'Harry Potter' TV Show Cast Guide: Who's Who in Hogwarts? 25 Hollywood Legends Who Deserve an Honorary Oscar


Forbes
3 days ago
- Forbes
Whitney Houston Scores Multiple New Platinum Hits
Whitney Houston earns double-digit new RIAA certifications, including platinum plaques for 'Count On ... More Me' and 'Run to You,' decades after their original releases. FRANCE - MAY 18: Whitney Houston Performs In Paris Bercy On May 18th, 1988 In Paris,France (Photo by Frederic REGLAIN/Gamma-Rapho via Getty Images) More than a decade after her passing, Whitney Houston continues to collect new awards and certifications for the music she left behind. People in the United States have not stopped listening to the legendary vocalist, and as more time passes, she racks up more honors. The Recording Industry Association of America (RIAA) recently handed down double-digit new certifications to Houston's catalog, as both singles and one of the bestselling albums of all time added to their totals. Among that group, two of the late superstar's tracks became platinum wins for the first time, decades after their release. 'Count on Me' and 'Run to You' Go Platinum Both 'Count On Me,' a collaboration with CeCe Winans, and 'Run to You' are newly platinum songs by Houston. That means they have officially moved one million equivalent units throughout the years, between both sales and streaming activity. 'Run to You' was named a gold win after it hit half a million units in March 2019. 'Count On Me' had to wait much longer to double its sum and move from gold to platinum status. The duet with Winans was certified gold in 1996, so it took almost 30 years for it to shift another half-million copies. The Bodyguard and Waiting to Exhale's Smashes 'Run to You' served as the fourth official single from The Bodyguard soundtrack. It followed top 10 smashes 'I Will Always Love You,' 'I'm Every Woman,' and 'I Have Nothing,' becoming the last charting tune from that collection. Just a few years later, Houston was promoting the Waiting to Exhale soundtrack, which produced several other huge wins, including 'Count On Me.' Both were chart wins, but it's taken decades for them to become platinum successes. Whitney Houston's Other New RIAA Certifications Eight other songs by Houston earned new certifications from the RIAA at the same time as 'Run to You' and 'Count On Me.' 'I Will Always Love You' advanced to 11-times platinum after becoming a diamond smash in 2022. Houston is likely headed for another diamond win, as 'I Wanna Dance With Somebody (Who Loves Me)' is now up to 8-times platinum, meaning it has moved eight million equivalent units. Other beloved songs from the superstar increased their totals, including 'I Have Nothing' (4-times platinum), 'Higher Love' with Kygo and 'How Will I Know' (both 3-times platinum), and 'Saving All My Love for You,' 'My Love Is Your Love,' and 'Heartbreak Hotel,' which all surged from platinum to double platinum.
Yahoo
4 days ago
- Yahoo
Everything We Really Know About Cardi B's ‘Am I the Drama?'
After teasing her sophomore album nearly every year since her groundbreaking 2018 debut, Invasion of Privacy, Cardi B finally announced that it will drop on Sept. 19. This week, she revealed the cover art for her next body of work, aptly titled Am I the Drama?, after serving as high-profile gossip fodder for just about as long as she's been making hits (to be fair, she did get her mainstream start on VH1's reality TV drama factory, Love & Hip-Hop). Surrounded by foreboding ravens on the ominous album artwork she shared, Cardi B is happy to play the villain this time around – she's even selling merch that says so. (Avian fun fact: A rep for Cardi B confirms to Rolling Stone that those birds are in fact ravens, not crows, as has been erroneously reported.) In anticipation of Am I the Drama?, we're running down everything we know about this album and the long road that led to it. For her June 2024 Rolling Stone cover story, Cardi B let us watch her work on the long-anticipated album in studios across the country, including Glenwood Place Studios in Burbank, California, and New York's iconic Jungle City Studios. She was anxious – and, in New York, feeling sick – but relentless about making the best music she could. 'I take my music so fucking seriously that that's why I don't put it out,' she told us at the time. 'Because if it's not perfect to my ear, if every fucking word doesn't sound like it's pronounced right, if the beat is overpowering the words or the words is overpowering the beat, I don't want to put it out.' More from Rolling Stone Loyle Carner on How Fatherhood and Guitars Opened Up His Musical World Cardi B Finally Announces New Album 'Am I the Drama?,' Shares Release Date and Cover Art Karol G, Cardi B, Lorde, and All the Songs You Need to Know This Week It seems that was true for her latest single, 'Outside,' the first new song of Cardi's set to be featured on Am I the Drama? per an incomplete tracklist on Apple Music. It's both a celebration of her independence and a no-holds-barred diss where she says, 'Next time you see your mama, tell her how she raised a bitch.' On Instagram Live, she admitted that she didn't want to release the song after it leaked around the top of the month, but fans clamored for it and her label, Atlantic Records, implored her to put it out. She publicly apologized to Atlantic for being 'very bratty, very mean, very nasty' about this – via a since-deleted post on X, she had even threatened to put the label on blast before the song came out. Here's what else we know: Since the wait for this album has now stretched on for nearly seven years, let's just focus on the last 12 months or so, shall we? Last March on Instagram, Cardi B promised that her sophomore album would be released sometime in 2024, but by mid-May, she backpedaled in a heated online exchange with her followers. 'Anyway NO album this year I don't care I'm relaxing,' she wrote on X. Soon after, she deleted the post and her rep confirmed to Rolling Stone that an album in 2024 was still the plan. Atlantic even reposted Cardi's Rolling Stone cover on X, writing, 'Cardi B's upcoming album is one of the most anticipated this year. We can't wait [to] put it out, even if we have to sneak into her studio and take it! 