
17 Actors Who Were Either Child Stars Or Late Bloomers
But not every celeb followed that path. In fact, some of today's most beloved actors didn't get their start until much, much later in life. Whether they pursued a college degree, different careers, or simply waited for the right time, these celebrities prove that there's no specific age to break into the scene. 🎭
So, let's take a look at the stars who got an early start in acting — and the ones who took their time.
Let's kick things off with the celebs who started young:
Born into an acting dynasty, Drew Barrymore was just 7 years old when she landed her breakout role in E.T. The wild part is, she started acting even earlier at the age of 11 months!
Zendaya began in the industry as a Kidz Bop kid before becoming a Disney Channel star in 2010. At just 14 years old, Zendaya got her big break on Shake It Up!
Daniel Radcliffe made his acting debut at age 10 in BBC's TV adaptation of David Copperfield. Just two years later, he became The Boy Who Lived! Harry Potter and the Sorcerer's Stone premiered in 2001, catapulting Radcliffe into superstardom at only 12 years old.
Joseph Gordon-Levitt was 7 years old when he appeared on Family Ties, and by 14, he starred in 3rd Rock from the Sun. At 17, he had a lead role in10 Things I Hate About You. What a stacked resume before becoming a legal adult!
Millie Bobby Brown made her screen debut at 9 years old in Once Upon a Time in Wonderland. A few years later, she landed the part as Eleven on Netflix's Stranger Things, and became a global phenomenon at age 12.
Macaulay Culkin began his acting career at only four years old! It wasn't until his iconic role in Home Alone that would make him one of the most famous child stars of all time. Not to mention, he was only 10 years old then too.
Saoirse Ronan began acting at 9 in the medical TV series The Clinic. By 13 years of age, she already earned her first Oscar nomination for Atonement!
Ryan Gosling got his start at 12 when he joined The Mickey Mouse Club, working alongside superstars-to-be like Britney Spears, Justin Timberlake, and Christina Aguilera!
Kirsten Dunst's career began to take off at 12 years old when she starred in Interview With the Vampire alongside Tom Cruise and Brad Pitt. She later began a household name at 17 for leading the classic teen comedy Bring It On.
Dakota Fanning started out by acting in commercials at age 6! Just one year later, she starred alongside Sean Penn in I Am Sam.
And now, the celebs who started acting much later in life! ⏳
Ken Jeong was a practicing doctor before pivoting to acting in his late 30s. His first major role was in Judd Apatow's Knocked Up at 39 years old. Even better, he played a doctor in the movie too!
Alan Rickman studied graphic design years before pursuing acting. He later made his film debut at 40 as the villainous Hans Gruber in Die Hard. He passed away in 2016, but has left behind an expansive and beloved career.
Melissa McCarthy landed her first film role at 29 in the 1999 comedy Go. Only a year later, she was cast as Sookie in Gilmore Girls!
After teaching high school theatre, Jon Hamm moved to LA to pursue acting in his mid-twenties. He gave himself a deadline to succeed by 30, and booked his first movie role on Space Cowboys in 2000!
Octavia Spencer worked behind the scenes in casting before beginning her acting career. She landed her first role in A Time to Kill at 26.
Danny Trejo overcame abuse, addiction, and prison time before becoming an actor. His first role came at 41 after helping a young man with sobriety on the set of 1985's Runaway Train.
Before acting, Terry Crews played professional football in the NFL throughout the 90s. It wasn't until the age of 30 when he got his first on-screen role in 1999's Battle Dome.
Imagine having a whole career as a doctor before making it big in Hollywood — or being famous before you're even legal...🍼🍼
Whether these celebrities started right out of the womb, or decades later, these stars prove that there's no expiration date on talent and success.
Do you feel inspired? Honestly same...Let us know your fav late-bloomers or child stars in the comments!
