logo
Engineering Sabah Art Gallery Conservation Building

Engineering Sabah Art Gallery Conservation Building

Borneo Post18 hours ago

Tan
Sabah Art Gallery
The Sabah Art Gallery Conservation Building in Kota Kinabalu is more than just a place to showcase art — it's a shining example of what great engineering, cultural pride and environmental care can achieve. As the first certified green public building in Sabah and Malaysia's first green art gallery, it is a landmark that blends modern engineering with local heritage and sustainability. The Sabah Art Gallery (SAG) is situated 14, Jalan Shantung, 88300 Kota Kinabalu. It was designed and constructed by a multidisciplinary team, with PY Konsep Perunding Sdn. Bhd. serving as the Civil & Structural Consultant. It serves as a dynamic platform for artistic expression with a growing collection of over 3,000 paintings, carvings, and sculptures.
The gallery curates and hosts more than 12 exhibitions annually, highlighting emerging artists, exploring fresh themes, and introducing innovative approaches to contemporary and traditional art.
Let us explore the unique features of this remarkable project, focusing on its originality and engineering excellence, sustainable features, value to the community and clients, and the broader impact it has had on the engineering profession.
Originality, Innovation and Quality of Engineering
From the very beginning, the Sabah Art Gallery set out to be different. Unlike most buildings that follow conventional box-like forms, the gallery takes the shape of an octagon, drawing inspiration from traditional Sabahan basketry such as the Wakid or Basung. This design choice was more than symbolic — it presented serious engineering challenges that required inventive thinking and problem-solving.
The building features slanted columns angled at 60.87°, which shift the center of gravity away from the structural centroid, requiring tension ring beams on each floor to act as tie elements and resist horizontal movement. This innovative design makes it one of the first structures in Sabah to use such steep slanting columns, posing unique engineering and construction challenges.
One of the most striking aspects of the structure is its 60-degree slanted columns, an unprecedented feature in Sabah's built environment. These columns, which angle outward from the building's base, created a unique load distribution problem that could not be resolved using conventional approaches. To stabilise them, engineers designed and installed tension ring beams on each level to act like belts, holding the slanted columns in place and resisting outward forces. The building's shape and structural system demanded detailed analysis and modelling, resulting in what is likely Sabah's first application of this type of geometry in a public building.
Another standout feature is the 15-metre-long spiral staircase that elegantly connects the upper floors. This staircase had to be both slender in appearance and strong enough to avoid uncomfortable vibrations, particularly since it spans a height of five metres without intermediate supports. Its construction demonstrated the team's ability to balance structural integrity with architectural aesthetics.
Even the walls posed a unique challenge. With many large side openings to allow natural light, the walls could not rely on nearby columns for support. Instead, they were designed as one-way spanning reinforced concrete panels, transferring loads between the floors above and below. These creative engineering solutions highlight the project's originality, and the high level of technical expertise involved.
Maintainability and Sustainability Considerations
Beyond its visual and structural uniqueness, the Sabah Art Gallery was designed with a clear commitment to environmental sustainability and long-term maintainability. In fact, it holds the distinction of being the first Green Building Index (GBI) certified public building in Sabah and the first green art gallery in Malaysia, receiving a Silver rating from the GBI panel in 2012.
Energy efficiency was one of the project's major achievements. The building recorded a Building Energy Intensity (BEI) score of 105, compared to the Malaysian standard of 350 for office buildings. This difference represents an annual energy saving of about one megawatt, alongside a reduction of 780 tonnes of carbon dioxide emissions.
The gallery also incorporates a rainwater harvesting system, allowing it to collect and reuse water for landscaping and toilet flushing. This system alone saves approximately 330,000 litres of potable water each year, accounting for around 32% of the building's total annual water use.
On the rooftop, solar panels and a solar-powered chilled water air-conditioning system contribute to lowering electricity consumption. The building envelope and roof materials were carefully selected for their heat insulation properties, minimising the need for mechanical cooling. Internally, LED lighting integrated with motion and light sensors ensures that artificial lighting is only used when necessary.
Furthermore, the building was designed to encourage green transportation. Special parking bays with electric vehicle charging stations were included, reflecting a forward-thinking approach to future mobility needs.
Together, these features demonstrate that the gallery is not only innovative in design but also practical and efficient in its operation, reducing both environmental impact and long-term maintenance costs.
Significance to the Community, Client and ESG Considerations
While the engineering and sustainability aspects are impressive, what truly elevates the Sabah Art Gallery is its deep connection to the community and cultural heritage of Sabah. Developed by the Sabah Ministry of Tourism, Culture and Environment and managed by the Sabah Cultural Board, the gallery was envisioned as more than just a building — it was meant to be a living centre for art, learning, and identity.
One of the core missions of the gallery is to celebrate and preserve ethnic visual art, especially from Sabah's diverse indigenous communities. The space supports local artists by providing a prestigious platform to display their works, while also attracting artists from across Malaysia and abroad. It serves as a venue for art forums, exhibitions, and community outreach programs, including efforts to bring art education to rural schools and towns.
The building itself acts as a canvas of cultural storytelling. Its external walls feature motif panels inspired by the designs of the Murut, Dusun, Bajau, Iranun and Rungus ethnic groups. These motifs are not only decorative but symbolic, representing unity in diversity and reinforcing the gallery's role as a cultural bridge.
From an Environmental, Social, and Governance (ESG) perspective, the project excels in all three areas. Environmentally, it meets high standards for sustainability. Socially, it serves the public good by promoting culture, education and inclusion. In terms of governance, the project was executed under a fixed-price, design-and-build contract with no variation orders, demonstrating cost discipline and professional accountability.
Value to the Engineering Profession
The Sabah Art Gallery Conservation Building is not just an achievement for the project team — it is a milestone for the entire engineering profession in Sabah and Malaysia. It showcases how engineers can step beyond conventional practices to tackle complex geometries, embrace sustainable technologies, and work in harmony with architectural and cultural goals.
For engineering students and young professionals, the project serves as a case study in innovation and sustainability. It has been referenced in training programs and technical papers, contributing to the body of knowledge in civil and structural engineering.
The project also reinforces the idea that engineers are not just problem solvers — they are creators, collaborators, and stewards of the built environment. The success of the Sabah Art Gallery demonstrates how the profession can contribute meaningfully to society, culture, and the planet.
In Conclusion
The Sabah Art Gallery Conservation Building is a remarkable example of how thoughtful engineering can bring together function, beauty and responsibility. Its bold structure, green features, cultural purpose and professional execution make it a standout project not just in Sabah, but in Malaysia as a whole.
It proves that with the right vision and collaboration, we can build spaces that do more than just stand — they inspire, protect and connect. As such, the Sabah Art Gallery is more than a building — it is a symbol of what's possible when engineering serves both people and purpose.

