
Piaget Brings Sixties Boldness Back with Shapes of Extraleganza
Piaget is embracing its flamboyant roots with Shapes of Extraleganza, a bold new high jewellery collection unveiled just outside Barcelona. Inspired by the Swinging Sixties and Seventies, the range reimagines vintage glamour through modern silhouettes, vibrant colour palettes, and avant-garde craftsmanship.
The collection draws from the Maison's landmark 21st Century Collection of jewellery watches, first launched in Basel in 1969. That original line captured the artistic and social dynamism of the era and Shapes of Extraleganza channels that same spirit through striking new designs. Showcasing Piaget's technical finesse, the new collection highlights the brand's expertise in sourcing and setting rare stones.
Standout pieces include a one-of-a-kind necklace set with 19 fancy-shaped black Australian opals and a cushion-cut blue sapphire, as well as another featuring exceptionally rare round-cut emeralds paired with hand-engraved gold and baguette-cut diamonds. These designs reflect Piaget's ongoing commitment to craftsmanship and innovation, with some pieces taking years to bring to completion.
The collection also includes bold earrings set with diamonds, emeralds, malachite, and chrysoprase—creations aimed at collectors who favour strong, characterful designs.
Among the most visually arresting suites is Kaleidoscope Lights, which brings together nine ornamental stones—including sugilite, rhodochrosite, verdite, and sodalite—in a vibrant, striped mosaic that draws inspiration from Op Art and Pop Art. One standout necklace features a 3.01-carat pear-shaped D-IF diamond framed by vividly coloured stones, offering a perfect balance between artistic expression and wearable luxury.
Shapes of Extraleganza reflect Piaget's ongoing exploration of its historical design language through contemporary forms. The collection references past motifs while introducing updated materials and techniques, resulting in pieces that are both visually bold and technically complex. Related

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The Star
a day ago
- The Star
'Legacy Alive' keeps the flame going for three late Malaysian creatives
Project Future Malaysia, a community arts initiative, presents Legacy Alive – a tribute showcase honouring three visionary Malaysian figures: novelist K.S. Maniam (1942–2020), musician and drummer Lewis Pragasam (1957–2023), and visual artist Nirmala Dutt (1941–2016). Through this programme, Project Future Malaysia aims to inspire a new generation of artists by celebrating the enduring impact and creative legacies of these trailblazers. The showcase, to be held at Five Arts Centre, GMBB in Kuala Lumpur on June 28, features original works by Melizarani T. Selva (literature and theatre), Blank Malaysia (visual art), and Stan Calvin (music), fostering intergenerational dialogue through contemporary expression. Project Future Malaysia founder Kevin Bathman, who conceptualised the show, drew inspiration from his work with Australian arts NGO Diversity Arts Australia, where he worked on projects spotlighting culturally diverse artists. 'That experience made me reflect on how, in Malaysia, we often overlook our own creative figures until after they are gone. Even then, their names are rarely mentioned and their works quickly fade from public memory,' says Bathman. 'Over the years, other than Nirmala Dutt's retrospective exhibition at Ilham Gallery (in KL) in 2023, I have seen how easily these three artists' legacies have been forgotten, despite their significant and sometimes award-winning contributions to Malaysia's creative scene. This project is a way to honour their work and keep their stories alive,' he adds. Last year, Maniam's posthumous novel The Cry , published by Maya Press, was finally released. Bridging generations In Legacy Alive , writer and performer Melizarani reinterprets Maniam's 1990 play, The Sandpit: Womensis , through a theatrical playlet. 