And for more celeb content, check out BuzzFeed Canada on TikTok and Instagram! 🎬✨
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Los Angeles Times
4 hours ago
- Los Angeles Times
Oasis says they're ‘shocked and saddened' after fan falls to his death at Wembley show
A man fell to his death at the Oasis concert on Saturday at Wembley Stadium, British Metropolitan Police have confirmed. In a statement given to the BBC, officials said they responded to a report that a man in his 40s had been injured at the show around 10:19 p.m. BST. After discovering 'injuries consistent with a fall,' the man was pronounced dead at the scene. 'The stadium was busy, and we believe it is likely a number of people witnessed the incident, or may knowingly or unknowingly have caught it on mobile phone video footage,' officials said. They then called for any information regarding the incident to be reported. It is believed the man fell from the stadium's upper tier. No additional details were added concerning the cause of the fall, though some attendees who witnessed the incident suggested that the man may have slipped. 'So much beer was being thrown throughout the whole concert,' one woman told the Guardian. 'I was surprised they allowed people to bring drinks into the stands. It made the floor really slippy.' Another fan, John, says he saw many fans leaning against the balcony from block 511, where witnesses claim the fall took place. 'There were loads of people who just kept going down to the front and leaning right over. One guy was stopped, but after that, no security came down,' he said. 'There's a rail and a small guard, but it did make me think someone could quite easily get knocked off there.' He was also critical of alcohol consumption at the show, adding that he 'constantly saw people with cardboard cup holders full of pints.' The Times reported on Friday that Oasis fans had drank 250,000 pints of beer during one show at Wembley, breaking a stadium record. Last year's Coldplay gigs saw 120,000 pints sold, and 40,000 for Taylor Swift. Representatives of Wembley Stadium told the BBC that paramedics attempted to revive the man on the scene, but to no avail. 'Despite their efforts, the fan very sadly died.' they said. Oasis addressed the tragedy, telling NME they were 'shocked and saddened' to hear the news. 'Oasis would like to extend our sincere condolences to the family and friends of the person involved,' they added. The concert was the fourth show in Oasis' quartet of sold-out appearances at Wembley; they'll close out the historical run on Monday. The North American leg of their tour will kick off on Aug. 24 in Toronto and make its way to Los Angeles for two nights at the Rose Bowl on Sept. 6 and 7. The Gallagher brothers shocked the world when they reunited after 15 years, following a widely publicized and bitter fallout in 2009. The reunion rollout began with a teaser video posted on Aug. 25, 2024, on the band's Instagram account. It contained a date and time: '08.27.24, 8 a.m.' It would end up being the official announcement of their 2025 tour. 'This is it,' the band wrote. 'This is happening.'
Yahoo
4 hours ago
- Yahoo
‘I worked with Steve Wright for 30 years. The BBC has tarnished his legacy'
Later this month, BBC Radio 2 will broadcast a tribute concert for Steve Wright – the adored DJ, who died last February. It will feature the bespoke jingles that were such a crucial part of shows such as Steve Wright in the Afternoon and Steve Wright's Sunday Love Songs, but the man behind those jingles, Anthony James, is not involved. Since Wright's death at the age of 69, James says he has been dismayed by the BBC's handling of his friend's legacy – and haunted by what he sees as mistreatment by the corporation in the years leading up to his death. The pair first met in 1986 when James (known professionally as AJ) was a teenager. He had already begun working in local radio, composing unique musical idents for the station's presenters. A fan of Wright's BBC shows, James sent him a 30-second piece of music, with his 'cold pitch' resulting in a phone call to his home soon afterwards. 'My mother picked it up and ran upstairs and said, 'Oh my God, it's Steve Wright on the phone.' I thought it was one of my friends doing a prank,' James reflects, but it was Wright, promising that he would play the tune on his show at 3pm that very afternoon. So began a partnership that James describes as '50-50 friendship, 50-50 like a father figure'. At the outset, Wright appeared to him 'like the Wizard of Oz: he was this great big celebrity on one of the biggest stations in Europe'. When James moved to New York in the late 1990s to continue his career as a composer (still writing around 100 jingles a year across Wright's shows), their friendship continued to develop: 'He would tell me a lot of personal stuff, which was great. But first, he would always want to know what was up with me, what was going on in my world… He was very sensitive, very conscious of how I was doing.' Wright visited James in New York often; they spoke on the phone two or three times a week. He remembers Wright's levity during their calls. 