Sophie White: Instead of The Purge I propose The Pause – once a year, menopausal women are allowed to do whatever they want with no legal repercussions
For horror fans like me, this summer will live on in our memory as a landmark moment. The year Danny Boyle and Alex Garland joined forces for the first time in 23 years to gift us a movie: 28 Years Later – a reboot of their 2002 zombie classic, 28 Days Later. Now. Was it as good as the original? Debatable.
Put it this way: it could well have been called 28 Dongs Later. There was bouncing zombie genitalia as far as the eye could see, which made me supremely grateful that I hadn't opted for a 3D showing. I shudder to think what a 4D experience would have to offer?
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Sophie White: Instead of The Purge I propose The Pause – once a year, menopausal women are allowed to do whatever they want with no legal repercussions
Our columnist believes that by perimenopause, women have put up with decades of crap and have earned the right to do a bit of vigilantism For horror fans like me, this summer will live on in our memory as a landmark moment. The year Danny Boyle and Alex Garland joined forces for the first time in 23 years to gift us a movie: 28 Years Later – a reboot of their 2002 zombie classic, 28 Days Later. Now. Was it as good as the original? Debatable. Put it this way: it could well have been called 28 Dongs Later. There was bouncing zombie genitalia as far as the eye could see, which made me supremely grateful that I hadn't opted for a 3D showing. I shudder to think what a 4D experience would have to offer?
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RTÉ News
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Horror films killing it at the box office, say analysts
Vampires, zombies, and the Grim Reaper are killing it at the box office. At a time when superheroes, sequels, and reboots have grown stale among audiences, horror has emerged as an unlikely saviour, entertainment industry veterans say. This year, scary movies account for 17% of the North American ticket purchases, up from 11% in 2024 and 4% a decade ago, according to Comscore data compiled exclusively for Reuters. Thanks to the box office performance of Sinners and Final Destination: Bloodlines, and new installments of popular horror films arriving later this year, including The Conjuring: Last Rites and Five Nights at Freddy's 2, cinema owners have reason to celebrate. "We have identified horror as really one of the primary film genres that we are targeting to grow," said Brandt Gully, owner of the Springs Cinema & Taphouse in Sandy Springs, Georgia. "It can really fill a void when you need it." Producers, studio executives, and cinema owners say horror has historically provided a safe outlet to cope with contemporary anxieties. And there is no lack of material to choose from: the aftershocks of a global pandemic, artificial intelligence paranoia, the loss of control over one's body, and resurgent racism. "It's cathartic, it's emotional, and it comes with an ending," said film data analyst Stephen Follows, author of the Horror Movie Report, which offers detailed insights into the genre. "Horror movies give space to process things that are harder to face in everyday life." The often low-budget productions allow for greater risk-taking than would be possible with high-cost, high-stakes productions like Mission: Impossible - The Final Reckoning. The creative freedom has attracted such acclaimed directors as Ryan Coogler, Jordan Peele, Danny Boyle, and Guillermo del Toro. Watch: Danny Boyle discusses 28 Years Later with RTÉ Entertainment 's Alan Corr "Horror movies are an accountant's dream," said Paul Dergarabedian, Comscore Senior Media Analyst. "If you're going to make a science-fiction outer-space extravaganza, you can't do that on the cheap. "With horror films, a modest-budget movie like Weapons can be scary as hell." Audiences are responding. Ryan Coogler's Sinners, an original story about Mississippi vampires starring Michael B Jordan, was the year's third highest-grossing film in the US and Canada to date, according to Comscore. Cinemas are still recovering from the Covid-19 pandemic that broke the cinema-going habit and increased viewing in the home. Mike De Luca, Co-Chair and Co-CEO of Warner Bros Motion Picture Group, which released Sinner s, said horror was a genre that manages to get people out of the house. "It's a rising tide that lifts all boats," he said. "You know, we're trying to get people back in the habit of going to the theatres." Fear knows no geographical bounds. Half of all horror films released