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Is Squid Game USA Next? Here's what the season three finale's secret might mean for fans

Is Squid Game USA Next? Here's what the season three finale's secret might mean for fans

Economic Times7 hours ago

Agencies Image via Epic Games.
Netflix's Squid Game Season 3 landed this week, ending the saga of Seong Gi-hun (Lee Jung-jae), Player 456, who first captured global attention in Season 1. Viewers watched Gi-hun enter the Games to clear debts but saw him become a rebel inside the blood-soaked competition.This time, the final episode sees Gi-hun trapped in a last stand. He faces Myung-gi (Yim Si-wan) and Jun-hee's newborn baby, now Player 222. Both men kill the other contestants too soon. The cruel twist? At least one must die each round. Myung-gi's desperation ends in a fall off the platform, leaving Gi-hun with a choice — kill the baby or face the guards' guns.Gi-hun defies the Games' cruelty. He ends his own life instead, shouting he is 'not a horse to be bet on but a human with a life.' He spares the child but seals his own fate. Player 456 is gone.As the final round breaks down, Lee Byung-hun's Front Man — In-ho — blows up the Games' island. Hundreds of bodies remain inside the flaming arena. Yet In-ho takes the baby and the winnings — 45.6 billion won (roughly £26 million) — and disappears before the police arrive.The South Korean arena is finished. But the system that fed it? That flame flickers still.
While Gi-hun's life ends, other faces from the Squid Game Season 2 cast — Jun-ho (Wi Ha-jun) and No-eul (Park Gyu-young) — wrestle with their own escapes. Jun-ho, brother to the Front Man, reaches the island at the last moment. No-eul, torn by guilt over abandoning her own child in North Korea, helps another father flee and then tries to torch the Games' secrets.In the chaos, the wealthy VIPs leave untouched. No punishment. No change.Half a year passes. Jun-ho's ally Mr Choi (Jeon Seok-ho) is out of prison. Jun-ho drops his fight. But the Front Man appears again — and hands him Jun-hee's baby and that mountain of won Gi-hun first won. The prize lives on. So does the question: at what cost?And just when the story appears shut — one silent scene swings the door wide open. In the final minutes, In-ho rides through downtown Los Angeles. He spots a figure in a suit. Oscar-winner Cate Blanchett. She's playing Ddakji with a homeless man, echoing Gong Yoo's 'Salesman' from Squid Game Season 1.Their eyes lock. No words. Just a nod. The Front Man closes the window. The camera fades.
Hwang Dong-hyuk, the series creator, told Netflix's Tudum: 'We thought having a woman as a recruiter would be more dramatic and intriguing. And as for why Cate Blanchett, she's just the best, with unmatched charisma. Who doesn't love her? So we were very happy to have her appear.' He added, 'If Gong Yoo is the Korean Recruiter, I thought she would be the perfect fit as the American Recruiter, bringing a short but gripping and impactful ending to the story.' Lee Byung-hun confirmed he never met Blanchett on set: 'We shot our parts separately with just a camera going back and forth.'Blanchett's cameo fuels old rumours. For years, whispers have said Netflix might back a Squid Game USA. Deadline reported David Fincher might develop it. Dennis Kelly, of Utopia, is linked as writer. Sources suggest 'Squid Game: America' could start production in Los Angeles in December 2025. Netflix? Quiet for now.Hwang Dong-hyuk told Entertainment Weekly: 'I'm not trying to say that I'm going to close the door to spinoffs or sequels altogether because they say never say never.'Until then, the Squid Game cast stands frozen between an ending and a question mark.For Netflix, Squid Game lives beyond Gi-hun's sacrifice. There's a mobile game. The reality spin-off Squid Game: The Challenge won a BAFTA. Philadelphia and Dallas will soon house permanent Squid Game venues.So the slap of Ddakji may ring next in American streets. Squid Game Season 1 shocked the world. Seasons 2 and 3 — messy as they were — kept the fight alive. If there's more, it begins with Blanchett's nod on that Los Angeles pavement.One last question for fans: ready for the next slap?

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'I am deeply annoyed and disgusted by the way Prada has appropriated something deeply Indian and traditional — without giving any recognition to the craftspeople or the culture it comes from. This is a metaphor for how we in India often undervalue our own heritage, dismissing it as primitive or merely 'handicraft,' while the world repackages it as luxury,' designer and activist Laila Tyabji, who has worked with craftspersons for decades, told PTI. That the GI-tagged footwear, a symbol of Indian craft that goes back centuries was appropriated by the Italian luxury label which featured it in Spring/Summer 2026 show, led to a massive debate on cultural theft and giving artisans their rightful due. New Delhi, Jun 28 (PTI) The humble kolhapuri, style statement for affordable ethnic elegance and simply staple wear for many, catapulted to the rarefied runways of Milan with Prada rebranding the handcrafted chappal 'leather flat sandals' at Rs 1.2 lakh. The outrage was instant and intense. 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'We are committed to responsible design practices, fostering cultural engagement, and opening a dialogue for a meaningful exchange with local Indian artisan communities as we have done in the past in other collections to ensure the rightful recognition of their craft,' Prada's group head for corporate social responsibility, Lorenzo Bertelli, said in reply to a letter by the Maharashtra Chamber of Commerce, Industry and Agriculture (MACCIA). The industry lobby had sought exploration collaborations and fair compensation to the artisans and also adherence to ethical fashion practices that respect traditional knowledge and cultural rights. For many though, the initial absence of credit for Kolhapuris, paraded as cutting-edge high fashion for clients who are the polar opposite of the regular Kolhapuri wearer, was the most important takeaway from the glam Milan moment. 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Global footwear brand Bata called out Prada for rebranding what 'India has cherished for centuries'. 'It's a reminder that heritage always leads, and trends follow,' said Deepika Deepti, head of marketing at Bata India. 'The Kolhapuri chappal is not a 'design discovery' — it's a living tradition. At Bata India, we've proudly brought this craftsmanship to millions, long before it appeared on international runways. Real originality doesn't come with a luxury tag — it comes with legacy,' she said. The Prada projection has had an unexpected fallout. In Delhi's popular Janpath market, Ashok Grover has been selling a wide range of Kolhapuri chappals since the 1970s. Demand has been dwindling but suddenly there is a flood of inquiries. 'These luxury companies first invest, then go all out on marketing, create hype around products — which aren't even theirs — and finally slap an extravagant price on them. 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'Until now, it hadn't been considered part of the 'cool' or aspirational footwear space in India's luxury market… I truly believe in the ripple effect of what Prada has done. 'While it may not be a direct collaboration, the global visibility can be powerful, boosting awareness, reviving demand, creating jobs, and most importantly, sparking a renewed appreciation for the craftsmanship of the artisans,' said Mann, adding that global reinterpretations are inevitable, but they 'should come with context, credit, and ideally, collaboration'. PTI MG AA MIN MIN MIN This report is auto-generated from PTI news service. ThePrint holds no responsibility for its content.

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