
Hilary Swank breaks down her bloody 'Yellowjackets' debut and that shocking ending
Show Caption
Hide Caption
What does Hilary Swank hear in public? Even she still gets surprised.
Hilary Swank chats with USA TODAY's Ralphie Aversa about her new film "Ordinary Angels" and her humble beginnings in Hollywood.
Surprise! Another Yellowjacket made it to adulthood, and she still wears backward baseball caps.
Hilary Swank's mystery "Yellowjackets" character has finally been revealed: The two-time Oscar winner is playing the adult version of Melissa, confirming another character from the teen timeline is still alive in the present.
The latest episode of the Showtime series (Sunday, 8 ET/PT, but now streaming on Paramount+) explained that Shauna's (Melanie Lynskey) ex-girlfriend faked her death, changed her name to Kelly and has been living a quiet life married to the daughter of Hannah (Ashley Sutton), one of the frog researchers whose death the Yellowjackets have been covering up. Before she died, Hannah gave Melissa a tape with a message for her daughter, Alex. But Melissa never delivered it, instead keeping a close eye on Alex to make sure she was OK before unexpectedly falling in love with her.
Melissa's relationship with Alex is part of what "has helped heal" her, Swank says, but despite the couple's twisted origin, she "doesn't think that it's weird.
"It's such a psychologically interesting thing that you are trying to make peace with the past," she says. "You know that this person loved their daughter, and your way of making peace with it is to love that person the way you think that person would love them. It's so intense."
In contrast to the increasingly dark storylines of the other surviving Yellowjackets, Melissa professes that she has truly put the past behind her and achieved a totally normal, boring life. Swank, 50, says this isn't just a front that she's putting on for Shauna; Melissa has "done a lot of work" and "really feels like she's moved" on.
That seems to really set off Shauna, who it's safe to say has not done the same. Because Shauna is "still haunted by the past," she "doesn't feel like anyone else should be able to be released" from those shackles, Swank says.
Review: Bloodthirsty 'Yellowjackets' has its sting back in Season 3
But the episode explores the way that "emotional trauma, even when you think you've healed, can rear its head in unexpected ways," Swank says. Shauna's arrival "brings back a very vivid memory that can trigger what that trauma response is, and then it all comes rushing right back" at Melissa.
The fact that Melissa is ready to pounce when she realizes someone has broken into her home also emphasizes that this is still the same girl who once sadistically sliced Coach Scott's Achilles tendon.
"The tone that my character takes of 'who's in my closet, because I will demolish you,' is a reminder of who this person was and what they went through," Swank says.
The simmering tension throughout the episode explodes in a shocking final scene, when Shauna flips out on Melissa, takes a bite out of her arm and demands she eat her own flesh.
"They both have experienced so much trauma that that's how they deal. They almost go back to being 2-year-olds," says Swank, whose own twins turn 2 next month. "They're like, 'I don't know how to deal with my emotions except for biting your arm off, because there's nothing else I can do to get this release and show you that I mean what I'm saying.' It's literally like a 2-year-old."
Companion' star Sophie Thatcher talks toxic love, AI and 'Yellowjackets' Season 3
Swank, who returns in next week's episode, says this moment begins a "downward spiral" for Melissa. The actress also teases a "huge surprise" coming up in her storyline that fans won't see coming. She sure didn't.
"People are going to be like, 'Wait, what just happened?'"
The "Yellowjackets" role was Swank's first since she had twins in 2023. The "Million Dollar Baby" star embraced the challenge of returning with such a dialogue-heavy role. "Jumping right back into that postpartum" was "tricky," she says, noting that her "brain was not working in that way for a couple of years."
Adult Melissa's debut followed months of speculation and countless Reddit threads trying to piece together Swank's role in the season, which Showtime concealed in promos. Fans analyzed everything from the actress' eye color to the cast's social media activity to make their guesses. But none of that made its way to the Swank, who had no idea how much buzz her casting has been causing online. "I love that," she says.
