Movie revieW: ‘Jurassic World Rebirth' has few moments of fun
Set several years after 2022's Jurassic World Dominion, on-screen text informs viewers that since dinosaurs escaped captivity, modern climate and diseases largely killed them again. The survivors migrated to tropical climates near the Equator, and travel to those regions has been prohibited.
This leads to a fun image of an ailing brontosaurus causing traffic in New York, to which New Yorkers are more upset about the traffic than the dinosaur. The angle of the public losing interest in dinosaurs becomes a major thematic problem of the film.
Martin Krebs (Rupert Friend) hires special ops freelancer Zora Bennett (Scarlett Johansson) to lead his secret, illegal expedition to obtain samples of the largest dinosaur hearts. Krebs' pharmaceutical company hopes to use those samples to develop medication for coronary diseases.
They recruit paleontologist Henry Loomis (Jonathan Bailey) to accompany them on the expedition, and hire Duncan Kinkaid (Mahershala Ali) to captain their covert boat.
"Running from dinosaurs" is a pretty innate story driver, so the more these films complicate putting people in that scenario, the more tenuous it gets. Medical research is spurious for two reasons.
Even if one believes Krebs is developing heart medicine for the greater good, a movie is not going to solve heart disease. If they succeed in the film, we still don't have dinosaur hearts to harvest in real life. Deep Blue Sea used Alzheimer's research as its premise, but at least sharks exist today.
Secondly, Jurassic audiences have already bought into extracting DNA from fossilized mosquitos to create dinosaurs. Rebirth is asking them to believe that those dinosaurs can also cure human diseases? Now they're just making stuff up.
The notion that dinosaurs have become a mundane nuisance is also at odds with the conceit of making a blockbuster spectacle about dinosaurs. The in-film public has lost interest in dinosaurs, and yet they still made a seventh movie?
Of course, in real life, the public never lost interest in dinosaurs, so it is a meta commentary on a phenomenon that doesn't exist. In Jurassic World Dominion, they finally made a movie where the dinosaurs got loose in the wild, and fans should be disappointed they're already walking it back.
The team encounters mutant hybrid dinosaurs that In-Gen was breeding to spruce up their theme parks. The idea that people got tired of seeing the existing dinosaurs suggests a fundamental misunderstanding of the popularity of this franchise.
Nobody ever got tired of seeing Tyrannosaurus Rexes and raptors. They just want to see them again, and see them as well done as Steven Spielberg did them.
Stop making up fake dinosaurs. The T-Rex still gets the best sequence in Rebirth.
When Rebirth attempts to serve up a sequence of majesty akin to the reveal in Spielberg's first movie, it's only a response to an artificial apathy towards dinosaurs. The mercenaries marvel at dinosaurs in their natural habitat, when the rest of the film should focus on a more organic dinosaur tale.
Rebirth adds even more characters when Duncan responds to the distress call of Reuben Delgado (Manuel Garcia-Rulfo), whose sailboat was capsized by a Mosasaurus in the ocean. Reuben's daughters Isabella (Audrina Miranda) and Teresa (Luna Blaise) are aboard too, with Teresa's stoner boyfriend Xavier (David Iacono).
The script by David Koepp, who adapted the two Michael Crichton books for the first two Jurassic Park movies, can't even commit to the professionals on a mission. It has to throw in a regular family in peril and have them dragged along on the dinosaur mission.
In Koepp's defense, by movie seven he's neither adapting a book nor crafting an original tale. He's stuck in a no man's land of corporate mandates and stringing together set pieces into some logical sense. It's a living.
The cast appears to be having fun, as if reconciled to the fact that these are the roles available in Hollywood, so they might as well make the most of it. Zora has a way of explaining to men that they are unqualified for a task while letting it be their idea to let her handle the tough jobs.
Cursory backstory is given about Zora losing a friend on a previous mission, and Duncan having a family tragedy that broke up his marriage.
Director Gareth Edwards may be having the most fun using playful tricks to show the dinosaur action, given that the payoffs to those scenes are created in post-production with visual effects.
Dinosaurs approaching behind a character's back can be a misdirect, and a Quetzalcoatlus may fly into frame showing a character's fate in its beak. Edwards even pulls off a dinosaur version of Michael Myers disappearing from view in Halloween.
