Modigliani: Three Days on the Wing of Madness review – Is Johnny Depp's film a dud or a masterpiece? Prepare for disappointing news
Director
:
Johnny Depp
Cert
:
15A
Starring
:
Riccardo Scamarcio, Antonia Desplat, Bruno Gouery, Ryan McParland, Al Pacino, Stephen Graham, Luisa Ranieri
Running Time
:
1 hr 48 mins
Large portions of the online population are, no doubt, greatly invested in
Johnny Depp
's study of Amedeo Modigliani turning out to be a rampaging dud. Just as many – the section that tweeted swooning support during
that
court case – will have already decided it's the greatest masterpiece this side of Battleship Potemkin.
I have disappointing news for both factions: the film will just about do. Three Days on the Wing of Madness (the title alone had me fanning a sweaty brow before the titles rolled) certainly has its moment of adolescent indulgence. Yes, there is a scene in which the artist takes loads of drugs – booze laced with hash and mushrooms – in a graveyard while fireworks clatter overhead. But brief research confirms that Modì, as he was to pals, did indeed indulge in what the Garda calls cannabis resin.
True, Depp does manage to insinuate The Black Angel's Death Song, by The Velvet Underground, on to the soundtrack. But everyone does that sort of thing these days. It's 20 years since Sofia Coppola had Marie Antoinette promenade to New Order.
So Three Days is no great shakes, but it is rarely embarrassing either. Adapted from a play by Dennis McIntyre – one that the movie's costar
Al Pacino
has been seeking to film for 50 years – the feature goes among Modigliani and his pals in an idealised Paris at the height of the first World War.
READ MORE
Riccardo Scamarcio
, a big star in Italy, is well cast as a charmer whose self-belief is as much a professional handicap as it is an artistic accelerant. When Pacino's grand art dealer scorns Modì's paintings but offers a small fortune for a sculptured head, the dissolute genius turns him down flat. Not for sale.
[
'As Johnny Depp says, if Pacino comes to you and says do something it's better you do it'
Opens in new window
]
Ryan McParland is gaunt as Modì's friend and rival Chaïm Soutine. (The two painted well-known portraits of each other.) Stephen Graham has gruff fun with the influential dealer Léopold Zborowski. Antonia Desplat just about makes Beatrice Hastings, the English-born writer, poet and lover to Modì, come alive, despite underwritten dialogue.
The more it goes on the clearer it becomes that, though Depp no doubt admires Modigliani's work, his real passion here is for the eternally intoxicating fantasy of Parisian bohemia. Scamarcio could be any of the thousand geniuses whose absinthe consumption condemned them to early death in the tenements of Montmartre.
But that myth remains attractive for a reason. The romance still has purchase even in an entertainment as slight as this.
In cinemas from Friday, July 11th
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Irish Times
6 hours ago
- Irish Times
Dublin Theatre Festival programme revealed
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Irish Times
10 hours ago
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Irish Times
20 hours ago
- Irish Times
The Bad Guys 2: Putting the guff in McGuffins
The Bad Guys 2 Director : Pierre Perifel Cert : G Starring : Sam Rockwell, Marc Maron, Craig Robinson, Anthony Ramos, Awkwafina, Danielle Brooks, Natasha Lyonne Running Time : 1 hr 44 mins There should be a word in German for that thing where a movie makes a joke ridiculing some offence the film itself is currently committing. 'We know! So don't nag us. Okay?' There has rarely been a more egregious example than that found at the centre of this tolerable sequel to a modestly successful 2022 animation . The titular troupe of anthropomorphic grifters realise that a set of recent robberies hinge on desire for a magical substance called McGuffinite. If you didn't get that, the material is named for the device in a Hitchcock film that serves merely as an accelerant for the plot. The mysterious wine bottle in Notorious. That sort of thing. The Bad Guys 2, though big on zany visuals of the Hanna Barbera school, is dragged down by an overcomplicated plot about which it becomes increasingly hard to give a hoot. Mr Wolf, Mr Snake, Mr Shark and the rest, after saving the world in the first film, have now settled down to the boring straight existence. The former crooks are, to paraphrase the last lines of Goodfellas, learning to live the rest of their lives like a schnook. Crummy jobs. Cheap cars. No action. [ The Bad Guys: Bad, but not in a good way Opens in new window ] Life heats up when a party of female animals, led by a snow leopard named Kitty Kat, carry out a series of robberies that are blamed on our Bad Guys. Cross and double cross eventually send everyone into space for what wants to be a spectacular denouement. Who is friend? Who is foe? Who really cares? None of which is to suggest there isn't uncomplicated fun to be had here. Pierre Perifel, the French director of both films, seems to have enjoyed his Saturday-morning cartoons as a child. The clamorous, body-twisting set pieces sit somewhere between the ballet of Looney Tunes and the less sophisticated visual blare of Scooby Doo. Nothing wrong with any of that. But one remains puzzled as to what these films want to be. Not nearly enough is done with the animal natures of the heroes. Mr Wolf, voiced by Sam Rockwell, may have big teeth (Grandma), but, the odd growl aside, he does little that George Clooney didn't to in the Oceans films. In contrast, far too much is done with that increasingly unwieldy plot. If you keep yakking about the McGuffin the audience will worry if they should genuinely care about it. That isn't happening here. In cinemas from July 25th