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Music streaming service Deezer adds AI song tags in fight against fraud

Music streaming service Deezer adds AI song tags in fight against fraud

CTV News20-06-2025
The music streaming services Deezer's logo is pictured at the company headquarters, in Paris, France, Monday, Nov. 9, 2015. (AP Photo/Thibault Camus)
LONDON — Music streaming service Deezer said Friday that it will start flagging albums with AI-generated songs, part of its fight against streaming fraudsters.
Deezer, based in Paris, is grappling with a surge in music on its platform created using artificial intelligence tools it says are being wielded to earn royalties fraudulently.
The app will display an on-screen label warning about 'AI-generated content' and notify listeners that some tracks on an album were created with song generators.
Deezer is a small player in music streaming, which is dominated by Spotify, Amazon and Apple, but the company said AI-generated music is an 'industry-wide issue.' It's committed to 'safeguarding the rights of artists and songwriters at a time where copyright law is being put into question in favor of training AI models,' CEO Alexis Lanternier said in a press release.
Deezer's move underscores the disruption caused by generative AI systems, which are trained on the contents of the internet including text, images and audio available online. AI companies are facing a slew of lawsuits challenging their practice of scraping the web for such training data without paying for it.
According to an AI song detection tool that Deezer rolled out this year, 18% of songs uploaded to its platform each day, or about 20,000 tracks, are now completely AI generated. Just three months earlier, that number was 10%, Lanternier said in a recent interview.
AI has many benefits but it also 'creates a lot of questions' for the music industry, Lanternier told The Associated Press. Using AI to make music is fine as long as there's an artist behind it but the problem arises when anyone, or even a bot, can use it to make music, he said.
Music fraudsters 'create tons of songs. They upload, they try to get on playlists or recommendations, and as a result they gather royalties,' he said.
Musicians can't upload music directly to Deezer or rival platforms like Spotify or Apple Music. Music labels or digital distribution platforms can do it for artists they have contracts with, while anyone else can use a 'self service' distribution company.
Fully AI-generated music still accounts for only about 0.5% of total streams on Deezer. But the company said it's 'evident' that fraud is 'the primary purpose' for these songs because it suspects that as many as seven in 10 listens of an AI song are done by streaming 'farms' or bots, instead of humans.
Any AI songs used for 'stream manipulation' will be cut off from royalty payments, Deezer said.
AI has been a hot topic in the music industry, with debates swirling around its creative possibilities as well as concerns about its legality.
Two of the most popular AI song generators, Suno and Udio, are being sued by record companies for copyright infringement, and face allegations they exploited recorded works of artists from Chuck Berry to Mariah Carey.
Gema, a German royalty-collection group, is suing Suno in a similar case filed in Munich, accusing the service of generating songs that are 'confusingly similar' to original versions by artists it represents, including 'Forever Young' by Alphaville, 'Daddy Cool' by Boney M and Lou Bega's 'Mambo No. 5.'
Major record labels are reportedly negotiating with Suno and Udio for compensation, according to news reports earlier this month.
To detect songs for tagging, Lanternier says Deezer uses the same generators used to create songs to analyze their output.
'We identify patterns because the song creates such a complex signal. There is lots of information in the song,' Lanternier said.
The AI music generators seem to be unable to produce songs without subtle but recognizable patterns, which change constantly.
'So you have to update your tool every day,' Lanternier said. 'So we keep generating songs to learn, to teach our algorithm. So we're fighting AI with AI.'
Fraudsters can earn big money through streaming. Lanternier pointed to a criminal case last year in the U.S., which authorities said was the first ever involving artificially inflated music streaming. Prosecutors charged a man with wire fraud conspiracy, accusing him of generating hundreds of thousands of AI songs and using bots to automatically stream them billions of times, earning at least US$10 million.
Kelvin Chan, The Associated Press
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Tech promised virtual reality would revolutionize entertainment. That moment might finally be closer than we think
Tech promised virtual reality would revolutionize entertainment. That moment might finally be closer than we think