Showtime hasn't officially renewed "Yellowjackets" for a fourth season. But assuming the series gets picked up —and assuming Melissa makes it out of Season 3 without being eaten — Swank is open to returning.
"It was a really fun set," she says, "and I can't say that about all sets."
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Yahoo
13 minutes ago
- Yahoo
What's the Latest on Gayle King Leaving CBS?
Gayle King, one of CBS's biggest names and the long-standing co-host of CBS Mornings, is rumored to be leaving soon. Amid plunging ratings, internal leadership shakeups, and a shift in corporate ownership, industry insiders suggest her future with the network hangs in the balance. Is Gayle King really leaving CBS? While several insiders have painted a bleak picture of Gayle King's future at CBS, she has not officially announced anything related to leaving. King signed a contract extension that runs through summer 2026, even if it came with a reported pay cut from $13 million to $10 million. According to CBS representatives, King 'has no plans to go anywhere.' However, behind the scenes, the mood is more uncertain. Viewership for CBS Mornings has dropped significantly, falling below 2 million in total viewers and experiencing a 30% decline in the key 25–54 age demographic. Compared to competitors like Good Morning America and Today, the show is struggling to stay afloat. The decline in ratings has raised questions about the show's format and content. Critics, including some within the network, believe its focus on progressive themes and woke coverage has alienated traditional morning audiences. An interview with RuPaul's Drag Race winner Bob the Drag Queen was cited as an example of content clashing with viewer expectations. (via New York Post) On top of that, the network is undergoing major changes. Paramount, CBS's parent company, is currently finalizing an $8.4 billion merger with Skydance Media. Executives at Skydance reportedly want to overhaul the news division entirely, and that could mean replacing current anchors — including King — as they seek to reset the tone of the network. The recent resignation of CBS News boss Wendy McMahon only adds to the instability. Meanwhile, King is reportedly weighing her next steps carefully. While she may not be ready to walk away just yet, sources say she's deeply frustrated with CBS's management decisions. Furthermore, she wants to stay through the midterm elections. (via Page Six) So, is Gayle King leaving CBS? Not today. But if the network's ratings, internal politics, and restructuring don't align with her values, her 13-year run at the Tiffany Network could end by next summer. The post What's the Latest on Gayle King Leaving CBS? appeared first on - Movie Trailers, TV & Streaming News, and More. Solve the daily Crossword


Forbes
2 hours ago
- Forbes
This Billionaire Is Partnering With The Ellisons On The Paramount Deal
T he year-long saga of Skydance Media's $8 billion Paramount takeover is fit for its own Paramount+ mini-series. There's political intrigue with critics slamming departing boss Shari Redstone's apparent capitulation to Donald Trump to get the deal approved, including Paramount's agreement to pay $16 million to Trump's future presidential library to resolve a lawsuit over a 60 Minutes segment on Kamala Harris followed by CBS News' announcement that it was cancelling popular Trump critic Stephen Colbert's late-night show in 2026 (supposedly for financial reasons). Trump celebrated both announcements vociferously. Then there is the potential family intrigue worthy of a Succession spinoff: David Ellison, the Skydance founder and former Biden backer behind such films as 'Top Gun: Maverick' and 'True Grit', is teaming up with his staunch Republican father Larry Ellison who is the second richest person in the world and founder of software giant Oracle. Flying under the radar, beneath all the high-stakes drama, is Gerry Cardinale, a private equity investor who is poised to be an influential figure in the new-look Paramount. His firm RedBird Capital Partners is a shareholder in Skydance, having first invested in 2020. Now the firm is putting in $1.8 billion towards the $8 billion purchase price. Cardinale will join Paramount as a director and will appoint a yet-to-be-named second director. Jeff Shell, former CEO of NBCUniversal who chairs RedBird's sports and media business, will join Paramount as president. Andy Gordon, head