'I was drawn to the women in Maniam's writing. This piece lets them speak to each other, and to us, across time. It is a chance to rescue themselves from what once seemed inevitable,' she says. Maniam, best known for his novels The Return and In A Far Country , was also a founding member of the arts collective Five Arts Centre. His The Sandpit: Womensis is considered a significant contribution to the Malaysian performing arts canon, alongside The Cord (1983) and The Skin Trilogy (1995). Melizarani will reinterpret Maniam's 1990 play 'The Sandpit: Womensis' through a theatrical playlet. Visual artist A.J. Roberts, better known as Blank Malaysia, will unveil a new installation inspired by Nirmala's ecological concerns. 'Nirmala challenged systems and aesthetics. I want to echo her urgency for environmental justice, but in the language of today's climate crisis,' says Blank Malaysia. In music, Calvin continues the legacy of the immensely talented Pragasam, blending Carnatic drumming with contemporary bass lines. 'Lewis was a rhythm innovator. This piece is my way of keeping that pulse alive, by remixing heritage into something new,' says Calvin. Digging deeper Supported by the 2024 Hai-O Arts and Culture Grants, the project also received support from Cipta Seni Incubator, which provided mentorship and feedback to the artists during the development of their pieces. The Cipta Seni Incubator is part of the British Council's 2023–24 'Connections Through Culture' initiative. Bathman says that the involvement of the incubator programme really benefited the three artists. 'It gave them the space to experiment with new mediums and explore themes they may not have previously worked with. The feedback sessions allowed them to refine their ideas and push their work further. 'That kind of structured support is rare, and it made a real difference in shaping the direction and depth of their final pieces,' he says. Blank Malaysia notes that the lessons gained from this project have laid a strong foundation for his continued research-based approach to art. 'The advice given by the team helped refine ideas and find new approaches that would be a better fit to convey the information needed in a research-based art project,' he says. For Melizarani, the feedback and perspective from Cipta Seni Incubator founders Tom Curteis and Sharmilla Ganesan were valuable to her writing process. 'They were able to see how the playlet could live beyond being solely a tribute. Their feedback inspired me to consider the possibility of turning it into a full length play and flesh out the characters' even more,' she says. Remembering local talents Malaysia often fails to recognise its own talents until it is too late, says Bathman. 'Even after a veteran artist passes on, there is rarely a moment of collective reflection on the body of work they have contributed. We tend to look abroad for inspiration or chase the next big thing, without pausing to acknowledge the Malaysians who have spent decades working within local communities or highlighting issues that matter to Malaysians, he says. Despite its modest beginnings in an experimental theatre space, the Legacy Alive showcase stands as a significant platform for sparking dialogue and encouraging reflection. 'I hope this project serves as a call to commemorate and spotlight our local talent. It is about appreciating the work that has already been done, often quietly and without much recognition, but with lasting impact,' he concludes. Legacy Alive takes place at Five Arts Centre, GMBB, KL on June 28, 3pm-5.30pm. Free admission with RSVP (there are limited seats available). Open to ages 18 and above. The venue is wheelchair accessible; refreshments will be provided. Instagram: @projectfuturemalaysia.


