The Chic Home: Rare pre-HDB terraced house is ceramist's creative sanctuary
This ceramist's house is a 1970s-era terraced house built by the Singapore Improvement Trust, the predecessor to the Housing Board. PHOTO: SPH MEDIA
SINGAPORE – Ceramist Maureen Cheng, who used to work in graphic design and publishing, initially moved house for a shorter commute.
She chose a terraced house built in the 1970s by the Singapore Improvement Trust, the predecessor to the Housing Board. Such units are not only extremely rare – fewer than 300 were built – but also more affordable than private terraced houses.
Cheng, who is in her 50s and runs studio Maison MCeramics, is the proud owner of this 1,600 sq ft corner unit in Jalan Bahagia.
After living in it for about a decade, she decided to overhaul it. With her background in the creative industry, she chose to redesign the place herself and engaged S.T. Design & Contract to execute the renovation works.
Her vision was to create a home with a studio. She knew exactly what she wanted to do, how the spaces would work for her and which areas got the most sun, breeze and noise.
The home owner adopted an open-concept design to maximise natural ventilation and views of the garden.
PHOTO: SPH MEDIA
She adopted an open-concept design to maximise natural ventilation and views of the garden. The living area and two bedrooms are located away from the boundary wall, which is adjacent to the main road.
She went with a modern, timeless look with a black, white and grey palette, and low-maintenance materials.
'I love grey because it is neither black nor white and it can be feminine or masculine, depending on what you pair it with,' she says.
The living room has a pair of lounge chairs instead of a sofa.
PHOTO: SPH MEDIA
She kept the original, nostalgic terrazzo flooring – a nod to the home's history – in the living area.
Instead of a sofa, which Cheng felt would take up too much space, she opted for a pair of lounge chairs for herself and her mother.
The living area has a view of the dining zone.
PHOTO: SPH MEDIA
A vintage teak extendable table by a Danish designer takes pride of place in the dining room. In its most compact configuration, it is a cosy table for two set against the wall. When fully extended into an elliptical form, it can seat up to eight people.
This large kitchen island offers plenty of space for baking and cooking.
PHOTO: SPH MEDIA
The kitchen is the heart of the home. Cheng wanted an island, as the idea of facing a wall when cooking or baking did not appeal to her.
With the oversized island, she and her mother can bake and cook together while enjoying the view of the side garden. The island also doubles as a workspace when needed.
The pottery studio occupies the rear of the plot and has access to the garden.
PHOTO: SPH MEDIA
Cheng's studio is another important space within the home. She had the spot picked out from the start. It occupies the rear corner of the plot and opens up to the back garden with plenty of natural light. It also has access to a water point and space for a kiln.
Every part of the pottery studio has been meticulously planned.
PHOTO: SPH MEDIA
Despite its compact footprint, every part of the studio has been meticulously planned, from a potter's wheel for throwing to a worktop for kneading clay. She also has a large table for hand coiling or slab work; and racks for storing clay and drying artworks.
The home owner's bedroom has no windows, but is naturally lit by a skylight.
PHOTO: SPH MEDIA
Cheng and her mother's bedrooms are located beside the party wall shared with the neighbour, farthest away from the road.
Her mother's room opens out to the rear terrace. Although Cheng's room has no windows, she added a skylight by replacing a section of the roof tiles with translucent ones that let in natural light.
The en-suite bathroom attached to the home owner's bedroom doubles as a common bathroom.
PHOTO: SPH MEDIA
The renovation cost between $150,000 and $200,000, and took about a year to complete due to delays caused by the Covid-19 pandemic. Cheng finally moved back into her home in 2022.
The kitchen island is juxtaposed with softer, natural elements like the rattan and ceramics atop this cabinet.
PHOTO: SPH MEDIA
This article first appeared in Home & Decor Singapore. Go to homeanddecor.com.sg for more beautiful homes, space-saving ideas and interior inspiration.
