Glasgow comedian Rosco McClelland
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RNZ News
13 hours ago
- RNZ News
Clearing a path through the noise
This audio is not downloadable due to copyright restrictions. Ólafur Arnalds playing during the Rudolstadt-Festival 2019. Photo: Carsten Stiller When he was young, Iceland was too quiet for Ólafur Arnalds . At the age of 18, he jumped on a plane to London. He lived in a squat and played the drums in punk and heavy metal bands. These days he's back in Iceland and he can't get enough of the still life. Arnalds was in Auckland briefly as part of a Southern Hemisphere tour of the techno duo, Kiasmos , of which he is one half - the other half belong to the Faroe Islander, Janus Rasmussen. Kiasmos mostly makes music to dance to, but when Arnalds isn't doing techno, he's increasing creating sounds that spill over into the classical world; music like the "Chopin Project" where he collaborated with the pianist Alice Sara Ott. He's also composed for the choir Voces8, while the soprano sax player Jess Gillam recently recorded an arrangment of his work "Saman" (which means "together" in Icelandic). And he is increasingly drawn to silence. Not just silence in terms of no sound, but silence as in taking a break from all the "noise" most of us bombard ourselves with when locked into the latest social media goings-on via our smartphones. Arnalds spoke with RNZ Concert's Bryan Crump about the power of silence, and how sometimes in his solo concerts (where he's usually playing keyboards) he takes his audience to a place where there's no sound at all - and leaves them there as long as he can. They also spoke about Arnalds' latest album, "A Dawning" , which he made with the Irish singer Eoin French (aka Talos) whose own voice was silenced by cancer before the album was finished. Arnalds believes something important happens to people when they take a break from the "noise" of the modern world. They start paying more attention to the flesh and blood people around them. He says that sense of community was especially important when he and his fellow musicians had to complete "A Dawning" after French's death.
Otago Daily Times
2 days ago
- Otago Daily Times
Book ‘in very good hands' for adaptation
Dunedin author and University of Otago Stuart Professor of Scottish studies Liam McIlvanney's latest book The Good Father may soon be turned into a television series. PHOTO: GERARD O'BRIEN What could be worse than your child disappearing? It is a recurring question in Dunedin author Liam McIlvanney's latest book The Good Father, and one that has lured a Bafta award-winning television production company to secure the screen rights to the thriller. The University of Otago Stuart Professor of Scottish studies said he was delighted his book had been optioned by Glasgow-based production company Synchronicity Films. "I'm a big fan of their work. "Their recent production of Andrew O'Hagan's Mayflies was superb. "They have also adapted The Tattooist of Auschwitz by Kiwi novelist Heather Morris and did a brilliant job there. "My book is in very good hands. They are good people as well as top professionals, so I'm thrilled to be working with them." Prof McIlvanney said it was the second time one of his novels had been optioned by a production company. His third novel The Quaker was also optioned in 2018, but it had not yet been translated for screen. The Good Father was about a couple who live an idyllic life in the seaside village of Fairlie, on the Ayrshire coast of Scotland. The beachside village of Fairlie, on the Ayrshire coast of Scotland. PHOTO: SUPPLIED Billed as "gripping and emotionally charged", the story explores the devastating impact of trauma, family secrets and community suspicion when the couple's 7-year-old child goes missing from the beach outside the family's home. "The novel takes a deep emotional dive into the aftermath of the disappearance, and then a couple of dramatic twists lead the father down a path he could barely have imagined at the story's outset." It twists and flits around the question: what could be worse than your child disappearing? "The book has a pretty clear structure and some strong characters, and the setting is pretty photogenic, so I think it will translate well to screen," he said. Despite being the author of the book, he would have very little to do with the production itself. "I'm very happy to leave it to the professionals. "Jacquelin Perske is a phenomenal screenwriter and I'm really excited to see what she does with the novel and where she takes it with her own artistic vision." Synchronicity Films founder and creative director Claire Mundell said the company loved "a brilliant thriller" and Prof McIlvanney's novel "hooked" them from page one. "He's the Scottish Stephen King. "The Good Father is deeply suspenseful and propulsive, whilst asking complex moral and emotional questions: qualities that align perfectly with Synchronicity's passion for adapting bold, compelling and emotionally resonant stories." Prof McIlvanney was a little uncomfortable with the reference to him being "the Scottish Stephen King". "I take that with a pinch of salt. "I don't think I can really claim any comparison with the great Stephen King. "We both write books and we both have an 'i' in our surnames, but that's about it." As for when he thought the production might hit our television screens, he said he had no idea. "That's above my pay grade."
RNZ News
4 days ago
- RNZ News
Staging one of the greatest love stories in a 60s thriller
culture arts 44 minutes ago It's one of the greatest and most famous love stories and we already know how it ends before it begins. Shakespeare's Romeo and Juliet is now on stage with ATC - reenvisioned in a 60s thriller, high fashion style. Experienced theatre director, Benjamin Kilby-Henson has had a diverse career; taking theatre groups to the Edinburgh Fringe, directed shows for the Pop Up Globe, musicals for Court Theatre - and yet his shows often have a film or cinematic element and feel to them. Benjamin Kilby-Henson speaks to Culture 101 about how he first felt about the idea of bringing Romeo Juliet; such a well-known story to the stage.