Borneo Post
2 days ago
- Borneo Post
11-year-old organist to perform at St Peter's Church Padungan opening
Kai (left) and Kenzie (right) seen during rehearsals at St Peter's Church here yesterday, in preparation for their upcoming performances. – Photo by Beverly Chan. KUCHING: At just 11 years old, Sarawakian-Australian Kai Laird is one of the rare few in his age group to master the pipe organ, an instrument typically associated with seasoned musicians. The young organist is set to perform during the opening ceremony of the newly completed St Peter's Church in Padungan, which will be consecrated in a week-long celebration starting today until July 5. The church, poised to become one of Kuching's latest architectural and spiritual landmarks, features a custom-built Allen digital organ imported from the United States. It is on this instrument that Kai will perform several specially selected pieces over two days. He will be playing 'You Raise Me Up' by Josh Groban and 'Prière de Notre Dame' by Léon Boëllmann, today. On Tuesday, his set will include J.S. Bach's 'Toccata and Fugue' in D minor (BWV 565), 'Be Thou My Vision', and a duet performance of the 'Skye Boat Song' with his younger brother Kenzie Laird, 7, on violin. Kai began his musical journey with piano lessons at the age of three, taught by his mother. Today, he plays four instruments: the pipe organ, piano, cello, and drums. Kai Laird – Photo by Chimon Upon His parents — Robert Wallace Laird from Australia and Beverly Chan from Kuching, Sarawak — are both professional pianists and run a music studio in Australia where they also teach. 'My parents asked me if I wanted to try the pipe organ, and I said 'Okay'. When I played it at St Mary's Cathedral (Perth), I thought, 'Oh my gosh, this is so crazy',' Kai said when met by The Borneo Post. He now practises the organ twice a day for about 40 minutes, and the piano for 20 minutes. Both he and Kenzie are home-schooled, giving them the flexibility to focus on music full-time. Kai enjoys the pipe organ for its sound, versatility, and complexity. 'You can mix all the sounds, adjust them, and even play with your feet. Sometimes I get confused with the pedals or the sounds, but I can fix it afterwards. It's fun!' he said enthusiastically. He owns a digital organ built in 1982, which allows him to practise from home. He looks forward to navigating the significantly larger organ at St Peter's, made by the same company, on performance day. 'There is a lot to get used to with each organ. Some pedal boards are curved, some are flat. The number of keyboards also changes. St Peter's has four manuals, which is really cool,' he said. Kai has already performed in Malaysia, Australia, Scotland, and England, and is currently the youngest organ scholar at St Mary's Cathedral in Perth. Robert and Beverly with their sons, Kai and Kenzie, photographed during the interview. – Photo by Chimon Upon Following his performance at St Peter's, the family will travel to the United Kingdom next week for another recital. In October, he is set to compete in his first organ competition in Sydney. In a field where young players are rare, Kai continues to build a name for himself with discipline, focus, and genuine love for the music, and may well inspire more children to explore the organ too. Related report: Week-long celebration to mark consecration of new St Peter's Church in Padungan Kai Laird Kuching pipe organ St Peter's Church Padungan


BusinessToday
6 days ago
- BusinessToday
Piaget Brings Sixties Boldness Back with Shapes of Extraleganza
Piaget is embracing its flamboyant roots with Shapes of Extraleganza, a bold new high jewellery collection unveiled just outside Barcelona. Inspired by the Swinging Sixties and Seventies, the range reimagines vintage glamour through modern silhouettes, vibrant colour palettes, and avant-garde craftsmanship. The collection draws from the Maison's landmark 21st Century Collection of jewellery watches, first launched in Basel in 1969. That original line captured the artistic and social dynamism of the era and Shapes of Extraleganza channels that same spirit through striking new designs. Showcasing Piaget's technical finesse, the new collection highlights the brand's expertise in sourcing and setting rare stones. Standout pieces include a one-of-a-kind necklace set with 19 fancy-shaped black Australian opals and a cushion-cut blue sapphire, as well as another featuring exceptionally rare round-cut emeralds paired with hand-engraved gold and baguette-cut diamonds. These designs reflect Piaget's ongoing commitment to craftsmanship and innovation, with some pieces taking years to bring to completion. The collection also includes bold earrings set with diamonds, emeralds, malachite, and chrysoprase—creations aimed at collectors who favour strong, characterful designs. Among the most visually arresting suites is Kaleidoscope Lights, which brings together nine ornamental stones—including sugilite, rhodochrosite, verdite, and sodalite—in a vibrant, striped mosaic that draws inspiration from Op Art and Pop Art. One standout necklace features a 3.01-carat pear-shaped D-IF diamond framed by vividly coloured stones, offering a perfect balance between artistic expression and wearable luxury. Shapes of Extraleganza reflect Piaget's ongoing exploration of its historical design language through contemporary forms. The collection references past motifs while introducing updated materials and techniques, resulting in pieces that are both visually bold and technically complex. Related