'I miss that, big time. I would always get off the phone with Steve and I'd have laughed so much, because he just found humour in everything.' In the years leading up to his death, however, Wright would suffer a series of personal and professional setbacks. The first came in 2022, when Steve Wright in the Afternoon was axed by the BBC. Wright called a tearful James once the news broke; both saw the move as 'crazy; our numbers [were] through the roof'. Wright admitted that he had been told of its cancellation and sworn to secrecy by the organisation nine months prior, but was reassured by promises made by Helen Thomas, the head of BBC Radio 2, that the show would live on via a yet-to-be-created digital channel. When that prospect began looking increasingly unlikely, Wright approached Tim Davie, the director-general. According to James, Davie told Wright: 'I can't believe she fired you… I wouldn't have fired you myself.' The BBC has, however, denied this. James believes that the axing of Steve Wright in the Afternoon was part of a push to banish broadcasters considered too 'pale, male and stale' from the airwaves, and to create a kind of conformity at direct odds with Wright's verve. 'They just wanted it a little bit more like wallpaper,' he says of Thomas's decision to 'do something different in the afternoons'. 'They thought that this idea of personality [displayed in abundance by Wright] is old style; it's not cool anymore, we should make Radio 2 cool,' he says. 'But who gives a s--- about cool? It's about being entertained.' The effect on Wright was devastating. 'He didn't really stop to accept it. I think it ate him up,' James tells me. 'It got worse, and his health got worse.' Wright had heart surgery a year after the show was axed, and the medication he took in its aftermath led him to put on even more weight. 'He told me, 'I'm just really not well. I'm trying to lose the weight, I think I'm going to have a gastric band.'' James says that Wright also considered using Ozempic. Despite Wright's best attempts to get better, James recalls that: 'There was something about our last meeting [in November 2023]. There was just a look in his eye. I told my partner [afterwards] that something was really wrong.' Then, the following February, Wright died, leaving James overwhelmed with grief. 'I was not on this planet,' he says of that time. The groundswell of public affection went some way to easing his sadness, but that was quickly dismantled by the actions of the BBC. 'The painful truth is that the same BBC leadership celebrating Steve publicly is the one that disregarded and undermined our work privately,' says James. After Wright's death, James feels that they tried to 'delegitimise' his and Wright's relationship. 'I felt disgusted by that,' says James. 'Our relationship was so successful and it lasted for 38 years, and I feel like they're just s---ting on it.' And on Wright himself: a man who attended the studio at nine o'clock each morning to prepare for his afternoon show, and was dedicated to his listeners to the last. In response to questions about the treatment of Wright, the BBC said: 'Steve was deeply loved by the Radio 2 family and listeners, and we all miss him dearly. For almost three decades he hosted a raft of brilliant shows on the network. 'Steve's Sunday Love Songs had been on air since 1996 and he was excited to take on the legendary Pick of the Pops alongside a variety of specials on Radio 2 including Steve Wright: The Best of the Guests, Steve Wright's Summer Nights and Steve Wright's Love Songs Extra on BBC Sounds.' Thomas wrote to James in autumn last year asking for permission to play his music in the BBC tribute concert for Wright, which was recorded earlier this year (ahead of this month's transmission). He agreed, but when he rediscovered a recording of Wright railing at the poor internal handling of his show being axed, 'I just got more and more angry.' James talked through the matter with Wright's son, before telling Thomas that he no longer planned to attend. Then, in the week before the concert, she let him know that 'the great and the good will be there', which James took to mean: don't miss an opportunity to network. 'And I said, 'I'm not f---ing networking; this is not about networking. This is about a tribute to my friend.'' James thinks this last-minute push was driven by fear that his absence would 'look bad' for the BBC. 'It just started stinking towards the end of it, and I thought, 'No, I've given my music, my music will represent me, and that's it. I'm not going,' he says. When I put James's thoughts to the BBC, a spokesman replied: 'When inviting AJ to the recording of the celebration of Steve's broadcast career, where new arrangements of his work would be played live on stage, Helen's sole aim was to make sure AJ did not miss what promised to be, and indeed proved to be, a very special event, with many of Steve's friends and colleagues in attendance.' It is clear that James feels both he and Wright have been wronged by the BBC. The outpouring of affection from fans since Wright's death, compared with what he sees as shoddy treatment by the corporation now openly celebrating him, has made the past 18 months particularly challenging. Wright would have turned 71 on August 26, and his birthday will spark 'very intense' feelings for James as he remembers their friendship and their creative partnership. 'I miss all that,' he says, 'and that makes me very emotional.' Solve the daily Crossword