of RedBird's West Coast office, will become Paramount's chief operating officer and chief strategic officer. Under the new ownership structure, RedBird will hold 22.5% of Paramount's voting rights, while David Ellison will hold 50% and Larry, who is Skydance's biggest investor, will hold the remaining 27.5%. This complicated familial-financial dynamic is likely to make Cardinale a pivotal voice in scenarios where the Ellisons butt heads. Paramount will become Cardinale's highest-profile investment but it's hardly his first big bet. In the worlds of sports, entertainment and media, the 57-year-old investor has been striking high-stakes deals for over a quarter of a century, first at Goldman Sachs and for the last decade at RedBird, which he founded in 2014. RedBird bought Italian football club A.C. Milan for $1.2 billion in 2022, and has backed household names like Lebron James, Dwayne 'The Rock' Johnson, and Ben Affleck and Matt Damon in their independent entertainment ventures. It has also hired big names like Jeff Zucker, former CNN president, who is now leading its acquisition of British broadsheet The Telegraph (alongside co-investor Abu Dhabi-based firm IMI) for $675 million. The firm has also invested a smaller portion of its funds capital ($1.5 billion) on financial services companies. Its willingness to dive into the nitty-gritty of portfolio companies and their operations has helped RedBird grow to $12 billion in assets under management with 100 investment professionals across six global offices. 'I like playing shadow entrepreneur and solving problems with capital,' Cardinal said on Bloomberg podcast The Deal last year. It's been a winning recipe so far: RedBird has delivered 2.5 times gross multiple of capital and a 33% internal rate of return, according to a person familiar with the matter. Cardinale owns 100% of RedBird, filings show, and Forbes estimates he is worth $1.8 billion. (He declined to comment on his net worth or be interviewed for this article). W all Street glory was not always in the cards for Cardinale, who once harbored dreams of being a diplomat. Born in 1967, he grew up in the leafy Main Line suburbs outside Philadelphia, the son of a trial attorney. He later studied social studies at Harvard, where he rowed heavyweight crew and graduated with honors before studying politics and political theory at Oxford as a Rhodes Scholar. Later on, he took a job at a Japanese think tank in Tokyo where he got a front-row seat to the effects of globalization. At the time, he was still considering law school, or getting his PhD in political theory. 'I wasn't one of these Wharton kids who knew I wanted to go to Wall Street from day one,' Cardinale recalled on The Deal. But meeting with investment bankers in Tokyo convinced Cardinale that finance would be a rewarding (and no doubt lucrative) career path. He joined Goldman Sachs as an analyst in 1992, the same year he published an article on Japanese anti-American sentiment and rising trade tensions in the academic journal Asian Survey . (His strong interest in Japan is something he shares with Larry Ellison, who has a Japanese art collection and modeled his Woodside, California home after a 16th century Japanese emperor's palace.) Cardinale worked at the bank's Hong Kong and Singapore offices before settling in the New York office in 1997 to work in the telecom, media and technology group as an investment banker. He later joined the bank's principal investment division, where he made his name persuading Yankees owner George Steinbrenner to launch the YES regional sports network in 2001. The project was finalized the day before September 11, and Goldman Sachs ended up backstopping the deal with a $335 million private equity investment after another investor pulled out. Though risky, the deal turned into a huge success, and Goldman made Cardinale a partner in 2004. A few years later in 2008, he persuaded Dallas Cowboys' billionaire owner Jerry Jones to team up with Steinbrenner to create the sports stadium concessions business Legends Hospitality, which investment firm Sixth Street Partners acquired a majority stake of in 2021. Cardinale left Goldman in 2013 and briefly worked at merchant bank BDT, founded by fellow Goldman alum Byron Trott, whom he'd previously done deals with. (BDT later merged with Michael Dell's family office to become BDT & MSD, and the firm has advised outgoing Paramount boss Shari Redstone). Cardinale