logo
‘Dune' filmmaker Denis Villeneuve to direct next James Bond film

‘Dune' filmmaker Denis Villeneuve to direct next James Bond film

Yahoo4 days ago
Finally some good news.
After trademark woes, fears over Trump's tariffs, and endless speculation over the identity of the actor who will take over the 007 mantle, here's a very promising update for the 26th Bond adventure.
Amazon MGM Studios put out a press release confirming the identity of the filmmaker for the first 007 film under the studio. They have picked French Canadian director Denis Villeneuve to guide James Bond into a new era.
Villeneuve will also serve as executive producer, alongside Tanya Lapointe. As previously announced, Amy Pascal and David Heyman will serve as producers.
Villeneuve said in a statement: 'Some of my earliest movie-going memories are connected to 007. I grew up watching James Bond films with my father, ever since Dr. No with Sean Connery. I'm a die-hard Bond fan.'
He continued: 'To me, he's sacred territory. I intend to honour the tradition and open the path for many new missions to come. This is a massive responsibility, but also, incredibly exciting for me and a huge honour. Amy, David, and I are absolutely thrilled to bring him back to the screen. Thank you to Amazon MGM Studios for their trust.'
The head of Amazon MGM Studios, Mike Hopkins, described Villeneuve as a "cinematic master whose filmography speaks for itself".
He added: "Denis has delivered compelling worlds, dynamic visuals, complex characters, and - most importantly - the immersive storytelling that global audiences yearn to experience in theatres. James Bond is in the hands of one of today's greatest filmmakers and we cannot wait to get started on 007's next adventure."
We couldn't agree more with Hopkins' comments. Denis Villeneuve is an inspired choice and one of the greatest filmmakers around.
It may seem like a bold statement, but we stick by it: Villeneuve has yet to make a bad film. Going one step further, his filmmography does speak for itself: they're all stunning.
Best known for helming the Dune franchise, Villeneuve is a four-time Academy Award nominee who has garnered critical acclaim for his films Incendies, Prisoners, Enemy, Sicario, Arrival, and his Blade Runner sequel, Blade Runner 2049. His underseen films Polytechnique and Maelström are no slouches either.
He has proven time and time again that he can confidently handle psychological thrillers, nail-biting action scenes (Sicario's traffic jam scene is one of the tensest sequences in recent years), science-fiction goodness - all while balancing complex themes and emotions.
The fact that he is also an executive producer on the forthcoming Bond film should give the director a bigger voice when it comes to the direction the franchise is heading in for what is sure to be a reboot after (spoilers) Bond's death in No Time To Die.
While further details on the next Bond film have yet to be revealed, including its cast, release date and plot, picking Villeneuve is a sure sign that Amazon are taking this seriously.
They have to, as it was announced in March that the long-serving producers of the films, Barbara Broccoli and her half-brother Michael G. Wilson, had stepped away from the creative process and handed over control to Amazon MGM Studios. This ended over 60 years of the Broccoli family's control of the Bond estate. A lot of Bond fans did not react well to the news of the franchise's sale, with many fearing that the new corporate leadership will ruin the series by over-saturating the market with spin-offs, series and other ventures that would dilute the impact of the big screen Bond adventures.
The appointment of a director of Villeneuve's caliber should assuage some of those fears.
Both Villeneuve's Dune and Dune: Part Two grossed a combined total of more than $1bn worldwide, with both films nominated for Best Picture Oscars in their respective years. Villeneuve is expected to start shooting Dune Messiah, the third movie of the Dune franchise, later this year with a potential release date in 2026.
This means that while production is underway for the next Bond film, the earliest we can expect to see the movie will be by the end of 2027. Therefore, Bond 26 will beat the longest ever recorded gap between two James Bond films, since Daniel Craig's swansong, No Time To Die, came out in 2021.
The previous record was set by GoldenEye, which was released in 1995 - six years after Timothy Dalton appeared in Licence to Kill.
The 2015-2021 pause between SPECTRE and No Time To Die already gave that record a run for its money, primarily due to the Covid pandemic which delayed the release of the film.
Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

After a month with the Switch 2, I can't fully recommend Nintendo's new console
After a month with the Switch 2, I can't fully recommend Nintendo's new console

