
The Worst Day Of Someone's Life Shouldn't Be Your Content Strategy
'Everything is content.' It's a mantra well known in the creator economy. Every meal, documented. Every matcha latte, photographed. Even a mundane errand—picking up dry cleaning—can become a backdrop for storytelling. Why? Because the next viral video can come from anything. And virality means followers, and followers mean monetization.
But in an era where influencers wield the ability to direct millions of people's attention toward a single moment, how intentional should they be with that power?
Yesterday, a controversy surrounding the CEO and an HR executive at startup Astronaut captured viral attention. Videos dissecting the event flooded TikTok and Instagram. Some offered commentary (dripping in schadenfreude), while others leaned into creating memes. Surprisingly, much of the content was posted by official corporate accounts capitalizing on the virality of the moment for marketing their product. To many viewers, it was just drama. But for the individuals involved, it was likely the worst day of their lives, played out for millions, on loop.
This kind of content creation raises the question: When is it citizen journalism, and when is it exploitation? Is it engaging in productive dialogue, or is it entertainment at someone else's expense?
And yes, I recognize the irony: by writing this, I too am participating in a moment that's already saturated the content cycle (ugh!). But I'm not interested in perpetuating the drama. I'm interested in what it reveals about the ecosystem we've built. One where pain can be packaged for clicks, and where the line between creator and commentator, journalist and entertainer, is more blurred than ever.
Creators today hold the kind of influence that used to be reserved for legacy media, and with that influence should come responsibility. The line between commentary and sensationalism is thinner than ever.
Doctors have the hippocratic oath. Venture capital firms often develop ethical investing theses: some won't invest in gambling, smoking, or other industries that promote harmful behavior. Creators, too, must develop a personal code of ethics.
At the same time, viewers should ask: Am I rewarding content that harms others?
In the attention economy, our eyeballs are votes and clicks are dollars. We shape the algorithm that enables creators' livelihood.
Not everything needs to be content. And sometimes, the most humane thing a creator can do is choose not to post.
If you're a creator, what's your line when it comes to storytelling and virality?A special thanks to Jean Luo for her contributions to this discussion.
Follow me on Instagram or LinkedIn. Check out my website.
Hashtags

Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles


Forbes
4 minutes ago
- Forbes
The Incredible Tech That Stole The Show At Goodwood's Future Lab
Future Lab at the Goodwood Festival of Speed 2025 showcased the most jaw-dropping innovations in AI, ... More robotics, space, and ocean exploration. If you come to the Goodwood Festival of Speed expecting nothing but the roar of supercars and the scent of high-octane fuel, you're only getting half the story. Tucked just beyond the Hillclimb track lies one of the most futuristic corners of the estate, where combustion engines give way to quantum simulations, satellites, and synthetic intelligence. Welcome to Future Lab, Goodwood's immersive technology campus, where sci-fi steps off the page and into reality. Curated by the ever-curious and brilliantly insightful Lucy Johnston, Future Lab is where Goodwood asks not what the car of the future looks like, but what kind of future we want to build in the first place. And based on this year's line-up, that future is intelligent, immersive, and quite possibly orbiting the planet. Technology For A Better World Future Lab showcased four themes this year, tackling some of the biggest questions of our time: how we move through the world (Mobility for Humanity), how we build things (New Industrial Revolutions), how we map reality (Exploring Spatial Intelligence), and how we care for the planet (Our Big Blue Dot). Each theme was packed with hands-on demonstrations and mind-expanding exhibits, but a few projects in particular rose above the crowd, not just for what they showed, but for what they promise. Meet Ameca: The Robot With A Face That Gets You Let's start with the humanoid robot that drew both fascination and a few startled double-takes: Ameca. Created by UK-based Engineered Arts and presented at Future Lab by The National Robotarium, Ameca looks less like a robot and more like a character from the next Pixar movie. What sets Ameca apart is not just her hyper-realistic facial expressions or uncanny ability to hold eye contact. It's her flexibility. She doesn't come with a baked-in intelligence, but instead acts as a hardware interface for any AI brain you like, whether it's ChatGPT, Alexa, or