by major US distributors last year made 50% or more of their worldwide box office gross outside the US, according to London-based researcher Ampere Analysis. The breakout international hit The Substance, for example, grossed over $77 million worldwide - with around 80% of that from outside the US. Streamers also are similarly capitalising on the appeal of the genre. AMC's post-apocalyptic horror drama series The Walking Dead became one of the most popular series when it was added to Netflix in 2023, amassing 1.3 billion hours viewed, according to Netflix's Engagement Report. Director Guillermo del Toro's film adaptation of Mary Shelley's gothic novel Frankenstein is set to debut in November. Date night Horror films are ideally suited to watching in cinemas, where the environment heightens the experience. "What you can't do at home is sit in a dark room with a hundred other people, not on your phone, and jump," said Blumhouse CEO Jason Blum, producer of Halloween, Paranormal Activity, and other lucrative horror franchises. "You can't really be scared when you watch a horror movie at home." Big-budget films that the industry refers to as tentpoles, such as Captain America: Brave New World or A Minecraft Movie, remain the lifeblood of cinemas. Over time, these blockbusters have elbowed out more moderately budgeted romantic comedies and dramas on cinema screens. Against this backdrop, horror has been quietly gaining momentum. The genre broke the $1 billion box office barrier in the US and Canada for the first time in 2017, Comscore reported, buoyed by the film adaptation of Stephen King's novel It and Jordan Peele's exploration of racial inequality in Get Out. Announcements of new horror films from US producers have risen each year for the last three years, including in 2023, when the Hollywood strikes significantly impacted production, according to Ampere Analysis. The number of US horror films that went into production last year was up 21% over 2023, Ampere found. "While more arthouse fare and even some tentpole superhero franchises have had mixed fortunes at the global box office in the wake of the pandemic, horror remains one of the key genres that audiences still make a point of seeing in the theatres," wrote researcher Alice Thorpe in a report for Ampere's clients that she shared with Reuters. The researcher's own consumer surveys revealed horror is the favourite genre among two-thirds of cinema-goers, ages 18 to 24. "Any time a teenager graduates to wanting to take a date to the movies, horror gets popular really fast," said Warner Bros' Mike De Luca. "It's a great film-going experience to take a date to because you get to huddle with each other and gasp and hoop and holler." 'Freak-show' Horror has been a cinematic staple from its earliest days, when Thomas Edison filmed Frankenstein on his motion picture camera, the Kinetograph, in 1910. The British Board of Film Classification introduced the 'H' rating in 1932, officially designating the genre. But it didn't always get Hollywood's respect. "In the first half of the 20th century, it was seen as a freak-show," said analyst Stephen Follows. Perceptions began to change with the critical and commercial success of films like Psycho, The Exorcist, and The Shining. Director Steven Spielberg ushered in the summer blockbuster in 1975 with Jaws, a re-invention of the classic monster movie. In recent years, horror films have become part of the Oscar conversation. Jordan Peele collected an Academy Award for Best Original Screenplay in 2018 for Get Out. Demi Moore received her first Oscar nomination earlier this year for her portrayal of an ageing TV star who will go to any lengths to stay beautiful in The Substance. Not every horror film connects with audiences. M3GAN 2.0, a sequel to the 2022 low-budget film about a killer robotic doll that grossed $180 million worldwide, brought in a modest $10.2 million in the US and Canada in its opening weekend, according to Comscore. Cinema chains will have no shortage of horror films to screen this summer. Seven films are slated to be released before Labor Day weekend (30 August - 1 September) in the US, including Columbia Pictures' nostalgic reboot of the 1997 film I Know What You Did Last Summer, which reaches screens on 18 July, and Weapons, which opens on 8 August. Both films will be released in Irish cinemas on the same dates. "The best types of these movies are ones that elicit an audible and visceral reaction... 'Don't go in there!'" said Screen Gems President Ashley Brucks, who has worked on such films as Sony's upcoming I Know What You Did Last Summer as well as A Quiet Place and Scream.