Orange background

Try Our AI Features

Explore what Daily8 AI can do for you:

Comments

No comments yet...

Related Articles

Engineering Sabah Art Gallery Conservation Building
Engineering Sabah Art Gallery Conservation Building

Borneo Post

time18 hours ago

  • Borneo Post

Engineering Sabah Art Gallery Conservation Building

Tan Sabah Art Gallery The Sabah Art Gallery Conservation Building in Kota Kinabalu is more than just a place to showcase art — it's a shining example of what great engineering, cultural pride and environmental care can achieve. As the first certified green public building in Sabah and Malaysia's first green art gallery, it is a landmark that blends modern engineering with local heritage and sustainability. The Sabah Art Gallery (SAG) is situated 14, Jalan Shantung, 88300 Kota Kinabalu. It was designed and constructed by a multidisciplinary team, with PY Konsep Perunding Sdn. Bhd. serving as the Civil & Structural Consultant. It serves as a dynamic platform for artistic expression with a growing collection of over 3,000 paintings, carvings, and sculptures. The gallery curates and hosts more than 12 exhibitions annually, highlighting emerging artists, exploring fresh themes, and introducing innovative approaches to contemporary and traditional art. Let us explore the unique features of this remarkable project, focusing on its originality and engineering excellence, sustainable features, value to the community and clients, and the broader impact it has had on the engineering profession. Originality, Innovation and Quality of Engineering From the very beginning, the Sabah Art Gallery set out to be different. Unlike most buildings that follow conventional box-like forms, the gallery takes the shape of an octagon, drawing inspiration from traditional Sabahan basketry such as the Wakid or Basung. This design choice was more than symbolic — it presented serious engineering challenges that required inventive thinking and problem-solving. The building features slanted columns angled at 60.87°, which shift the center of gravity away from the structural centroid, requiring tension ring beams on each floor to act as tie elements and resist horizontal movement. This innovative design makes it one of the first structures in Sabah to use such steep slanting columns, posing unique engineering and construction challenges. One of the most striking aspects of the structure is its 60-degree slanted columns, an unprecedented feature in Sabah's built environment. These columns, which angle outward from the building's base, created a unique load distribution problem that could not be resolved using conventional approaches. To stabilise them, engineers designed and installed tension ring beams on each level to act like belts, holding the slanted columns in place and resisting outward forces. The building's shape and structural system demanded detailed analysis and modelling, resulting in what is likely Sabah's first application of this type of geometry in a public building. Another standout feature is the 15-metre-long spiral staircase that elegantly connects the upper floors. This staircase had to be both slender in appearance and strong enough to avoid uncomfortable vibrations, particularly since it spans a height of five metres without intermediate supports. Its construction demonstrated the team's ability to balance structural integrity with architectural aesthetics. Even the walls posed a unique challenge. With many large side openings to allow natural light, the walls could not rely on nearby columns for support. Instead, they were designed as one-way spanning reinforced concrete panels, transferring loads between the floors above and below. These creative engineering solutions highlight the project's originality, and the high level of technical expertise involved. Maintainability and Sustainability Considerations Beyond its visual and structural uniqueness, the Sabah Art Gallery was designed with a clear commitment to environmental sustainability and long-term maintainability. In fact, it holds the distinction of being the first Green Building Index (GBI) certified public building in Sabah and the first green art gallery in Malaysia, receiving a Silver rating from the GBI panel in 2012. Energy efficiency was one of the project's major achievements. The building recorded a Building Energy Intensity (BEI) score of 105, compared to the Malaysian standard of 350 for office buildings. This difference