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Straits Times
3 days ago
- Straits Times
The Chic Home: Rare pre-HDB terraced house is ceramist's creative sanctuary
This ceramist's house is a 1970s-era terraced house built by the Singapore Improvement Trust, the predecessor to the Housing Board. PHOTO: SPH MEDIA SINGAPORE – Ceramist Maureen Cheng, who used to work in graphic design and publishing, initially moved house for a shorter commute. She chose a terraced house built in the 1970s by the Singapore Improvement Trust, the predecessor to the Housing Board. Such units are not only extremely rare – fewer than 300 were built – but also more affordable than private terraced houses. Cheng, who is in her 50s and runs studio Maison MCeramics, is the proud owner of this 1,600 sq ft corner unit in Jalan Bahagia. After living in it for about a decade, she decided to overhaul it. With her background in the creative industry, she chose to redesign the place herself and engaged S.T. Design & Contract to execute the renovation works. Her vision was to create a home with a studio. She knew exactly what she wanted to do, how the spaces would work for her and which areas got the most sun, breeze and noise. The home owner adopted an open-concept design to maximise natural ventilation and views of the garden. PHOTO: SPH MEDIA She adopted an open-concept design to maximise natural ventilation and views of the garden. The living area and two bedrooms are located away from the boundary wall, which is adjacent to the main road. She went with a modern, timeless look with a black, white and grey palette, and low-maintenance materials. 'I love grey because it is neither black nor white and it can be feminine or masculine, depending on what you pair it with,' she says. The living room has a pair of lounge chairs instead of a sofa. PHOTO: SPH MEDIA She kept the original, nostalgic terrazzo flooring – a nod to the home's history – in the living area. Instead of a sofa, which Cheng felt would take up too much space, she opted for a pair of lounge chairs for herself and her mother. The living area has a view of the dining zone. PHOTO: SPH MEDIA A vintage teak extendable table by a Danish designer takes pride of place in the dining room. In its most compact configuration, it is a cosy table for two set against the wall. When fully extended into an elliptical form, it can seat up to eight people. This large kitchen island offers plenty of space for baking and cooking. PHOTO: SPH MEDIA The kitchen is the heart of the home. Cheng wanted an island, as the idea of facing a wall when cooking or baking did not appeal to her. With the oversized island, she and her mother can bake and cook together while enjoying the view of the side garden. The island also doubles as a workspace when needed. The pottery studio occupies the rear of the plot and has access to the garden. PHOTO: SPH MEDIA Cheng's studio is another important space within the home. She had the spot picked out from the start. It occupies the rear corner of the plot and opens up to the back garden with plenty of natural light. It also has access to a water point and space for a kiln. Every part of the pottery studio has been meticulously planned. PHOTO: SPH MEDIA Despite its compact footprint, every part of the studio has been meticulously planned, from a potter's wheel for throwing to a worktop for kneading clay. She also has a large table for hand coiling or slab work; and racks for storing clay and drying artworks. The home owner's bedroom has no windows, but is naturally lit by a skylight. PHOTO: SPH MEDIA Cheng and her mother's bedrooms are located beside the party wall shared with the neighbour, farthest away from the road. Her mother's room opens out to the rear terrace. Although Cheng's room has no windows, she added a skylight by replacing a section of the roof tiles with translucent ones that let in natural light. The en-suite bathroom attached to the home owner's bedroom doubles as a common bathroom. PHOTO: SPH MEDIA The renovation cost between $150,000 and $200,000, and took about a year to complete due to delays caused by the Covid-19 pandemic. Cheng finally moved back into her home in 2022. The kitchen island is juxtaposed with softer, natural elements like the rattan and ceramics atop this cabinet. PHOTO: SPH MEDIA This article first appeared in Home & Decor Singapore. Go to for more beautiful homes, space-saving ideas and interior inspiration. Join ST's Telegram channel and get the latest breaking news delivered to you.
Straits Times
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The Chic Home: Lawyers' luxe semi-detached house
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The brand enjoyed a second renaissance when Swiss watch collector Peter Baumberger purchased the company in 1979 and brought British watchmaker Derek Pratt on board to create beautiful pocket watches, some oval in shape – including the Pratt Oval, a rare masterpiece – and others with teardrop-shaped lugs. In 1996, Mr Baumberger hired Mr Voutilainen, the cult Finnish watchmaker, to work on new movements for wristwatches. Those round wristwatches featured design aesthetics such as teardrop lugs, stepped bezels and small subsidiary seconds dials, embracing a Danish minimalist, comfortable and functional design style. Mr Voutilainen says he honed his unique finishing skills, the distinctive techniques that define his work, while at the company. 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While the Rosenfields own 85 per cent of the business, Mr Voutilainen and some family and friends own the remaining 15 per cent. Together, the co-CEOs vowed to return Urban Jurgensen to its former glory but with a modern twist. 'Our goal is to take our Danish spirit and to create a brand that feels joyful and welcoming. The watches were designed by Kari to be appealing to both men and women,' says the elder Mr Rosenfield. 'He designed a new case and lug shape for the watches that make them sit very comfortably on a smaller wrist.' The round cases are 39mm and 39.5mm in diameter and boast either shortened lugs or reinterpreted teardrop-designed lugs to fit nicely on the wrist. The new Urban Jurgensen watches are made in Switzerland. They are powered by in-house movements designed by Mr Voutilainen and made in the Urban Jurgensen workshops in Biel. Two of the three watches are based on a pre-existing Voutilainen calibre that has been adapted. 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Created in cooperation with another top independent watchmaker, Mr Andreas Strehler, the UJ-3 is a perpetual calendar with an instantaneous jump mechanism at midnight that keeps the moon phase accurate to within one day every 14,000 years. It retails for 168,000 francs. The brand expects to make fewer than 100 watches in its first year, then double that in the next. Unlike Mr Voutilainen's namesake brand, which makes about 60 watches a year, Mr Rosenfield says Urban Jurgensen will aim to steadily grow over the course of years, focusing on developing new complications. Currently, the watches are available only directly to consumers online. 'This collection is a tribute to Urban Jurgensen and his unique and extraordinary legacy. It's rooted in everything that defines who we are: precision, artistry and a profound respect for the value of time,' says Mr Voutilainen. 'We want to keep the brand rare, and while we want to grow it, we can't grow too fast. We want to keep building the most sophisticated movements and create watches with a soul.' Bloomberg Join ST's Telegram channel and get the latest breaking news delivered to you.
