
Norwegian author Ingvar Ambjørnsen dies at age 69
The Cappelen Damm publishing house did not specify the cause of death. Ambjørnsen had long been public with his battle against a lung illness called chronic obstructive pulmonary disease, or COPD.
Norwegian tabloid VG reported he is survived by his wife, Gabriele Haefs, saying she posted news of Ambjørnsen's death on Saturday.
Born on May 20, 1956, in Tönsberg — described on his German-language author website as 'Norway's most bar-filled town' — Ambjørnsen grew up in Larvik and worked in various jobs in industry and psychiatry before publishing his first documentary novel in 1981. Four years later, he moved to Hamburg, where he lived for decades.
'His books are characterized by powerful, realistic descriptions of the seamier side of life,' the publisher said.
Ambjørnsen became one of the publisher's best-known contemporary authors with four novels built around the character Elling, a shy and imaginative outsider who coped with the funny but endearing foibles of daily life after release from a psychiatric hospital.
The comedy 'Elling' — the story of two recently released mental patients bunking together in an apartment in Oslo — was nominated in 2001 for an Academy Award as best foreign-language film. The tale landed on Broadway in 2010, with a play starring Denis O'Hare and Brendan Fraser: One of the misfits was fixated on his mother, the other obsessed with sex.
According to the author website, Ambjørnsen wrote 18 novels and three collections of short stories, as well as several books for children and youth. A newly written collection of short stories is set to go on sale in Norway on July 31.
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The Sun
8 hours ago
- The Sun
OnlyFans model left for dead after ‘Dubai Porta Potty' party breaks silence… and reveals horror aftermath of ordeal
A UKRAINIAN OnlyFans model who was left for dead after a Dubai "Porta Potty" party finally broke her silence on her horror ordeal. Maria Kovalchuk, 20, vanished for over a week in March before being discovered unconscious with horrific injuries, including a shattered spine and broken limbs. 8 8 8 She had reportedly "fallen from a height" and was found inches from death after fleeing what some feared was a 'Porta Potty' party — a sordid underworld event allegedly involving the abuse of young women by the super-rich. Maria is now recovering in Norway, where her mother lives, and has told her side of the story for the first time. She also revealed a prominent scar on her forehead after undergoing multiple surgeries. Speaking to Russian news outlet Ostorozhno, Novosti, the model said: 'I mostly use a wheelchair and crutches. 'I still have a leg fracture that's healing. 'I'm learning to walk with crutches again, but for now, the wheelchair is my main means of moving around.' There were initial claims Maria had been kidnapped into a sex trafficking ring linked to the notorious 'Porta Potty' scene — disturbing events reportedly involving high-paying UAE clients who degrade women, often influencers, for large sums. But Maria has now denied any involvement of Emirati citizens in her brutal ordeal. She instead accusing the privileged children of wealthy Russian and Ukrainian businessmen of abusing her after a wild party in a Dubai hotel. What are Porta Potty parties? PORTA potty parties are events, usually in the United Arab Emirates, where women are paid large amounts of money to sexually gratify wealthy men - in often highly degrading ways. It's thought that the women are sometimes duped into participating on false pretences - such as the promise of a modelling contract. At the events, men exploit the opportunity to commit depraved acts on the women. The name supposedly comes from the fact that the deeply disturbing acts can include men treating women as human toilets. Women, often from ex-Soviet countries, are lured in by the promise of a glamorous lifestyle and highly paid careers in the oil-rich states. An expert told The Sun that, once in the country, they fall under the complete control of the men and can be raped, drugged or even end up dead. Recruiters often target attractive women with online presences, or even TV stars. Radha Stirling, founder and CEO of Detained in Dubai, told The Sun: "It's exploitation disguised as glamour or opportunity. Women, in particular, are offered all sorts of opportunities in Dubai. "They might be offered to come and model, to come and play music, or to expand their career in some way or another. "But what they don't realise is that when they get there, they are essentially at the beck and call of whoever has brought them there. "They're under their complete control and they put themselves in such a risky position where they could end up gang raped, they could end up drugged, they could end up dead." According to Maria, she had missed her flight to Thailand while staying at the luxury Five Jumeirah Village hotel and was offered a place to stay by a 19-year-old man she had recently met at a karaoke bar. He claimed his father could fly her out on a private jet. What began as a seemingly harmless offer allegedly spiraled into a nightmare. 