See SZA and Lizzo Perform ‘IRL' for the First Time in Paris
'BAD BITCH… in REAL LIFEEEE @sza !!!!!' Lizzo captioned a clip of the pair singing the track, adding the hashtag #stadiumstatus. 'Thanks for letting me throw it byke on ur stage 😗.'
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Last month, Lizzo opened up about her longtime friendship with SZA, calling her 'one of the only people that I can text at 3 in the morning when I'm crashing out.'
'I really appreciate her, because she understands — and I think it's really hard for you to have someone in your life who actually fucks with you and who's known you for a long time who also understand the world that you're in,' Lizzo told Billboard. 'I think that's what I cherish the most about her. She gets me.'
This is the second time Lizzo joins SZA on her co-headlining world tour with Kendrick Lamar. During the first stop of the shows in Los Angeles last month, the pair of stars performed 'Special.' At the time, Lizzo wrote on Instagram: 'BABYS FIRST STADIUM PERFORMANCE — I love u @sza u r THEE DIVA!'
SZA and Lamar are set to perform in Cardiff, London, Lisbon, and Barcelona through the end of July before wrapping the European run of the tour in Stockholm on Aug. 9. SZA has also surprised fans by bringing out Kaytranada, Justin Bieber, and Doja Cat for surprise performances.
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Yahoo
8 minutes ago
- Yahoo
England fans watch on nervously as Lionesses fall behind in final
England supporters watched on nervously as the Lionesses once again found themselves behind in a crucial Euros tie. Fans draped in England flags joined the Prince of Wales and his daughter Princess Charlotte in holding their heads in their hands as Mariona Caldentey put Spain 1-0 up in the final on Sunday. William and Charlotte were pictured in Switzerland for the Euros final as the royal family led the nation in wishing good luck to England's Lionesses. Shortly before kick-off, an image of the pair was posted on the Prince and Princess of Wales's X account with the caption 'let's go, Lionesses'. As Caldentey's header found the net in the 25th minute, William and Charlotte were pictured with their heads in their hands and crowds in fanzones across England fell silent as they watched proceedings. Before kick-off, supporters waved England flags and loudly sang the national anthem at Boxpark Croydon and star striker Michelle Agyemang's former team, Brandon Groves Community Club in Essex. Agyemang, 19, who had one England cap before the tournament, scored crucial equalisers in the Lionesses' quarter-final and semi-final comebacks. Ahead of the game, 11-year-old Violet Ingram, a left winger for Brandon Grove Emeralds, said: 'Seeing her (Agyemang) and the team just makes me feel like I can do anything I want to do.' The Prince of Wales, who is patron of the Football Association (FA), applauded the national anthem as he stood next to Charlotte in the stadium. In a show of support ahead of the final, the Band of the Grenadier Guards performed Three Lions on the Buckingham Palace forecourt, while the royal family's official X account posted: 'Wishing the very best of luck to the @Lionesses in the Women's Euro Final this evening.' William posted a good luck message on Saturday which read: 'Good luck to the Lionesses tomorrow. 'The nation is so proud you are through to the final, after some stunning comebacks! We are all cheering you on! W.' After England beat Italy 2-1 in the semi-final in Geneva on Tuesday evening, the King and Queen wished the team their 'warmest congratulations'. Charles said: 'Knowing the Lionesses' fighting spirit, I suspect we are in for another thrilling encounter on Sunday. 'Your achievements continue to inspire countless girls and women across the nation, proving once again that with dedication and teamwork, anything is possible. 'Good luck, England. May you roar to victory once more. Charles R.' Prime Minister Sir Keir Starmer said: 'Into the final and inspiring the nation. Let's bring it home.' He said the team had 'changed the game – breaking barriers, making history and inspiring the next generation.' 'Tonight, the whole nation will be behind them. Come on England!' Sir Keir said. Meanwhile, cricketer Joe Root wished the Lionesses' the 'very best of luck' in an online message, adding: 'It's been great to watch you play throughout the tournament.' Olympic 800m champion Keely Hodgkinson said the team has 'absolutely smashed it', adding that 'everybody is so proud of you'. Meanwhile, BBC Sport and ITV have secured the broadcasting rights for the Women's World Cup 2027, meaning the tournament will remain free-to-air for UK viewers. England's path to the final has been marked by late drama. They sealed their spot with a last-gasp extra-time win over Italy, following a penalty shootout victory against Sweden in the quarter-finals after nearly crashing out in extra time. The Lionesses will be looking for redemption against Spain, who edged them 1-0 in the 2023 Women's World Cup final. England boss Sarina Wiegman said the team is 'going to do everything we can to win it' and she would prefer to avoid a 'nerve-wracking' match.