Digital Trends

timean hour ago

  • Digital Trends

After a month with the Switch 2, I can't fully recommend Nintendo's new console

We're still firmly in the honeymoon period with the Switch 2 right now. Most of us are still exploring Mario Kart World's open world for secrets or wondering if Welcome Tour was worth the $10 price tag. With Donkey Kong Bananza arriving just in time to beef up the exclusive catalogue with a new 3D platformer, I found myself conflicted with my time with the console so far. I don't mean personally; I am in love with this piece of tech. What is trickier is when others ask me whether or not I think they should pick one up. One month into the system's life, there's a lot to love already, but not without some caveats. Consoles only get more enticing as they age, so adopting one early essentially means you're investing at its least appealing time. There are plenty of people I would recommend a Switch 2 with no conditions, but I would say the majority of gamers are better off waiting. Should you make the switch (2)? No conversation about purchasing a Switch 2 can begin with anything but the system's price and library. Honestly, the price point might be the easiest factor for me to square. $450 isn't cheap, but we've entered a new era where hardware doesn't go down in price anymore. In fact, it is far more likely to get more expensive as time goes on. The second-hand market will always exist, but that's a roll of the dice. If you're hesitant about getting the system on price alone, this might be the best offer you get. At best, you could get a slightly better deal in the future on a bundle, but we can't rely on a price drop happening after a year or two anymore. Recommended Videos The launch library is where I think the most interesting conversation can be had. After all, a game console is nothing without games, right? This is where the nuance comes in when recommending the Switch 2. Everyone knows about Mario Kart World, and it really is as great as everyone makes it out to be. I was a little down on the open world aspect, but have since come around on it once I took it on its own terms. This is easily a game Switch 2 owners can expect to keep coming back to for the entire generation, just like Mario Kart 8. I can't agree with the complaints that there's nothing else besides Mario Kart World at launch on the Switch 2 since it is categorically false, but I understand what people are trying to say here. The real complaint is that there's not much else that you couldn't have played elsewhere already. And that's a valid concern. For some, treating the Switch 2 as a Mario Kart machine for a month or two is fine, knowing that there's plenty more in the pipeline, but I'd be remiss in saying that applies to everyone. If you want a wide swath of new experiences on the Switch 2, you'll be sorely disappointed right now. And then there's the existing Switch library that is playable on Switch 2 with some big improvements. The Switch 2 is an instant recommendation for anyone who skipped the original Switch. Even the games without proper Switch 2 editions, like Pokémon Scarlet and Violet, are demonstrably better on Switch 2 to the point where I wish I could experience them for the first time on this hardware. I can almost argue that even if you have played all the best Switch games already, it is worth it to replay them on Switch 2. While a bit nebulous to levy as a full complaint, I can't ignore the fact that the Switch 2 has yet to give me an experience that is unique to it. Your mileage may vary on how important that factor is to you, but I think Nintendo shines brightest when it takes big swings. The Wii's motion controls and the original Switch's hybrid system changed the way we engaged with games and the ways they could communicate with us. The Switch 2 has that potential, most notably with the new mouse controls, but no game takes advantage of it in a big way right now. In that regard, the Switch 2 is simply a better Switch. That's all a segment of the audience asked for, so it might be enough to convince you, but I find it creatively stale this early compared to past Nintendo efforts. The Switch 2 has the most momentum and potential of any Nintendo hardware. It came out strong in its first month, but also played it very safe. I can easily say it is worth it to anyone who sees a couple of titles you missed out on or want to replay on the go or that take advantage of the Switch 2's increased power, but if Mario Kart World is the only game that intersts you right now, waiting isn't such a bad idea. Come this fall and winter, when the system is packing Donkey Kong Bananza, Pokémon Legends Z-A, and Metroid Prime 4: Beyond, the script would be completely flipped. The more time goes on, the easier it will be to recommend the Switch 2, but after one month with the system, you have to make that judgment call for yourself.

Saturday Conversation: Christian McBride Goes Cruising On World At Sea
Saturday Conversation: Christian McBride Goes Cruising On World At Sea