'They started teasing me, why I wasn't drinking,' she said. 'Then some aggressive pushes like pushing in the shoulders began. 'After that, they started making fun of me like 'you belong to us, we will do whatever we want'.' She described how the group began smashing bottles and glass on the floor, making it impossible to move barefoot, and said they took her passport and belongings. One of the girls allegedly left the hotel wearing Maria's clothes, ignoring her pleas. She claims the men 'hinted' they wanted sex — and when she refused, things escalated. 'I did not reciprocate, and this aggression was also heating them up,' she said. Maria says she tried to escape and hid at a nearby construction site — but was tracked down, beaten, and thrown from a ledge. 8 8 8 'They practically tore the skin off her scalp, then threw her off a ledge onto the road,' the report states. 'I ran away… I ran to the nearest building, just scared, and ran in, hid there. It was just an unfinished building, open,' Maria recalled. She was eventually found in a hotel bathrobe by a passing driver who called an ambulance. She fell into a coma and remained unconscious for days. CCTV footage that could have shown what happened was allegedly erased after three months, Maria claims, leaving no video evidence. 'The police waited until the cameras were automatically wiped… So now there's no evidence,' she said. Dubai police are said to have detained the accused young men — briefly — but released them the following day, with the case reportedly closed. 'They now claim in their testimonies that they tried to find and help Maria and that she had asked to come to the party herself,' said her mother, Anna. 8 8 She slammed the official version of events as 'falsified' — including a police claim that Maria had tried to end her life. 'The [Dubai] police investigation indicated that Maria said that she was running away from sexual violence and then went to protect her honour, her dignity, decided to commit suicide,' Anna said. 'This statement was falsified.' She also rejected reports that her daughter had been intoxicated, insisting medical tests showed no alcohol in her system. Maria's mother revealed that her daughter's high-cost medical treatment in Dubai — running into the millions — was paid for by local authorities. 'I don't know how much they paid — the sum was colossal, millions,' she said. Ostorozhno, Novosti reported that in exchange, she was asked not to say "anything that would cast the Emirate's authorities in a negative light". The shocking case comes after months of speculation and media frenzy over Maria's condition and whereabouts. Initial reports suggested she had been lured into a disturbing sex trap, with some linking her disappearance to the dark world of elite 'Porta Potty' parties in the UAE. A source close to Maria previously said she had been abused not by Emirati men, but by 'Russian citizens who tortured Maria'. 'She was found with a broken spine, arms and legs — and unable to speak,' the insider said. One fellow model described such elite parties as involving 'rape, beatings, and mistreatment,' often under the false promise of money and fame. Before her disappearance, Maria had appeared at a Dubai event supporting jailed Russian sociologist Boris Kagarlitsky, who has been sentenced to five years for allegedly justifying terrorism. His daughter, Ksenia, previously said: 'She will be able to walk… This is all very good news. But the details will come later, when she leaves the country.' You're Not Alone EVERY 90 minutes in the UK a life is lost to suicide It doesn't discriminate, touching the lives of people in every corner of society – from the homeless and unemployed to builders and doctors, reality stars and footballers. It's the biggest killer of people under the age of 35, more deadly than cancer and car crashes. And men are three times more likely to take their own life than women. Yet it's rarely spoken of, a taboo that threatens to continue its deadly rampage unless we all stop and take notice, now. That is why The Sun launched the You're Not Alone campaign. The aim is that by sharing practical advice, raising awareness and breaking down the barriers people face when talking about their mental health, we can all do our bit to help save lives. Let's all vow to ask for help when we need it, and listen out for others… You're Not Alone. If you, or anyone you know, needs help dealing with mental health problems, the following organisations provide support:


The Guardian
9 hours ago
- The Guardian
From ‘unpublishable' to acclaim and starry adaptations: Max Porter's Grief is the Thing With Feathers at 10