👀' Meanwhile, Cardi did let us know she was dealing with real-life changes and challenges, though it's not clear what impact those may have had on her shifting release date. Unbeknownst to the public, Cardi was pregnant with her third child with her husband Offset, a daughter named Blossom, whose birth she announced last September. That spring, her marriage was on the rocks, with Cardi telling us she wasn't sure about the future. 'I think it through,' she said. 'We think it through, because we do love each other. It's not even about love. We're best friends. And it's like, 'OK. Well, there was a time that I didn't have a best friend, or I didn't have a support system.' It's not even about 'How do you leave a partner?' How do you stop talking to your best friend?' However, by the end of July, Cardi filed for divorce — which she had done before in 2020 — and the couple appear to still be deeply estranged amidst the proceedings. Working hard while pregnant or with a newborn on her hip isn't new to Cardi, nor is pushing her career forward in the midst of romantic turmoil. If you remember, Cardi's first daughter, Kulture, was born just months after the release of Invasion of Privacy. By May of this year, Cardi was claiming that her album would have been ready if not for delayed features from her collaborators. 'I really need these fucking features,' Cardi said on Instagram Live. 'I'm not really trying to press or go crazy on these artists because I love them down. But it's like come on now, I need that. I need that right now. Y'all don't want to miss this opportunity.' Well, that, we don't know for sure. She had previously teased that the album would have both new and old faces, and she told Rolling Stone the guests would run the gamut of both rappers and singers. One person she told us she's been obsessed with lately is fellow Bronxite Cash Cobain, whose star as both a producer and a rapper has been rising in the horny, laid-back movement known as sexy drill. In March 2024, Cash played Cardi about 30 tracks he had produced, many of which she loved. 'I was like, 'Damn, now I got to make a lot of choices because I don't want my whole album to sound like this,'' she said. After Cardi announced Am I the Drama?, SZA took to her Instagram comments to say, 'Lemme send this verse chile,' foreshadowing a feature on the album. Cardi has collaborated with SZA several times before, like on 'I Do,' from Invasion of Privacy, Flo Milli's 'Never Lose Me' remix, and Summer Walker's extended version of 'No Love.' Since 'WAP' is featured on the new album's 23-song tracklist, Megan Thee Stallion is already a guaranteed feature, but the rest are toss-ups. Rap veteran Busta Rhymes did make a public plea for Cardi B to call on him to collaborate, so it'll be interesting to see if that worked out for him here. Last year, Cardi told us that she was weighing how much of her personal life to share on the album. 'I really want to talk about the life changes that I've been dealing with the past six, seven years,' she said. 'But then it's just like, I feel like people don't deserve to know because people use my pain against me.' She did seem to channel some of that pain into 'Outside,' sharing on Instagram that 'I made this song a few months ago when I was very, very angry…I had to change some bars because I was angry, honey.' In the middle of recording last year (and in between our two interviews), Cardi B began therapy to help her cope with the life stressors that were distracting her. 'It was just too much going on,' Cardi said when I asked about her change of heart, as she had expressed skepticism about therapy prior. 'And when there's too much going on, it fucks up my work.' Her longtime recording engineer Evan LaRay Brunson told us making music involves a 'roller coaster of emotions' for Cardi. 'When we good, we knocking them out. Verse after verse, hook, ad-libs. I'm like, 'You're done quick. You sure?' But when she's going through it, it's going to be a long day.' At the time, she wanted the album to reflect every part of her. 'I'm a different person every single day,' she said. 'When I'm in a good mood and I'm with my friends, [I'm] like, 'Damn, I want my shit to be played in this club.' But then I might be mad with my man, so it's like now I want to do this song. But then I want to do a pop record. I want to do my sing-y shit.' While anything is possible, especially with songs as established as 'Up' and 'WAP' on the album, Cardi did play us some of the music she was hoping to include — just the beats, though. There was a sensual Afro-Caribbean number. There was a track she called 'Better Than You' which was reminiscent of UGK and OutKast's 'Int'l Players Anthem (I Choose You),' with a pitched-up vocal sample, rich, violin-like synths, and rolling Southern drums. Cardi noted that its sound — courtesy of the producer Vinylz, whom she's known since her days as a dancer — was brand-new for her. 'I feel like the beat is not a beat you could get rowdy on,' she said. 'It's a real calm beat. And I had two choices, I could do more of an inspirational type of record — 'I used to grind all my life' — but then I decided to be like, 'No, I'm going to shit on you bitches.' ' She played a beat for a song she called 'Pick It Up,' 'meant for pop radio, with high-femme twinkles and chimes and keys that were distorted like a fun-house mirror. Then she played a drill beat in the sexy style of Cash Cobain, but produced by her regular collaborator SwanQo. It was called 'Don't Do Too Much,' and was glittery and animated, with a playful whistle as its through line. Cardi said she gets some jokes off on that track. 'If it was up to me,' she said, 'my whole album would sound like drill.' According to her interviews last year, yes. She was adamant that touring is how she learned to leave an impact on her fans since her mixtape days. At the time, she said she wasn't performing live as much, simply because she didn't have new music. 'If I was doing things for money,' she said, 'I would put out music every month because nothing pays me more than shows. But I care about how my music sound. I care about my quality. I care about giving something special every single time.' Best of Rolling Stone Sly and the Family Stone: 20 Essential Songs The 50 Greatest Eminem Songs All 274 of Taylor Swift's Songs, Ranked