Forbes

timean hour ago

  • Forbes

Saturday Conversation: Christian McBride Goes Cruising On World At Sea

NEW YORK, NEW YORK - APRIL 30: Christian McBride speaks onstage during the Jazz at Lincoln Center ... More Gala on April 30, 2025 in New York City. (Photo byfor Jazz At Lincoln Center) One of the great bassists in any genre of music, jazz giant Christian McBride has turned his nine time Grammy-winning career as a musician's musician – he is so revered by his peers that he just reunited The Police's Sting and Andy Summers for the first time since the band's reunion tour wrapped in 2008 – into several prestigious side gigs, including hosting NPR's Jazz Night in America. The latest prestigious opportunity is his own cruise, McBride's World at Sea. Launching in January 2026, the inaugural cruise finds McBride inviting guests from all walks of his storied career. Featuring younger stars like fellow Grammy winner Samara Joy, L.A.'s Jose James and New York rising star Nicole Glover, as well as veteran Grammy-winning vocalists such as Angelique Kidjo and Ledisi, pianist Benny Green, trumpeter Brandon Lee and more. The cruise will also feature comedy from Alonzo Bodden and George Wallace. Even as a veteran of the cruise world, McBride admits it is a little overwhelming to have a journey named after him. But he is excited and honored for year one of McBride's World at Sea. I spoke to him about the cruise and being one of the premier ambassadors of jazz at this point in his career. Steve Baltin: How does it feel having your own cruise? Christian McBride: Man, this is a pretty incredible undertaking. I've never had anyone bet their career on my musical world, so to speak. Baltin: In a way you kind of have though, because look at all the great people you've played with. Just by playing with you, they kind of are. But it's got to be a great compliment that everybody wants to be associated with you for this. It's an insane lineup. McBride: Thank you very much. There's a combination of getting the business done and making sure all of the things are put into place. And then there's the other part of it, like, 'Hey, this is your own cruise with your name on it, with your musicians on there and people who you've been associated with.' So, it's like a small snapshot. It's like an express snapshot of my career, and that's a little bit of a scary thing to see, but ultimately, I think it's going to be fun. Baltin: You say it's scary, but at the same time it's got to be huge that all these people want to be associated with you and that they want to do the cruise with you. I mean, that's putting trust in. Also, you've been involved with Newport Jazz Fest for almost a decade. Weren't you involved in kind of curating and helping pick that as well? It feels like there would be some similarity. McBride: The difference is people will come to play at the Newport Jazz Festival no matter who the artistic director is because of the history of the festival. But the Christian McBride's World at Sea cruise is a brand-new thing. Granted, most of the musicians who come to both Newport and who are coming to perform on the cruise, I have personal relationships with, so it does help. But until the McBride's World at Sea Cruise has a 71-year run like Newport, I won't take myself too seriously. Baltin: What are your hopes for the cruise? McBride: Since it's the first time, I really have no expectations. I'm just curious to see how it all unfolds. Everybody I'm inviting are good friends, we've all worked together. And most of all, they're all professionals. They've done many cruises before. They've done the Jazz Cruise, they did the old Blue Note Cruise, and so they're professional veterans who are also my friends. So, the only expectations that I have is that there'll be a lot of great music and a lot of great fun. Baltin: How do you approach playing on a cruise where people are seeing you every night? I feel like it's similar to a residency. McBride: That's not much different than playing, like you said, even if it's not a residency, just playing a week at the Village Vanguard. But certainly on a cruise if you play with the same group every night and basically the same pool of people are coming to see you play, you're forced to change up the show every night. And I think that's a really cool thing. I like the fact that I cannot repeat myself because I don't want people to say, "Oh, I heard y 'all play that set last night." And some bands will do that. They have a set list and that's what they do. But I like the fact that being on this cruise, you got to change it up. I'm a veteran of cruises. I did my first jazz cruise. Maybe it was 2014, 2015. I can't remember. The gentleman who is the executive director of all of these cruises, his name is Michael Lazaroff. He's been running the jazz cruises for many years. Yeah, I've done the Jazz Cruise and the Blue Note Sea Cruise on and off for over a decade. So yes, I know how the cruise world runs. But also in the '90s, George Weene tried a Newport Jazz Festival Cruise. It didn't last, I think he only did it for one or two years maybe, but I did that too. That was in the 90s. So yeah, the cruise circuit is a very prolific place for musicians. Well, you know, Baltin: How did the idea come about to do it with your name? And what did you first say when they came to you and said, hey, we want to literally put your name on a cruise for a week. Did you look at them and say what the hell's wrong with you or were you insanely flattered? McBride: Exactly. It was a lot of the first, a little of the second. In fact, I'm still saying that. I think what happened was after having done the Jazz Cruise for so many years, I had, after maybe five years, become the official host of the Jazz Cruise. And there were three main cruises that would go back-to-back to back. It was the Jazz Cruise, the Blue Note at Sea Cruise and the Smooth Jazz Contemporary Jazz Cruise. The Jazz Cruise was pretty much known as a straight up and down, right down the middle acoustic straight ahead cruise. The Blue Note Cruise was a combination of the Jazz Cruise and the Contemporary Jazz Cruise because the music and the artists that would play that Blue Note Cruise were much younger. Robert Glasper would play that cruise. Kamasi Washington would play on that cruise. Layla Hathaway would do that cruise as well as somebody like Joe Lovano, or myself, or Brad Mehldau, Joshua Redmond, or somebody like that. Then the Contemporary Jazz Cruise, which was all straight, smooth jazz. The Blue Note Cruise went away, and Michael said to me, 'We really would like to have a cruise that musically fits the template of what the Blue Note Cruise was. You get your straight-ahead jazz You get your electric jazz, you get your contemporary jazz. You get everything all In but it's still unmistakably a jazz cruise. We think having a McBride cruise would be the way to do it. I said, 'You are out of your mind.' And they said, 'Look, man, we feel that what you've done in your career is exactly what we want.' Baltin: Between Jazz Night in America and the cruise do you feel like in a way, you've become an ambassador for jazz? McBride: I feel like I'm in a good place right now. I really enjoy investing and staying interested in what's going on in the contemporary world and investing in the future. But I carry Ray Brown with me everywhere I go. I carry Ron Carter with me everywhere I go. I carry Bootsy with me everywhere I go. I carry Jaco Pastorius with me everywhere I go. I am a product of all these great legends who allow me to play with them and make mistakes with them when I was 18, 19, 20 years old. So, I'm never going to look at that and say, well, just on general principle, we have to shed that skin and go toward the future. No, you never shed that skin. It stays with you. It's part of your DNA. It's part of your story. It's in your blood. It's in your bone marrow. Everybody thinks trying to consciously be like Miles Davis is the way to go. Everybody can't be Miles Davis. In fact, I think one of the greatest examples of bridging the gap is Herbie Hancock, because while Herbie Hancock was setting a new standard in the 70s with jazz funk, with dance music in the 80s with Rockit, he still started playing straight -ahead jazz. In fact, most of the performances he did were straight-ahead jazz. That's a template that I think is very important for people to look at.