The final words of Max Porter's Grief is the Thing With Feathers are 'Unfinished. Beautiful. Everything'. So it has been for the slender novella, about a father and his sons grieving the loss of their wife and mother. Somewhat improbably for an experimental hybrid of poem and prose featuring a giant talking crow, Porter's debut has not only been a massive success, but has continued to evolve. Since it was published a decade ago, it's been translated into 36 languages and adapted for stage and screen, including a theatre show starring Oscar winner Cillian Murphy and a film starring Benedict Cumberbatch, due for release later this year. The book's latest evolution is an Australian stage adaptation, premiering at Sydney's Belvoir St Theatre this month. There have already been five stage productions, and a dance adaptation and Slovenian puppet version are on the way; an opera is in development. All this seems remarkable to Porter. 'You know, Grief was not even a publishable proposition to most people that looked at it first,' he says. Porter was more aware than most debut writers of the odds stacked against his novel: he was working in publishing when he wrote it, and keenly aware how his book's fragmentary narrative and experimental prose – which the Guardian described at the time as 'a freewheeling hybrid of novella, poem, essay and play-for-voices' – was risky. Then there's its dense threading of literary references and allusions – and the anthropomorphic crow, inspired by Ted Hughes' 1970 poem cycle Crow. Porter wrote Grief in the gaps of a busy life working in publishing and fathering two young boys, inspired by his experience of losing his father as a child and by his relationship with his brother. In the story, a writer and his two young sons grappling with fresh grief are visited by a human-sized talking crow, who takes up residence in their flat and assumes the role of therapist and babysitter – or as Porter has described him, 'Lady in Black and Mary Poppins, analyst and vandal'. The story chimed with readers, finding an audience as much through personal recommendations as through rave reviews and awards (including the £30,000 International Dylan Thomas prize). Dua Lipa, introducing the novel to her book club audience in April, described it as a 'lyrical, surreal meditation on loss' that simultaneously broke her heart and made her laugh. Reflecting on the enduring appeal and many adaptations, Porter says: 'I guess the imaginary crow and, you know, the everlasting conundrum of human grief, is enough for people to want to play around with still.' Most authors are happy to leave adaptations to others, approving the parameters of the project and then stepping away. Not Porter: he likes to muck in. 'I'm 98% collaboration,' he says – perhaps surprisingly, given he's published four books in the last decade, and just finished his fifth. 'Like, occasionally I will find myself on my own, needing to get some work done, but generally I want to be working with others.' Sign up for the fun stuff with our rundown of must-reads, pop culture and tips for the weekend, every Saturday morning He sat in on early workshops of the Irish stage version with Cillian Murphy and director Enda Walsh, attended a work-in-progress showing of the dance version premiering in Birmingham next year, and has had several chats with the Belvoir team over the show's long gestation. That's not to say he's proscriptive about adaptations: 'I always say this: the book is yours. It's supposed to be fluid and pull-apart-able,' he says. 'It's a book with lots of white space so that the reader can do that work, anyway. You know, it's your flat, it's your sibling relationship. It's your crow.' Sign up to Saved for Later Catch up on the fun stuff with Guardian Australia's culture and lifestyle rundown of pop culture, trends and tips after newsletter promotion But for Porter – a 43-year-old who converses with the enthusiasm of a preteen boy – discussing his work with other artists and storytellers is energising. 'I had a Zoom chat with [Australian director Simon Phillips] the other day, and it was like, right into the belly of the thing – right into the syntax of it, and the meaning behind some of Crow's language and some of the dad's material. And I was like, this is right back to being interesting again for me,' he says. The Belvoir production, co-adapted by Phillips with lighting and set designer Nick Schlieper and actor Toby Schmitz, will feature video, illustrations and a live cellist on stage. Schmitz, playing both Dad and Crow, says the production is infused with the make-believe spirit of theatre and child's play. 'Sleight of hand, misdirection, all the old theatre magic tricks come into play. Can a blanket be not just a blanket? What can a feather be? … There's something incredible about the suspension of disbelief in theatre.' Schmitz, who also works part-time in his family's bookstore in Newtown, heard about Porter's novel from customers long before he read it: 'People are always asking for it,' he says. 