founded RedBird in 2014 and raised $665 million for an inaugural fund from high-net-worth backers he'd met while at Goldman (their identities have not been disclosed) and an anchor investment from the Ontario Teachers' Pension Plan, which he also had a preexisting relationship with. RedBird became Skydance's second largest investor in 2020 when it led a $275 million capital raise. It backed Skydance again in 2022 when it raised another $400 million at a $4 billion valuation. RedBird's $1.8 billion cash outlay to buy Paramount represents 15% of its total assets under management. T he potential rewards from investing in Paramount are great but so are the risks: Between the inexorable decline of linear television, competition between streaming platforms, an existing $14.2 billion long-term debt load, and possible viewer blowback to perceived capitulation to Trump, Paramount faces a raft of challenges under its new ownership group. '[It] has the potential to overwhelm RedBird's portfolio,' Paul Wachter, the founder of Main Street Advisors, said earlier this year in a Harvard Business Review case study on RedBird. 'Turning Paramount around is going to be an enormous amount of work.' (Wachter also said he believes the investment will be a success 'because the executives are smart and highly motivated.') From Cardinale's perspective, the new Paramount—with its more than 1,200 film titles, distribution rights to another 2,400 films, and roster of television networks emblazoned in the American viewer psyche—is the perfect candidate to receive the RedBird treatment. 'What we do at RedBird is we look for ways of monetizing world-class IP. This is an over 100-year-old business…with really high-quality intellectual property,' he said last year on The Town, Puck founder Matthew Belloni's podcast, after the Skydance-Paramount deal was announced. 'We're not just deal guys looking to do a deal; we're not just private equity guys looking to go buy something.' While investors eye the numbers, media critics and consumers will be waiting to see how Skydance follows through on what the FCC described as its 'written commitments to ensure that the new company's programming embodies a diversity of viewpoints from across the political and ideological spectrum' and to 'adopt measures that can root out the bias that has undermined trust in the national news media.' There are reasons to believe the new Paramount will be less Trumpy than some fear: David Ellison gave around $1 million to Joe Biden's reelection campaign, and Cardinale, while not a megadonor, has previously given to both Democrats and Republicans. In any case, Cardinale has more to worry about than politics. With its massive debt load and facing structural headwinds, the new-look Paramount is crying out for a financier who understands the industry and is willing to stake his reputation on it. The test begins when the deal closes - which could happen any day now. More from Forbes Forbes How The World's Second-Richest Person And His Son Pulled Off The $8 Billion Paramount Deal By Phoebe Liu Forbes Inside Private Equity's $29 Trillion Retirement Savings Grab By Hank Tucker Forbes Want To Hedge Against Inflation? Buy A Forest By William Baldwin Forbes The New Owner Of The San Diego Wave Soccer Team Is The World's First Woman Private Equity Billionaire By Giacomo Tognini


Los Angeles Times
2 hours ago
- Los Angeles Times
Queen Camilla is ready for more ‘Slow Horses.' And Gary Oldman is happy to oblige
Sir Gary Oldman — he received a British knighthood in King Charles' June birthday honors list — appears on Zoom at his home in Palm Springs in front of a display of his own black-and-white photographs. 'I do all sorts of photography, but I also do 19th century wet plate,' he says. 'I just like the process. I don't do digital, I do film. I like the developing.' Oldman's been 'doing film' of the silver-screen sort since the 1980s, but the phenomenal global success of London-based spy thriller 'Slow Horses,' which returns for its fifth season on Apple TV+ next month, has changed everything for the Oscar winner (2017's 'Darkest Hour'). Emmy-nominated as lead actor in a drama series for the second consecutive year for his turn as slovenly Jackson Lamb, leader of an out-of-favor group of spies nicknamed the Slow Horses, Oldman could not be more thrilled. In fact, it's virtually impossible to tell whether he's more psyched about 'Slow Horses' or being knighted. Either way, he's full of the joys of his very hot summer. 