Justin Bieber's Global Smashes Rises To A New Peak Amidst His Musical Hiatus
Justin Bieber's Global Smashes Rises To A New Peak Amidst His Musical Hiatus

Forbes

timean hour ago

  • Forbes

Justin Bieber's Global Smashes Rises To A New Peak Amidst His Musical Hiatus

Justin Bieber's 'Let Me Love You' with DJ Snake hits a new peak at No. 138 on the Billboard Global ... More Excl. U.S., nearly a decade after its release. NEW YORK, NEW YORK - SEPTEMBER 13: Justin Bieber attends The 2021 Met Gala Celebrating In America: A Lexicon Of Fashion at Metropolitan Museum of Art on September 13, 2021 in New York City. (Photo byfor The Met Museum/Vogue ) Much of Justin Bieber's musical output predates the introduction of Billboard's global charts, which arrived in 2020. By that point, he was already one of the world's most successful pop musicians, and he had scored dozens of hits all around the planet. Despite that minor handicap, the Canadian Grammy winner has still managed to land many tracks on the global rosters, and he regularly appears with at least a song or two, even though he hasn't promoted anything brand new in a long time – something his fans have taken notice of. One of Bieber's more popular collaborations is on the rise on one of Billboard's worldwide lists at the moment. Almost a decade after it was released, the tune reaches a new all-time peak. "Let Me Love You" Jumps to a New Chart Peak "Let Me Love You," Bieber's collaboration with electronic producer DJ Snake, jumps almost 10 spaces on the Billboard Global Excl. U.S. ranking. That tally ranks the most consumed songs all around the planet, with streams and sales originating from American consumers removed. The smash slithers from No. 147 to No. 138, a position that now marks a new high point for the tune. One of Justin Bieber's Longest-Charting Tunes Of Bieber's 32 songs that have reached the Billboard Global Excl. U.S., "Let Me Love You" still ranks as one of his lowest-charting, as it's only climbed to No. 138. It sits toward the bottom of his collection of wins on the tally, in terms of peak position. That said, it's also one of his longer-running successes, as the catchy dance-pop tune is about to reach half a year on the list. 'Let Me Love You' Vs. 'Lean On' For DJ Snake, "Let Me Love You" is his longest-charting release. Its 25 weeks on the Billboard Global Excl. U.S. easily outpace the 10 frames that "Lean On," his collaboration with Major Lazer and MØ, collected. But as is the case with Bieber, longevity doesn't always equal a lofty high point, as several of DJ Snake's other tunes have climbed to significantly higher peaks, though they haven't held on for quite as long. "Let Me Love You" and 'Despacito' Climb Together Bieber fills a pair of spots on the Billboard Global Excl. U.S. this week, and both of his wins are climbing. As "Let Me Love You" advances to a new peak, "Despacito," his blockbuster team-up with Luis Fonsi and Daddy Yankee, pushes a few spaces north to No. 183. That tune has lived on the tally for much longer than "Let Me Love You" — 108 weeks versus 25 — and has climbed higher, as it previously stalled at No. 104.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store