something custom-built. As Steve Maclaren from The National Robotarium put it, "She's designed to communicate on a human level with facial expression, actual eye contact, and gestures." And while some visitors looked nervous at first, Maclaren observed that children immediately connected with Ameca, chatting away like it was the most normal thing in the world. In ten years, he predicts robots like Ameca could be helping with household chores or assisting in healthcare. Judging by the reception here, that future might arrive sooner than we think. Manufacturing Materials—In Orbit While humanoid robots might get the headlines, one of the most quietly revolutionary projects at Future Lab was floating a little higher, literally. Enter Space Forge, a Cardiff-based aerospace company developing reusable satellites to manufacture semiconductors in orbit. Why space? Because the vacuum and microgravity conditions found in low Earth orbit are ideal for growing ultra-pure crystals used in semiconductors and quantum materials. On Earth, gravity introduces tiny imperfections. Up there, materials form more perfectly, meaning better chips, better devices, and lower energy usage. Andrew Griffiths of Space Forge explained how their ForgeStar platform is already in orbit and collecting data. Future versions will be fully return-capable, equipped with high-tech reentry shields and soft-landing systems that allow the satellites to be recovered, refurbished, and reused. This isn't just a moonshot. With funding from the UK government, NATO, and ESA, Space Forge is positioning itself as the factory of the future, floating above us. The Endurance Wreck, Revived By AI From space to seabed, the Future Lab experience also plunged into the history of Ernest Shackleton's legendary ship, the Endurance. The Falklands Maritime Heritage Trust (FMHT) showcased the extraordinary mission to locate the wreck of the Endurance beneath 3,000 meters of Antarctic ice using undersea robots and sonar drones. Once found, the next challenge was to bring it to life, and that's where artificial intelligence came in. Elena Lewendon from FMHT detailed how the team used photogrammetry and AI-powered colour correction to stitch together over 25,000 deep-sea images. The result is an extraordinarily accurate digital twin of the wreck. From that, a 3D-printed model was created, built over 350 hours, to help children and visitors explore every bolt and timber of Shackleton's ship. 'Children can now experience the Endurance in a way no history book ever could,' Lewendon said. And with its new status as a protected Antarctic monument, the wreck is now both a preserved artifact and a living educational tool. Mapping The Universe With AI Looking up rather than down, the University of Sussex and the European Space Agency brought the cosmos into focus with the Euclid space telescope. While it quietly orbits 1.5 million kilometres from Earth, Euclid is busy mapping the universe in unprecedented detail. The mission? To decode the mysterious forces of dark matter and dark energy. Professor Stephen Wilkins explained how Euclid's mission relies on AI to process its staggering volume of data, billions of galaxies, many faint and distant. 'There's just no way humans could classify all of it manually,' he said. 'So we're teaching machines to spot the extraordinary in the ordinary.' Wilkins hopes this new lens on the universe will bring answers to some of physics's most stubborn questions. At the very least, it's likely to inspire a new generation of stargazers, armed with better data and smarter tools than ever before. A Few More Marvels Worth Mentioning The wonder didn't stop there. Visitors could pilot the moon's surface in VR thanks to Somniacs and Cesium's Lunar Flight Experience, or step inside Atlantic Studios' cosmic Apple Vision Pro journey through the James Webb Space Telescope's finest images. BMW offered a glimpse of its 'Heart of Joy' control system for next-gen electric driving. Marble's climate drones mapped environmental change with surgical precision. And the E1 electric raceboats added a splash of speed to the sustainability message. Each exhibitor, from ocean explorers to orbital engineers, shared a common message: the future isn't just about sleek machines or clever code. It's about purpose. Why Future Lab Matters More Than Ever Among the engine growls and cheering crowds, Future Lab is a welcome jolt of reflection. It reminds us that technology isn't just for going faster, it's for going further, with thought and with care. As Lucy Johnston, the Lab's curator, summed up: 'This is about championing technology for a better world. The exhibitors are solving real-world challenges with bold thinking, creative tools, and scientific collaboration.' Future Lab proves that the real race is to make tomorrow better than today. And judging by what was on show this year, we've got some very good people (and robots) on our team.
