Antiques Roadshow expert leaves guest gobsmacked over huge value of 'scary' bowl
An Antiques Roadshow guest was left stunned by the eye-watering valuation of a bowl that had been gathering dust under his stair case for several years.
The BBC programme ventured to Tredegar House in Wales for another episode, with expert Duncan Campbell on hand to examine some interesting pieces, including one rather "scary" bowl, the Express reports.
Campbell opened with: "Poisonous snakes aren't everyone's cup of tea so how do you feel about having a festival of snakes on your dining room table? Or do you not keep it on your dining table?"
The guest explained: "We don't keep it on the dining table no, we keep it under the stairs actually but now that I've seen it out again, it's a while since I've seen it out, it's actually quite attractive in a scary sort of way, isn't it?"
"I think it was put away, because we can't really decide what to do with it," he continued.
When questioned about how he came to own it, the guest revealed: "It was my grandfather's, it's been handed down to me from my grandfather who was in the army in the North West Frontier in the 1890s."
"So we think that's where he got it, that sort of area which is now sort of North West Pakistan, isn't it?"
Campbell then intervened to enlighten the guest, explaining that the piece actually originated from Kashmir and was covered in "local symbols."
He went on: "And you've got Kashmiri or local leaves, you've got Chinar leaves, coriander leaves and all of this flora and fauna, poking its head out and rearing up in a very sort of aggressive looking way. The bowl itself is based on what's called a kashkul which is a begging bowl which the [whirling] Dervish monks used to carry who collect arms from the locals."
'It's a popular shape that was used by the local craftsman to turn into all sorts of things, for example, your lovely centre piece which was never intended to be sold to a Kashmiri, this was always expected to be sold to a foreigner," he continued.
"It's a wonderful item, it's much bigger than what Kashmiri silver is, it's on a very grand scale," Campbell explained.
"And as far as date of manufacture goes, this is going to be about 1890 and the market for what's essentially Islamic metal work, has grown and grown in recent years."
"This is not only skillful work but a really nice looking object. It has some considerable value too."
Upon hearing talk of a big price tag, the guest's expression changed dramatically, his eyebrows shooting up as he exclaimed: "Oh. Right."
Campbell then revealed: "It would cost you about, somewhere around £4,000 mark." The delighted guest responded with a wide grin: "Oh. Right. That's more than what I was thinking. Thank you very much. Brilliant!".
"Not at all. A nice thing to be left," Campbell remarked as the guest enthused: "What a result."
When cheekily questioned about whether he'd remove the bowl from its under-stair storage, the guest chuckled and replied: "I think it will. Get some bananas to put in it."
Hashtags
Try Our AI Features
Explore what Daily8 AI can do for you:
Comments
No comments yet...
Related Articles
Leader Live
23 minutes ago
- Leader Live
Happy Valley role born out of fear, Sarah Lancashire says
Lancashire, 60, won two leading actress Baftas for playing no-nonsense Sergeant Catherine Cawood in the BBC drama set in Hebden Bridge. Her decades-long 'brilliant and intangible' working relationship with writer Sally Wainwright influenced her role, but fear was key to her performance. Discussing the role at Windsor Castle on Tuesday, after being formally made a Commander of the British Empire (CBE), Lancashire told the PA news agency: 'That was just born out of fear, abject fear, of feeling quite off-piste. 'Literally it was a leap of faith, jumping off the cliff at midnight in the dark. 'But knowing that somebody has the confidence in you and the belief in you – she (Wainwright) is deeply persuasive as an individual, which I absolutely, really admire, I'm very grateful, always.' Lancashire's breakout role came as fan-favourite barmaid Raquel Watts in Coronation Street, which she played for five years until 1996, appearing in more than 260 episodes. She and Wainwright first met when they were 'cutting their teeth' on the soap opera. The duo later collaborated on the BBC drama Last Tango In Halifax, for which Lancashire won her first Bafta in 2014 for her supporting role. They worked together again on Happy Valley, which ran from 2014 to 2023. Asked what spurred the terror of playing Sergeant Cawood, Lancashire told PA: 'The setting of it, being asked to play something which I had no knowledge of at all – absolutely no knowledge. 'And knowing that the level of research that was available to me was going to be quite limited in the time available. 'But in actual fact – as she (Wainwright) always said – it wasn't a procedural drama, it was not a police drama, it… was a family.' She spoke about performing during a conversation with the Princess Royal at the ceremony at the Berkshire royal residence. Anne told her that she had briefly acted while at boarding school, Lancashire said. The actress told PA: 'We were really talking about performance, and how she'd done a little bit of this when she was at boarding school. 'I think they all had to go onto a stage at some point and it can stand you in very good stead for future roles in life, no matter where it takes you.' Being a professional actor 'is sort of clinging on for dear life', she said. 'It never changes. Very often as an actor you're swimming against the tide whilst standing on shifting sand. 'You feel that you may have some sort of trajectory but then the industry changes, because the industry is ever-evolving – every 10 years, you'll find yourself in an industry which is slightly different, requiring something different from you. 'So you're never secure, there's never a moment where you can be complacent, at all. 'It's sort of a clinging on for dear life, you just hope that you can stay with it.' Her relationship with Wainwright was pivotal in fighting that tide. She said: 'Having known her (Wainwright) for a very long time, decades, and just meeting someone whose voice you admire so much. 'Who knows why… there's an alchemy, that just works. It's a wonderful thing when you find it, not that I was looking for it, but it just happens – that's a tremendous thing.'