None of these are as effective as the simplicity of seeing glasses of water tremble with dinosaur steps in the original Jurassic Park. Some are blatantly telegraphed when a dinosaur wanders behind a large foreground object.
But at least visually, Edwards is bringing a new approach to the franchise, even though it takes a convoluted route to get there.
One sequence blatantly forgets its own rules once the story is ready to move on. Zora and Henry go to the trouble of rappelling down an entire cliffside, but once they reach the bottom, stairs of an ancient temple appear so the rest of the group can rejoin them.
This shows the rappelling sequence was conceived with no idea how they'd get back up, or the others down. They just filmed the sequence and then decided all the characters had to be together again.
Jurassic World Rebirth is not the worst Jurassic movie. That would be Dominion.
Still, saving this franchise will require someone with clout and daring enough to remember they're still making these movies because people want to see dinosaurs. Just trust the dinosaurs.
Fred Topel, who attended film school at Ithaca College, is a UPI entertainment writer based in Los Angeles. He has been a professional film critic since 1999, a Rotten Tomatoes critic since 2001, and a member of the Television Critics Association since 2012 and the Critics Choice Association since 2023. Read more of his work in Entertainment.
2025 United Press International, Inc. All Rights Reserved.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Atlantic
an hour ago
- Atlantic
It's Time to Stop Resurrecting These Dinosaurs
The strangest thing has happened to the Jurassic Park films over the past 32 years. In the original movie, directed by Steven Spielberg, the characters were mesmerized by dinosaurs. They saw these amazing beings, resurrected from DNA that was hundreds of millions of years old, and either stared in wonder or shrieked with fear. (Spielberg is known to be pretty good at capturing that whole 'awe' thing.) But since then, each successive sequel has chipped away at that sense of discovery. In particular, the first three Jurassic World movies, which spun off the earlier films, even hinged on a feeling of widespread apathy toward the creatures that people previously couldn't look away from. This indifference has become a bizarre pattern—one that the franchise's newest installment, Jurassic World Rebirth, seems intent on changing. I will give the director Gareth Edwards, who's made epic blockbusters such as Rogue One and 2014's Godzilla, some credit here: Rebirth, like the filmmaker's other movies, has an impressive sense of scale. The action is also visually clean and easy to follow, and the film takes its time to showcase the ancient CGI-generated beasts in their environment. But my praise ends there: This is otherwise a plodding, disenchanting experience that adds some more roaring dinosaurs in exchange for any memorable characters or narrative stakes. It has little reason to exist, beyond cashing in at the summer box office. Rebirth serves as a vague reboot of the Jurassic World trilogy. Audiences showed up for the trio of films, which grossed several billion dollars in total at the box office—but each entry was progressively more reviled by critics. 2015's Jurassic World introduced a fading dinosaur theme park where things soon went horribly wrong; by the start of 2022's risible Jurassic World Dominion, the oversize reptiles were fully living among humans. They had essentially become little more than an everyday nuisance. I'm still unsure why anyone thought that rendering these rare creatures as ubiquitous and nonthreatening would be an exciting development, but it certainly was not. With his film, Edwards attempts a reset. Dinosaurs still walk the Earth (thanks to the advanced DNA-cloning technology deployed back in Jurassic Park), but they can't survive in most of today's ecosystems. Thus, the beasts have retreated to a narrow equatorial band more reminiscent of their prehistoric environment, and are largely congregating on one remote island off the coast of French Guiana. This premise transparently harkens back to the franchise's early aesthetic: There's an abandoned jungle, overgrowth on science labs, and strange noises in the distance. The plot will also be familiar to fans of the series—it's nearly a mashup of two earlier sequels, The Lost World and Jurassic Park III. A band of highly skilled mercenaries, led by the covert-ops expert Zora Bennett (played by Scarlett Johansson), head to the island to extract dino-blood, intended for pharmaceutical-research purposes. At the same time, a civilian named Reuben (Manuel Garcia-Rulfo) is crossing the Atlantic on a boat with his kids in tow; the family shipwrecks and thus gets mixed