Forbes
11 minutes ago
- Forbes
Beyoncé's Cowboy Carter Is Rewriting American Culture — And Boosting The Economy
PARIS, FRANCE - JUNE 24: Beyoncé Knowles / Beyonce wears a cowboy hat, a burgundy faux fur fluff ... More coat on one shoulder, a blue denim shirt, during the Louis Vuitton Menswear Spring/Summer 2026 show as part of Paris Fashion Week on June 24, 2025 in Paris, France. (Photo by) It was a humid night in Houston when Beyoncé Knowles-Carter moved financial markets—a role typically reserved for the Federal Reserve, the president, or Congress. In the 48 hours surrounding her Cowboy Carter Tour stop, the Bayou City raked in more than $50 million in local spending. Hotels and restaurants were booked to capacity. Surge pricing broke ride-share apps. And local boot stores had lines wrapped around the block. No bill was passed. No policy enacted. This boom came courtesy of a Black woman in a cowboy hat, singing and dancing on horseback. The Cowboy Carter Tour, spanning eight cities and 32 stadium shows, is now winding down in Las Vegas. But it has left more than just cowboy boots and hats behind. In every city it touched, the economic glow still lingers. In a time of seismic shifts in the marketplace and the political landscape, Knowles-Carter has become more than a cultural icon—she's an economic force. With Cowboy Carter, the Grammy-winning artist isn't just reclaiming country music's Black historic roots, she's staking a bold claim on American identity itself, all wrapped in the American flag. It's a masterclass in ownership, scarcity, and cultural disruption—with real implications for micro- and macro-economics nationwide. As cities see real economic impact from Beyoncé's presence, cultural economist Thomas Smith argues her tour is a lesson in modern market behavior, civic stimulus, and the future of 'event economics' in divided times. 'Beyonce coming to town gets everyone riled up, and for cities that means folks converge on areas around the stadium and spend bunches of money,' Smith said. 'This makes her concert more than just entertainment, she's an economic event.' LOS ANGELES, CALIFORNIA - FEBRUARY 02: Beyoncé accepts the Best Country Album award for "COWBOY ... More CARTER" onstage during the 67th Annual GRAMMY Awards at Arena on February 02, 2025 in Los Angeles, California. (Photo byfor The Recording Academy) While her work has drawn fierce criticism from the same forces intent on dragging America back to a time when artists were expected to sing, dance, and stay silent about politics, Knowles-Carter has transcended the noise. Thanks to a loyal fan base and her unapologetic embrace of every facet of her identity—mother, daughter, Black woman, global citizen, and soundtrack supplier for the resistance—she remains a cultural force. Knowles-Carter's voice became even more pronounced with the 2016 release of Lemonade, her sixth studio album, which featured the single 'Formation.' She shook the culture and electrified her fanbase during the Super Bowl 50 halftime show, where she appeared in a Black Panther–inspired bodysuit with a golden 'X' emblazoned across the top. Her dancers wore Black berets—a symbol of global Black resistance, from the Panthers in the U.S. to Caribbean revolutionaries like Che Guevara and Fidel Castro. Lemonade landed at a moment of national reckoning—after the murder of Trayvon Martin, amid the rise of #MeToo, and during a surge of high-profile police killings of unarmed Black men. That album became a cultural inflection point, giving voice to demands for both social and political change. It also marked a strategic shift: Beyoncé released the visual album exclusively on Tidal, the streaming platform owned by her husband, Jay-Z. Football: Super Bowl 50: Celebrity singer Beyonce performing during halftime show of Denver Broncos ... More vs Carolina Panthers game at Levi's Stadium. Santa Clara, CA 2/7/2016 CREDIT: Robert Beck (Photo by Robert Beck /Sports Illustrated via Getty Images) (Set Number: SI-123 TK1 ) The album was released with no press, no leaks, and flawless execution, a bold pivot that cemented Knowles-Carter not just as a performer, but as a CEO and cultural entrepreneur. It marked a strategic shift from traditional promotion to surprise drops, using scarcity and precision to meet and