'Big sky, big mountain and 102 here at the moment,' he beams. He finds L.A. too chilly now. 'I'm thrilled with it,' he grins of his knighthood, 'and no, I wasn't angling for it. I mean, I've done some stuff for charity over the years, and I would like to think I'm a good export, an ambassador of Britain. I have a green card, but I don't have American citizenship. I'm still a British subject.' He's thrilled too about his Emmy nomination, but less enamored of relentless questions about 'how you pull the rabbit out of the hat.' 'Can't it just be a bloody mystery? Why do we have to sort of take it all apart?' he asks. 'I think half of the time I make it up. I don't know, I just do. It's like you have a facility for something. It's like asking a tennis player, 'How do you return the ball?' 'I've just been able to do it since I was 12.' I don't look up videos of Peter O'Toole talking about acting.' Oldman notes he moved to Hollywood 'completely by accident' because he 'wanted to go to the place where they were making films so I could practice.' Film, he did, ad infinitum, particularly enjoying the spy genre in 'Tinker Tailor Soldier Spy,' which garnered him his first Oscar nomination as lead actor in 2012, long before Jackson Lamb appeared on his radar. It appears 'Slow Horses' might satisfy part of his creative itch for some years to come. Season 6 is already in the can, and Season 7 is due to start filming this fall. 'It is something I could just do. Can I see an end? I don't know,' he says. 'I love the people and the show and the character. But it's nothing to do with that. Apple write the checks and have been generous in their check-writing. I mean, how do you feel? Do you think people would eventually just get fed up with it?' I demur, along with members of the British royal family apparently. 'The Queen [Camilla] said to me, 'Are there any more?' I'm led to believe that they like 'Slow Horses.' And in Palm Springs of all places, I'll go to the hardware store or the supermarket and people will come up to me and say, 'When's 'Slow Horses' coming back?'' His facility for the simple stuff does, however, fail him occasionally. 'Yes, suddenly you can't walk in a room. Or get out of a car. I've walked into a room my entire life. I've got out of so many cars I couldn't count and now, yeah, even just raising a cup. It's the funniest thing, it will trip you up.' To date, he has not forgotten how to eat, which is fortunate given Lamb's gargantuan appetite and Oldman's impatience with eating scenes where actors push their food around. 'I remember the noodles scene in Season 2, and you know Lamb is an eater; I'm always eating in the show, and you can't fake it. So one morning I ate 17 or 18 bowls of noodles and then it was, 'OK, we're gonna break for lunch, can I get you anything?'' Oldman's most recent 'charity work' was his pro bono four-week run this spring of Samuel Beckett's one-man play 'Krapp's Last Tape' at York Theatre Royal, scene of his professional stage debut in 1979 and his first U.K. stage appearance in 37 years. 'I kind of got kidnapped by film and with all the other life experiences — kids, divorce, marriage, divorce, sobriety,' he says. 'You turn around and think, 'When did I last do a play?' And I thought, 'I'd really like to do it, let me put my toe back in the water.'' He wondered, 'Well, will anyone come? Is anyone interested? I was worried whether we'd fill 700 or 800 seats, and then the day they announced the tickets, their computer crashed.' There's that huge smile again, one suggesting he still can't quite believe it. Unsurprisingly, he doesn't waste time worrying too much about his place in the Hollywood pantheon. 'Maybe there are people somewhere in an executive office sitting around saying, 'What about Gary Oldman for this role?' and 'No, he's unavailable because he's doing the show.' But I like what 'Slow Horses' has afforded me over the last few years. I get some downtime, I got to do theater, I've got my photography and other things, rather than thinking about this or that film and 'they want you but they don't know if they can go this year.' 'I feel so privileged, so bloody lucky that at 67 years old, I'm in a show of this caliber, that people have really actually embraced. I'm so very, very blessed, and it's also nice to know that you're going to be working. Yeah, it's nice to be in regular employment.'