CTV News

time16 hours ago

  • CTV News

Tech promised virtual reality would revolutionize entertainment. That moment might finally be closer than we think

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Here's Why Nebius Group Nearly Doubled in the First Half of 2025
Here's Why Nebius Group Nearly Doubled in the First Half of 2025

Globe and Mail

time18 hours ago

  • Globe and Mail

Here's Why Nebius Group Nearly Doubled in the First Half of 2025

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The bandage dress is back — here's how Gen Z is wearing it
The bandage dress is back — here's how Gen Z is wearing it

CBC

time20 hours ago

  • CBC

The bandage dress is back — here's how Gen Z is wearing it

The year was 2007. Apple released the iPhone; the Spice Girls set out on their first reunion tour; and the final Harry Potter book hit the shelves. It was also the year the bandage dress — a form-fitting frock that mimics the look of a body wrapped in, well, bandages — was ubiquitous, worn by the likes of Rihanna, Lindsay Lohan and Victoria Beckham. Now, nearly 20 years later, the polarizing silhouette appears to be making a comeback, and the numbers prove it. Molly Rooyakkers — an Amsterdam-based researcher who uses data to forecast fashion trends — noted a recent surge in interest, globally, around the style (a 400 per cent increase in online search traffic in just one week in June). That has slowed, Rooyakkers said, but searches are still up compared to this time last year. "It's definitely still trending," she said. While many may be familiar with the reign of the bandage dress in the late 2000s and early 2010s — some fondly refer to it as the "millennial going-out dress" — couturier Azzedine Alaïa first introduced the look back in the 1980s, drawing inspiration from the layered strips of fabric on Egyptian mummies. In the 1990s, designer Hervé Léger created his own version of the look, and it became a red-carpet staple; supermodel Cindy Crawford famously wore a white number to the Oscars in 1993. In 2007, A-listers started wearing the dress to buzzy events and it trickled down to the masses via fast-fashion dupes. A go-to formula for a night out at the club? A bandage dress, a blazer and a pair of wedge or platform heels to navigate a sticky dance floor. Like most trends, it died out, making way for styles like the slip dress, the wrap dress and the milkmaid dress. But last September — in an obvious nod to Crawford's fashion moment — her daughter, Kaia Gerber turned heads at the Toronto International Film Festival in a similar white bandage dress. It was an early sign of the trend's revival, Rooyakkers said, but the spike came after British womenswear brand House of CB launched a collection of bandage dresses to celebrate the company's 15-year anniversary. "Part of the appeal is that it pushes back against the rise of 'quiet luxury' and more conservative dressing," Rooyakkers said. "A lot of brands that used to cater to the going-out outfits, like PrettyLittleThing, have pivoted to minimalist looks. So people became really excited about the bandage dress because it was in opposition to a mainstream trend that they didn't necessarily like or relate to." Toronto fashion stylist Candy Sai said the trend is resonating with a younger generation. "While millennials remember the bandage dress as a nightlife staple, Gen Z is reinterpreting it through a fresh lens — pairing it with streetwear elements, oversized leather jackets or even sneakers to give it a more casual, wearable edge," she said. And under creative director Michelle Ochs, the Hervé Léger brand is doing its part to bring the style back, releasing a slew of updates on the theme. Of course, there's the concern that the return of the dress glamorizes toxic ultra-thin beauty standards. "The bandage dress is historically associated with very small body types across the 1990s late 2000s, so its comeback seems to overlap with that shift," Rooyakkers said. "It's not that the dress requires a certain body type, but culturally it's tied to that esthetic." For Sai, the trend is no surprise, with Y2K fashion still dominating the runways and the streets. And Rooyakkers believes the dress has staying power as it's come back again and again — and is easy to thrift or find as a dupe. "That accessibility gives it the potential to keep circulating for a while," she said.

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