up in the adventure. Filling out the group of dino-hunters are hardened soldiers, including Duncan Kincaid (a squandered Mahershala Ali), and craven capitalists, such as the businessman Martin Krebs (Rupert Friend, doing bargain-basement villainy). But only one character actually seems to care about the reptiles: the paleontologist Henry Loomis (Jonathan Bailey), who's there to excitedly jabber about science once in a while. For everyone else, the proceedings are just a heavy, sweaty inconvenience. As such, it's hard not to feel the sweltering boredom wafting off the ensemble. As Zora, Johansson is at least high-energy, yet her spirited line deliveries don't make up for her character's almost distressing ignorance of the dangers around her. The rest of the group is rendered by capable performers, but their dialogue consists of rote exposition and the occasional scream, as pterodactyls dive-bomb them and T. rexes snap in their faces. And though there's plenty of prehistoric-monster action, the film lacks the designated 'hero' or 'villain' creature of Jurassic s past. Without one, the dinos amount to little more than wallpaper. The closest that Rebirth comes to innovation is with the ' Distortus rex,' a mutated T. rex with a big blobby head and six limbs. It's a weirder-than-usual product of genetic engineering gone wrong—and, as a creation of more straightforward horror, a potentially fun new spin for the series. But the design for the Distortus is more comical than not; it's a silly, lumbering non-threat that's mostly kept at bay. The original Jurassic Park already provided plenty of material about science running amok, and the first Jurassic World was a cautionary tale about capitalism falling prey to its worst instincts. For all of the impressive effects on display, Rebirth has nothing to add to the Jurassic canon beyond a simple warning: Going to an island full of dinosaurs would probably be a bad idea.

USA Today
2 hours ago
- USA Today
July 4th fireworks on TV: Bigger NYC show to fire 80,000 shells around Brooklyn Bridge
Even TV events with built-in dramatic explosions get a bigger boom with a returning star. NBC's 49th annual Macy's 4th of July Fireworks viewing party on July 4 (8 ET/PT, and streaming live on Peacock) brings the holiday heat with the return of the iconic Brooklyn Bridge as a stunning spectacle backdrop for the first time since 2019. The famed 142-year-old suspension bridge with the telltale Gothic columns will undergo a digital facelift for its pyrotechnical closeup of 80,000 shells, following a concert hosted by Ariana DeBose featuring the Jonas Brothers, Trisha Yearwood, Lenny Kravitz, Keke Palmer, Ava Max and Eric Church. 'The Brooklyn Bridge absolutely stars in the concert and in the fireworks shot off four barges and from various points," says executive producer Will Coss, adding the bridge and columns will be enhanced digitally by "bespoke" projection mapping, which "will bring these static columns to life for the first time." New Yorkers can view the fireworks from several vantage points in the city. But TV viewers get up close to the biggest televised Independence Day fireworks show. Here's what to know about Macy's 4th of July Fireworks. The fireworks are desert-tested, 'Oppenheimer'-style Coss calls the fireworks, a 25-minute "beautifully choreographed dance" to a musical score produced by Ahmir 'Questlove' Thompson and James Poyser, accompanied by a live performance from DeBose. Gary Souza, the show's pyrotechnic designer for the last 40 years, says he has "literally shopped around the world" for this year's cutting-edge "three-dimensional" display, setting explosions as high as 1,000 feet in the air and firing horizontally from the 1,600-foot main bridge span over the East River. The bridge will be part of each fireworks burst, which will feature eight to 10 effects, many on the bridge itself. "There will be helixes, waves, and snakes that will progress and intertwine almost like a DNA molecule from bridge tower to tower," says Souza. Souza traveled to his ancestral country of Portugal to import a shimmering bridge waterfall display. The product arrived a day before Souza's June test of the show's key explosive elements in California's Mojave Desert, an annual event that resembles the "Oppenheimer" test for fireworks, where the full arsenal can be safely inspected. "They really over-delivered on this waterfall," Souza promises. "It's going to open up like a shimmering curtain in the bridge center all the way across the two towers for 60 seconds and will be one of those 'Oh My Gosh.' moments." 