Yahoo
5 minutes ago
- Yahoo
Rosie O'Donnell Shows Off Weight Loss Transformation on Red Carpet
Originally appeared on E! Online Rosie O'Donnell is giving the world a view of her body transformation. Four months after detailing her weight loss journey using the drug Mounjaro, an anti-Type 2 diabetes GLP-1 medication, the former The View cohost showed off her current progress by stepping out on the red carpet at the Burlesque: The Musical premiere in London. For the July 22 screening, Rosie highlighted her slimmer figure by rocking tight pants adorned with colorful graffiti and a sleek black T-shirt. To complete her ensemble, the 63-year-old wore an oversized twill blazer that had "New York" etched all over it and opted to accessorize with black boots and coordinating reading glasses. Rosie kicked off her weight loss journey as far back as 2022, when she shared that she was prescribed Mounjaro by her doctor and began making major changes to her diet. "At Christmas I stopped drinking anything except water," Rosie said in a January 2023 TikTok. "I really stopped drinking five or six Diet Cokes a day. All I drink is water now, and I'm not eating sugar as much as I can." More from E! Online Idaho Murderer Bryan Kohberger Stabbed Xana Kernodle Over 50 Times: Autopsy Kelly Clarkson Debuts Chopped Bob Hair Transformation Sharon Osbourne Reacts to Ozzy Osbourne Tribute After His Death And she recently revealed that the injectable medication has been a big help in maintaining those alterations to her lifestyle, which also included "trying to move more." As she put it, "My appetite has decreased significantly—it's probably the meds." Another new development that has surprisingly contributed to her shedding pounds? Rosie's January 2025 move to Ireland with her youngest child Clay, 12, who she shares with late ex-wife Michelle Rounds. "I've lost more weight here," the actress—who is also mom to Parker, 30, Chelsea, 27, Blake, 25, and Vivienne, 22—said of her new residence in a March 20 TikTok video. "I am still on Mounjaro for my diabetes and one of the side effects is you lose weight." In fact, Rosie noted that she had to go shopping in Dublin for pants that "fit better." "I'm one of those people who's always had a weight issue," she shared, "and now that I'm a size large, instead of an XL or a 2XL, I find it shocking." For more stars who have debuted jaw-dropping weight loss transformations, keep reading. Tammy SlatonJelly RollAl RokerJason KelceRosie O'DonnellJazz JenningsChristopher SchwarzeneggerChrissy MetzJohn GoodmanOprah WinfreyLizzo For the latest breaking news updates, click here to download the E! News App Solve the daily Crossword
Yahoo
5 minutes ago
- Yahoo
Who are Ozzy Osbourne's kids? — A breakdown of his six children from two marriages
The late Ozzy Osbourne was a father of six kids before he died on July 22, 2025, at the age of 76. The Black Sabbath rocker shared three kids — Elliot Kingsley, Jessica Osbourne and Louis Osbourne — with his ex-wife, Thelma Riley, whom he was married to from 1971 to 1982. He later welcomed Aimee Osbourne, Kelly Osbourne and Jack Osbourne with his second wife, Sharon Osbourne, whom he married in 1982. Scroll to learn more about Ozzy's kids. Elliot Kingsley Ozzy adopted Kinglsey, born in 1966, when he was married to Riley. Riley welcomed her son with an unidentified man. Kinglsey tends to keep out of the spotlight with no public social media accounts. Jessica Osbourne Ozzy and Riley welcomed Jessica in 1972. The actress got candid about her relationship with her father in the 2011 documentary 'God Bless Ozzy Osbourne,' saying, 'It was a very erratic childhood with dad.' According to E! News, Jessica and her brother Louis recalled the guitarist rarely being home and always going to bars. Louis Osbourne Louis, born in 1975, is the youngest of Riley and Ozzy's children. He married Louise Osbourne in December 2003, and the couple shares one child together. According to the Osbourne family statement, Louis was present alongside his siblings — Jack, Kelly and Aimee — when Ozzy died. Aimee Osbourne Aimee, born to Ozzy and Sharon in 1983, also rarely steps into the spotlight. The ARO pop band member got into a rift with her family more than two decades ago when they decided to film their MTV reality TV series, 'The Osbournes,' which aired from 2002 to 2005. At the time, the musician moved out of her family home, telling the Independent in 2008 that she refused to be portrayed as a 'weirdo depressed daughter that's afraid of the world and locks herself in her room all day.' 'I just didn't choose to do the show,' Aimee said. During a radio interview in 2020, the actress shared she has always 'valued' her privacy. The following year, Aimee's sister Kelly shared that they were estranged during an appearance on the 'Armchair Expert' podcast. 'We're just really different,' the 'Fashion Police' alum said. 'She doesn't understand me, and I don't understand her.' Aimee, meanwhile, was seen shopping with her mom in London in 2023. Kelly Osbourne Kelly Osbourne, born in 1984, has notably stayed in the spotlight with her famous parents. The TV personality starred in 'The Osbournes' and 'Fashion Police' from 2010 to 2017. She also actively participated in 'The Osbournes Podcast,' alongside Ozzy, Sharon and Jack, since it launched in 2018. Kelly got engaged to her fiancé, Sid Wilson, at Ozzy's Black Sabbath farewell concert in England on July 5, 2025. Per a video shared via Instagram, Ozzy, who was sitting down beside Sharon, jokingly told the Slipknot member, 'F–k off, you're not marrying my daughter.' The couple, who hard-launched their relationship in January 2022, share a son, Sidney, whom they welcomed that November. Jack Osbourne Jack is the youngest of Ozzy and Sharon's children, born in 1985. The media personality was also active in 'The Osbournes' reality series and maintained a close relationship with his parents and Kelly. He tied the knot to his first wife, Lisa Stelly, in 2012 before their divorce was finalized in 2019. The exes are parents to daughter Pearl, born in 2012, Andy Rose, born in 2015, and Minnie, born in 2018. Jack later started dating his current wife, Aree Gearhart, in 2019, and they welcomed their daughter, Maple Artemis, in 2022. The following year, the couple tied the knot. Solve the daily Crossword