represents an annual energy saving of about one megawatt, alongside a reduction of 780 tonnes of carbon dioxide emissions. The gallery also incorporates a rainwater harvesting system, allowing it to collect and reuse water for landscaping and toilet flushing. This system alone saves approximately 330,000 litres of potable water each year, accounting for around 32% of the building's total annual water use. On the rooftop, solar panels and a solar-powered chilled water air-conditioning system contribute to lowering electricity consumption. The building envelope and roof materials were carefully selected for their heat insulation properties, minimising the need for mechanical cooling. Internally, LED lighting integrated with motion and light sensors ensures that artificial lighting is only used when necessary. Furthermore, the building was designed to encourage green transportation. Special parking bays with electric vehicle charging stations were included, reflecting a forward-thinking approach to future mobility needs. Together, these features demonstrate that the gallery is not only innovative in design but also practical and efficient in its operation, reducing both environmental impact and long-term maintenance costs. Significance to the Community, Client and ESG Considerations While the engineering and sustainability aspects are impressive, what truly elevates the Sabah Art Gallery is its deep connection to the community and cultural heritage of Sabah. Developed by the Sabah Ministry of Tourism, Culture and Environment and managed by the Sabah Cultural Board, the gallery was envisioned as more than just a building — it was meant to be a living centre for art, learning, and identity. One of the core missions of the gallery is to celebrate and preserve ethnic visual art, especially from Sabah's diverse indigenous communities. The space supports local artists by providing a prestigious platform to display their works, while also attracting artists from across Malaysia and abroad. It serves as a venue for art forums, exhibitions, and community outreach programs, including efforts to bring art education to rural schools and towns. The building itself acts as a canvas of cultural storytelling. Its external walls feature motif panels inspired by the designs of the Murut, Dusun, Bajau, Iranun and Rungus ethnic groups. These motifs are not only decorative but symbolic, representing unity in diversity and reinforcing the gallery's role as a cultural bridge. From an Environmental, Social, and Governance (ESG) perspective, the project excels in all three areas. Environmentally, it meets high standards for sustainability. Socially, it serves the public good by promoting culture, education and inclusion. In terms of governance, the project was executed under a fixed-price, design-and-build contract with no variation orders, demonstrating cost discipline and professional accountability. Value to the Engineering Profession The Sabah Art Gallery Conservation Building is not just an achievement for the project team — it is a milestone for the entire engineering profession in Sabah and Malaysia. It showcases how engineers can step beyond conventional practices to tackle complex geometries, embrace sustainable technologies, and work in harmony with architectural and cultural goals. For engineering students and young professionals, the project serves as a case study in innovation and sustainability. It has been referenced in training programs and technical papers, contributing to the body of knowledge in civil and structural engineering. The project also reinforces the idea that engineers are not just problem solvers — they are creators, collaborators, and stewards of the built environment. The success of the Sabah Art Gallery demonstrates how the profession can contribute meaningfully to society, culture, and the planet. In Conclusion The Sabah Art Gallery Conservation Building is a remarkable example of how thoughtful engineering can bring together function, beauty and responsibility. Its bold structure, green features, cultural purpose and professional execution make it a standout project not just in Sabah, but in Malaysia as a whole. It proves that with the right vision and collaboration, we can build spaces that do more than just stand — they inspire, protect and connect. As such, the Sabah Art Gallery is more than a building — it is a symbol of what's possible when engineering serves both people and purpose.