Chicago Tribune
6 hours ago
- Chicago Tribune
Review: Sabrina Carpenter closes Lollapalooza with confectionary joy and perfect surprises
Our pool of genuinely funny music performers has never been large. Musicians get timid about humor, with reason. Audiences take earnest artists seriously and let time and taste catch up to anyone who takes their own importance with a grain of salt. That's one of the reasons why Sabrina Carpenter played so exuberantly in Grant Park on Sunday night. She closed Lollapalooza with real effervescent wit, even joy. Imagine! Looking goofy on stage! We had the introspection of Tyler, The Creator; the gated-community angst of Gracie Abrams; and the sunny rebellion of Olivia Rodrigo. But god, Sabrina Carpenter is fun. Her stage, festooned with a huge curling 'SC' traced in stage lights, not only paid homage to Chicago as the original home of 'Soul Train,' she and her dancers threw in their own version of a 'Soul Train' line dance. By the end of the, she was in a conga line. Within a few songs, she'd settled into a sort of samba twang for 'Slim Pickins,' with its great chorus: Midway through, nodding to Chicago cool again, she brought out Earth, Wind & Fire, along with its entire horn section, for an inspired bop through 'Let's Groove' and 'September.' I was not expecting chills in August, yet here we are. Carpenter — whose act fits nicely into the contemporary wave of ubiquitous young woman pop singers, though works subversively, even subtly, against the mold — loaded her set with the winks, bumps, put-downs and self-deprecations that dance across her albums. She's such a knowing throwback to '70s variety shows that her stage even mimicked TV studios, bundling the stage cameras into the kind of large swiveling stands associated with the days of live TV. In another life, Carpenter could have been Carol Burnett. Or Carole Lombard. Or maybe a Looney Tunes rabbit. But definitely a character. Sabrina Carpenter, at least on stage, her Lolla set confirmed, is a role, albeit with a heart. You could argue that of Rodrigo, Abrams, Taylor Swift, Chappell Roan, Charlie XCX, the wave of woman superstars that get lumped colloquially as 'the pop girlies.' But among this group, the Super Friends of Pop, only Carpenter reminds you she is a confection. A former Disney Channel star (of course), her playful nods to showbiz convention and cliche feel second nature — not unlike the way, say, Martin Short feels born to the stage. When she closed with the inevitable 'Espresso' — last year's song of the summer — and its nonsensical a teenager beside me, singing, threw in the song's quiet aside: 'Stupid.' It's there, in the studio version of 'Expresso,' a sardonic meta-quip from Carpenter about own writing, which can get so tangled in heated knots, it's just shy of camp in places, only to turn clever again. This might be Carpenter's finest quality, her ability to surprise without underlining any effort. At the lip of the stage, accompanied by an acoustic guitar, she managed to be intimate despite playing to the population of a small city: 'I know you're not the sharpest tool in the shed,' then plainly added: 'We had sex, I met your best friends.' Her knack for detail met noir-laced burlesque in 'because i liked a boy,' which opens, only to rage, A beat later, she's working those Groucho Marx eyebrows, singing: Carpenter is camp the way that Dolly Parton is camp, fully in charge of the tone without sacrificing brains. You take her seriously because she's funny, and shrewdly provocative. On her previous tour, she sang a song while seated on a toilet seat, which — and this is the best part — she would wipe down before she sat. Lollapalooza 2025: What we saw — and heard — at the 4-day music festival at Grant ParkFor Lolla, she framed the show as 'SC News Chicago,' incorporating satiric commercials between songs, a parody of 1-900 chat line ads for 'Bed Chem,' a commercial for 'Manchild Spray' before her recent hit, 'Manchild,' the song of this summer: The men in her songs are basically Wile E. Coyote, and she is the Roadrunner, addicted to the chase. She's not above declaring herself horny. But then going broad works at Lollapalooza. In fact, it may be the only way to perform here now — if only because Grant Park becomes so overcrowded during headliners like Carpenter that unless you're up front somewhere near the stage, you're watching this on screens the entire time or you'll have to wait for a clip on TikTok or Instagram to spot anything sly or understated. Once again, Carpenter understands the assignment. She asks 'It's 10 p.m., do you know where your girlfriend is?' then moments later notes how 'grateful' she is. She sends-up the corny tropes of a generation of hitmakers with a comforting bit of heart. She's all off balance, sincere but sincerely silly. She looked out on Lollapalooza Sunday — which, by day four, is basically 'Lord of the Flies' — surveyed the mess and laughed.