2025 show has more fireworks, fewer drones, still one helicopter Drones have soared into prominence in the world of fireworks displays, including previous Macy's July 4th celebrations. The 2023 event featured a 500-drone light show, and in 2024, hundreds of "pyro-drones" – equipped to mimic the visual effects of fireworks – took center stage in the spectacle on the Hudson River. However, the 2025 Macy's show is "taking a break" from show drones, says Coss, focusing the technological highlights on the bridge mapping. But drone cameras will get "up close and personal to the pyrotechnics," says Coss, supplementing dozens of cameras set in multiple locations to catch the fireworks, along with awed spectators. Still, the best TV camera shots still come from the overhead helicopter, where a high-definition onboard camera captures 'these beautiful, aerial-cinematic shots showing the city throughout the show's entirety," says Coss. Planning has been underway since last year's show. The final months included the desert test and a detailed digital rendering of the show, allowing producers to "pre-visualize" the most dramatic elements and prepare the cameras. One can't-miss show moment will feature eight unique fireworks shells individually shot off barges, including one of Souza's favorites: The Morning Glory. "It's called Morning Glory, but it looks like a jellyfish that bursts into popcorn with red tentacles," says Souza. "That's one you have to look for." The 'Golden Mile' sets up the grand finale The "Golden Mile" is a fireworks display shot from 38 positions over the East River with computer precision. That includes a 1,500-ft, gold-shimmering waterfall cascade spanning the bridge, setting up the grand finale of wall-to-wall fireworks. 'It's going to be a patriotic ending, visceral and heart-thumping with crackling reports at the end," says Souza. "We're planning on delivering a highly entertaining, patriotic show that celebrates America's birthday while over-delivering on the spectacle." Who is performing at the Macy's fireworks? The Macy's concert is hosted by Ariana DeBose featuring the Jonas Brothers, Trisha Yearwood, Lenny Kravitz, Keke Palmer, Ava Max and Eric Church. The fireworks' musical score was produced by Ahmir 'Questlove' Thompson and James Poyser, accompanied by a live performance from DeBose. How to watch the Macy's fireworks and what time? The Macy's 4th of July Fireworks show airs on NBC at 8 ET/PT (streaming live on Peacock) with the fireworks beginning at 9:25 ET/PT. There will be an hour-long NBC encore presentation at 10 ET/PT. Telemundo's telecast will air at 9 ET/PT.


New York Times
4 hours ago
- New York Times
How to Escape a T-Rex in ‘Jurassic World Rebirth'
In 'Anatomy of a Scene,' we ask directors to reveal the secrets that go into making key scenes in their movies. See new episodes in the series on Fridays. You can also watch our collection of more than 150 videos on YouTube and subscribe to our YouTube channel. Don't you hate it when you're trying to escape by raft from an island riddled with dinosaurs and you manage to wake up a sleeping T-Rex in the process? That scenario becomes one of the signature moments in 'Jurassic World Rebirth,' the latest in the long-running dino thriller franchise. In the scene, a family becomes trapped on an island where the setting is lush and the creature threats are plentiful. One family member, Teresa (Luna Blaise), finds a raft but also encounters a certain snoozing theropod nearby. The raft, per the instructions written on the side of it (seen in a close-up shot), must be opened on land. 'This was something we added in the edit,' Edwards said, narrating the scene and discussing the close-up, 'because we did a test screening and the audience was just like, why would you inflate it in front of a T-Rex?' Next, the filmmakers used the opportunity to make a dino disappear before the viewers' eyes. The T-Rex is in the background of the shot, but then is hidden from view once the raft inflates on its side. When the raft gets turned flat in the water, the dinosaur has disappeared. 'You sort of get this David Copperfield moment,' Edwards said. In discussing where the sequence was shot, Edwards said, 'What you're looking at is two main locations. One is in Thailand and it's really actually a lake. We use it as a river, but it's this big lake within a quarry. And then, once the rafting begins proper, it becomes this location in the U.K. called Lee Valley, which was essentially built for the London Olympics in 2012.' Only one of these locations was warm. 'In London, in the rapid section,' Edwards said, 'it's freezing cold. And the actors, they were very tolerant, but we had to do take after take after take as you can imagine. And slowly through the day, I could see the look in their eyes. They wanted to kill me.' Read the 'Jurassic World Rebirth' review. Sign up for the Movies Update newsletter and get a roundup of reviews, news, Critics' Picks and more.