World's first gibbon born in captivity in Sabah to be released into the wild
World's first gibbon born in captivity in Sabah to be released into the wild

New Straits Times

time12-06-2025

  • New Straits Times

World's first gibbon born in captivity in Sabah to be released into the wild

Pictures courtesy of Gibbon Conservation Society KOTA KINABALU: The world's possibly first gibbon born in captivity will be released into the wild with its parents once it reaches 6 months of age. '"Nabalu' was born on May 8 to Candyman and Manis, a pair of gibbons rescued and rehabilitated at the Borneo Gibbon Rehabilitation Project (Borneo GReP) in Kampung Kiau Bersatu, Kota Belud. The centre was established in 2022. Gibbon experts said a successful "rewilding" must meet all release criteria outlined in the International Union for Conservation of Nature (IUCN) Best Practice Guidelines for the Rehabilitation and Translocation of Gibbons. Gibbon Conservation Society founder and president Mariani Ramli, a Sabahan primatologist, said Nabalu and its parents will be released as a family once the baby is over 6 months old. "With Nabalu's birth, both Manis and Candyman have demonstrated their readiness for rewilding." She said the release site must be agreed upon by all stakeholders, including the Tourism, Culture and Environment Ministry, Sabah Wildlife Department and Gibbon Conservation Society. The honour of naming the newborn gibbon was given to Sabah Tourism, Culture and Environment Minister Datuk Seri Christina Liew by the Gibbon Conservation Society. "The birth on May 8 is a historic milestone for this endangered species in captivity at the rehabilitation centre. I chose the name 'Nabalu', which means Spirit of the Mountain, for this baby gibbon," said Liew. She added that the ministry, through the Sabah Wildlife Department, supports the Gibbon Conservation Society's gibbon conservation, rehabilitation and rewilding efforts. Liew congratulated Mariani for gaining international recognition for her gibbon conservation work in Malaysia. Mariani was recently appointed the only Malaysian World Female Ranger Ambassador for Resilience for 2024 and 2025. "With your passion and relentless dedication, you (Mariani) have made Sabah and Malaysia proud through your leadership in gibbon conservation.

Kadazan man told not 'Malaysian enough' to rent room in Puchong
Kadazan man told not 'Malaysian enough' to rent room in Puchong

The Star

time08-06-2025

  • The Star

Kadazan man told not 'Malaysian enough' to rent room in Puchong

KOTA KINABALU: When Kinney Junior Clarence applied to rent a room in Bukit Puchong, he anticipated the usual questions from agents, such as location, job, budget, and race. What the 37-year-old customer service specialist from Sabah did not expect was to be indirectly told that he was not "Malaysian enough." Clarence, who has lived and worked in the Klang Valley for about five years, shared a conversation on Threads that left many netizens both amused and annoyed. He had applied for a room via a rental site and, as per routine, filled in his details, listing his ethnicity as Kadazan. To his surprise, the property agent replied that the unit was "reserved for local Malaysians only." "I was stunned. I replied, 'Kadazan is Sabahan, sister! I'm Malaysian too," Kinney told The Star. Despite his explanation, he said the agent never responded after that. Rather than getting angry, Clarence chose to laugh it off. "It was funny and a bit infuriating at the same time, because it is such a basic thing. Kadazan is not even a rare ethnicity. Imagine if I had mentioned some of the lesser-known races in Sabah," he said. Clarence added that this was not the first time he had encountered such ignorance. "People in the peninsula often confuse ethnic groups in Sabah and Sarawak. Some think Iban is from Sabah, or Kadazan from Sarawak. It is common, but still disappointing," he said. Originally from Penampang, he returned to the Klang Valley to build his career after the Covid-19 pandemic, having previously studied there. He said he was looking for a room in Bukit Puchong simply because it was closer to his office. Fortunately, Kinney has since found a better place, which he described as "closer to work, better, and with no issues like that." His post has since gone viral, receiving over 1,700 likes and 298 comments, many from fellow East Malaysians sharing similar experiences. One Sarawakian said the issue extended beyond house hunting, recounting job interviews where she was told, "Sorry, we only hire Malaysians at the moment." Another recalled being welcomed to "Malaysia" by fellow university students on her first day of class, despite being from Sabah. One commenter from rural Sarawak joked that as a Kenyah, they were mistaken for someone from East Africa's Kenya. Others questioned how such confusion could still happen, with one suggesting the agent "retake her History and Geography papers." Despite the humour, Clarence hopes Malaysians, especially in Peninsular Malaysia, will make more effort to understand the country's cultural and ethnic diversity. "Come on lah, it's 2025. We should not still be asking if someone from Sabah is Malaysian," he said.

DOWNLOAD THE APP

Get Started Now: Download the App

Ready to dive into a world of global content with local flavor? Download Daily8 app today from your preferred app store and start exploring.
app-storeplay-store