Kelsey Grammer Boards ‘Hell Ride'; Karlovy Vary Names Chair; Tarf Enters Theatrical Distribution; ITV Soap Boss Retiring
From Frasier to rollercoaster. Kelsey Grammer will lead Hell Ride, an upcoming theme park thriller from Altitude. Directed by Magnus Martens (SAS: Red Notice) and written by Altitude joint CEO Andy Mayson (No Way Up), the film is billed as a 'white-knuckle survival thriller' that follows a group of high school seniors who break into an abandoned theme park for one final wild night, only to find their night spiralling into a nightmare. Mayson, Molly Conners (Triple 9) and Amanda Bowers (Riff Raff) are producing and Altitude is introducing it to buyers in Cannes. Pic reunites Grammer with part of the creative team he worked with at another upcoming thriller, Turbulence, and some of the VFX team from that pic and No Way Up will work on Hell Ride as well. Grammer is represented by UTA and Vault Entertainment.
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Krystof Mucha Named Karlovy Vary Film Fest Chair
Karlovy Vary International Film Festival (KVIFF) has named Kryštof Mucha as its Chairman, and will leave the President position the late Jiří Bartoška held in memoriam. Bartoška passed away earlier this month aged 78. Mucha, who joined KVIFF in 1997, has been its Executive Director since 2004. 'Despite the very sad fact that the world of culture has lost one of its most important personalities, we want to assure the public that the Karlovy Vary festival will continue to possess the level of quality that Jiří Bartoška and his team have always given it,' said Jan Jírovec, Head of the Rockaway Arts group that majority owns KVIFF. Remaining on. Mucha's team will be Artistic Director Karel Och and Head of Production Petr Lintimer. 'For many years, I had the wonderful opportunity to work with Jiří Bartoška and to see how he thought and where he was taking the festival,' said Mucha. 'I believe that, together with Karel Och and Petr Lintimer, we will succeed in continuing his legacy.'
Tarf Media Pushes Into Irish Theatrical Distribution
EXCLUSIVE: Ireland's Tarf Media is pushing into local theatrical distribution. The film sales company told Deadline it is now offering a 'complete end-to-end distribution package from theatrical in Ireland to international sales and streaming.' Tarf founder Eoghan Burke is working with Anna Lavery PR and Distribution to bring films to Irish cinemas, while continuing to act as a sales agent. Dublin-based Tarf is known for handling international rights on films such as Cocaine Werewolf and A Dickens of a Christmas. Before last year's Cannes, Tarf struck a partnership deal with Good Deed Entertainment.
ITV Soap Supremo John Whiston Retiring
John Whiston, the ITV exec who has overseen the UK network's flagship soaps, is retiring after 27 years. In his most recent role as Managing Director of Continuing Drama and Head of ITV in the North, the long-serving exec has led editorially and commercially on Coronation Street and Emmerdale, both of which still command audiences of millions each evening. He also oversaw ITV series such as including Vera, A Touch of Frost and Heartbeat. At the end of the month, he will hand over to Executive Producer for Continuing Drama Iain MacLeod, who is upped to Creative Director and Matt Cleary, who becomes COO of Continuing Drama, which keeping his current post as Director of Production for UK Scripted at ITV Studios. MacLeod will report to ITV Studios Managing Director Julian Bellamy. Whiston said: 'I've always said I've got the best job in TV. I used to say it privately in case ITV stopped paying me. It has been nothing short of an honour, as well as a blast, to work on the Soaps this last decade or so. We've had joy, we've had fun and we've had seasons in the Sun. We've also had misery and mayhem. We've had motorway crashes, tram crashes and floods. We've had stories which have squeezed your heart till tears came out of your eyes. And we've covered pretty much anything and everything that people have to face in their own lives and we've done that with care and humanity. And all that is down to the 600 or so people – the writers, crew, cast and editorial – who have kept the show on air and at an incredible quality day in day out. And it's them who have made my job ridiculously easy. Just don't tell ITV.'