'The book is so magnificent, the text is so unique and delicious … I think it lends itself wonderfully – quite effortlessly – to performance.' He relates to the character of Dad, a 'literary boffin type figure', as both an author (his novel The Empress Murders was published in May) and a father – at time of speaking, juggling rehearsals with the whirlwind of school holidays. Crow is something more mysterious, however – 'full of infinite possibility,' he says. 'I've been swinging from Mary Poppins to Tom Hardy thuggery.' Porter, who will visit Sydney for the play's opening, says he's excited to see what the Australian team have made of his novel. 'I think I find something different every time,' he says of the story's various iterations. 'It's still interesting – it's not like a piece of dead, old, early work. For me, it feels like a living, breathing proposition still, that keeps moving.' Grief is the Thing with Feathers is on at Belvoir St Theatre, Sydney, 26 July to 24 August


Daily Mail
9 hours ago
- Daily Mail
Ukrainian model, 20, found horrifically injured in Dubai appears in wheelchair for harrowing first interview as she describes 'beating' by male revellers who warned her 'you belong to us' at party before she blacked out
A Ukrainian OnlyFans model who was found seriously injured in Dubai on the side of the road has told for the first time of the terrifying abuse she endured. Maria Kovalchuk, 20, went into a coma and suffered horrific injuries including a broken spine and limbs when she was discovered on a roadside on March 19. The adult content creator had been due at a party but mysteriously vanished. Her friends expressed fears she had been kidnapped before she was found 10 days later in a critical condition. Breaking her silence on her terrifying ordeal from Norway, where she is recovering, a wheelchair-bound Maria appeared in an interview with Russian presenter Ksenia Sobchak. Speaking to the interviewer, Maria explained that the horrific ordeal unfolded when she missed a flight from Dubai to Thailand after she overslept. While checking out of her hotel, she bumped into a Russian man she had met at a karaoke bar once before. After telling him about her situation, he invited her to stay in his room and told her they could fly to Thailand together in his private jet. The man was accompanied by three friends - a man and two women. 'We went up to the room. The guys were half-sober, they had just come from a party. And overall, everything went well throughout the day. We talked, discussed our trip to Thailand. 'I even called my mum, said that everything was fine, the guys were normal. I called in their presence, to be on the safe side. But things took dark turn the next day, when the men started to behave aggressively towards her, she says. 'They were drinking very strong alcohol, like whiskey. They started to tease me, like, why don't I drink. 'Then there were some aggressive pushes, they started to joke: 'You belong to us. We'll do whatever we want'.' 'I tried to take it as a joke, because it was really weird. 'They started behaving inappropriately, smashing bottles on the floor. 'After that, they took my personal belongings, which included my passport.' Maria added that the men had 'hinted' that they wanted to have sex with her, which she did not reciprocate. As things escalated, Maria tried to escape but said the men ultimately dragged her back into the room. When they stepped out onto the balcony, she managed to flee and hid at a nearby construction site. The men then found her and 'beat her', she said. 'I ran away. Then, already on the street, when I was, I didn't see them anymore, but I knew they were coming,' said Maria. 'I ran to the nearest building, just scared, and ran in, hid there. It was just an unfinished building.' Maria said she doesn't remember the violence itself that led to her injuries, and CCTV footage has since been erased, she said. 'Three months have passed — the police waited until the cameras were automatically wiped [after this period]. So now there's no evidence,' said Maria. 'Most likely, there was a blow to the head, I suppose. The next scene [that] I remember is me asking for help from a passing car, which had already stopped and called an ambulance and the police. She had fled wearing only a hotel robe. 'I think that maybe I was thrown. Or it was a beating. One of two options, the injuries looked like either a beating or a fall.' The men accused by Maria were both briefly detained by police in Dubai- but only for one day. There appear to be no charges against them. Maria had been missing for eight days after telling her friends she had been invited to a party at a hotel on March 9. On March 19, ten days after she disappeared, a battered and bloodied Maria was found dumped at a roadside in Dubai with her limbs and spine broken.