shape market demand. More than a response to a cultural moment, Lemonade embodied Knowles-Carter's 'joy-as-resistance' ethos, offering a vibrant counter to a nation that had just elected Donald Trump as its 45th president. While Trump sold grievance and nostalgia for a mythologized 1950s, Knowles-Carter offered a future-facing vision. Still capitalist, yes, but one rooted in diversity, pride, and cultural ownership. Her music, visuals, and merchandise became part of a larger narrative: that joy, style, and identity are not just aesthetic choices, but political acts. Singing about generational wealth, freedom from historical bondage, and the alchemy of turning lemons into lemonade, Knowles-Carter claimed her space as an artist unafraid to challenge, evolve, and expand her audience's worldview. Back on the Cowboy Carter Tour, while promoting music from her second studio album since Lemonade, Knowles-Carter's role in the so-called 'quiet resistance' has been anything but quiet. Leaning into her southern roots and the crucial role of Black Southerners in shaping American culture, the album serves as a reclamation of global Blackness as foundational to country music. According to Francesca T. Royster, author of Black Country Music: Listening For Revolutions, country music originates from a creole musical tradition deeply rooted in African-American styles. 'The banjo, often associated in pop culture as an instrument for white people who live in rural areas, was an African instrument brought here by enslaved people,' Royster says in her book. In 2022, while speaking with Leo Weekly, Royster delved deeply into the history and politics of country music. 'This genre was founded on a kind of logic of segregation,' Royster told Leo Weekly. 'In the 1920s when the genre was kind of invented more or less by talent scouts and record label labels, they were distinguishing hillbilly music as kind of a white music that was meant for white audiences, and 'race' music, you know, blues, rhythm and blues, and jazz for Black audiences.' Reimagining rural America and redefining 'Americanism' beyond the white-centered lens it's so often framed in, the Cowboy Carter tour and album offer audiences a striking new association with the American flag—one draped across the body of a Black woman. The Cowboy Carter Tour's DC stop happened over 4th of July weekend in Landover, MD. While the album isn't explicitly partisan, its iconography subtly reshapes national identity. It points to an America—and a broader Western Hemisphere—built on the backs of Black labor, inspired by Black innovation, and powered by Black ingenuity. When Beyoncé rolled into Houston's NRG Stadium on June 28 and 29, her hometown got more than it bargained and budgeted for. According to Axios, hotels near the stadium hit 79 percent occupancy -- a sharp increase from 61 percent the prior year, OpenTable reported a 43 percent increase in Houston-area reservations over that three-day period compared to the same stretch last year. Beyoncé's economic impact extended well beyond Texas. During her stop in the nation's capital over Fourth of July weekend, restaurants surrounding Northwest Stadium (formerly Fedex Field) in Landover, Maryland saw nightly profit spikes of $15,000 to $20,000. All gains that Tom Smith described as beneficial for local economics. 'You gotta have the boots, you gotta have the shirt, you gotta have the hat,' said Smith, an economist at Emory University. 'You gotta have all the things. It's not even worth—it's not even worth going if you don't have all the things making the concert an economic driver for local business in the region.' Beyond uplifting local business, Smith, a bass guitar player himself, also emphasized the broader importance of the tour economy as a catalyst for the industries that power live entertainment. That includes stagecrafters, electrical engineers, lighting designers, dancers, musicians, publicists, costume designers, and the full teams that support them. 'A lot of those jobs were decimated during the COVID-19 pandemic, when no one was going on tour,' Smith said. 