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Television rights are expensive and the UK's two biggest sports, football and cricket, hardly have any live matches on terrestrial TV these days either, save for the FA Cup and the Hundred, neither of which is positioned near the pinnacle of their respective games. The lack of live free coverage certainly hasn't impacted how many people want to watch those sports, as sold-out stadiums for Premier League football or England Test cricket attest. However, cycling is different, and its lack of visibility and accessibility poses questions over its future, both in terms of a sport to watch and to take part in. There are parallels with cricket, which reached a high point in its national popularity in 2005, when more than eight million people watched England win the Ashes against visiting arch-rivals Australia for the first time in 18 years. That was the year Channel 4 lost the rights and England matches vanished from free-to-air TV screens. 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Pascal Gabriel (Stubbleman) rode up Mont Ventoux and converted the data into music; The Ventoux Trilogy ⛰️🎶 — ITV Cycling (@itvcycling) July 21, 2025 This year, there were 11 Brits on the start line and, while there is not necessarily a direct correlation between free TV coverage and more riders from the UK in the race, there is enough anecdotal evidence to suggest that cycling being shown on terrestrial television played a big role in inspiring the likes of David Millar, Tom Pidcock and Oscar Onley, who have all spoken of it being part of their introduction to the sport. Advertisement That introduction will have included the warm and familiar figure of presenter Gary Imlach, who has been involved with Tour coverage since the Channel 4 days. Phil Liggett — who still commentates on the race for U.S. broadcaster Peacock — and his old friend, the late Sherwen, were a popular commentary duo for many years, before that baton passed to Boulting and David Millar, while journalists/interviewers Daniel Friebe and Matt Rendell poke microphones in riders' faces as part of top-level coverage that has been honed and perfected over many years and is easily accessible via television, or the ITV website and app. The voice of cycling, Phil Liggett: Part One — ITV Cycling (@itvcycling) July 15, 2025 It offers a different style to TNT Sports, which goes for a more in-depth approach via excellent anchor Orla Chennaoui in post-race analysis show The Breakaway. Not that there aren't grumbles about TNT, primarily for its number of advert breaks. Subscribers had previously had the option to watch races ad-free in full, and while that option is still available via their split-screen feature, it isn't the case via the normal regular stream. There is also the cost. Eurosport was £6.99 per month for all the cycling coverage you could wish for; TNT Sports costs almost five times that. There is an argument that TNT can attract new viewers to the sport via people who already subscribe for its football (predominantly the Champions League but also some Premier League matches), rugby union, tennis, snooker and SailGP, but for many that price will simply prove prohibitive. In 1999, Gary visited figurine collector, Edward Pemzec 🚴🎞️ — ITV Cycling (@itvcycling) July 15, 2025 Signing up for Sky Sports (via Now TV) and TNT Sports will cost you almost £800 a year. Add in DAZN for another £180 annually and then three of the common streaming services, such as Netflix, Amazon Prime and Disney+, and you're talking almost £1,400 going out of your bank account every 12 months. That's completely unfeasible for many households. Advertisement Boulting and David Millar have pledged to continue to offer their own analysis next year via a live on-the-road video podcast, but otherwise it's the end for coverage that millions have grown to love over decades. To lose Millar from mainstream cycling coverage in particular feels like a serious misstep, given his passion for the sport and the way he can draw in a novice with his layman explanations of cycling's many nuances. In 2027, the Tour will return to the UK, beginning with a Grand Depart in Scotland's capital Edinburgh. The race's general director Christian Prudhomme has offered hope it will be shown on terrestrial television, saying earlier this year: 'I do hope, and I do believe that the stages in the UK will be live and free to air in 2027. There will be discussions. We're optimistic.' It feels like an important issue to sort out. Otherwise, it's not a stretch to say the next generation of Onleys and Yates' may never appear. The Tour de France gets inexorably bigger every single year, but in the UK it might be about to get quite a bit smaller. For more cycling, follow Global Sports on The Athletic app via the Discover tab