Powys County Times
23 minutes ago
- Powys County Times
Happy Valley role born out of fear, Sarah Lancashire says
Bafta-winning actress Sarah Lancashire has said her star role in Happy Valley was 'born out of fear'. Lancashire, 60, won two leading actress Baftas for playing no-nonsense Sergeant Catherine Cawood in the BBC drama set in Hebden Bridge. Her decades-long 'brilliant and intangible' working relationship with writer Sally Wainwright influenced her role, but fear was key to her performance. Discussing the role at Windsor Castle on Tuesday, after being formally made a Commander of the British Empire (CBE), Lancashire told the PA news agency: 'That was just born out of fear, abject fear, of feeling quite off-piste. 'Literally it was a leap of faith, jumping off the cliff at midnight in the dark. 'But knowing that somebody has the confidence in you and the belief in you – she (Wainwright) is deeply persuasive as an individual, which I absolutely, really admire, I'm very grateful, always.' Lancashire's breakout role came as fan-favourite barmaid Raquel Watts in Coronation Street, which she played for five years until 1996, appearing in more than 260 episodes. She and Wainwright first met when they were 'cutting their teeth' on the soap opera. The duo later collaborated on the BBC drama Last Tango In Halifax, for which Lancashire won her first Bafta in 2014 for her supporting role. They worked together again on Happy Valley, which ran from 2014 to 2023. Asked what spurred the terror of playing Sergeant Cawood, Lancashire told PA: 'The setting of it, being asked to play something which I had no knowledge of at all – absolutely no knowledge. 'And knowing that the level of research that was available to me was going to be quite limited in the time available. 'But in actual fact – as she (Wainwright) always said – it wasn't a procedural drama, it was not a police drama, it… was a family.' She spoke about performing during a conversation with the Princess Royal at the ceremony at the Berkshire royal residence. Anne told her that she had briefly acted while at boarding school, Lancashire said. The actress told PA: 'We were really talking about performance, and how she'd done a little bit of this when she was at boarding school. 'I think they all had to go onto a stage at some point and it can stand you in very good stead for future roles in life, no matter where it takes you.' Being a professional actor 'is sort of clinging on for dear life', she said. 'It never changes. Very often as an actor you're swimming against the tide whilst standing on shifting sand. 'You feel that you may have some sort of trajectory but then the industry changes, because the industry is ever-evolving – every 10 years, you'll find yourself in an industry which is slightly different, requiring something different from you. 'So you're never secure, there's never a moment where you can be complacent, at all. 'It's sort of a clinging on for dear life, you just hope that you can stay with it.' Her relationship with Wainwright was pivotal in fighting that tide. She said: 'Having known her (Wainwright) for a very long time, decades, and just meeting someone whose voice you admire so much. 'Who knows why… there's an alchemy, that just works. It's a wonderful thing when you find it, not that I was looking for it, but it just happens – that's a tremendous thing.'
North Wales Chronicle
23 minutes ago
- North Wales Chronicle
Happy Valley role born out of fear, Sarah Lancashire says
Lancashire, 60, won two leading actress Baftas for playing no-nonsense Sergeant Catherine Cawood in the BBC drama set in Hebden Bridge. Her decades-long 'brilliant and intangible' working relationship with writer Sally Wainwright influenced her role, but fear was key to her performance. Discussing the role at Windsor Castle on Tuesday, after being formally made a Commander of the British Empire (CBE), Lancashire told the PA news agency: 'That was just born out of fear, abject fear, of feeling quite off-piste. 'Literally it was a leap of faith, jumping off the cliff at midnight in the dark. 'But knowing that somebody has the confidence in you and the belief in you – she (Wainwright) is deeply persuasive as an individual, which I absolutely, really admire, I'm very grateful, always.' Lancashire's breakout role came as fan-favourite barmaid Raquel Watts in Coronation Street, which she played for five years until 1996, appearing in more than 260 episodes. She and Wainwright first met when they were 'cutting their teeth' on the soap opera. The duo later collaborated on the BBC drama Last Tango In Halifax, for which Lancashire won her first Bafta in 2014 for her supporting role. They worked together again on Happy Valley, which ran from 2014 to 2023. Asked what spurred the terror of playing Sergeant Cawood, Lancashire told PA: 'The setting of it, being asked to play something which I had no knowledge of at all – absolutely no knowledge. 'And knowing that the level of research that was available to me was going to be quite limited in the time available. 'But in actual fact – as she (Wainwright) always said – it wasn't a procedural drama, it was not a police drama, it… was a family.' She spoke about performing during a conversation with the Princess Royal at the ceremony at the Berkshire royal residence. Anne told her that she had briefly acted while at boarding school, Lancashire said. The actress told PA: 'We were really talking about performance, and how she'd done a little bit of this when she was at boarding school. 'I think they all had to go onto a stage at some point and it can stand you in very good stead for future roles in life, no matter where it takes you.' Being a professional actor 'is sort of clinging on for dear life', she said. 'It never changes. Very often as an actor you're swimming against the tide whilst standing on shifting sand. 'You feel that you may have some sort of trajectory but then the industry changes, because the industry is ever-evolving – every 10 years, you'll find yourself in an industry which is slightly different, requiring something different from you. 'So you're never secure, there's never a moment where you can be complacent, at all. 'It's sort of a clinging on for dear life, you just hope that you can stay with it.' Her relationship with Wainwright was pivotal in fighting that tide. She said: 'Having known her (Wainwright) for a very long time, decades, and just meeting someone whose voice you admire so much. 'Who knows why… there's an alchemy, that just works. It's a wonderful thing when you find it, not that I was looking for it, but it just happens – that's a tremendous thing.'