'And now, these big, mammoth tours, these big stadium tours are spending millions of dollars every night on the people that make sure that the sound and the lights and the ancillary element are working.' SYDNEY COLEMAN (L) and JESSICA HANNAH (R) traveled from Houston, TX. Fans of Beyonce queue to enter ... More SoFi Stadium in Los Angeles on April 28, 2025 to watch her first concert of her newTour named "Cowboy Carter." (Photo by Bexx Francois/For The Washington Post via Getty Images) Cowboy Carter is Beyoncé's second U.S. tour since the pandemic. And while it's most definitely different in tone, the financial punch for America's big cities remains the same. It couldn't come at a more convenient time, either, as cities across the country are seeing a decrease in crime and are searching for new sources of revenue amid a cavalcade of budget cuts from Washington, D.C. As Beyoncé's golden horse, floating horseshoe, and many of her now-iconic Cowboy Carter costumes make their way to the storage units, it's likely her economic impact — not just her spectacle — that cities and states will remember. Beyoncé's name was never on the ballot. She never passed a bill or rage-tweeted on X. And yet, her version of disruption has managed to move both culture and the economy. In her song 'American Requiem,' Knowles-Carter asks listeners to confront the complex and often painful history of race and culture in America. It's a counter narrative to today's political moment, one that treats historical truth as a liability. Through it all, Beyoncé may be proving something radically different: that reckoning with the past isn't just necessary, it might also be profitable.
Fox News
11 minutes ago
- Fox News
Ellie Goulding flaunts toned physique in multiple bikinis during sun-soaked Italian holiday
Ellie Goulding is living it up on her European vacation. The 38-year-old "Lights" singer posted a series of photos on Instagram from her Italian vacation, captioning the post, "Carbs IT." The carousel of photos not only featured the singer sightseeing but also a few bikini photos. In one photo, Goulding can be seen lying on a lounge chair poolside, while wearing an olive-green string bikini. The star can be seen basking in the sun as she held open a book in one hand. Another photo showed Gouldig reading the same book, this time dressed in a black bikini, which she paired with round black and gold sunglasses. The post also featured a selfie of Goulding in the same black bikini, as she posed for the photo indoors. She also took some time to relax on the beach, as she posed for a photo on a dock in the ocean, while wearing a brown bikini with a black pattern design on it. She gave the camera a slight smile as she held a tropical drink. Other photos in the post show the singer enjoying the beautiful views of Italy, exploring the city's ruins, as well as the architecture and the art. "Italy looks so good on you," one fan wrote in the comments section. Another added, "drop the lifting routine ellie omg," while a third chimed in with "Stunningly beautiful." Goulding recently performed her cover of Elton John's hit, "Your Song," at Jeff Bezos and Lauren Sánchez Bezos' wedding reception in Venice, Italy. Opera singer Andrea Bocelli's son, Matteo Bocelli, also performed at the reception, singing a cover of Elvis Presley's "Can't Help Falling in Love" as the newlyweds' first dance song. This isn't the first time Goulding has sung her version of "Your Song" at a famous couple's wedding reception, as she previously performed the song at Prince William and Kate Middleton's second wedding reception after they tied the knot April 29, 2011, in London. The Prince and Princess of Wales shared their first dance to Goulding's cover of the famous song. Goulding made headlines in August 2023 when a video of her getting hit with a firework during her performance at the Victorious Festival in Portsmouth, U.K. went viral on social media. "To those asking I am ok! Pyro didn't hit me directly in the face. Face is intact. Love you thank you x," Goulding wrote on her Instagram stories following the accident. A video from the performance shows Goulding attempting to shield her face from the rogue firework, and she could be heard exclaiming, "F---," before going on with the show. The incident occurred while she was performing her song "Miracle," which she collaborated on with Calvin Harris, when one of the on-stage pyrotechnics malfunctioned and seemed to hit her in the face.
